Isbn: 9780874519044 - our musicals, ourselves: a social history of the american musical theater: a social history of the american musical theatre (45 Ergebnisse)

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Soft cover. Zustand: Very Good. 2nd Edition. Softcover in overall good shape with general wear. Binding firm and square. clean throughout.

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paperback. Zustand: Good. 2nd Printing. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

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Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pencil markings. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:9780874519044.…

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:9780874519044.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:9780874519044.

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paperback. Zustand: New. 2nd Printing. Ships in a BOX from Central Missouri! UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Zustand: new.

Paperback. Zustand: New. Our Musicals, Ourselves is the first full-scale social history of the American musical theater from the imported Gilbert and Sullivan comic operas of the late nineteenth century to such recent musicals as The Producers and Urinetown. While many aficionados of the Broadway musical associate it with wonderful, diversionary shows like The Music Man or My Fair Lady, John Bush Jones instead selects musicals for their social relevance and the extent to which they engage, directly or metaphorically, contemporary politics and culture. Organized chronologically, with some liberties taken to keep together similarly themed musicals, Jones examines dozens of Broadway shows from the beginning of the twentieth century to the present that demonstrate numerous links between what played on Broadway and what played on newspapers' front pages across our nation. He reviews the productions, lyrics, staging, and casts from the lesser-known early musicals (the"gunboat" musicals of the Teddy Roosevelt era and the "Cinderella shows" and "leisure time musicals" of the 1920s) and continues his analysis with better-known shows including Showboat, Porgy and Bess, Oklahoma, South Pacific, West Side Story, Cabaret, Hair, Company, A Chorus Line, and many others.While most examinations of the American musical focus on specific shows or emphasize the development of the musical as an art form, Jones's book uses musicals as a way of illuminating broader social and cultural themes of the times. With six appendixes detailing the long-running diversionary musicals and a foreword by Sheldon Harnick, the lyricist of Fiddler on the Roof, Jones's comprehensive social history will appeal to both students and fans of Broadway.…

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. Our Musicals, Ourselves is the first full-scale social history of the American musical theatre from the imported Gilbert and Sullivan comic operas of the late nineteenth century to such recent musicals as "The Producers" and "Urinetown". John Bush Jones uses musicals as a way of illuminating broader social and cultural themes of the times. Num Pages: 426 pages. BIC Classification: 1KBB; AVGM; HBTB. Category: (G) General (US: Trade). Dimension: 155 x 234 x 26. Weight in Grams: 624. . 2004. 2nd Printing. Paperback. . . . .…