divining oracle monteverdis seconda prattica von ossi massimo (15 Ergebnisse)

Zustand: Good. 1st Edition. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Fine. First Ediiton; First Printing. Text block is tight with no loose or dog-eared pages but with light pencil markings and underlinings throughout. Dust jacket is protected in clear mylar wrapper. Bubble wrapped, boxed, and shipped with USPS Tracking (USA only). Proceeds from the sale of this book benefit WDAV, a 24-hour classical music public radio station in Davidson, NC; streaming online.

xviii, 280p., music, dj.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 280 pages, 8vo. Shelfwear to DJ: light scuffing. DJ in mylar. Volume is in Very Good condition.

Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Zustand: New. Massimo Ossi delves into the most significant aspect of Monteverdi's career: the development of a new compositional style he called the "seconda prattica" or "second manner". Num Pages: 280 pages, 2 halftones, 24 tables, 30 musical examples. BIC Classification: AVH. Category: (P) Professional & Vocational. Dimension: 238 x 166 x 23. Weight in Grams: 534. . 2003. 1st Edition. Hardcover. . . . .

Zustand: New. In.

Zustand: New. Massimo Ossi delves into the most significant aspect of Monteverdi's career: the development of a new compositional style he called the "seconda prattica" or "second manner". Num Pages: 280 pages, 2 halftones, 24 tables, 30 musical examples. BIC Classification: AVH. Category: (P) Professional & Vocational. Dimension: 238 x 166 x 23. Weight in Grams: 534. . 2003. 1st Edition. Hardcover. . . . . Books ship from the US and Ireland.

Zustand: new.

Hardback. Zustand: New. New copy - Usually dispatched within 4 working days. 564.

Hardcover. Zustand: Brand New. 1st edition. 280 pages. 9.50x6.50x1.00 inches. In Stock.

Buch. Zustand: Neu. Neuware - Claudio Monteverdi's historical position in music has been compared to that of Shakespeare in literature: almost exact contemporaries, each worked from traditional beginnings to transform nearly every genre he attempted. In this book, Massimo Ossi delves into the most significant aspect of Monteverdi's career: the development, during the first years of the seventeenth century, of a new compositional style he called the 'seconda prattica' or 'second manner.'Challenged in print for the unconventional aspects of his music, Monteverdi found himself at the center of a debate between defenders of Renaissance principles and the newest musical currents of the time. The principles of the 'seconda prattica,' Ossi argues in this sophisticated analysis of Monteverdi's writings, music, and approaches to text-setting, were in fact much more significant to the course of Monteverdi's career than previously thought by modern scholars-not only did Monteverdi continue to pursue their aesthetic and theoretical implications for the rest of his life, but they also affected his dramatic compositions as well as his chamber vocal music and sacred works.Ossi 'divines the oracle' of Monteverdi's ambiguous theoretical concepts in a clear way and in terms of pure music; his book will enhance our understanding of Monteverdi as one of the most significant figures in western music history.

Gr.-Oktav. Org.-Ganzleinen mit illustr. Org.-SU, xviii, 280 S. mit zahlreichen Abbildungen (meist Notenbeispiele) in s/w. Sehr wohlerhaltenes Exemplar. Erste Ausgabe. - ISBN 9780226638839. - ENGLISH: Octavo. Publisher's full cloth with illustrated d/j, xviii, 280 pp., with numerous musical examples. A very well preserved copy. - First edition. Erste Ausgabe. - ISBN 9780226638839. - ENGLISH: Octavo. Publisher's full cloth with illustrated d/j, xviii, 280 pp., with numerous musical examples. A very well preserved copy. - First edition. 1000 g.

Zustand: Near fine. Zustand des Schutzumschlags: near fine. First Edition. Hardcover : pp. [vi] xviii, 280 [286] : illustrated with figures, tables and around 30 musical examples : blue cloth boards : gilt to spine : Bernardo Castello illustration to blue jacket. Handful of light foxing to top edge of block; jacket a little creased at spine head. "Claudio Monteverdi's historical position in music has been compared to that of Shakespeare in literature: almost exact contemporaries, each worked from traditional beginnings to transform nearly every genre he attempted. In this book, Massimo Ossi delves into the most significant aspect of Monteverdi's career: the development, during the first years of the seventeenth century, of a new compositional style he called the seconda prattica or "second manner''. Challenged in print for the unconventional aspects of his music, Monteverdi found himself at the center of a debate between defenders of Renaissance principles and the newest musical currents of the time. The principles of the seconda prattica, Ossi argues in this sophisticated analysis of Monteverdi's writings, music, and approaches to text-setting, were in fact much more significant to the course of Monteverdi's career than previously thought by modern scholars-not only did Monteverdi continue to pursue their aesthetic and theoretical implications for the rest of his life, but they also affected his dramatic compositions as well as his chamber vocal music and sacred works. Ossi "divines the oracle" of Monteverdi's ambiguous theoretical concepts in a clear way and in terms of pure music; his book will enhance our understanding of Monteverdi as one of the most significant figures in western music history." - Publisher.

8vo xviii, 280 pages. Cloth, backstrip slightly bumped at head and foot, in very slightly worn d/w, top edge a little dusty and two small stains. Internally VG. Tables and many music examples.