Jazz among discourses (31 Ergebnisse)

Paperback. Zustand: Good. Employing modes of criticism and theory that have transformed study in the humanities, this title addresses questions seldom if ever raised in jazz writing: What are the implications of building jazz history around the medium of the phonograph record? Why did jazz writers first make the claim that jazz is an art.…

paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Zustand: Good. Employing modes of criticism and theory that have transformed study in the humanities, this title addresses questions seldom if ever raised in jazz writing: What are the implications of building jazz history around the medium of the phonograph record? Why did jazz writers first make the claim that jazz is an art.…

Trade Paperback Original. Zustand: Good+. First Edition. Volume has wear; tight, text clean. viii, [2], 288 p. [ifo b 316 wht bdha].

Trade Paperback. Zustand: Used - Like New.

Oversize Paperback. Zustand: GOOD. Durham, NC: DukeUniversity Press, 1995. Oversize Paperback. GOOD. Tight, bright, clean and square but has penciled check marks in margins and some pencil underlining. 6" x 9.25" x 0.8". 288 indexed pages, with annotated essays with cited works. Content: Rethinking Jazz History (6 essays); The Jazz Artist Among the Discourses (30; The Essential Context: Jazz and Politics(2).…

Softcover. Zustand: Very Good+. No Dust Jacket. 9.2 X 6.4 X 0.8 inches; 304 pages.

Paperback. Zustand: Very Good. Minor shelf wear. Clean.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Near Fine. First Edition. Major topics: Rethinking Jazz History; The Jazz Artist Among the Discourses; and The Essential Context: Jazz and Politics. Size: 8vo - over 7¾" - 9¾" tall. 288 pages, index. Book in excellent condition - small bump to back edge of spine, otherwise fine. No interior marks. Quantity Available: 1. Category: Music; ISBN: 0822315815. ISBN/EAN: 9780822315810. Pictures of this item not already displayed here available upon request. Inventory No: 605032. …

Zustand: As New. Unread book in perfect condition.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

Zustand: new.

Paperback. Zustand: Brand New. 2nd edition. 304 pages. 9.25x6.00x0.75 inches. In Stock.

Zustand: New. pp. 304 7 Illus.

Zustand: New. Employing modes of criticism and theory that have transformed study in the humanities, this title addresses questions seldom if ever raised in jazz writing: What are the implications of building jazz history around the medium of the phonograph record? Why did jazz writers first make the claim that jazz is an art? Editor(s): Gabbard, Krin. Num Pages: 304 pages, 7 illustrations. BIC Classification: 1KBB; AVGJ; RN. Category: (P) Professional & Vocational. Dimension: 234 x 157 x 20. Weight in Grams: 522. . 1995. 2nd ed. Paperback. . . . .…

Zustand: New. In English.

Zustand: New.

Paperback / softback. Zustand: New. New copy - Usually dispatched within 4 working days.

Hardcover. Zustand: Very Good. 1st Edition. Very Good Hardcover; 9 1/2 inches tall; attractively bound in silver cloth with bright, distinct purple lettering on front cover and spine and purple end pages; viii (8) + 288 pages + 1 additional page at end of text; includes musical transcription of Miles Davis, solo, My Funny Valentine, and an index; 2 mild-moderate bumps; limited shelf wear; NO interior writing of any kind; a securely bound book; a scholarly work.…

Zustand: New. Employing modes of criticism and theory that have transformed study in the humanities, this title addresses questions seldom if ever raised in jazz writing: What are the implications of building jazz history around the medium of the phonograph record? Why did jazz writers first make the claim that jazz is an art? Editor(s): Gabbard, Krin. Num Pages: 304 pages, 7 illustrations. BIC Classification: 1KBB; AVGJ; RN. Category: (P) Professional & Vocational. Dimension: 234 x 157 x 20. Weight in Grams: 522. . 1995. 2nd ed. Paperback. . . . . Books ship from the US and Ireland.…

Zustand: As New. Unread book in perfect condition.

Zustand: New. pp. 304 Index.

Hardcover. 8vo. Pp: viii, 288. First Edition, no dust jacket as issued. Publisher's original silver boards with purple lettering to spine. ISBN: 0822315815 Very good minus. Contents are clean and sound. Text block is a little spotted and boards are a little marked and scratched. Previous barcode sticker affixed to rear board.…

paperback. Zustand: New. In shrink wrap. Looks like an interesting title.

Kartoniert / Broschiert. Zustand: New. Employing modes of criticism and theory that have transformed study in the humanities, this title addresses questions seldom if ever raised in jazz writing: What are the implications of building jazz history around the medium of the phonograph record? Why d.

Taschenbuch. Zustand: Neu. Jazz Among the Discourses | Krin Gabbard | Taschenbuch | Englisch | 1995 | Duke University Press | EAN 9780822315964 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-nostrum[dot]co[dot]uk | Anbieter: preigu.

Taschenbuch. Zustand: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -The study of jazz comes of age with this anthology. One of the first books to consider jazz outside of established critical modes, Jazz Among the Discourses brings together scholars from an array of disciplines to question and revise conventional methods of writing and thinking about jazz.Challenging 'official jazz histories,' the contributors to this volume view jazz through the lenses of comparative literature; African American studies; music, film, and communication theory; English literature; American studies; history; and philosophy. With uncommon rigor and imagination, their essays probe the influence of various discourses-journalism, scholarship, politics, oral history, and entertainment-on writing about jazz. Employing modes of criticism and theory that have transformed study in the humanities, they address questions seldom if ever raised in jazz writing: What are the implications of building jazz history around the medium of the phonograph record Why did jazz writers first make the claim that jazz is an art How is an African American aesthetic articulated through the music What are the consequences of the interaction between the critic and the jazz artist How does the improvising artist navigate between chaos and discipline Along with its companion volume, Representing Jazz, this versatile anthology marks the arrival of jazz studies as a mature, intellectually independent discipline. Its rethinking of conventional jazz discourse will further strengthen the position of jazz studies within the academy.Contributors. John Corbett, Steven B. Elworth, Krin Gabbard, Bernard Gendron, William Howland Kenney, Eric Lott, Nathaniel Mackey, Burton Peretti, Ronald M. Radano, Jed Rasula, Lorenzo Thomas, Robert Walser 304 pp. Englisch.…