ISBN: 9781590176306 - alexander vvedensky: an invitation for me to think (nyrb poets) (22 Ergebnisse)

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  • Sprache: Englisch

    Verlag: New York Review Books, 2013

    1590176308 / 9781590176306

    Serie: Buch 2 von 36 - NYRB Poets

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    Paperback. Zustand: Very Good. "Pussy Riot are Vvedensky's disciples and his heirs. Katya, Masha, and I are in jail but I don't consider that we've been defeated. According to the official report, Alexander Vvedensky died on December 20, 1941. We don't know the cause, whether it was dysentery in the train after his arrest or a bullet from a guard. It was somewhere on the railway line between Voronezh and Kazan. His principle of 'bad rhythm' is our own. He wrote: 'It happens that two rhythms will come into your head, a good one and a bad one and I choose the bad one. It will be the right one.' . It is believed that the OBERIU dissidents are dead, but they live on. They are persecuted but they do not die." - Pussy Riot Nadezhda Tolokonnikova's closing statement at their trial in August 2012 "I raise d my hand against concepts," wrote Alexander Vvedensky, "I enacted a poetic critique of reason." This weirdly and wonderfully philosophical poet was born in 1904, grew up in the midst of war and revolution, and reached his artistic maturity as Stalin was twisting the meaning of words in grotesque and lethal ways. Vvedensky-with Daniil Kharms the major figure in the short-lived underground avant-garde group OBERIU (a neologism for "the union for real art")-responded with a poetry that explodes stable meaning into shimmering streams of provocation and invention. A Vvedensky poem is like a crazy party full of theater, film, magic tricks, jugglery, and feasting. Curious characters appear and disappear, euphoria keeps company with despair, outrageous assertions lead to epic shouting matches, and perhaps it all breaks off with one lonely person singing a song. A Vvedensky poem doesn't make a statement. It is an event. Vvedensky's poetry was unpublishable during his lifetime-he made a living as a writer for children before dying under arrest in 1942-and he remains the least known of the great twentieth-century Russian poets. This is his first book to appear in English. The translations by Eugene Ostashevsky and Matvei Yankelevich, outstanding poets in their own right, are as astonishingly alert and alive as the originals. This English-only edition does not include the poems in their original language.…

  • Sprache: Englisch

    Verlag: New York Review Books, 2013

    1590176308 / 9781590176306

    Serie: Buch 2 von 36 - NYRB Poets

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    Paperback. Zustand: Very Good. "Pussy Riot are Vvedensky's disciples and his heirs. Katya, Masha, and I are in jail but I don't consider that we've been defeated. According to the official report, Alexander Vvedensky died on December 20, 1941. We don't know the cause, whether it was dysentery in the train after his arrest or a bullet from a guard. It was somewhere on the railway line between Voronezh and Kazan. His principle of 'bad rhythm' is our own. He wrote: 'It happens that two rhythms will come into your head, a good one and a bad one and I choose the bad one. It will be the right one.' . It is believed that the OBERIU dissidents are dead, but they live on. They are persecuted but they do not die." - Pussy Riot Nadezhda Tolokonnikova's closing statement at their trial in August 2012 "I raise d my hand against concepts," wrote Alexander Vvedensky, "I enacted a poetic critique of reason." This weirdly and wonderfully philosophical poet was born in 1904, grew up in the midst of war and revolution, and reached his artistic maturity as Stalin was twisting the meaning of words in grotesque and lethal ways. Vvedensky-with Daniil Kharms the major figure in the short-lived underground avant-garde group OBERIU (a neologism for "the union for real art")-responded with a poetry that explodes stable meaning into shimmering streams of provocation and invention. A Vvedensky poem is like a crazy party full of theater, film, magic tricks, jugglery, and feasting. Curious characters appear and disappear, euphoria keeps company with despair, outrageous assertions lead to epic shouting matches, and perhaps it all breaks off with one lonely person singing a song. A Vvedensky poem doesn't make a statement. It is an event. Vvedensky's poetry was unpublishable during his lifetime-he made a living as a writer for children before dying under arrest in 1942-and he remains the least known of the great twentieth-century Russian poets. This is his first book to appear in English. The translations by Eugene Ostashevsky and Matvei Yankelevich, outstanding poets in their own right, are as astonishingly alert and alive as the originals. This English-only edition does not include the poems in their original language.…

  • Sprache: Englisch

    Verlag: NYRB Poets, 2013

    1590176308 / 9781590176306

    Serie: Buch 2 von 36 - NYRB Poets

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    paperback. Zustand: Like New. May have light shelf wear and/or a remainder mark. Complete. Clean pages. paperback.

  • Sprache: Englisch

    Verlag: NYRB Poets, New York. NY, 2013

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    Serie: Buch 2 von 36 - NYRB Poets

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    Soft cover. Zustand: Near Fine. Zustand des Schutzumschlags: Published w/out dj. 1st Edition. NYC: NYRB Poets, 2013. 1st edition, NF/. Paperback has some wear & bending to lower front page corners. Vvdensky (1904-1941) grew a recognized poet as a young man, but after becoming involved in an underground avant-garde group he was detained and died of pleurisy on a prison train in 1941. This was under Stalin of course and his extremely authoritarian rule. Includes notes and acknowledgments. 133 pp. BP.…

  • Sprache: Englisch

    Verlag: NYRB Poets 2013-05-23, 2013

    1590176308 / 9781590176306

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  • Sprache: Englisch

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    1590176308 / 9781590176306

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    Paperback. Zustand: new. Paperback. "Pussy Riot are Vvedensky's disciples and his heirs.Katya, Masha, and I are in jail but I don't consider that we've been defeated. According to the official report, Alexander Vvedensky died on December 20, 1941. We don't know the cause, whether it was dysentery in the train after his arrest or a bullet from a guard. It was somewhere on the railway line between Voronezh and Kazan. His principle of 'bad rhythm' is our own. He wrote: 'It happens that two rhythms will come into your head, a good one and a bad one and I choose the bad one. It will be the right one.' . It is believed that the OBERIU dissidents are dead, but they live on. They are persecuted but they do not die."- Pussy Riot Nadezhda Tolokonnikova's closing statement at theirtrial in August 2012"I raise d my hand against concepts," wrote Alexander Vvedensky, "I enacted a poetic critique of reason." This weirdly and wonderfully philosophical poet was born in 1904, grew up in the midst of war and revolution, and reached his artistic maturity as Stalin was twisting the meaning of words in grotesque and lethal ways. Vvedensky-with Daniil Kharms the major figure in the short-lived underground avant-garde group OBERIU (a neologism for "the union for real art")-responded with a poetry that explodes stable meaning into shimmering streams of provocation and invention. A Vvedensky poem is like a crazy party full of theater, film, magic tricks, jugglery, and feasting. Curious characters appear and disappear, euphoria keeps company with despair, outrageous assertions lead to epic shouting matches, and perhaps it all breaks off with one lonely person singing a song.A Vvedensky poem doesn't make a statement. It is an event. Vvedensky's poetry was unpublishable during his lifetime-he made a living as a writer for children before dying under arrest in 1942-and he remains the least known of the great twentieth-century Russian poets. This is his first book to appear in English. The translations by Eugene Ostashevsky and Matvei Yankelevich, outstanding poets in their own right, are as astonishingly alert and alive as the originals.This English-only edition does not include the poems in their original language. An Invitation for Me to Think is Vvedensky's first collection to appear in English and includes the now celebrated poetry of the 1930s in prizewinning translations by America's foremost OBERIU specialists. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

  • Sprache: Englisch

    Verlag: New York Review Books, 2013

    1590176308 / 9781590176306

    Serie: Buch 2 von 36 - NYRB Poets

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    Zustand: New. pp. 168.

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    Zustand: New. 2013. Translation. Paperback. Translator(s): Ostashevsky, Eugene. Num Pages: 168 pages. BIC Classification: DCF. Category: (G) General (US: Trade). Dimension: 180 x 120 x 10. Weight in Grams: 138. . . . . .

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    Paperback. Zustand: Brand New. translation edition. 135 pages. 7.00x4.50x0.50 inches. In Stock.

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    Zustand: New. pp. 168.

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    Zustand: New. In English.

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    Zustand: New. 2013. Translation. Paperback. Translator(s): Ostashevsky, Eugene. Num Pages: 168 pages. BIC Classification: DCF. Category: (G) General (US: Trade). Dimension: 180 x 120 x 10. Weight in Grams: 138. . . . . . Books ship from the US and Ireland.

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  • Sprache: Englisch

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    Card Wrappers. Zustand: Near Fine. First Edition. xxv, 135pp. Tiny name at head of first page.

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    Taschenbuch. Zustand: Neu. Neuware - "Pussy Riot are Vvedensky's disciples and his heirs. Katya, Masha, and I are in jail but I don't consider that we've been defeated. According to the official report, Alexander Vvedensky died on December 20, 1941. We don't know the cause, whether it was dysentery in the train after his arrest or a bullet from a guard. It was somewhere on the railway line between Voronezh and Kazan. His principle of 'bad rhythm' is our own. He wrote: 'It happens that two rhythms will come into your head, a good one and a bad one and I choose the bad one. It will be the right one.' . It is believed that the OBERIU dissidents are dead, but they live on. They are persecuted but they do not die." Pussy Riot [Nadezhda Tolokonnikova's closing statement at their trial in August 2012]"I raise[d] my hand against concepts," wrote Alexander Vvedensky, "I enacted a poetic critique of reason." This weirdly and wonderfully philosophical poet was born in 1904, grew up in the midst of war and revolution, and reached his artistic maturity as Stalin was twisting the meaning of words in grotesque and lethal ways. Vvedenskywith Daniil Kharms the major figure in the shortlived underground avant-garde group OBERIU (a neologism for "the union for real art")responded with a poetry that explodes stable meaning into shimmering streams of provocation and invention. A Vvedensky poem is like a crazy party full of theater, film, magic tricks, jugglery, and feasting. Curious characters appear and disappear, euphoria keeps company with despair, outrageous assertions lead to epic shouting matches, and perhaps it all breaks off with one lonely person singing a song.A Vvedensky poem doesn't make a statement. It is an event. Vvedensky's poetry was unpublishable during his lifetimehe made a living as a writer for children before dying under arrest in 1942and he remains the least known of the great twentieth-century Russian poets. This is his first book to appear in English. The translations by Eugene Ostashevsky and Matvei Yankelevich, outstanding poets in their own right, are as astonishingly alert and alive as the originals.This English-only edition does not include the poems in their original language.…

  • Sprache: Englisch

    Verlag: New York Review Books, New York, 2013

    1590176308 / 9781590176306

    Serie: Buch 2 von 36 - NYRB Poets

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    Paperback. Zustand: new. Paperback. "Pussy Riot are Vvedensky's disciples and his heirs.Katya, Masha, and I are in jail but I don't consider that we've been defeated. According to the official report, Alexander Vvedensky died on December 20, 1941. We don't know the cause, whether it was dysentery in the train after his arrest or a bullet from a guard. It was somewhere on the railway line between Voronezh and Kazan. His principle of 'bad rhythm' is our own. He wrote: 'It happens that two rhythms will come into your head, a good one and a bad one and I choose the bad one. It will be the right one.' . It is believed that the OBERIU dissidents are dead, but they live on. They are persecuted but they do not die."- Pussy Riot Nadezhda Tolokonnikova's closing statement at theirtrial in August 2012"I raise d my hand against concepts," wrote Alexander Vvedensky, "I enacted a poetic critique of reason." This weirdly and wonderfully philosophical poet was born in 1904, grew up in the midst of war and revolution, and reached his artistic maturity as Stalin was twisting the meaning of words in grotesque and lethal ways. Vvedensky-with Daniil Kharms the major figure in the short-lived underground avant-garde group OBERIU (a neologism for "the union for real art")-responded with a poetry that explodes stable meaning into shimmering streams of provocation and invention. A Vvedensky poem is like a crazy party full of theater, film, magic tricks, jugglery, and feasting. Curious characters appear and disappear, euphoria keeps company with despair, outrageous assertions lead to epic shouting matches, and perhaps it all breaks off with one lonely person singing a song.A Vvedensky poem doesn't make a statement. It is an event. Vvedensky's poetry was unpublishable during his lifetime-he made a living as a writer for children before dying under arrest in 1942-and he remains the least known of the great twentieth-century Russian poets. This is his first book to appear in English. The translations by Eugene Ostashevsky and Matvei Yankelevich, outstanding poets in their own right, are as astonishingly alert and alive as the originals.This English-only edition does not include the poems in their original language. An Invitation for Me to Think is Vvedensky's first collection to appear in English and includes the now celebrated poetry of the 1930s in prizewinning translations by America's foremost OBERIU specialists. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

  • Sprache: Englisch

    Verlag: New York Review Books, New York, 2013

    1590176308 / 9781590176306

    Serie: Buch 2 von 36 - NYRB Poets

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    Paperback. Zustand: new. Paperback. "Pussy Riot are Vvedensky's disciples and his heirs.Katya, Masha, and I are in jail but I don't consider that we've been defeated. According to the official report, Alexander Vvedensky died on December 20, 1941. We don't know the cause, whether it was dysentery in the train after his arrest or a bullet from a guard. It was somewhere on the railway line between Voronezh and Kazan. His principle of 'bad rhythm' is our own. He wrote: 'It happens that two rhythms will come into your head, a good one and a bad one and I choose the bad one. It will be the right one.' . It is believed that the OBERIU dissidents are dead, but they live on. They are persecuted but they do not die."- Pussy Riot Nadezhda Tolokonnikova's closing statement at theirtrial in August 2012"I raise d my hand against concepts," wrote Alexander Vvedensky, "I enacted a poetic critique of reason." This weirdly and wonderfully philosophical poet was born in 1904, grew up in the midst of war and revolution, and reached his artistic maturity as Stalin was twisting the meaning of words in grotesque and lethal ways. Vvedensky-with Daniil Kharms the major figure in the short-lived underground avant-garde group OBERIU (a neologism for "the union for real art")-responded with a poetry that explodes stable meaning into shimmering streams of provocation and invention. A Vvedensky poem is like a crazy party full of theater, film, magic tricks, jugglery, and feasting. Curious characters appear and disappear, euphoria keeps company with despair, outrageous assertions lead to epic shouting matches, and perhaps it all breaks off with one lonely person singing a song.A Vvedensky poem doesn't make a statement. It is an event. Vvedensky's poetry was unpublishable during his lifetime-he made a living as a writer for children before dying under arrest in 1942-and he remains the least known of the great twentieth-century Russian poets. This is his first book to appear in English. The translations by Eugene Ostashevsky and Matvei Yankelevich, outstanding poets in their own right, are as astonishingly alert and alive as the originals.This English-only edition does not include the poems in their original language. An Invitation for Me to Think is Vvedensky's first collection to appear in English and includes the now celebrated poetry of the 1930s in prizewinning translations by America's foremost OBERIU specialists. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

  • Sprache: Englisch

    Verlag: New York Review Books, 2013

    1590176308 / 9781590176306

    Serie: Buch 2 von 36 - NYRB Poets

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    Kartoniert / Broschiert. Zustand: New. Alexander Vvedensky (1904&ndash1941) was born into the liberal intelligentsia of St. Petersburg and grew up in the midst of war and revolution, reaching artistic maturity just as Stalin consolidated control over Russia. After attending a progressive hi.

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    Taschenbuch. Zustand: Neu. An Invitation For Me To Think | Alexander Vvedensky | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2013 | New York Review Books | EAN 9781590176306 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu. …