Paperback. Zustand: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.
Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Anbieter: St Vincent de Paul of Lane County, Eugene, OR, USA
Zustand: Good. paperback 100% of proceeds go to charity! Good condition with all pages in tact. Item shows signs of use and may have cosmetic defects.
Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Anbieter: The Book House, Inc. - St. Louis, St. Louis, MO, USA
Trade Paperback. Zustand: Very Good. Very Good softcover.
Paperback. Zustand: As New. Softcover. Good binding and cover. Light wear. Minor creasing. Clean, unmarked pages.
Zustand: Very Good. Gather your writing utensils, set the timer to five minutes, and write a short short story. Do not think. Do not judge. Just write. You'll be amazed with what you come up with. The rest, says Roberta Allen, is merely a matter of rewriting and refining. There's something very appealing about the short short form (defined by critic Irving Howe as a moment rendered in its wink of immediacy" and limited here to 1,000 words). As in poetry, every word and punctuation mark counts. Your characters' histories have to be delivered, if at all, with just a sliver of language. The form is elegant in the way a mathematical proof can be elegant--beautiful and economical--and the examples Allen uses, from the works of Anton Chekhov, Carolyn ForchÃÂ , Mark Strand, and others, are sublime. (The examples from her students are less compelling, and one does tire of trying to keep her many students straight.) The center section of the book comprises a nice selection of exercises to get you started. One involves writing stories from photographs; another has you choose one item from a list (such as "a broken promise," "something that was stolen," "a party," "something that hasn't happened yet," "a child," and "a secret") and write a story about it.-The third part of the book, in which Allen makes an argument for using her method to write a novel in five-minute bites, is shakier. Writing longer fiction generally requires some kind of flow that this method doesn't allow for. Using this method for that purpose would require a lot of energy to be spent creating connective tissue. Even still, the five-minute method would be useful for tapping the unconscious, working through problem spots, and getting going in the morning. After all, doesn't that page look much more inviting once it has some words on it?".
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
EUR 28,58
Anzahl: 1 verfügbar
In den WarenkorbPaperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Paperback. Zustand: New. In shrink wrap. Looks like an interesting title!