ISBN: 9780969692270 - country and cottage water systems: a complete out-of-the-city guide to on-site water and sewage systems, including pumps, plumbing, water purification and alternative toilets (13 Ergebnisse)

Zustand: Very Good. Spi. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Spi. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Spi. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardback. Zustand: Very Good. Here be divagations, wanderings through Covid-stricken Manhattan streets woven together with accounts and excursions through the mind's spaces, memories real and imagined, incidents and adventures comic and sad in a world off-kilter, a mix of marvelous and concrete, quotidian and outré all playing against a pandemic background of Time, the chorus, now luxurious as prose-poem, now expansive as fiction or essay, sheltering in place or moving through landscapes foreign and domestic, all held together floating in nervous air while the mind tells stories like Scheherazade, trying to trick the tyrant into a change of heart and set us loose again to wander where the sun never sets and Ya-Honk goes the wild gander. It's an amazing book. These prose meditations circle, engage, even deflect the looming presence and isolations of the Covid year. Swann's emergent occasions are vividly described city streets, domestic moments, dreams recalled or proposed and wonderfully angular, brief narratives. In their digressive qualities they recall Defoe's Journal, not as source but as precedent. Covid left us all with varied emptiness and arbitrary time. Swann offers us his effort to fill in the blanks. -Michael Anania . chronicles the Covid-19 pandemic as dystopian sci-fi literature, capturing the uncertainty and fear through direct experience. And then, as can happen, when the daily trappings of life are stemmed and a community is ordered to shelter in place, the writer extracts resources from his files-memory, imagination. In the fertile, isolated mind, in the storehouse of recall and creativity, the vignettes arise. Astute and conversational, Swann's fragments swirl swiftly from encounter to concept, from ordinary moment to momentary insight. -Martine Bellen . Brian Swann tells us the Iroquois term ononharoin is the ceremony in which the brain is turned upside down, where you can only riddle to get what you want. His prose poems and fictions circle real-time memories . to recreate the mysteries of one who captures the blue in the prism all around and the noise the emptiness makes. The narrator finds maggots under the floormats in The Other Side, a man who strangles balloons into sausages in The Contortionist, and a penknife that animates a desk in Ducks. Each piece is a kind of riddle, plunging into life and where they emerge is always a surprise. -Terese Svoboda. …

Hardback. Zustand: Good. Here be divagations, wanderings through Covid-stricken Manhattan streets woven together with accounts and excursions through the mind's spaces, memories real and imagined, incidents and adventures comic and sad in a world off-kilter, a mix of marvelous and concrete, quotidian and outré all playing against a pandemic background of Time, the chorus, now luxurious as prose-poem, now expansive as fiction or essay, sheltering in place or moving through landscapes foreign and domestic, all held together floating in nervous air while the mind tells stories like Scheherazade, trying to trick the tyrant into a change of heart and set us loose again to wander where the sun never sets and Ya-Honk goes the wild gander. It's an amazing book. These prose meditations circle, engage, even deflect the looming presence and isolations of the Covid year. Swann's emergent occasions are vividly described city streets, domestic moments, dreams recalled or proposed and wonderfully angular, brief narratives. In their digressive qualities they recall Defoe's Journal, not as source but as precedent. Covid left us all with varied emptiness and arbitrary time. Swann offers us his effort to fill in the blanks. -Michael Anania . chronicles the Covid-19 pandemic as dystopian sci-fi literature, capturing the uncertainty and fear through direct experience. And then, as can happen, when the daily trappings of life are stemmed and a community is ordered to shelter in place, the writer extracts resources from his files-memory, imagination. In the fertile, isolated mind, in the storehouse of recall and creativity, the vignettes arise. Astute and conversational, Swann's fragments swirl swiftly from encounter to concept, from ordinary moment to momentary insight. -Martine Bellen . Brian Swann tells us the Iroquois term ononharoin is the ceremony in which the brain is turned upside down, where you can only riddle to get what you want. His prose poems and fictions circle real-time memories . to recreate the mysteries of one who captures the blue in the prism all around and the noise the emptiness makes. The narrator finds maggots under the floormats in The Other Side, a man who strangles balloons into sausages in The Contortionist, and a penknife that animates a desk in Ducks. Each piece is a kind of riddle, plunging into life and where they emerge is always a surprise. -Terese Svoboda. …

Spiral-bound. Zustand: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Hardback. Zustand: Good. Here be divagations, wanderings through Covid-stricken Manhattan streets woven together with accounts and excursions through the mind's spaces, memories real and imagined, incidents and adventures comic and sad in a world off-kilter, a mix of marvelous and concrete, quotidian and outré all playing against a pandemic background of Time, the chorus, now luxurious as prose-poem, now expansive as fiction or essay, sheltering in place or moving through landscapes foreign and domestic, all held together floating in nervous air while the mind tells stories like Scheherazade, trying to trick the tyrant into a change of heart and set us loose again to wander where the sun never sets and Ya-Honk goes the wild gander. It's an amazing book. These prose meditations circle, engage, even deflect the looming presence and isolations of the Covid year. Swann's emergent occasions are vividly described city streets, domestic moments, dreams recalled or proposed and wonderfully angular, brief narratives. In their digressive qualities they recall Defoe's Journal, not as source but as precedent. Covid left us all with varied emptiness and arbitrary time. Swann offers us his effort to fill in the blanks. -Michael Anania . chronicles the Covid-19 pandemic as dystopian sci-fi literature, capturing the uncertainty and fear through direct experience. And then, as can happen, when the daily trappings of life are stemmed and a community is ordered to shelter in place, the writer extracts resources from his files-memory, imagination. In the fertile, isolated mind, in the storehouse of recall and creativity, the vignettes arise. Astute and conversational, Swann's fragments swirl swiftly from encounter to concept, from ordinary moment to momentary insight. -Martine Bellen . Brian Swann tells us the Iroquois term ononharoin is the ceremony in which the brain is turned upside down, where you can only riddle to get what you want. His prose poems and fictions circle real-time memories . to recreate the mysteries of one who captures the blue in the prism all around and the noise the emptiness makes. The narrator finds maggots under the floormats in The Other Side, a man who strangles balloons into sausages in The Contortionist, and a penknife that animates a desk in Ducks. Each piece is a kind of riddle, plunging into life and where they emerge is always a surprise. -Terese Svoboda. …

Hardback. Zustand: Very Good. Here be divagations, wanderings through Covid-stricken Manhattan streets woven together with accounts and excursions through the mind's spaces, memories real and imagined, incidents and adventures comic and sad in a world off-kilter, a mix of marvelous and concrete, quotidian and outré all playing against a pandemic background of Time, the chorus, now luxurious as prose-poem, now expansive as fiction or essay, sheltering in place or moving through landscapes foreign and domestic, all held together floating in nervous air while the mind tells stories like Scheherazade, trying to trick the tyrant into a change of heart and set us loose again to wander where the sun never sets and Ya-Honk goes the wild gander. It's an amazing book. These prose meditations circle, engage, even deflect the looming presence and isolations of the Covid year. Swann's emergent occasions are vividly described city streets, domestic moments, dreams recalled or proposed and wonderfully angular, brief narratives. In their digressive qualities they recall Defoe's Journal, not as source but as precedent. Covid left us all with varied emptiness and arbitrary time. Swann offers us his effort to fill in the blanks. -Michael Anania . chronicles the Covid-19 pandemic as dystopian sci-fi literature, capturing the uncertainty and fear through direct experience. And then, as can happen, when the daily trappings of life are stemmed and a community is ordered to shelter in place, the writer extracts resources from his files-memory, imagination. In the fertile, isolated mind, in the storehouse of recall and creativity, the vignettes arise. Astute and conversational, Swann's fragments swirl swiftly from encounter to concept, from ordinary moment to momentary insight. -Martine Bellen . Brian Swann tells us the Iroquois term ononharoin is the ceremony in which the brain is turned upside down, where you can only riddle to get what you want. His prose poems and fictions circle real-time memories . to recreate the mysteries of one who captures the blue in the prism all around and the noise the emptiness makes. The narrator finds maggots under the floormats in The Other Side, a man who strangles balloons into sausages in The Contortionist, and a penknife that animates a desk in Ducks. Each piece is a kind of riddle, plunging into life and where they emerge is always a surprise. -Terese Svoboda. …

Zustand: acceptable. Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Item may be missing bundled media.

Zustand: acceptable. Book is considered to be in acceptable condition. The actual cover image may not match the stock photo. Book may have one or more of the following defects: noticeable wear on the cover dust jacket or spine; curved, dog eared or creased page s ; writing or highlighting inside or on the edges; sticker s or other adhesive on cover; CD DVD may not be included; and book may be a former library copy.…

Paperback. Zustand: new. New Copy. Customer Service Guaranteed.

Spiral-bound. Zustand: New.

Spiral-bound. Zustand: Brand New. spiral-bound edition. 181 pages. 11.50x9.50x1.25 inches. In Stock.