Soft cover. Zustand: Very Good. Translated from the Spanish versions of Emilio Garcia Gomez. Light shelf wear.
Zustand: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.
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Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Sprache: Spanisch
Verlag: City Lights Books January 1989, 1989
ISBN 10: 0872862429 ISBN 13: 9780872862425
Anbieter: Firefly Bookstore, Kutztown, PA, USA
Trade Paperback. Zustand: Used Good. Front and back covers have wear to edges and bumped corners. Spine intact, some wear. Binding is intact. Pages are generally clean with edge or corner wear. Firefly sells new and used books through our store front. We try to add a detailed description to as many titles as possible. If you have questions regarding this title, please contact us. Photos available on request.
Zustand: New.
Zustand: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!
Sprache: Spanisch
Verlag: City Lights Books 1/1/2001, 2001
ISBN 10: 0872862429 ISBN 13: 9780872862425
Anbieter: BargainBookStores, Grand Rapids, MI, USA
Paperback or Softback. Zustand: New. Poems of Arab Andalusia. Book.
Paperback. Zustand: New. These poems, from the astonishing 10th- through 13th-century civilization in Andalusia, are based on the codex of Ibn Sa'id, who wanted poems "whose idea is more subtle than the West Wind, and whose language is more beautiful than a fair face." Spanish readers have long been enchanted by their enduring appeal through the versions by Emilio Garcia Gomez. This poetry of Arab Andalusia made a profound impact on Spain's Generation of '27. Rafael Alberti says that it "was a revelation for me and had a great influence on my work, but above all influenced the work of Federico Garcia Lorca. "Cola Franzen's vibrant, delicious and faithful renderings of this poetic motherlode are, to quote from a poet in her marvelous compilation, 'shooting stars that leap agile as acrobats.'" -Christopher Sawyer-Laucanno, author of An Invisible Spectator: A Biography of Paul Bowles "Of those things which delight the senses (according to a Tradition of the Prophet) the chiefest are 'water, green things and a beautiful face'; therefore a poetry of noble exquisiteness limits itself to certain tropes, in which the wisdom of sensuality is endlessly rediscovered.Blow dust from the folios of the vanished Moors and be stabbed by the URGENT NECESSITY of light-dappled fountains, the fractals of the garden, the transmutations of desire." -Peter Lamborn Wilson, author of Ploughing the Clouds Cola Franzen has translated from Spanish some twenty volumes of prose and poetry, including Claudia Guillen's The Challenge of Comparative Literature, and Dreams of the Abandoned Seducer by Alicia Borinsky.
Zustand: As New. Unread book in perfect condition.
PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
EUR 16,26
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In den WarenkorbPaperback. Zustand: New. These poems, from the astonishing 10th- through 13th-century civilization in Andalusia, are based on the codex of Ibn Sa'id, who wanted poems "whose idea is more subtle than the West Wind, and whose language is more beautiful than a fair face." Spanish readers have long been enchanted by their enduring appeal through the versions by Emilio Garcia Gomez. This poetry of Arab Andalusia made a profound impact on Spain's Generation of '27. Rafael Alberti says that it "was a revelation for me and had a great influence on my work, but above all influenced the work of Federico Garcia Lorca. "Cola Franzen's vibrant, delicious and faithful renderings of this poetic motherlode are, to quote from a poet in her marvelous compilation, 'shooting stars that leap agile as acrobats.'" -Christopher Sawyer-Laucanno, author of An Invisible Spectator: A Biography of Paul Bowles "Of those things which delight the senses (according to a Tradition of the Prophet) the chiefest are 'water, green things and a beautiful face'; therefore a poetry of noble exquisiteness limits itself to certain tropes, in which the wisdom of sensuality is endlessly rediscovered.Blow dust from the folios of the vanished Moors and be stabbed by the URGENT NECESSITY of light-dappled fountains, the fractals of the garden, the transmutations of desire." -Peter Lamborn Wilson, author of Ploughing the Clouds Cola Franzen has translated from Spanish some twenty volumes of prose and poetry, including Claudia Guillen's The Challenge of Comparative Literature, and Dreams of the Abandoned Seducer by Alicia Borinsky.
Sprache: Spanisch
Verlag: City Lights Books, Monroe, OR, 1989
ISBN 10: 0872862429 ISBN 13: 9780872862425
Anbieter: Grand Eagle Retail, Bensenville, IL, USA
Paperback. Zustand: new. Paperback. These poems, from the astonishing 10th- through 13th-century civilization in Andalusia, are based on the codex of Ibn Sa'id, who wanted poems "whose idea is more subtle than the West Wind, and whose language is more beautiful than a fair face." Spanish readers have long been enchanted by their enduring appeal through the versions by Emilio Garca Gmez. This poetry of Arab Andalusia made a profound impact on Spain's Generation of '27. Rafael Alberti says that it "was a revelation for me and had a great influence on my work, but above all influenced the work of Federico Garca Lorca."Cola Franzen's vibrant, delicious and faithful renderings of this poetic motherlode are, to quote from a poet in her marvelous compilation, 'shooting stars that leap agile as acrobats.'" -Christopher Sawyer-Laucanno, author of An Invisible Spectator: A Biography of Paul Bowles"Of those things which delight the senses (according to a Tradition of the Prophet) the chiefest are 'water, green things & a beautiful face'; therefore a poetry of noble exquisiteness limits itself to certain tropes, in which the wisdom of sensuality is endlessly rediscovered. Blow dust from the folios of the vanished Moors & be stabbed by the URGENT NECESSITY of light-dappled fountains, the fractals of the garden, the transmutations of desire." -Peter Lamborn Wilson, author of Ploughing the CloudsCola Franzen has translated from Spanish some twenty volumes of prose and poetry, including Claudia Guillen's The Challenge of Comparative Literature, and Dreams of the Abandoned Seducer by Alicia Borinsky. Poetry. These poems, from the astonishing 10th- through 13th- century civilization in Andalusia, are based on the codex of Ibn Sa'id, who wanted poems "whose idea is more subtle than the West Wind, and whose language is more beautiful than a fair face." Spanish readers have long been enchanted by their enduring appeal through the versions by Emilio Garcia Gomez. This poetry of Arab Andalusia made a profound impact on Spain's Generation of 27. Rafael Alberti says that it "was a revelation for me and had a great influence on my work, but above all influenced the work of Federico Garcia Lorca." Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
paperback. Zustand: Very Good. A clean, cared for item that is unmarked and shows limited shelf wear.
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In den WarenkorbPaperback. Zustand: Brand New. 59715th edition. 96 pages. 7.75x5.50x0.50 inches. In Stock.
EUR 14,11
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EUR 16,18
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In den WarenkorbZustand: As New. Unread book in perfect condition.
EUR 14,83
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In den WarenkorbZustand: New. In.
EUR 15,24
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In den WarenkorbPaperback. Zustand: New. These poems, from the astonishing 10th- through 13th-century civilization in Andalusia, are based on the codex of Ibn Sa'id, who wanted poems "whose idea is more subtle than the West Wind, and whose language is more beautiful than a fair face." Spanish readers have long been enchanted by their enduring appeal through the versions by Emilio Garcia Gomez. This poetry of Arab Andalusia made a profound impact on Spain's Generation of '27. Rafael Alberti says that it "was a revelation for me and had a great influence on my work, but above all influenced the work of Federico Garcia Lorca. "Cola Franzen's vibrant, delicious and faithful renderings of this poetic motherlode are, to quote from a poet in her marvelous compilation, 'shooting stars that leap agile as acrobats.'" -Christopher Sawyer-Laucanno, author of An Invisible Spectator: A Biography of Paul Bowles "Of those things which delight the senses (according to a Tradition of the Prophet) the chiefest are 'water, green things and a beautiful face'; therefore a poetry of noble exquisiteness limits itself to certain tropes, in which the wisdom of sensuality is endlessly rediscovered.Blow dust from the folios of the vanished Moors and be stabbed by the URGENT NECESSITY of light-dappled fountains, the fractals of the garden, the transmutations of desire." -Peter Lamborn Wilson, author of Ploughing the Clouds Cola Franzen has translated from Spanish some twenty volumes of prose and poetry, including Claudia Guillen's The Challenge of Comparative Literature, and Dreams of the Abandoned Seducer by Alicia Borinsky.
Sprache: Spanisch
Verlag: City Lights Books, Monroe, OR, 1989
ISBN 10: 0872862429 ISBN 13: 9780872862425
Anbieter: AussieBookSeller, Truganina, VIC, Australien
Paperback. Zustand: new. Paperback. These poems, from the astonishing 10th- through 13th-century civilization in Andalusia, are based on the codex of Ibn Sa'id, who wanted poems "whose idea is more subtle than the West Wind, and whose language is more beautiful than a fair face." Spanish readers have long been enchanted by their enduring appeal through the versions by Emilio Garca Gmez. This poetry of Arab Andalusia made a profound impact on Spain's Generation of '27. Rafael Alberti says that it "was a revelation for me and had a great influence on my work, but above all influenced the work of Federico Garca Lorca."Cola Franzen's vibrant, delicious and faithful renderings of this poetic motherlode are, to quote from a poet in her marvelous compilation, 'shooting stars that leap agile as acrobats.'" -Christopher Sawyer-Laucanno, author of An Invisible Spectator: A Biography of Paul Bowles"Of those things which delight the senses (according to a Tradition of the Prophet) the chiefest are 'water, green things & a beautiful face'; therefore a poetry of noble exquisiteness limits itself to certain tropes, in which the wisdom of sensuality is endlessly rediscovered. Blow dust from the folios of the vanished Moors & be stabbed by the URGENT NECESSITY of light-dappled fountains, the fractals of the garden, the transmutations of desire." -Peter Lamborn Wilson, author of Ploughing the CloudsCola Franzen has translated from Spanish some twenty volumes of prose and poetry, including Claudia Guillen's The Challenge of Comparative Literature, and Dreams of the Abandoned Seducer by Alicia Borinsky. Poetry. These poems, from the astonishing 10th- through 13th- century civilization in Andalusia, are based on the codex of Ibn Sa'id, who wanted poems "whose idea is more subtle than the West Wind, and whose language is more beautiful than a fair face." Spanish readers have long been enchanted by their enduring appeal through the versions by Emilio Garcia Gomez. This poetry of Arab Andalusia made a profound impact on Spain's Generation of 27. Rafael Alberti says that it "was a revelation for me and had a great influence on my work, but above all influenced the work of Federico Garcia Lorca." Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
paperback. Zustand: New. In shrink wrap. Looks like an interesting title!
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Sprache: Spanisch
Verlag: City Lights Books Jan 1989, 1989
ISBN 10: 0872862429 ISBN 13: 9780872862425
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - These poems, from the astonishing 10th- through 13th-century civilization in Andalusia, are based on the codex of Ibn Sa'id, who wanted poems 'whose idea is more subtle than the West Wind, and whose language is more beautiful than a fair face.' Spanish readers have long been enchanted by their enduring appeal through the versions by Emilio García Gómez. This poetry of Arab Andalusia made a profound impact on Spain's Generation of '27. Rafael Alberti says that it 'was a revelation for me and had a great influence on my work, but above all influenced the work of Federico García Lorca.'.
EUR 14,12
Anzahl: Mehr als 20 verfügbar
In den WarenkorbPaperback. Zustand: New. These poems, from the astonishing 10th- through 13th-century civilization in Andalusia, are based on the codex of Ibn Sa'id, who wanted poems "whose idea is more subtle than the West Wind, and whose language is more beautiful than a fair face." Spanish readers have long been enchanted by their enduring appeal through the versions by Emilio Garcia Gomez. This poetry of Arab Andalusia made a profound impact on Spain's Generation of '27. Rafael Alberti says that it "was a revelation for me and had a great influence on my work, but above all influenced the work of Federico Garcia Lorca. "Cola Franzen's vibrant, delicious and faithful renderings of this poetic motherlode are, to quote from a poet in her marvelous compilation, 'shooting stars that leap agile as acrobats.'" -Christopher Sawyer-Laucanno, author of An Invisible Spectator: A Biography of Paul Bowles "Of those things which delight the senses (according to a Tradition of the Prophet) the chiefest are 'water, green things and a beautiful face'; therefore a poetry of noble exquisiteness limits itself to certain tropes, in which the wisdom of sensuality is endlessly rediscovered.Blow dust from the folios of the vanished Moors and be stabbed by the URGENT NECESSITY of light-dappled fountains, the fractals of the garden, the transmutations of desire." -Peter Lamborn Wilson, author of Ploughing the Clouds Cola Franzen has translated from Spanish some twenty volumes of prose and poetry, including Claudia Guillen's The Challenge of Comparative Literature, and Dreams of the Abandoned Seducer by Alicia Borinsky.