9780870701436 - picasso and portraiture: representation and transformation (32 Ergebnisse)

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Hardcover. Zustand: Used.

- Hardcover
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Hardbound. Navy cloth with white lettering; grey dw with color illustration and black lettering; 496 pp. profusely illustrated in color and bw. Includes 11 critical essays, with topics including self-portraits, Marie-Therese Walter, Dora Maar, Francoise Gilot, and much more; with extensive text and an index of illustrations; an…amazingly informative catalogue from the exhibition. "Portraiture has managed to flourish in modern painting in spite of the popularization of photography, the decline of traditional patronage, and modernism's increasing emphasis on abstraction. However problematic modern styles have been for representational art, painters have continued to discover new possibilities in the imaging of the human face. This book explores the challenge of the modernist portrait through the multiple solutions proposed by its foremost protagonist and, in so doing, becomes the first volume ever published on the subject of Picasso and portraiture. The hundreds of works reproduced here - most of them unfamiliar, some virtually unknown - demonstrate the remarkable range of Picasso's experimentation in all its stylistic and psychological diversity. The book opens with an authoritative, broad-ranging essay by William Rubin; the nine essays that follow - all by major contemporary scholars and critics - examine different periods and aspects of Picasso's career and clarify personal relationships between the artist and his subjects. It closes with an essay by Mr. Rubin on the late portraits. Numerous photographs, some never before published and many by outstanding photographers, present the portrait subjects as seen through the eye of the camera. This book, published to accompany a major exhibition at The Museum of Modern Art, New York, opening in April 1996, no doubt will long remain the definitive work on its subject."--Jacket. VG, minor wear to dj edges and ex-library spine label and stamp/marking to title page, otherwise clean.

- Hardcover
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Hard Cover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. -. 1. Publisher's full navy cloth, silver letter on spine, title blind-stamped on front cover, grey endpapers. Illustrated with B&W and color photographs and reproductions. . Small scratch on bottom of front board and head of spine, cloth binding slightly wr…inkled at top and bottom of front board, else volume is tight, square, and clean. Unclipped dust jacket shows two closed tears at bottom of front panel and head of spine. NEAR FINE/VERY GOOD. . 4to 11" - 13" tall. 496 pp.

- Hardcover
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Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. 1st Edition. Fine with no wear or markings in a near fine jacket showing light wear. This price includes the extra weight cost and safe and prompt shipping via USPS.

- Hardcover
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hardcover. Zustand: fine. Zustand des Schutzumschlags: fine. Second. Frontispiece portrait; 757 illustrations, including 216 in color. 496 pages. Very thick 4to, blue cloth, d.w. New York: Museum of Modern Art and Abrams, (1996). Second printing. Fine in fine dust wrapper. Essays by Anne Baldassari, Pierre Daix, Michael C. Fitzg…erald, Brigitte Leal, Marilyn McCully, Robert Rosenblum, William Rubin, Helene Seckel, and Kirk Varnedoe. Picasso (illustrator).

- Hardcover
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Hardcover. Zustand: As New. Zustand des Schutzumschlags: As New. 12.0 X 9.1 X 1.9 inches; 496 pages.
Weitere Bilder- Hardcover
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hardcover. Zustand: Like New. Like New. First Edition. Bound in dark blue cloth with silver foil lettering on the spine. Front cover has title blind stamped. Features 757 illustrations, including 216 in full color. 496pp. Pictorial dustjacket.CONDITION: Minor shelf wear. Pages are crisp and clean. Binding and text block are squa…re and sound. Dustjacket is lightly rubbed. Due to the size and weight of this item, an additional shipping charge will likely apply, and will be requested after purchase. Full refund if not satisfied.

- Hardcover
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Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Very nice copy with little, if any, use. Tight binding, crisp interior. Heavy thick volume; price includes domestic Media Mail shipping.

- Hardcover
Anbieter: Hudson River Book Shoppe, Waldwick, NJ, USAHudson River Book Shoppe
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Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. As new/unread. Illustrated.

- Hardcover
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dj. First Edition. First edition and first printing. Hardcover. 496 pages. Exhibition catalog for a show that ran April 28 through September 17, 1996 in New York and then traveled to the Grand Palais in Paris for a run of October 1996 through January 1997. Features essays by Anne Baldassari, Pierre Daix, Michael C. FitzGerald, B…rigitte Leal, Marilyn McCully, Robert Rosenblum, William Rubin, Helene Seckel, and Kirk Varnedoe. Includes 757 illustrations of which 216 in color. A very near fine copy in blue cloth boards and in a very near fine dust jacket. Please note that this is a heavy and oversized book and will require extra shipping.

- Hardcover
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Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. This is a Fine copy of the first edition In a Fine dust jacket. Comes with a mylar dust jacket cover. Illustrated throughout. Essays by Anne Baldassari, Peter Daix, Kirk Varnedoe among others.

- Hardcover
Anbieter: OUT-OF-THE-WAY BOOKS, North Adams, MI, USAOUT-OF-THE-WAY BOOKS
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Hardcover. Zustand: As New. Like New. Like new hard cover edition with like new dust jacket. 1st Edition. Illustrated. Clean. Tight binding. No markings. 496 pages.

Sprache: Englisch
Verlag: Museum of Modern Art; Distributed by Harry N. Abrams, New York, 1996
- Hardcover
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Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Fine. Cloth, 496 pages, illustrations (some colour); 31 cm. Published on the occasion of the exhibition at the Museum of Modern Art, New York, in collaboration with the Musee Picasso, Paris. Near fine. Firm binding, clean inside copy. Age toning. Dust jacket protected i…n a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** "The first 100 years of modern art witnessed the popularization of photography and an increasing emphasis on abstraction in painting, which threatened the survival of portraiture as a genre. It continued to flourish, however, because modern painters--Picasso foremost among them--sought and found new ways to portray the human face. The hundreds of works reproduced here illustrate the multiple solutions Picasso invented to solve the problem of the modernist portrait. Illustrations, 230 in color." - Publisher. *** CONTENTS: Reflections on Picasso and portraiture, by William Rubin; Picasso's self-portraits, by Kirk Varnedoe; Three portrait-manifestoes of poets: Andre Salmon, Guillaume Apollinaire, and Max Jacob, by Helene Seckel; "Heads faces and bodies: Picasso's uses of portrait photographs, by Anne Baldassari; To fall "like a fly into the trap of Picasso's stare": portraiture in the early work, by Marilyn McCully; Portraiture in Picasso's primitivism and cubism, by Pierre Daix; The modernists' dilemma: neoclassicism and the portrayal of Olga Khokhlova, by Michael C. FitzGerald; Picasso's blond muse: the reign of Marie-Therese Walter, by Robert Rosenblum; "For charming Dora": portraits of Dora Maar, by Brigitte Leal; A triangle of ambitions: art, politics, and family during the postwar years with Francoise Gilot, by Michael C. FitzGerald; The Jacqueline portraits in the pattern of Picasso's art, by William Rubin. Size: 4to.

- Hardcover
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Hard cover. Very good in very good dust jack.

- Hardcover
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Hardcover. Size: 9"x12", 496pp., profusely illustrated, mostly in colour. As new, clean, tight and bright condition, with bright and crisp dust jacket.

- Hardcover
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Hardcover with dustjacket, 496 pages, very good condition; light rubbing to dj; no internal marks. Foreign shipping may be extra.

- Hardcover
Anbieter: SatelliteBooks, Burlington, VT, USASatelliteBooks
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hardcover. Zustand: Hardcover. Hardcover. New, unused. For any additional information or pictures, please inquire.

- Hardcover
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Zustand: Good. Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

- Hardcover
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Zustand: Good. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Edition: First ] Publisher: Abrams, N Pub Date: 6/1/1996 Binding: Hardcover Pages: 496 First edition.

- Hardcover
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Zustand: New. Satisfaction Guaranteed or your money back.

- Hardcover
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4to, 495pp. Colour and black & white illustrations. A very good hardback copy in like dust jacket.

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First edition, first printing. Near fine with an ownership label in near fine dustjacket. Press cuttings laid in.

Picasso and Portraiture: Representation and Transformation
Rubin, William (editor); Baldassari, Anna; Daix, Pierre; Leal, Brigitte; &c.
Sprache: Englisch
Verlag: The Museum of Modern Art, New York, New York, New York, U.S.A., 1996
- Hardcover
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Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 496 pages, Folio. Includes 757 illustrations, with 216 in color. Minor shelfwear to DJ: light rubbing along edges and covers. DJ in mylar. Tightly bound with clean and crisp pages. No marks. Volume is in Very Good condition.

- Hardcover
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Hardcover. Zustand: new. New Copy. Customer Service Guaranteed.

- Hardcover
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4°, gebundene Ausgabe. 496 Seiten, SU etwas berieben; Schnitt hat leichte Lagerungsspuren; sonst sehr gut erhalten. 9780870701436 Sprache: Englisch Gewicht in Gramm: 3000.

Sprache: Englisch
Verlag: Museum of Modern Art; Distributed by Harry N. Abrams, 1996
- Hardcover
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hardcover. Zustand: New. In shrink wrap. Looks like an interesting title.
Weitere BilderSprache: Englisch
Verlag: The Museum of Modern Art. [Harry Abrahams Distributor], New York. USA., 1996
- Hardcover
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Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. 1st Edition. 496 pages inc index, with some of the most wonderful colour plates of Picasso's Portraits and iconic modernist style imagery. With contributory articles by; Anne Baldarassi, Pierre Daix, Michael C. Fitzgerald, Brigette Leal, Marylin McCulley, Robert R…osenblum, William Rubin, Helene Seckel, Kirk Varedoe. Hardback 9issued in soft covers at the same time. All heavy art gloss paper and heavy solid cloth boards, Fine ina near Fine wrapper. Signature of John J Gibson (lecturer on art for the Courtauld's Inst in the 1980's) to inside board, not seen as under flap. Large quarto. Price includes FREE post in the UK and reduced for all overseas postage. Pablo Picasso (illustrator).

- Hardcover
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hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Includes dust jacket.

- Hardcover
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Rilegato. Zustand: ottimo. Zustand des Schutzumschlags: ottimo. "The first 100 years of modern art witnessed the popularization of photography, the decline of traditional patronage, and an increasing emphasis on abstraction in painting, all of which threatened the survival of portraiture as a genre. It continued to flourish beca…use modern painters - Picasso foremost amongst them - sought and found meaningful new ways to portray the human face. This book focuses on this part of the artist's oevre, reproducing works in oil, gouache, pastel, charcoal and other media to illustrate the solutions Picasso invented to solve the "problem" of the modernist portrait. Published to accompany an exhibition to be shown at The Museum of Modern Art, New York, in 1996, the book contains eight essays examining different periods and aspects of Picasso's career. The personal relationships between Picasso and his subjects are clarified. Contributions come from Anne Baldassari, Pierre Daix, Michael Fitzgerald, Brigitte Leal, Marilyn McCully, Robert Rosenblum, William Rubin, Helene Seckel and Kirk Varnedoe." Text: Rubin William pp. 496; hardcover, fine condition.
Weitere Bilder- Hardcover
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Hardcover. Zustand: New. Zustand des Schutzumschlags: As New. Edition originale. « The first 100 years of modern art witnessed the popularization of photography, the decline of traditional patronage, and an increasing emphasis on abstraction in painting, all of which threatened the survival of portraiture as a genre. It continue…d to flourish because modern painters - Picasso foremost amongst them - sought and found meaningful new ways to portray the human face. This book focuses on this part of the artist's oevre, reproducing works in oil, gouache, pastel, charcoal and other media to illustrate the solutions Picasso invented to solve the "problem" of the modernist portrait. Published to accompany an exhibition to be shown at The Museum of Modern Art, New York, in 1996, the book contains eight essays examining different periods and aspects of Picasso's career. The personal relationships between Picasso and his subjects are clarified. Contributions come from Anne Baldassari, Pierre Daix, Michael Fitzgerald, Brigitte Leal, Marilyn McCully, Robert Rosenblum, William Rubin, Helene Seckel and Kirk Varnedoe.».