Blake stimson (126 Ergebnisse)

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Paperback. Zustand: Good. ?Don?t start an art collective until you read this book.? -Guerrilla Girls ?Ever since Web 2.0 with its wikis, blogs and social networks the art of collaboration is back on the agenda. Collectivism after Modernism convincingly proves that art collectives did not stop after the proclaimed death of the historical avant-gardes. Like never before technology reinvents the social and artists claim the steering wheel!? -Geert Lovink, Institute of Network Cultures, Amsterdam ?This examination of the succession of post-war avant-gardes and collectives is new, important, and engaged.? - Stephen F. Eisenman, author of The Abu Ghraib Effect ?Collectivism after Modernism crucially helps us understand what artists and others can do in mushy, stinky times like ours. What can the seemingly powerless do in the face of mighty forces that seem to have their act really together? Here, Stimson and Sholette put forth many good answers.? -Yes Men Spanning the globe from Europe, Japan, and the United States to Africa, Cuba, and Mexico, Collectivism after Modernism explores the ways in which collectives function within cultural norms, social conventions, and corporate or state-sanctioned art. Together, these essays demonstrate that collectivism survives as an influential artistic practice despite the art world?s star system of individuality. Collectivism after Modernism provides the historical understanding necessary for thinking through postmodern collective practice, now and into the future. Contributors: Irina Aristarkhova, Jesse Drew, Okwui Enwezor, RubÉn Gallo, Chris Gilbert, Brian Holmes, Alan Moore, Jelena Stojanovi´c, Reiko Tomii, Rachel Weiss. Blake Stimson is associate professor of art history at the University of California Davis, the author of The Pivot of the World: Photography and Its Nation, and coeditor of Visual Worlds and Conceptual Art: A Critical Anthology. Gregory Sholette is an artist, writer, and cofounder of collectives Political Art Documentation/Distribution and REPOhistory. He is coeditor of The Interventionists: Users? Manual for the Creative Disruption of Everyday Life. ?To understand the various forms of postwar collectivism as historically determined phenomena and to articulate the possibilities for contemporary collectivist art production is the aim of Collectivism after Modernism. The essays assembled in this anthology argue that to make truly collective art means to reconsider the relation between art and public; examples from the Situationist International and Group Material to Paper Tiger Television and the Congolese collective Le Groupe Amos make the point. To construct an art of shared experience means to go beyond projecting what Blake Stimson and Gregory Sholette call the ?imagined community?: a collective has to be more than an ideal, and more than communal craft; it has to be a truly social enterprise. Not only does it use unconventional forms and media to communicate the issues and experiences usually excluded from artistic representation, but it gives voice to a multiplicity of perspectives. At its best it relies on the participation of the audience to actively contribute to the work, carrying forth the dialogue it inspires.? -BOMB.…

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Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Beccy Blake (illustrator).

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Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Beccy Blake (illustrator).…

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Sprache: Englisch
Verlag: California College of the Arts, San Francisco, 2012
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Zustand: New. Citizen Warhol investigates Andy Warhol's most deep-seated inuences - his religious practices; his art training; his dalliance with Aubrey Beardsley; his triumphs as a commercial artist - and shows how they were fundamental to the life and legacy of the mature artist. Num Pages: 256 pages, 105 colour, 45 black and white. BIC Classification: ACXJ1; BGF. Category: (G) General (US: Trade). Dimension: 162 x 200 x 24. Weight in Grams: 690. . 2014. hardcover. . . . . Books ship from the US and Ireland.…

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Zustand: New. Citizen Warhol investigates Andy Warhol's most deep-seated inuences - his religious practices; his art training; his dalliance with Aubrey Beardsley; his triumphs as a commercial artist - and shows how they were fundamental to the life and legacy of the mature artist. Num Pages: 256 pages, 105 colour, 45 black and white. BIC Classification: ACXJ1; BGF. Category: (G) General (US: Trade). Dimension: 162 x 200 x 24. Weight in Grams: 690. . 2014. hardcover. . . . .…

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Soft cover. Zustand: Very Good. 2012 Soft Cover 96pp. 24 plates. Interior clean. Wraps VG.

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Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Verlag: The MIT Press, 2006
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In den WarenkorbSoftcover. Zustand: Very Good. First Edition. Maurice Merleau-Ponty, "My body is the pivot of the world." Near pristine interior, crimped rear panel bottom tip, front panel furled, else tightly bound, clean and unmarked of interior. Sterling collection of essays about the place of photography post-1950, and with scores of black-and-white photographs in explication. Stated First Printing, with "1" in number line present. x [1], 2-220 pp.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.…
Verlag: The MIT Press, 2006, 2006
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In den WarenkorbFirst edition Fine and bright glossy stiff wraps with excellent square spine and crisp bright text throughout. Profusely illustrated throughout.

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Soft cover. Zustand: Very Good. Has some light general reading/shelfwear - otherwise, this is a clean, tight copy. Dispatch within 24hrs from the UK. Book.

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Paperback. Zustand: Good. An anthology of writings and projects by artists who developed and extended the genre of institutional critique. "Institutional critique" is an artistic practice that reflects critically on its own housing in galleries and museums and on the concept and social function of art itself. Such concerns have always been a part of modern art but took on new urgency at the end of the 1960s, when-driven by the social upheaval of the time and enabled by the tools and techniques of conceptual art-institutional critique emerged as a genre. This anthology traces the development of institutional critique as an artistic concern from the 1960s to the present by gathering writings and representative art projects of artists from across Europe and throughout the Americas who developed and extended the genre. The texts and artworks included are notable for the range of perspectives and positions they reflect and for their influence in pushing the boundaries of what is meant by institutional critique. Like Alberro and Stimson's Conceptual Art: A Critical Anthology this volume will shed new light on its subject through its critical and historical framing. Even readers already familiar with institutional critique will come away from this book with a greater and often redirected understanding of its significance. Artists represented includeWieslaw Borowski, Daniel Buren, Marcel Broodthaers, Groupe de Recherche d'Art Visuel, Hans Haacke, Robert Smithson, John Knight, Graciela Carnevale, Osvaldo Mateo Boglione, Guerilla Art Action Group, Art Workers' Coalition, Mierle Laderman Ukeles, Michael Asher, Mel Ramsden, Adrian Piper, The Guerrilla Girls, Laibach, Silvia Kolbowski, Andrea Fraser, Fred Wilson, Mark Dion, Maria Eichhorn, Critical Art Ensemble, Bureau d' tudes, WochenKlausur, The Yes Men, Hito Steyerl, Andreas Siekmann.…

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Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.