9780892362479 - american icons: transatlantic perspectives on eighteenth- and nineteenth-century american art (issues and debates series) von getty center for the history of art and the humanities (25 Ergebnisse)
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Soft cover. Zustand: Near Fine. 1st Edition. Stiff color illus. wraps, French flaps. [vii],360 pp., illus. 1st ptg. Minor shelf wear. Firm, square binding with very slight stress creasing. Size: 4to - over 9¾" - 12" tall. Book.
- Softcover
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Trade Paperback. Zustand: Used - Very Good. American painters and graphic artists of the eighteenth and nineteenth centuries sought inspiration for their work in the uniquely American experience of history and nature. The result was a transformation of the conventional Old World visual language into an indigenous and populist Ne…w World syntax. The twelve essays in this volume explore the development of a frontier mythology, a democratic style depicting common people and objects, and an American artistic consciousness and identity. Conceived and written from the perspectives of both cultural and art historians, American Icons initiates an interdisciplinary discussion on the complex relationships between American and European art. Contributors are Herbert Beck, Werner Busch, Martin Christadler, Nicolai Cikovsky, Jr., Francoise Forster-Hahn, Ursula Frohne, Barbara Gaehtgens, Thomas W. Gaehtgens, Barbara Groseclose, Olaf Hansen, William Hauptman, Heinz Ickstadt, Barbara Novak, and Kathleen Pyne.' American painters and graphic artists of the eighteenth and nineteenth centuries sought inspiration for their work in the uniquely American experience of history and nature. The result was a transformation of the conventional Old World visual language into an indigenous and populist New World syntax. The twelve essays in this volume explore the development of a frontier mythology, a democratic style depicting common people and objects, and an American artistic consciousness and identity. Conceived and written from the perspectives of both cultural and art historians, American Icons initiates an interdisciplinary discussion on the complex relationships between American and European art. Very nice clean, tight copy free of any marks.
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Paperback. Zustand: Near Fine. Oversize trade paperback with French-fold covers -- minro wear, clean binding, no spine crease; internally fine, clean and unmarked.
Sprache: Englisch
Verlag: Getty Publications, Los Angeles, CA, U.S.A., 1992
- Softcover
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Trade Paperback. Zustand: Very Good.
Sprache: Englisch
Verlag: The Getty Center For The History Of Art, Santa Monica, 1996
- Softcover
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Paperback. Zustand: Very Good. Very good paperback, slight wear to edges.
American Icons: Transatlantic Perspectives on Eighteenth-And Nineteenth-Century American Art
Gaehtgens, Thomas W.; J. Paul Getty Center for the History of Art and the Humanities
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Soft cover. Zustand: New. New softcover book. From the cover: "American artists of the eighteenth and nineteenth centuries yearned to create their art in terms of uniquely American experience of history and nature. Paradoxically, however, when they insisted upon American originality and uniqueness, they could not but mediate the…se qualities through European conventions." Size: 4to - over 9¾" - 12" tall.
Sprache: Englisch
Verlag: The Getty Center For The History Of Art, Santa Monica, 1996
- Softcover
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Soft cover. Zustand: Near Fine. No Jacket. PO name to half title page. O/w clean, unmarked, unread in NF condition. BP/Art Theory.
- Softcover
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Trade Paperback. Zustand: Used - Very Good. American painters and graphic artists of the eighteenth and nineteenth centuries sought inspiration for their work in the uniquely American experience of history and nature. The result was a transformation of the conventional Old World visual language into an indigenous and populist Ne…w World syntax. The twelve essays in this volume explore the development of a frontier mythology, a democratic style depicting common people and objects, and an American artistic consciousness and identity. Conceived and written from the perspectives of both cultural and art historians, American Icons initiates an interdisciplinary discussion on the complex relationships between American and European art. Contributors are Herbert Beck, Werner Busch, Martin Christadler, Nicolai Cikovsky, Jr., Francoise Forster-Hahn, Ursula Frohne, Barbara Gaehtgens, Thomas W. Gaehtgens, Barbara Groseclose, Olaf Hansen, William Hauptman, Heinz Ickstadt, Barbara Novak, and Kathleen Pyne.' American painters and graphic artists of the eighteenth and nineteenth centuries sought inspiration for their work in the uniquely American experience of history and nature. The result was a transformation of the conventional Old World visual language into an indigenous and populist New World syntax. The twelve essays in this volume explore the development of a frontier mythology, a democratic style depicting common people and objects, and an American artistic consciousness and identity. Conceived and written from the perspectives of both cultural and art historians, American Icons initiates an interdisciplinary discussion on the complex relationships between American and European art.
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Sprache: Englisch
Verlag: The Getty Center for the History of Art and the Humanities, Santa Monica, 1992
- Softcover
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Paperback. Zustand: VG. Blue and color-illustrated wraps with black lettering. 360 pp. BW illustrations. Contents: Introduction / Thomas W. Gaehtgens and Heinz Ickstadt -- American genesis : the landing of Christopher Columbus / Barbara Groseclose -- Copley, West, and the tradition of European high art / Werner Busch -- Self, ti…me, and object in American art : Copley, Lane, and Homer / Barbara Novak -- Romantic landscape painting in America : history as nature, nature as history / Martin Christadler -- Inventing the myth of the American frontier : Bingham's images of fur traders and flatboatmen as symbols of the expanding nation / Françoise Forster-Hahn -- Fictions of nationhood : Leutze's pursuit of an American history painting in Düsseldorf / Barbara Gaehtgens -- Kindred spirits : notes on Swiss and American painting of the nineteenth century / William Hauptman -- Strategies of recognition : the conditioning of the American artist between marginality and fame / Ursula Frohne -- Winslow Homer's national style / Nicolai Cikovsky, Jr. -- The senses of illusion / Olaf Hansen -- Resisting modernism : American painting in the culture of conflict / Kathleen Pyne.
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Sprache: Englisch
Verlag: The Getty Center for the History of Art and the Humanities with the University of Chicago Press, Chicago IL, 1992
- Softcover
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Wrappers. Zustand: Fine Condition. First Edition. 360 pp., B&W illus. throughout. Part of the Issues & Debates series.
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Sprache: Englisch
Verlag: The Getty Center for the History of Art and the Humanities, Santa Monica & The University of Chicago Press, Chicago, 1992
- Softcover
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kart. Zustand: Gut. 26 cm ; Issues & Debates Series Volume 2. Englischsprachige Paperbackausgabe, 360 Seiten mit zahlreichen Abbildungen. Gutes Exemplar (good Condition). hw582 ISBN: 0892362472.
Sprache: Englisch
Verlag: The Getty Center For The History Of Art / Chicago University Press, 1992
- Softcover
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Soft cover. Zustand: New. No Jacket. 1st Edition. First edition 1992, first printing, numbers line starts with 1. Published by The Getty Center For The History Of Art / Chicago University Press. Large softcover without DJ as issued. Condition new, square tight and clean book, no edgewear, sharp corners, spine not creased, no mar…kings of any kind, no names, no underlinings, no highlights, no bent page corners, not a reminder. 4to, 362 pages, illustrated. Heavy book may require additional postage for international orders.
Sprache: Englisch
Verlag: The Getty Center for the History of Art, 1991,, 1991
- Softcover
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large pbk small 4to 369pp illustr in b/w ISBN: 0892362472 excellent as new.
- Softcover
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American Icons: Transatlantic Perspectives on Eighteenth- And Nineteenth-Century American Art (Issues and Debates Series)
Gaehtgens, Thomas W., Heinz Ickstadt and Center for the History of Art and the Humanities Getty:
- Softcover
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Paperpack. Zustand: Sehr gut. 360 Seiten. Sehr gutes Exemplar. / EN: Very good copy. - Los Angeles is a city on the Pacific Rim where things appear on edge, for they lack a permanent footing even while occupying a specific locale. The city's genius loci produces this dual vision of fixed place in a state of constant dislocation.… It is only appropriate for the edge-bound Getty Center to initiate a series of publications that aim to expose the historical study of artifacts to the oscillation of rigorous debate. Each of these books proceeds from a specific body of historical material, not because that material is in itself inherently imbued with controversy but because its exposure to different disciplinary approaches raises new questions of interpretation. In the realm of historical studies, issues often emerge at the intersection of the various perspectives scholars have constructed for the examination of their subjects. As their debate refracts and refocuses the material under scrutiny, it also invites reflection upon itself and thereby exposes the assumptions and tendencies of scholarship to no less assiduous criticism than it does the underpinnings of its subjects. / Contents: CONTENTS -- Introduction -- Thomas W. Gaehtgens and Heinz Ickstadt -- American Genesis: The Landing of Christopher Columbus Barbara Groseclose -- Copley, West, and the Tradition of European High Art Werner Busch -- Self, Time, and Object in American Art: Copley, Lane, and Homer Barbara Novak -- Romantic Landscape Painting in America: History as Nature, Nature as History Martin Christadler -- Inventing the Myth of the American Frontier: Bingham's Images of Fur Traders and Flatboatmen as Symbols of the Expanding Nation Françoise Forster-Hahn -- Fictions of Nationhood: Leutze's Pursuit of an American History Painting in Düsseldorf Barbara Gaehtgens -- Kindred Spirits: Notes on Swiss and American Painting of the Nineteenth Century William Hauptman -- Strategies of Recognition: The Conditioning of the American Artist between Marginality and Fame Ursula Frohne -- Winslow Homer's National Style Nicolai Cikovsky, Jr. -- The Senses of Illusion Olaf Hansen -- Resisting Modernism: American Painting in the Culture of Conflict Kathleen Pyne -- Urban Iconography in Nineteenth-Century American Painting: From Impressionism to the Ash Can School Hubert Beck -- Biographical Notes on the Authors -- Index. ISBN 9780892362479 Sprache: Englisch Gewicht in Gramm: 1006.
American Icons: Transatlantic Perspectives on Eighteenth- And Nineteenth-Century American Art (Issues and Debates Series)
Gaehtgens Thomas, W., Heinz Ickstadt und Humanities Getty Center for the History of Art and the:
- Softcover
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paperback. Zustand: Sehr gut. 360 Seiten; 9780892362479.2 Gewicht in Gramm: 2.
- Softcover
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paperback. Zustand: New. In shrink wrap. Looks like an interesting title.
