Isbn: 9781911282976 - monet's vétheuil in winter (frick diptych, band 9) (21 Ergebnisse)

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  • Sprache: Englisch

    Verlag: GILES, 2022

    1911282972 / 9781911282976

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    Hardback. Zustand: Good. New volume in the Frick Diptych series features an essay by Susan Grace Galassi, curator emerita at The Frick Collection, paired with a contribution from renowned artist Olafur Eliasson.

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    Hardback. Zustand: New. Claude Monet's Vétheuil in Winter (1878-79), painted during the artist's first winter in the village, depicts his new home on the Seine, seen from the opposite bank of the river. Monet's two and a half years in Vétheuil, a small farming community northwest of Paris, saw two severe winters, the inspiration for this impressionist masterpiece, which is the subject of this ninth volume in the Frick Diptych series.Susan Grace Galassi has written an insightful and engaging essay about Monet's difficult but productive time in Vétheuil, which saw the death of his wife Camille. The Frick's Monet painting, the only work by the artist in the collection is the basis for other significant canvases made during his stay in the village in both winter and summer. Galassi's essay is accompanied by a text and intriguing new work-Colour experiment no. 109-by the artist Olafur Eliasson, created in response to the Monet painting. Eliasson's work will be shown at the Frick next to the painting that inspired it.

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    Hardcover. Zustand: new. Hardcover. New volume in the Frick Diptych series features an essay by Susan Grace Galassi, curator emerita at The Frick Collection, paired with a contribution from renowned artist Olafur Eliasson Claude Monet's Vetheuil in Winter (1878-79), painted during the artist's first winter in the village, depicts his new home on the Seine, seen from the opposite bank of the river. Monet's two and a half years in Vetheuil, a small farming community northwest of Paris, saw two severe winters, the inspiration for this masterpiece. The Frick's painting is a key work by Monet, in the new "impressionist" style, painted only 4 years after the first Impressionist show in Paris; it was Monet's painting called Impression, Sunrise that led to the term impressionism being coined. Susan Grace Galassi has written an insightful and engaging essay about Monet's difficult but productive time in Vetheuil, which saw the death of his wife Camille. The Frick's Monet painting, the only work by the artist in the collection, is the basis for other significant canvases made during his stay in the village in both winter and summer. Galassi's essay is accompanied by a text and intriguing new work - Colour experiment no. 109 - by the artist Olafur Eliasson, created in response to the Monet painting. Eliasson's work will be shown at the Frick next to the painting that inspired it. AUTHORS: Olafur Eliasson (b. 1967) is a prolific Icelandic-Danish artist who works in a wide range of media and forms - installation, painting, sculpture, photography, and film - to address topics related to architecture, ecology, food, education, sustainability, climate change, and perception. In 2008, he created a Public Art Fund project consisting of four man-made waterfalls placed around New York City along the East River. Susan Grace Galassi is curator emerita, The Frick Collection, New York. SELLING POINTS: . Features a new work by Olafur Eliasson, Colour experiment no. 109, 2020, which has taken two years to complete . Ninth volume in the Frick Diptych series, a major series highlighting masterpieces from The Frick Collection, New York . Features 24 other works by Monet, some painted during his time in Vetheuil , from other collections including The Metropolitan Museum of Art, New York; University of Michigan Museum of Art; Shelburne Museum; Dallas Museum of Art; Art Institute of Chicago 34 colour illustrations New volume in the Frick Diptych series features an essay by Susan Grace Galassi, curator emerita at The Frick Collection, paired with a contribution from renowned artist Olafur Eliasson. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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    Hardback. Zustand: New. Claude Monet's Vétheuil in Winter (1878-79), painted during the artist's first winter in the village, depicts his new home on the Seine, seen from the opposite bank of the river. Monet's two and a half years in Vétheuil, a small farming community northwest of Paris, saw two severe winters, the inspiration for this impressionist masterpiece, which is the subject of this ninth volume in the Frick Diptych series.Susan Grace Galassi has written an insightful and engaging essay about Monet's difficult but productive time in Vétheuil, which saw the death of his wife Camille. The Frick's Monet painting, the only work by the artist in the collection is the basis for other significant canvases made during his stay in the village in both winter and summer. Galassi's essay is accompanied by a text and intriguing new work-Colour experiment no. 109-by the artist Olafur Eliasson, created in response to the Monet painting. Eliasson's work will be shown at the Frick next to the painting that inspired it.

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    Buch. Zustand: Neu. Neuware - New volume in the Frick Diptych series features an essay by Susan Grace Galassi, curator emerita at The Frick Collection, paired with a contribution from renowned artist Olafur EliassonClaude Monet's Vétheuil in Winter (1878-79), painted during the artist's first winter in the village, depicts his new home on the Seine, seen from the opposite bank of the river. Monet's two and a half years in Vétheuil, a small farming community northwest of Paris, saw two severe winters, the inspiration for this masterpiece. The Frick's painting is a key work by Monet, in the new 'impressionist' style, painted only 4 years after the first Impressionist show in Paris; it was Monet's painting called Impression, Sunrise that led to the term impressionism being coined. Susan Grace Galassi has written an insightful and engaging essay about Monet's difficult but productive time in Vétheuil, which saw the death of his wife Camille. The Frick's Monet painting, the only work by the artist in the collection, is the basis for other significant canvases made during his stay in the village in both winter and summer. Galassi's essay is accompanied by a text and intriguing new work--Colour experiment no. 109--by the artist Olafur Eliasson, created in response to the Monet painting. Eliasson's work will be shown at the Frick next to the painting that inspired it.

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    Hardback. Zustand: New. Claude Monet's Vétheuil in Winter (1878-79), painted during the artist's first winter in the village, depicts his new home on the Seine, seen from the opposite bank of the river. Monet's two and a half years in Vétheuil, a small farming community northwest of Paris, saw two severe winters, the inspiration for this impressionist masterpiece, which is the subject of this ninth volume in the Frick Diptych series.Susan Grace Galassi has written an insightful and engaging essay about Monet's difficult but productive time in Vétheuil, which saw the death of his wife Camille. The Frick's Monet painting, the only work by the artist in the collection is the basis for other significant canvases made during his stay in the village in both winter and summer. Galassi's essay is accompanied by a text and intriguing new work-Colour experiment no. 109-by the artist Olafur Eliasson, created in response to the Monet painting. Eliasson's work will be shown at the Frick next to the painting that inspired it.

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    Gebunden. Zustand: New. &Uumlber den AutorOlafur Eliasson (b. 1967) is a prolific Icelandic-Danish artist who works in a wide range of media and forms--installation, painting, sculpture, photography, and film--to address topics related to architecture, ecol.

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    Hardcover. Zustand: new. Hardcover. New volume in the Frick Diptych series features an essay by Susan Grace Galassi, curator emerita at The Frick Collection, paired with a contribution from renowned artist Olafur Eliasson Claude Monet's Vetheuil in Winter (1878-79), painted during the artist's first winter in the village, depicts his new home on the Seine, seen from the opposite bank of the river. Monet's two and a half years in Vetheuil, a small farming community northwest of Paris, saw two severe winters, the inspiration for this masterpiece. The Frick's painting is a key work by Monet, in the new "impressionist" style, painted only 4 years after the first Impressionist show in Paris; it was Monet's painting called Impression, Sunrise that led to the term impressionism being coined. Susan Grace Galassi has written an insightful and engaging essay about Monet's difficult but productive time in Vetheuil, which saw the death of his wife Camille. The Frick's Monet painting, the only work by the artist in the collection, is the basis for other significant canvases made during his stay in the village in both winter and summer. Galassi's essay is accompanied by a text and intriguing new work - Colour experiment no. 109 - by the artist Olafur Eliasson, created in response to the Monet painting. Eliasson's work will be shown at the Frick next to the painting that inspired it. AUTHORS: Olafur Eliasson (b. 1967) is a prolific Icelandic-Danish artist who works in a wide range of media and forms - installation, painting, sculpture, photography, and film - to address topics related to architecture, ecology, food, education, sustainability, climate change, and perception. In 2008, he created a Public Art Fund project consisting of four man-made waterfalls placed around New York City along the East River. Susan Grace Galassi is curator emerita, The Frick Collection, New York. SELLING POINTS: . Features a new work by Olafur Eliasson, Colour experiment no. 109, 2020, which has taken two years to complete . Ninth volume in the Frick Diptych series, a major series highlighting masterpieces from The Frick Collection, New York . Features 24 other works by Monet, some painted during his time in Vetheuil , from other collections including The Metropolitan Museum of Art, New York; University of Michigan Museum of Art; Shelburne Museum; Dallas Museum of Art; Art Institute of Chicago 34 colour illustrations New volume in the Frick Diptych series features an essay by Susan Grace Galassi, curator emerita at The Frick Collection, paired with a contribution from renowned artist Olafur Eliasson. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

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    Hardback. Zustand: New. Claude Monet's Vétheuil in Winter (1878-79), painted during the artist's first winter in the village, depicts his new home on the Seine, seen from the opposite bank of the river. Monet's two and a half years in Vétheuil, a small farming community northwest of Paris, saw two severe winters, the inspiration for this impressionist masterpiece, which is the subject of this ninth volume in the Frick Diptych series.Susan Grace Galassi has written an insightful and engaging essay about Monet's difficult but productive time in Vétheuil, which saw the death of his wife Camille. The Frick's Monet painting, the only work by the artist in the collection is the basis for other significant canvases made during his stay in the village in both winter and summer. Galassi's essay is accompanied by a text and intriguing new work-Colour experiment no. 109-by the artist Olafur Eliasson, created in response to the Monet painting. Eliasson's work will be shown at the Frick next to the painting that inspired it.