9780907689201 - on music british music: volume i: british music (musicians on music, band 3) von brian, havergal (17 Ergebnisse)
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Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Previous owners name.
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Paperback. Zustand: Very Good. First Edition. First Edition, First Printing. Not price-clipped. Published by Toccata Press, 1986. Octavo. Paperback. Book is very good with light edgewear and the previous owner's inscription whited out on the half title page. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING!… Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.
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Paperback. Zustand: New. Best known as a prolific composer of symphonies, this volume pulls together Brian's much less known vast journalistic output and explores personal insights and reminiscence.This first volume of selections of his writings brings together many of Brian's principal writings on the composers and events of th…e British Musical Renaissance from polemical articles written when actively campaigning for his fellow-composers in the Midlands before World War I to more considered appraisals of the inter-War period. As well as discussing a wide range of composers, from Elgar and Delius to Britten and Billy Mayerl, he can be found here reviewing festivals, adjudicating at brass-band championships at the Crystal Palace [and watching the Palace burn down in 1936], proposing schemes for the encouragement of orchestral music, and casting a critical eye on the burgeoningpower and influence of the B.B.C. Malcolm MacDonald's substantial introduction and annotations make this book both a work of scholarship and an important historical source for an understanding of the British music of the early twentieth century.
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Zustand: Good. Volume 3. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9780907689201.
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Paperback. Zustand: new. Paperback. Havergal Brian (1876 to 1972) was not only Britain's most prolific symphonist (he composed 32); he was also a comparative productive musical journalist. His articles, reviews, editorials, personality profiles and columns of comment on contemporary events -- sometimes pseudonymous, often unsign…ed -- reveal him as a highly perceptive if sometimes idiosyncratic observer, with a startling breadth of interest and a fund of personal reminiscence, many of whose insights were well in advance of his time. This first volume of selections of his writings brings together many of Brian's principal writings on the composers and events of the British Musical Renaissance -- from polemical articles written when actively campaigning for his fellow-composers in the Midlands before World War I to more considered appraisals of the inter-War period. Best known as a prolific composer of symphonies, this volume pulls together Brian's much less known vast journalistic output and explores personal insights and reminiscence. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Zustand: New. 1986. Revised ed. Paperback. . . . . .
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Zustand: Used - Very Good. VG paperback. Musicians on Music, no.3 (ISSN:0264-6889). 1st edition, edited by Malcolm MacDonald. A tidy copy in tight binding Used - Very Good. VG paperback.
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Paperback. Zustand: Brand New. new edition. 440 pages. 8.35x5.43x1.18 inches. In Stock.
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Zustand: New. 1986. Revised ed. Paperback. . . . . . Books ship from the US and Ireland.
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Paperback. Zustand: new. Paperback. Havergal Brian (1876 to 1972) was not only Britain's most prolific symphonist (he composed 32); he was also a comparative productive musical journalist. His articles, reviews, editorials, personality profiles and columns of comment on contemporary events -- sometimes pseudonymous, often unsign…ed -- reveal him as a highly perceptive if sometimes idiosyncratic observer, with a startling breadth of interest and a fund of personal reminiscence, many of whose insights were well in advance of his time. This first volume of selections of his writings brings together many of Brian's principal writings on the composers and events of the British Musical Renaissance -- from polemical articles written when actively campaigning for his fellow-composers in the Midlands before World War I to more considered appraisals of the inter-War period. Best known as a prolific composer of symphonies, this volume pulls together Brian's much less known vast journalistic output and explores personal insights and reminiscence. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Paperback. Zustand: New. Best known as a prolific composer of symphonies, this volume pulls together Brian's much less known vast journalistic output and explores personal insights and reminiscence.This first volume of selections of his writings brings together many of Brian's principal writings on the composers and events of th…e British Musical Renaissance from polemical articles written when actively campaigning for his fellow-composers in the Midlands before World War I to more considered appraisals of the inter-War period. As well as discussing a wide range of composers, from Elgar and Delius to Britten and Billy Mayerl, he can be found here reviewing festivals, adjudicating at brass-band championships at the Crystal Palace [and watching the Palace burn down in 1936], proposing schemes for the encouragement of orchestral music, and casting a critical eye on the burgeoningpower and influence of the B.B.C. Malcolm MacDonald's substantial introduction and annotations make this book both a work of scholarship and an important historical source for an understanding of the British music of the early twentieth century.
