Brecht (Mehr als 18.000 Ergebnisse)

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Hardback. Zustand: Very Good. A fictional story based on the final years of playwright Bertolt Brecht, Brecht?s Mistress is a literary Cold War thriller that ?recalls le Carré? (Daily Telegraph) in its evocation of the grim world of postwar East Germany and its depiction of personal destinies intertwined with superpower rivalry.Inspired by an actual photograph taken of Brecht and a beautiful unknown young woman, Amette?s novel opens on October 22, 1948, the day of Brecht?s return to the Soviet-controlled zone of Berlin. Despite Brecht?s abiding communist sympathies, the Stasi, East Germany?s notorious secret police force, suspects his motives and recruits the young and vulnerable Viennese actress Maria Eich to spy on him. Brecht?married to the actress Helen Weigel?is a womanizer, and Maria soon becomes one of a long string of mistresses. Maria, for her part, has fallen in love with her Stasi recruiting officer, Hans Trow. An intricate plot plays itself out on the terrain of infidelities, ambition, and Cold War politics.…

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Paperback. Zustand: Good. The subject of this book is theatre directing in four internationally famous instances. The four directors--Konstantin Stanislavsky, Bertolt Brecht, Elia Kazan, and Peter Brook--all were monarchs of the profession in their time. Without their work, theatre in the twentieth century--so often called the century of the director --would have a radically different shape and meaning. The four men are also among the dozen or so modern directors whose theatrical achievements have become culture phenomena. In histories, theories, hagiographies, and polemics, these directors are conferred classic stature, as are the four plays on which they worked. Chekhov's The Seagull, Brecht's Mother Courage and Her Children, and Williams's A Streetcar Named Desire have long been recognized, in the theatre and in the study, as masterpieces. They are anthologized, quoted, taught, parodied, read, and produced constantly and globally. The culturally conservative might question the presence of MaratiSade in such august company, but Peter Weiss's play stands every chance of figuring in Western repertories, classroom study, and theatrical histories until well into the twenty-first century. In their quite different ways, these are all classics of that Western drama which is part of our immediate heritage.…

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Paperback. Zustand: Very Good. The subject of this book is theatre directing in four internationally famous instances. The four directors--Konstantin Stanislavsky, Bertolt Brecht, Elia Kazan, and Peter Brook--all were monarchs of the profession in their time. Without their work, theatre in the twentieth century--so often called the century of the director --would have a radically different shape and meaning. The four men are also among the dozen or so modern directors whose theatrical achievements have become culture phenomena. In histories, theories, hagiographies, and polemics, these directors are conferred classic stature, as are the four plays on which they worked. Chekhov's The Seagull, Brecht's Mother Courage and Her Children, and Williams's A Streetcar Named Desire have long been recognized, in the theatre and in the study, as masterpieces. They are anthologized, quoted, taught, parodied, read, and produced constantly and globally. The culturally conservative might question the presence of MaratiSade in such august company, but Peter Weiss's play stands every chance of figuring in Western repertories, classroom study, and theatrical histories until well into the twenty-first century. In their quite different ways, these are all classics of that Western drama which is part of our immediate heritage.…

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Paperback. Zustand: Good. Highly acclaimed when it was first published in 1967, Frederic Ewen's monumental biographical study of Bertolt Brecht has long been out of print. In response to national demand, Citadel Press is proud to reissue this complete and unabridged text. Of Bertolt Brecht: His Life, His Art, His Times, the critics wrote: The finest critical study of Brecht to date. This book is at least a worthy appreciation of a towering, poetic and dramatic genius. -Los Angeles Times What is particularly striking about Frederic Ewen's biography is that it conveys the excitement, the turmoil and triumph of Brecht's career. -The New York Times The great thing about Frederic Ewen's luminous biography is that it gently frees Brecht from the bear hugs of the bigots and restores him to us as a whole man, his youth contained in his age. -The Nation.…

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The Threepenny Opera (Bertolt Brecht Collected Plays, Vol. 2)
Brecht, Bertolt; Willett, John; Manheim, Ralph; Willett, John; Manheim, Ralph
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Hardback. Zustand: Very Good. A fictional story based on the final years of playwright Bertolt Brecht, Brecht?s Mistress is a literary Cold War thriller that ?recalls le Carré? (Daily Telegraph) in its evocation of the grim world of postwar East Germany and its depiction of personal destinies intertwined with superpower rivalry.Inspired by an actual photograph taken of Brecht and a beautiful unknown young woman, Amette?s novel opens on October 22, 1948, the day of Brecht?s return to the Soviet-controlled zone of Berlin. Despite Brecht?s abiding communist sympathies, the Stasi, East Germany?s notorious secret police force, suspects his motives and recruits the young and vulnerable Viennese actress Maria Eich to spy on him. Brecht?married to the actress Helen Weigel?is a womanizer, and Maria soon becomes one of a long string of mistresses. Maria, for her part, has fallen in love with her Stasi recruiting officer, Hans Trow. An intricate plot plays itself out on the terrain of infidelities, ambition, and Cold War politics.…

Sprache: Englisch
Verlag: University of California Press (edition First Edition), 1987
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- Erstausgabe
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Paperback. Zustand: Good. Boussignac, Patrick (illustrator).

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Hardback. Zustand: Good. Among the most creative and outsized personalities of the Weimar Republic, that sizzling yet decadent epoch between the Great War and the Nazis' rise to power, were the renegade poet Bertolt Brecht and the rebellious avant-garde composer Kurt Weill. These two young geniuses and the three women vital to their work - actresses Lotte Lenya and Helene Weigel, and writer Elizabeth Hauptmann - joined talents to create the theatrical and musical masterworks The Threepenny Opera and The Rise and Fall of the City of Mahagonny, only to split in rancor as their culture cracked open and their aesthetic and temperamental differences became irreconcilable. The Partnership is the first book to tell the full story of Brecht and Weill's impulsive, combustible partnership, the compelling psychological drama of one of the most important creative collaborations of the past century. It is also the first book to give full credit where it is richly due to the three women whose creative gifts contributed enormously to their masterworks. And it tells the thrilling and iconic story of artistic daring entwined with sexual freedom during the Weimar Republic's most fevered years, a time when art and politics and society were inextricably mixed.…

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Paperback. Zustand: Good. The subject of this book is theatre directing in four internationally famous instances. The four directors--Konstantin Stanislavsky, Bertolt Brecht, Elia Kazan, and Peter Brook--all were monarchs of the profession in their time. Without their work, theatre in the twentieth century--so often called the century of the director --would have a radically different shape and meaning. The four men are also among the dozen or so modern directors whose theatrical achievements have become culture phenomena. In histories, theories, hagiographies, and polemics, these directors are conferred classic stature, as are the four plays on which they worked. Chekhov's The Seagull, Brecht's Mother Courage and Her Children, and Williams's A Streetcar Named Desire have long been recognized, in the theatre and in the study, as masterpieces. They are anthologized, quoted, taught, parodied, read, and produced constantly and globally. The culturally conservative might question the presence of MaratiSade in such august company, but Peter Weiss's play stands every chance of figuring in Western repertories, classroom study, and theatrical histories until well into the twenty-first century. In their quite different ways, these are all classics of that Western drama which is part of our immediate heritage.…

- Softcover
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Paperback. Zustand: Very Good. The subject of this book is theatre directing in four internationally famous instances. The four directors--Konstantin Stanislavsky, Bertolt Brecht, Elia Kazan, and Peter Brook--all were monarchs of the profession in their time. Without their work, theatre in the twentieth century--so often called the century of the director --would have a radically different shape and meaning. The four men are also among the dozen or so modern directors whose theatrical achievements have become culture phenomena. In histories, theories, hagiographies, and polemics, these directors are conferred classic stature, as are the four plays on which they worked. Chekhov's The Seagull, Brecht's Mother Courage and Her Children, and Williams's A Streetcar Named Desire have long been recognized, in the theatre and in the study, as masterpieces. They are anthologized, quoted, taught, parodied, read, and produced constantly and globally. The culturally conservative might question the presence of MaratiSade in such august company, but Peter Weiss's play stands every chance of figuring in Western repertories, classroom study, and theatrical histories until well into the twenty-first century. In their quite different ways, these are all classics of that Western drama which is part of our immediate heritage.…

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Paperback. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.