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Erscheinungsdatum: 1493
Anbieter: Alexandre Antique Prints, Maps & Books, Toronto, ON, Kanada
Erstausgabe
Edition : First Edition in Latin., 17th century full calf over wooden boards, rebacked in style, spine with seven raised bands, gilt roulette on the boards with spandrels in the corners, blind-stamped fillets with gilt spandrels in the corners and central gilt design. Boards stamped in gilt with the name of a previous owner, Pierre de Hacqueville (Contemporary binding or slightly later)., Nuremberg, Antoine Koberger pour Sebald Schreyer and Sebastien Kamermaister, This chronicle represents the history of the world illustrated and divided into seven ages, from creation to 1490, the Last Judgement being the seventh age. Published in 1493 by Anton Koberger, one of the great printers of the time, the Nuremberg Chronicle is the work of the German humanist and physician from Nuremberg Hartmann Schedel (1440-1514), who drew his historical and geographical sources from his extensive library, one of the largest book collections of the 15th century. Among the designers and engravers of the woodcuts were the famous Michael Wolgemut (1434-1519), master of Albrecht Dürer, and his son-in-law Wilhelm Pleydenwurff (1460 ? -1494).The chronicle contains 1,800 figures from 645 different woodcuts, spread over most of the folios, some of them very large, with various motifs, including numerous biblical scenes, representations of cities or groups of monuments, figurative genealogical tables, etc. « One of the most extraordinary works ever produced » (The World encompassed)Provenance: illegible handwritten bookplate on title page. "Pierre de Hacqueville" (on the boards) Pierre de Hacqueville, King's Councillor, Corrector of the Chambre des Comptes, - Pierre de Hacqueville, Lord of Pomponne, Grand Master of the Waters & Forests of Brittany, late 16th-early 17th century ., Size : Folio (45 x 31 cm), The most lavishly illustrated incunabulum known as the "Nuremberg Chronicle"., (20) ff., I-CCLVIIII, CCLXII-CCLXVI, (5) ff.n.ch., CCLXVII-[CCC] 17th century calf, rebacked in style, Blank leaves CCLX and CCLXI missing. The 5 unnumbered leaves "De Sarmacia regione" are bound between ff. CCLXVI and CCLXVII but without the unnumbered blank leaf. Handwritten inscriptions in ink on the title - handwritten annotations to some ff., some ff. restored, some light spotting and staining, last map restored. Generally very good.
Verlag: Nuremberg; Anton Koberger for Sebald Schreyer and Sebastian Kammermeister, 12 july 1493., 1493
Anbieter: Delirium Books · Susana Bardón, Madrid, Spanien
Erstausgabe
Encuadernación de tapa dura. Zustand: Excelente. 1ª Edición. Fol. (43 x 29,5 cm). Plena piel de época sobre tabla, lomo restaurado, estuche de protección. 20 h. sin num. inc. port., CCIXC h., 2 h. bl., 5 h. sin num. incluyendo el suplemento De Sarmacia y h. bl. Capitulares a mano, en rojo y azul. Magníficamente ilustrado con 1809 grabados en madera, incluyendo mapas del mundo y de Europa, vistas de las principales ciudades europeas. Impresión en caracteres góticos de 64 líneas por plana. El Liber chronicarum, el mayor incunable ilustrado, con más de 1800 grabados en madera, constitye una gran historia universal compilada a partir de fuentes contemporáneas y otras anteriores a su época, por el doctor, humanista y bibliófilo de Nuremberg Hartmann Schedel (1440 1514), y supone uno de los libros más densamente ilustrados y técnicamente avanzados de los comienzos de la imprenta. Contiene 1809 grabados realizados a partir de 645 tacos xilográficos. Michael Wolgemut y Wilhelm Pleydenwurff ejecutaron las ilustraciones hacia 1490, momento en el que su taller estaba en pleno auge artístico y un joven Durero completaba allí su aprendizaje y de quien se cree participó en la elaboración de los grabados (cf. Wilson, The Making of the Nuremberg Chronicle, Amsterdam: 1976). Las vistas de los pueblos y ciudades, grabadas en madera, poseen gran interés artístico y topográfico. Incluye dos mapas a doble página, el mapa mundi basado en la Cosmographia de Pomponio Mela y un mapa de Europa por Münzer. Anotación manuscrita de época en portada, marginalia también de época en algunas páginas. HC *14508; BMC II, 437 (IC. 7451-3); Polain(B) 3469; CIBN S-161; BSB-Ink. S-195; Bod-Inc. S-108; Schreiber 5203; Goff S-307.
Verlag: Anton Koberger, Núremberg, 1493
Anbieter: Librería José Porrúa Turanzas S.A., Madrid, Spanien
First Edition â " Primera edicià n. Núremberg, Anton Koberger, 12 de julio de 1493. En gran folio (477 x 330)mm. 326 folios. TipografÃa gà tica. 64 lÃneas por página. Con 1.809 magnÃficos grabados en madera sobre 645 tacos xilográficos diferentes. Encuadernacià n de mediados del siglo veinte en plena piel, ruedas gofradas en ambos planos. Primera edicià n de la famosa Crà nica de Nuremberg, una narracià n ilustrada de la historia del mundo, escrita en Núremberg por el Doctor Hartmann Schedel, e impresa por Anton Koberger gracias a la financiacià n de algunos nobles de la ciudad. Se trata del incunable más densamente ilustrado e integra a la perfeccià n una combinacià n de texto e ilustraciones. Ejemplar genuino que destaca por sus enormes márgenes. La serie de aproximadamente 1.800 grabados, de varios tamaños, contiene 8 xilografÃas a toda página, 29 vistas de ciudades a doble página y 2 mapas tambià n a doble página. Los grabados fueron realizados por Michael Wolgemut, Wilhelm Pleydenwurff y Albert Dürer, quien como aprendiz en el taller de Wolgemut, intervino en muchas de las ilustraciones (A. Wilson, The Making of the Nuremberg Chronicle, 1976). Estas ilustraciones representan en su mayorÃa escenas religiosas tomadas de la Biblia, grandes vistas de ciudades como Hamburgo, Basilea, Colonia, Roma, Viena, etcà tera, y dos grandes mapas a doble página, el primero es un mapa del mundo basado en el sistema ptolemaico, el otro es un mapa de Europa. El texto es una revisià n histà rica, ordenada cronolà gicamente desde los primeros dÃas de la creacià n hasta la fecha de publicacià n en 1493. La Crà nica de Núremberg es el incunable más densamente ilustrado y quizá el mejor documentado en cuanto a la historia de su impresià n se refiere, del cual se conservan el contrato entre el famoso impresor Koberger y sus socios financieros Sebald Schreyer y Sebastian Kammermaister, el contrato entre Koberger y los artistas que ilustraron el libro, y los manuscritos originales tanto de esta primera edicià n en latÃn como la que se publicà varios meses más tarde en alemán; de cada edicià n se imprimieron unos dos mil ejemplares. Atractivo ejemplar de grandes márgenes, genuino, con algunas anotaciones contemporáneas por el texto y con sus tres hojas blancas excepto por la impresià n del encabezamiento y la foliacià n. Portada restaurada en el margen, sin afectar, ligera mancha en primeras hojas de tabla. fols. 5 y 6 con restauracià n antigua en el margen interior, fols. 29 y 276 con pequeña mancha de tinta antigua, fol. 53 con mancha en el margen inferior, fols. 76, 85, 104, 221 con pequeña restauracià n antigua en el margen, fols. 158-9, 170, 238 con pequeña rasgadura en el margen inferior, fol. 169 al verso con etiqueta de expurgacià n de un párrafo por la Inquisicià n, sin afectar al texto; fols. 199, 200 y 258 restauracià n a lo largo del margen inferior, sin afectar; fol. 300 con restauracià n antigua en la esquina inferior, pequeñas manchas ocasionales generalmente en los márgenes, algunos pliegos ligeramente amarronados. En el verso del folio 298 extensa cita manuscrita en letra humanÃstica elegante "De obitu martini litheri", con fecha de 1545. Procedencia: 1. Joannis Martini, con su escudo dibujado al pie, Doctor en ambos derechos de la Congregacià n de la Sacra y Santa Inquisicià n y Protonotario de la Santa Sede Apostà lica. First edition of the famous Nuremberg Chronicle, an illustrated narrative of world history, written in Nuremberg by Doctor Hartmann Schedel, and printed by Anton Koberger thanks to funding from some of the city's nobles. It is the most densely illustrated incunabula and perfectly integrates a combination of text and illustrations. Genuine copy that stands out for its huge margins. 477x330mm. (18¾x13").
Verlag: Anton Koberger for Sebald Schreyer and Sebastian Kammermeister, Nuremberg, 1493
Anbieter: Arader Books, New York, NY, USA
Erstausgabe
Hardcover. Zustand: Very good. First. THE NUREMBERG CHRONICLE. Nuremberg: Anton Koberger for Sebald Schreyer and Sebastian Kammermeister, 12 July 1493. First edition. Folio (16 5/8" x 11 13/16", 422mm x 300mm). [Full collation available.] Foll. CCLXIIII and CCLXVII supplied in facsimile; lacking the final blank (or two) after De Sarmacia. With some 1809 woodcuts, integral to the text, by Michael Wolgemut, Wihelm Pleydenwurff and almost certainly Albrecht Dürer. Bound in later dark mottled sheep (rebacked, with the original back-strip laid down), with a gilt fillet border. On the spine, six raised bands. Title (OPVS.CHRONIC./HANN.SCHEDEL.) gilt to red sheep in the second panel. Marbled end-papers. Rebacked, with the original back-strip laid down. First two panels of the backstrip split and coming up. Rubbed at the extremities. First free end-paper coming up. Initials (register-XV) and end-matter (CCXCI-end) mounted onto guards. Lacking leaves CCLXIIII and CCLXVII (supplied in facsimile) and the final blank (or two) after De Sarmacia. Leaf CLXXXVIII with loss to the lower spine-corner, supplied in facsimile. Various repairs (including one in thread to the 18th preliminary leaf). Leaf XCVIII slit horizontally. Leaf CCXCVI soiled at the fore-edge. Generally quite a clean copy, with good margins (albeit some shaved head-lines). Scattered marginalia (one (CXVIIIr) dated to 1555), mostly in secretarial hand. Armorial ex-libris of the convent of the Grands Augustins in Lyon and of Lionel H. Pries to the front paste-down. Pries's bibliographical cuttings pasted to the recto of the initial binder's blank. Obliterated bookplate adjacent to the Grands Augustins ex-libris. Armorial bookplate of a French count on the rear paste-down. Hartmann Schedel (1440-1514) is the historian who compiled the text of the Chronicae, but in some ways his was the least important role in the process of the book. In the era of printing's infancy (incunabula means "swaddling-clothes"), the printers and publishers (including investors) were often the more important agents in the creation of a book. Schedel lived on the same street as nearly all of his partners in the venture. This extraordinary neighborhood of book-producers came together to produce something that far surpassed the long-established genre of chronicles to which it belongs. Two colophons give different accounts of the work's completion; we know that it was begun in December of 1491. The first colophon (fol. CCLXVIr) gives 5 June 1493 as the date of completion. The second (fol. CCCv), which is fuller and gives the names of the publishers, gives 12 July 1493. The lasting appeal of the Chronicle, of which 1,205 copies survive according to the census in the Gesamtkatalog der Wiegendrucke, is its extraordinary woodcuts and their contribution to the overall layout. The cuts themselves vary widely in sophistication, from the almost modernist repeated cut of locusts to detailed city-views (for which the Chronicle is perhaps most famous) and the tight repertory of kings and queens, popes and popesses (Pope Joan on fol. CLXIXv is unmutilated; often zealous owners have scratched out her image or her description), which do not vary based on era or nationality. The volume must have resided for a time in Germany, as some of the marginal comments are in German, though most are in French. The unidentified armorial bookplate on the rear paste-down appears to be the oldest, and is likely French. The next point of ownership is the convent of the Grands Augustins in Lyon. Lionel "Spike" Pries (1897-1968) was a Seattle-based architect who studied at U.C. Berkeley and then at the University of Pennsylvania. Pries directed the Art Institute of Seattle (now the Seattle Art Museum) 1931-1932. BMC II, p. 437; BSB-Ink S-195; Gesamtkatalog der Wiegendrucke M40784; Hain (rev. Copinger), Repertorium bibliographicum II.2 *14508; Klebs, Incunabula scientifica et medica 889.1; ISTC no. is00307000; Sabin 77523; Shirley 19.
Verlag: Editorial Siloé, Burgos, 2003
Anbieter: LIBRERIA ANTICUARIA EPOPEYA, Zaragoza, Spanien
piel con cierres muy bien conservado más de 1800 xilografías coloreadas, dibujadas por el maestro de Durero, Michael Wolgemuth. volumen de estudio con la primera traducción del Liber Chronicarum al castellano por Jaume Casamitjana Costa, edición limitada a 898 ejemplares numerados, Premio Ministerio de Cultura 2003, estudio histórico y bibliográfico por Juan Jose Vallejo Penedo.
Verlag: Anton Koberger, Nuremberg, Germany, 1493
Anbieter: Thomas J. Joyce And Company, Chicago, IL, USA
Erstausgabe
Zustand: Very Good. Woodcuts by the Workshop of Michael Woldgemut & Wilhelm Pleydenwurff (illustrator). First edition. Folio, conjoined leaves measuring approximately 455mm by 320mm, very minor breaks at fold, minor soiling, matted but not glazed or framed. LIBER CHRONICARUM is the most famous travel book of the 15th century, and the most exhaustively illustrated book of the incunable era. The complete work contains 1809 woodcuts, of which only 29 are double-page town views:: these conjoined leaves is one of those 29 town views, specifically "Colonia", i.e. Cologne, Germany. The verso of leaf XCI is a half-page view of "Augusta", i.e. Augsburg, Germany, with descriptive text. Also smaller portraits of historical personages including Cleopatra, Alexander the Great, Herodias, L. Pomponius, Leoneus, and M. Agrippa. et alios (Notes: this is from the Latin edition. The German-language edition, DAS BUCH DER CHRONIKEN, has different woodblock portraits for Pomponius, Leoneus, and Agrippa. Also, the view of Augsburg is only the left half of the scene, which is one of the double-page views). [Goff S-307; Hain - Cop 14508x; Klebs 889.1; Oates 1026; Procter 2084; BMC II, 437 ]. Woodcuts by the Workshop of Michael Woldgemut & Wilhelm Pleydenwurff.
Verlag: gedruckt bei Anton Koberger, Nürnberg 1493, 1493
Anbieter: Johann Peter Hebel Antiquariat, Lörrach, Deutschland
Folio Gr H 42 x B 54 cm gerahmt , guter Zustand 1 Bl. S. darstellend Basel in Holzschnitt farbig koloriert, Rückseite 4 kol. Holzschn. Inkunabel.
Verlag: Anton Koberger, Nuremberg, 1493
Anbieter: Ernestoic Books, Clarence, NY, USA
Erstausgabe
No Binding. Zustand: Very Good. 1st Edition. An original leaf from the 1493 Nuremberg Chronicle (Liber Chronicarum), written by Hartmann Schedel and published by Anton Koberger in 1493. This is Folio CCXXXV, and the complete English translation of both sides of the leaf can be provided upon request. Comes housed in a beautiful double-sided frame allowing safe viewing under glass of both sides of the leaf. Not examined outside of frame. Frame measures approximately 19" x 13.25". The entire verso is visible from the rear side of the frame and therefore the leaf itself measures approximately 16.5" x 11". A wonderful piece of printing history, would make an outstanding addition to any collection.
Verlag: Anton Koberger, Nuremburg, 1493
Anbieter: Rodger Friedman Rare Book Studio, ABAA, Tuxedo, NY, USA
Zustand: Very Good. Single leaf in archival mat. Contemporary rubrication of capitals. Woodcut illustrations colored in, possibly at a later date. Paper remarkably bright and fresh. A leaf from the famous Nuremburg Chronicles of 1493, The headline on the front of the leaf reads "Sixth Age of the World," which apparently began with Pope Gregory, and embraced Thomas Aquinas (whose portrait appears on the back of the leaf). The illustrations also include a picture of flagellants whipping themselves, "a bizarre thing" (according to the Chronicle) practiced in Italy, Germany, and France.
Verlag: Anton Koberger, Nuremberg, 1493
Anbieter: Seacoast Books, Portsmouth, NH, USA
Incunabulum. Zustand: Near Fine. 12" x 17" [30cm x 43cm] incunabulum folio leaf, museum framed. Highly desirable leaf from the 1493 Latin 'Liber Chronicarum', featuring a half-page woodcut of Paris [Parisium], in Near Fine condition. Deaccessioned from the Andrew Dickson White Museum of Art, Cornell University. In a handsome ruby red and gilt wood frame [13.25" x 18"] with museum notes taped to the back. Leaf appears to be laid on, unmounted (frame is sealed at back). Wonderfully preserved with just a bit of age-toning to the extreme edges and minor waviness to the surface (unmounted). Woodcut by Pleydenwurff and Wohlgemut, Latin text by Hartmann Schedel. Recto is half-page woodcut of Mainz [Megundio] with Latin text above. The Liber Chronicarum, bound, fetches $150,000 or more at auction; the Paris leaf, with its stylized view of the city, the Seine, and a 1400s caravel ship in the foreground, is a particularly sought-after leaf. Note: There are artists specializing in applying period-style watercolor to such woodcuts, greatly enhancing their visual appeal. I have included a sample of a colored version for reference. *Photos may show distortions (lens curvature, angled view, reflections, etc.) as the item is under glass.
Verlag: Anton Koberger, Nuremberg, 1493
Anbieter: William Chrisant & Sons, ABAA, ILAB. IOBA, ABA, Ephemera Society, Fort Lauderdale, FL, USA
Erstausgabe
Zustand: Very Good. Pleydenwurff and Wohlgemut (illustrator). First Edition. Nuremberg Chronicle page featuring a half page woodcut of Paris featuring a 1400s caravel ship on the Sienne with Latin text above as well as a half page woodcut of Mainz to verso with Latin text above. Hinged on map board. Woodcut by Pleydenwurff and Wohlgemut. 12 3/4 x 18 inches (Folio leaf).
Verlag: Anton Koberger, Germany, 1494
Anbieter: Antipodean Books, Maps & Prints, ABAA, Garrison, NY, USA
Erstausgabe
Zustand: Otherwise very good condition. First edition. This work by Schedel [1440-1514] is an illustrated world history which is based on the Bible, which follows the story of human history related in the Bible and includes the histories of a number of important Western cities. Written in Latin by Hartmann Schedel it appeared in 1493. It is a well documented incunabulum, one of the first to successfully combine illustrations and text. This epic history divides human history into seven ages. Published and printed by Anton Koberger, the godfather of Albrecht Durer and the most successful German publisher of his day. The woodcut illustrations were made in the workshop of Michael Wolgemut [1434 - 1519], with an unprecedented number of 1,809 illustrations. These woodblocks include views of cities and towns, battles, kings, and saints. This 4th age print is of Bizantium, with a smaller wood block of a man playing chess. Bononia (now Bologna) is on the verso. Bizantium is a walled city by the water with King Solomon's Temple prominent, with insets of kings on the left, including Nebuchadnezzar & Xerxes along with latin text. Bononia on verso sports many buildings and sailing ships. Approximately 11 1/2 x 17", b & w, slt dusty at edges and scant fox spotting on right edge, just barely touching right edge of image. Some marks at top of page by text.
Verlag: Anton Koberger, Germany, 1494
Anbieter: Antipodean Books, Maps & Prints, ABAA, Garrison, NY, USA
Erstausgabe
Zustand: Very good condition. First edition. This work by Schedel [1440-1514] is an illustrated world history which is based on the Bible, which follows the story of human history related in the Bible and includes the histories of a number of important Western cities. Written in Latin by Hartmann Schedel it appeared in 1493. It is a well documented incunabulum, one of the first to successfully combine illustrations and text. This epic history divides human history into 7 ages. Published and printed by Anton Koberger, the godfather of Albrecht Durer and the most successful German publisher of his day. The woodcut illustrations were made in the workshop of Michael Wolgemut [1434 - 1519], with an unpredcedented number of 1,809 illustrations. These woodblocks include views of cities and towns, battles, kings, and saints. Some images represent actual cities, and other images are purely imaginative. The Latin text describes the taking of the city of Liege by the Duke Charles of Burgundy, and the King of Hungary Matthias who took the Turkish fortress of Sabatz. A very detailed image of the fortress shows, '[the] fortress [.] was protected with wood and earth works, surrounded with towers and moats, and manned with many people. It was surrounded with wooden hedges and sharp posts, and the walls were built of wood.' The verso describes Pope Sixtus IV of the Year of Christ 1471, and Pope Innocent VIII of the Year of Christ 1484 with two small images. Approximately 12 x 17 1/4", b & w with red accents in text, tide mark at top of page by title, archivally reinforced corner at top, not affecting text or image, sml faint mark outside of image border. A very interesting image. PRICE David 11-3.
Verlag: Nürnberg Anton Koberger 12 Juli Type 9 und 16, 1493
Anbieter: Versandantiquariat Christine Laist, Seeheim-Jugenheim, Deutschland
Erstausgabe
Einspaltiges Original-Inkunabeldoppelblatt mit einer realitätsnahen Ansicht der Stadt Konstanz (Constancia) und sieben Holzschnitt-Portraits auf festem Papier. Im Randbereich mit fachgerecht restaurierten Fehlstellen im Papier. Ansicht sauber. Blattgröße: 61 x 42 cm. Stadtansicht: 52 x 20 cm. Erstausgabe. Incunabula text woodcut leaf. - - - Die sieben Holzschnitt-Portraits zeigen Johannes Hus, Jheronimus heriticus, Johannes rochezana, Leonhardus aretinus, Concilium constanciense, Jo. Gerson cancellarius parisensis und Caspar flick cancellarius trium cesarum. Der doppelseitige Holzschnitt mit der Ansicht von Konstanz wurde nach der Wirklichkeit geschnitten und zeigt die Stadt am Ende des 15. Jahrhunderts. Alle doppelseitigen Stadtansichten von Schedel wurden mit zwei einzelnen Holzstöcken gedruckt und die Blätter mittig zusammengefügt.
Erscheinungsdatum: 1967
Anbieter: Antiquariat Stefan Krüger, Köln, NRW, Deutschland
Hardcover. 1967-1970. Ganzpgmt. in Schuber. Faksimile der lateinischen Erstausgabe. Nummeriertes Exemplar einer kleinen Auflage. Buch.
Anbieter: Antiquariat Bergische Bücherstube Mewes, Overath, Deutschland
Halbleder-Einband. *Schedels umfangreichstes und künstlerisch bedeutendste Holzschnittwerk des 15. Jh. Es enthält eine Übersicht d. Weltgeschichte nach den Ansichten der christlichen Humanisten des. 15. Jh. und ist damit eine bedeutende kulturgeschichtliche Quelle. Die Weltchronik gilt als das größte Buchunternehmen der Dürerzeit und als bilderreichstes Werk der Frühdruckzeit. Für die vorliegende, hochwertige Faksimile Edition dienten die Originale der Klöster Melk und Metten als Vorlage] *Neupreis 2950,-*.
Verlag: Anton Koberger, Germany, 1494
Anbieter: Antipodean Books, Maps & Prints, ABAA, Garrison, NY, USA
Erstausgabe
Zustand: Very good condition. First edition. This work by Schedel [1440-1514] is an illustrated world history which is based on the Bible, which follows the story of human history related in the Bible and includes the histories of a number of important Western cities. Written in Latin by Hartmann Schedel it appeared in 1493. It is a well documented incunabulum, one of the first to successfully combine illustrations and text. This epic history divides human history into 7 ages. Published and printed by Anton Koberger, the godfather of Albrecht Durer and the most successful German publisher of his day. The woodcut illustrations were made in the workshop of Michael Wolgemut [1434 - 1519], with an unpredcedented number of 1,809 illustrations. These woodblocks include views of cities and towns, battles, kings, and saints. Some images represent actual cities, and other images are purely imaginative. "Jericho, at one time a royal residence and celebrated city, has now become a little village. [.] All evidence of its holy character has entirely disappeared." This print describes Jericho with an image of stone houses and a road leading uphill to more fortifications. Another smaller image of Elijah leaving earth in a fiery wagon. The verso showing priestly lineage of Azariah, Jehoiada, Azariahs; and lineage of Syrian Kings: Ben-hadad I, Hazael, Ben-hadad II, Rezin. Approximately 12 x 17 1/4", b & w, very good, one margin corner lacking not affecting text or images.
Anbieter: Antiquariat Friederichsen, Hamburg, Deutschland
Verbandsmitglied: BOEV
Kunst / Grafik / Poster
Blattgröße des Holzschnittes: 44,5 x 31,5 cm ( Höhe x Breite ). Das Blatt mit großer Darstellung Konstantinopels im Format 23,5 x 23 cm ( Höhe x Breite ), verso mit 3 Porträts. Das Blatt stärker fleckig, im oberen Bereich wasserrandig. Im Bereich des Textes ein stecknadelkopfgroßes Loch unter kleinem Buchstabenverlust. Der Holzschnitt Constantinopels von guter Erhaltung. ( Pic erhältlich // webimage available ) /// Sheet size of the woodcut: 44.5 x 31.5 cm ( height x width ). The sheet with a large depiction of Constantinople measuring 23.5 x 23 cm ( height x width ), with 3 portraits on the verso. The sheet heavily stained, waterstained in the upper area. In the area of the text a pinhead-sized hole with small loss of letters. The woodcut of Constantinople in good condition. # 11702.
Verlag: Anton Koberger, Germany, 1494
Anbieter: Antipodean Books, Maps & Prints, ABAA, Garrison, NY, USA
Erstausgabe
Zustand: Very good condition. First edition. This work by Schedel [1440-1514] is an illustrated world history which is based on the Bible, which follows the story of human history related in the Bible and includes the histories of a number of important Western cities. Written in Latin by Hartmann Schedel it appeared in 1493. It is a well documented incunabulum, one of the first to successfully combine illustrations and text. This epic history divides human history into 7 ages. Published and printed by Anton Koberger, the godfather of Albrecht Durer and the most successful German publisher of his day. The woodcut illustrations were made in the workshop of Michael Wolgemut [1434 - 1519], with an unpredcedented number of 1,809 illustrations. These woodblocks include views of cities and towns, battles, kings, and saints. Some images represent actual cities, and other images are purely imaginative. This print adjoins with Plate No. CLXXXIIII and together describes the German Electoral College. This plate shows images of the towns and shields of Salzburg, Constance, Ulma, Hagenau, Aquisgranum. The verso describes Popes John XVIII "came to the pontificate through neglectfulness; and he did nothing memorable", Sergius IV, Benedict VIII, John XIX, and Benedict IXX. Approximately 10.5 x 16.5", b & w, cropped very close on left side, some marking in margins not affecting text, othewise very clean.
Verlag: Anton Koberger, Germany, 1494
Anbieter: Antipodean Books, Maps & Prints, ABAA, Garrison, NY, USA
Erstausgabe
Zustand: Good + overall. First edition. This work by Schedel [1440-1514] is an illustrated world history which is based on the Bible, which follows the story of human history related in the Bible and includes the histories of a number of important Western cities. Written in German by Hartmann Schedel it appeared in 1493. It is a well documented incunabulum, one of the first to successfully combine illustrations and text. This epic history divides human history into 7 ages. Published and printed by Anton Koberger, the godfather of Albrecht Durer and the most successful German publisher of his day. The woodcut illustrations were made in the workshop of Michael Wolgemut [1434 - 1519], with an unpredcedented number of 1,809 illustrations. These woodblocks include views of cities and towns, battles, kings, and saints. Some images represent actual cities, and other images are purely imaginative. This print adjoins with Plate No. CLXXXIIII and together describes the German Electoral College. This plate shows images of the towns and shields of Salzburg, Constance, Ulma, Hagenau, Aquisgranum. The verso describes Popes John XVIII "came to the pontificate through neglectfulness; and he did nothing memorable", Sergius IV, Benedict VIII, John XIX, and Benedict IXX. Approximately 11.75 x 16.5", b & w, cropped very close on left side, a discoloration at center of image, bottom and long edge dusty, otherwise good.
Verlag: Anton Koberger, Germany, 1494
Anbieter: Antipodean Books, Maps & Prints, ABAA, Garrison, NY, USA
Erstausgabe
Zustand: Very good condition. First edition. This work by Schedel [1440-1514] is an illustrated world history which is based on the Bible, which follows the story of human history related in the Bible and includes the histories of a number of important Western cities. Written in Latin by Hartmann Schedel it appeared in 1493. It is a well documented incunabulum, one of the first to successfully combine illustrations and text. This epic history divides human history into 7 ages. Published and printed by Anton Koberger, the godfather of Albrecht Durer and the most successful German publisher of his day. The woodcut illustrations were made in the workshop of Michael Wolgemut [1434 - 1519], with an unpredcedented number of 1,809 illustrations. These woodblocks include views of cities and towns, battles, kings, and saints. Some images represent actual cities, and other images are purely imaginative. The history of Verona with an image of a grand walled city. On the verso: the history of Persia starting with Cyrus the first King of Persia, and two images of Anaximander, and Anaximenes from the Ionian school of philosophers. Approximately 12 x 17 1/4", b & w, very clean.
Verlag: Anton Koberger, Germany, 1494
Anbieter: Antipodean Books, Maps & Prints, ABAA, Garrison, NY, USA
Erstausgabe
Zustand: Very good condition. First edition. This work by Schedel [1440-1514] is an illustrated world history which is based on the Bible, which follows the story of human history related in the Bible and includes the histories of a number of important Western cities. Written in Latin by Hartmann Schedel it appeared in 1493. It is a well documented incunabulum, one of the first to successfully combine illustrations and text. This epic history divides human history into 7 ages. Published and printed by Anton Koberger, the godfather of Albrecht Durer and the most successful German publisher of his day. The woodcut illustrations were made in the workshop of Michael Wolgemut [1434 - 1519], with an unpredcedented number of 1,809 illustrations. These woodblocks include views of cities and towns, battles, kings, and saints. Some images represent actual cities, and other images are purely imaginative. The verso page describes the recovery of Jerusalem from 1094 to 1110 and an image of Nicaea, (an ancient city in northwestern Anatolia), a famed city because of its ecclesiastical history as the seat of the great Ecumenical Council . The image shows a large city with a dome at right (image repeated from XXIII). The folio side describes Bruno, a renowned philosopher and theologian of the Order of the Carthusians, and Hugo, the Bishop of Grenoble. Three small images, one of a town, Bruno and Hugo. Approximately 12 x 17 1/4", b & w, slt. ruffle at bottom left margin not affecting text, very clean.
Verlag: Nürnberg Anton Koberger 12 Juli Type 9 16, 1493
Anbieter: Versandantiquariat Christine Laist, Seeheim-Jugenheim, Deutschland
Erstausgabe
Einspaltiges Original-Inkunabelblatt mit einer realitätsnahen Ansicht der Stadt Eichstätt (Eistett, Eystett) und fünf Holzschnitt-Portraits auf festem Papier. Blattgröße: 29 x 40,7 cm. Erstausgabe. Incunabula text woodcut leaf. - - - Die fünf Holzschnitt-Portraits zeigen die Heiligen Sebaldus, Othmarus und Wilibaldis und die Heilige Walpurgis. Das weitere Portrait zeigt den langobardischen König Luitprandus. Der ¾-seitige Holzschnitt mit der Ansicht von Eichstätt wurde nach der Wirklichkeit geschnitten und zeigt die Stadt am Ende des 15. Jahrhunderts.
Verlag: Nuremberg; Anton Koberger, 1493., 1493
Anbieter: Keel Row Bookshop Ltd - ABA, ILAB & PBFA, Whitley Bay, Vereinigtes Königreich
Original Nuremberg Chronicle leaf from the first (Latin) edition printed by Anton Koberger in Nuremberg, 1493. Folio (approx 15x12 inches) ; printed in 63 lines in gothic letter. Recto and verso decorated with several original woodcut illustrations of martyrs and saints. Minor worming to margin and light corner creasing, else fresh and clean. A very good example from the most noted book of the 15th century. The woodcut illustrations for this edition were executed by Michael Wolgemut, Willhelm Pleydemwurff and their workshop; Albrecht Durer, Koberger's godson, was apprenticed to Michael Wolgemut between 1486 and 1489 and it has been suggested by some scholars that he worked on the designs. The Latin edition appeared five months prior to a simultaneously planned edition in German.
Anbieter: Antiquariat Friederichsen, Hamburg, Deutschland
Verbandsmitglied: BOEV
Kunst / Grafik / Poster
Blattgröße des Holzschnittes: 44,5 x 31,5 cm ( Höhe x Breite ). Gezeigt wird die Stadt Memphis in Ägypten ( Bildgröße: 18 x 16,5 cm), danebenstehend ein Porträt Abrahams ( 18,5 x 6 cm ). Verso eine biblische Szene, hierunter ein Porträt von Zoroaster. Das Blatt stärker fleckig, etwas angeknickt. Das Blatt im oberen Bereich wasserrandig, die schöne Holzschnittansicht gering fleckig. ( Pic erhältlich // webimage available ).
Anbieter: Antiquariat Friederichsen, Hamburg, Deutschland
Verbandsmitglied: BOEV
Kunst / Grafik / Poster
Blattgröße des Holzschnittes: 44,5 x 31,5 cm ( Höhe x Breite ). Darsgestellt ist eine Ansicht der Stadt Hiericho ( Jericho ) ( 13 x 23 cm ), hierunter eine biblische Szene, umseitig Darstellung von 9 Königen bzw. biblischen Gestalten, 4 hiervon ankoloriert. Das Blatt stärker fleckig, im oberen Bereich wasserrandig. Die Ansicht von Jericho sauber. ( Pic erhältlich // webimage available ) /// Sheet size of the woodcut: 44.5 x 31.5 cm ( height x width ). Depicted is a view of the city of Hiericho ( Jericho ) ( 13 x 23 cm ), below a biblical scene, on the reverse depiction of 9 kings and biblical figures, 4 of which are coloured. The sheet heavily stained, waterstained in the upper area. The view of Jericho clean. # 11698.
Anbieter: Antiquariat Friederichsen, Hamburg, Deutschland
Verbandsmitglied: BOEV
Kunst / Grafik / Poster
Blattgröße des Holzschnittes: 44,5 x 31,5 cm ( Höhe x Breite ). Dargestellt ist die Stadt Babylon ( Format der Darstellung 13,5 x 22,5 cm ), oben rechts auf dem Blatt ein Porträt, verso auf dem Blatt 2 Holzschnittvignetten von Krone, Zepter, Reichsapfel. Das Blatt stärker fleckig, im oberen Bereich wasserrandig, etwas angeknickt und mit Randläsionen. Am Unterrand kleiner Einriß außerhalb der Darstellung. Die Ansicht Babylons von guter Erhaltung. ( Pic erhältlich // webimage available ) /// Sheet size of the woodcut: 44.5 x 31.5 cm ( height x width ). Depicting the city of Babylon ( size of the image 13.5 x 22.5 cm ), a portrait in the upper right of the sheet, 2 woodcut vignettes of crown, sceptre and orb on the verso of the sheet. The sheet heavily stained, waterstained in the upper area, somewhat creased and with marginal lesions. Small tear outside the image in the lower margin. The view of Babylon in good condition. # 11701.
Anbieter: Antiquariat Friederichsen, Hamburg, Deutschland
Verbandsmitglied: BOEV
Kunst / Grafik / Poster
Blattgröße des Holzschnittes: 44,5 x 31,5 cm ( Höhe x Breite ). Mit Ansicht der Stadt Ninive ( 14,5 x 23 cm ). Verso mit Stammbaum und Ansicht von 21 Personen. Das Blatt stärker fleckig, im oberen Bereich wasserrandig. Die Ansicht Ninives von guter Erhaltung. ( Pic erhältlich // webimage available ) /// Sheet size of the woodcut: 44.5 x 31.5 cm ( height x width ). With a view of the city of Nineveh ( 14.5 x 23 cm ). Verso with family tree and view of 21 people. The sheet heavily stained, waterstained in the upper area. The view of Nineveh in good condition. # 11703.
Verlag: Anton Koberger, Germany, 1494
Anbieter: Antipodean Books, Maps & Prints, ABAA, Garrison, NY, USA
Erstausgabe
Zustand: Good + overall. First edition. This work by Schedel [1440-1514] is an illustrated world history which is based on the Bible, which follows the story of human history related in the Bible and includes the histories of a number of important Western cities. Written in Latin by Hartmann Schedel it appeared in 1493. It is a well documented incunabulum, one of the first to successfully combine illustrations and text. This epic history divides human history into 7 ages. Published and printed by Anton Koberger, the godfather of Albrecht Durer and the most successful German publisher of his day. The woodcut illustrations were made in the workshop of Michael Wolgemut [1434 - 1519], with an unpredcedented number of 1,809 illustrations. These woodblocks include views of cities and towns, battles, kings, and saints. Some images represent actual cities, and other images are purely imaginative. This page describes the lineage of Christ and lineage of Italian Kings with small images in two columns running down either side of the page. Images include: Jehoshapaht, Jehoram, Ahaziah, Athaliah, Capys Silvius, Capetus, Tiberius Silvius, Agrippa Silvius. The verso has similar imagery down the page and describes Lycurgus, a lawgiver of Sparta (now called Laconia); Prophets Isaiah, Hosea and Joel; Israelite Kings: Jehu, Jehoahaz , Joash, Jeroboam (II). Kings appearing with sceptors. Approximately 12 x 17 1/4", b & w, sml. chip in top margin not affecting text, very clean.
Verlag: George Alt. [Anton Koberger],, Nuremberg:, 1493
Anbieter: Dark Parks Books & Collectibles, Fallon, NV, USA
First edition. Rare German edition. Minor edge wear, verso outer margin with old reinforcement, no affect, single contemporary note in old ink, few minor stains, but still overall an excellent leaf. Recto illustrates Mary and the Apostles, text on the Resurrection. Verso illustrates the Ascension of Mary, Coronation of the Virgin Mary and St. Peter as the first pope, with text on Mother Mary, Peter the first pope and Simon Magus. The Nuremberg Chronicle is the most extensively illustrated book, and one of the most important, of the 15th century. The text is a universal history of the Christian world from the beginning of time to the 1490?s. Written in Latin by physician and humanist, Hartmann Schedel (1440-1514) on commission from Nuremberg merchants Sebald Schreye (1446-1520) and Sebastian Kammermeister (1446-1503). The Chronicle was printed by Nuremberg printer Anton Koberger (c.1440-1513), owner of the largest 15th-century German printing house. The Latin edition was printed in Koberger?s shop between May 1492 and October 1493. In the meantime, a German translation was commissioned to George Alt (c.1450-1510), a scribe at the Nuremberg treasury, and the German edition was printed alongside the Latin one between January and December 1493. The Chronicle was illustrated by German artists Michael Wolgemut and Wilhelm Pleydenwurff, with the assistance of studio apprentices, including a young Albrecht Durer.