masaccio von ugo procacci (41 Ergebnisse)

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Poor. Binding solid. Pages unmarked and only a little aged. Only a few of the paintings are in color. Red cover has little or no wear. Both pieces of dustjacket are provided.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. Hardcover/pub.1962/Gd.condition/50+pages - All the painting of Masaccio. [TI736191]. Book.

Hardcover. Zustand: Used - Good. Zustand des Schutzumschlags: Good. Minor shelf wear on edges of dust jacket.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. Image shows actual book for sale. Book Condition: Good; firm binding; contents good; owner's name; minimal wear. Jacket: Good; a little edge-wear. Hard Cover Biblioteca d'Arte Rizzoli 1961 Art.

Soft Cover. Zustand: Very Good. 6 pages texte - 32 pp. Illustrations Size: Folio - over 12" - 15" tall.

Soft Cover. Zustand: Very Good. 6 pages texte - 32 pp. Illustrations Size: Folio - over 12" - 15" tall.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. B00K: Very Good/Near Fine/, $29.88 TUTTA la PITTURA di MASACCIO; Italian Edition; Edizione italiana * PROCACCI, Ugo Rizzoli Editore Italia * * * * * 1961 1sT Edition, 4tH Printing Small D/j + H/c Glossy 0ff~White Spine With Title In Black Letters Dust Jacket: Very Good/, Shelf, Edge And Corner Wear. Hard Cover B00K: Very Good/Near Fine/, Slight Shelf, Edge And Corner Wear. 327 Numbered Pages Printed On 0ff~White Paper, Clean And Tight To The Spine, In Fine/ Condition, Appear To Be Lightly Read Or Not Read At All. Most Of The Pages Are UnCut At The Top. This Item Will Be Sent Wrapped In Plastic, Taped Shut And In A = Padded Mailing Envelope = To Prevent Shipping Damage So That It Will Arrive In The Description Described Which Applies To This B00K, Only. = No Odors, No Writing, No Names, No Rippling, Not Stuck Together, No Book Plate, Not X~Library, No Other Marks. = Will Make It, An Excellent Addition To Your Own Personal Library Collection, Or As A Gift, For The Discriminating Reader / Collector. = WORLD WIDE SHIPPING, AVAILABLE *.

In-16°, leg. cart. e sov.c. ed., pp. 48 di testo e pp. 96 di tavole in b/n e a col.

Hardback. 1st UK Edition. 12mo [approx 12.7x18.7cm]. Very Good condition in Good Dustjacket - now protected in our purpose-made plastic sleeve. The DJ is age-toned and creased. Previous owner's details with an annotation to front free end paper. Mild Sticker stains to free endpapers. Illustrated with colour and black & white plates. 50pp (text); 88pp (plates). An examination of the work of Renaissance artist Masaccio (Tommaso di Ser Giovanni di Simone). Robust, professional packaging and tracking provided for all parcels.

Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. A good condition book including dust jacket. Date circa.

Rústica comercial con solapas. Zustand: Aceptable. [7] p., fot. bl. y n., [32] p. de lám. color.

Zustand: Good. 1962. Unpaginated. White pictorial dust jacket over red cloth. Pages are lightly tanned and thumbed at the edges, with light foxing. Binding has remained firm. Inscription to front endpaper. Boards are a little rub worn, slight shelf wear to corners, spine and edges. Corners are a little bumped. Spine ends are mildly crushed. The unclipped dust jacket has heavy edge wear, with tears, chips and areas of loss. Moderate tanning to spine and edges.

Zustand: NUOVO. Firenze, Olschki Ed. cm.18x25, 24 pp., Coll.

Zustand: BUONO. Milano, Rizzoli cm.12x18, pp.45, 88 tavole bn, legatura editoriale sopraccoperta figurata a colori. Biblioteca D'Arte Rizzoli,3.

Broschürt. Obr., Folio, 32s. in gutem Zustand, [BPA2,2]. Deutsch 1200g.

Zustand: NEW.

Soft cover. Zustand: Good. 1st Edition. 31 colour reproductions some folding 6 pp Italian text . A little rubbed around the edges, slight tan to pages.

Brossura. Zustand: quasi ottimo. Firenze, OLSCHKI, 1980. cm. 18 x 25; 24 pp. testo intonso; Brossura spillata a due. (Arte), quasi OTTIMO stato.

Brossura. Zustand: new. Firenze, 1979; br., pp. 24, cm 18x25. Libro.

Zustand: Buone. italiano Condizioni dell'esterno: Sovracopertina rovinata con strappi Condizioni dell'interno: macchie d'umidità.

Zustand: Buone. italiano Condizioni dell'esterno: Buone Condizioni dell'interno: Leggere tracce d'umidita'.

Faux Leather. Zustand: Very Good. First Edition. All the Paintings of MASACCIO volume six The complete Library of Art (We carry a wide selection of titles in The Arts, Theology, History, Politics, Social and Physical Sciences. Academic and Scholarly books and Modern First Editions ,and all types of Educational Reference Literature.) Size: 12mo - over 6¾" - 7¾" Tall Duodecimo. Hardcover.

Zustand: Good. Hardcover, light tan on edge of book, some spots on bottom of book,

Milano, Rizzoli, 1956, in-16, cartone editoriale, sovraccoperta illustrata a colori, pp. 44, [2]. Con 88 illustrazioni su tavole f.t. e bibliografia. Perfette condizioni.

Taschenbuch. Zustand: Gut. Alterbedingte Gebrauchsspuren, evtl. auch gutes Mängelexemlar---. nein.

Zustand: Good. Hardcover, blackish stains on edge of cover, many rubs on cover especially on back cover, light tan on pages.

Copertina rigida. Zustand: Buono. 4. ed. aggiornata. 45 p., 88 p. di tav. : [4] c. di tav. : ill. ; 18 x 12 cm. Biblioteca d'arte Rizzoli. Monografia sul pittore italiano Masaccio, soprannome di Tommaso di ser Giovanni di Mone Cassai (1401-1428), uno degli iniziatori del Rinascimento a Firenze, rinnovando la pittura secondo una nuova visione rigorosa, che rifiutava gli eccessi decorativi e l'artificiosità dello stile allora dominante. Legatura originale con all'interno numerose immagini in b/n.