Portrait sioux (30 Ergebnisse)

Zustand: Good. Good condition ex-library book with usual library markings and stickers.

Hardcover. Zustand: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Zustand: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. Fictionalization of a true incident, the efforts of Catherine Weldon to paint Sitting Bull. Former library book. Mylar protector included. Moderate edgewear on the boards. Binding is moderately loose. Moderate shelf wear. Please note the image in this listing is a stock photo and may not match the covers of the actual item. Ex-Library.…

Ex convent Library with end paper marks; oblong, illus. Hardback; text unmarked; cover a bit scratched. xiii + 81 pp.

Hardcover. Zustand: VG. Zustand des Schutzumschlags: VG. First Edition. NICE, CLEAN COPY.

Boards. Zustand: Very Good+. Good+ (in mylar). First Edition. Textblock is very clean and tight. Covers lightly corner rubbed; some light shelf rubbing at the base of the spine. Dust jacket edge and corner worn; some light wear along the spine; tear on front cover. 184p. Fictional account of artist Catherine Weldon to paint Sitting Bull, based on true events. Size: 8vo - Over 7 3/4" - 9 3/4 " Tall. Hardcover.…

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. Fine in fine dust jacket.

Hardcover. Zustand: VG. Zustand des Schutzumschlags: VG. First Edition. INSCRIBED & SIGNED BY AUTHOR: "TO OLD FRIENDS DON & M. CAMP, WITH ALL BEST WISHES, 1989." PHOTOGRAPHY BY DON DOLL. INSCRIBED & SIGNED BY AUTHOR.

Trade Paperback. Zustand: Very Good. Library stamp FFEP and on side.

Quater Cloth. Zustand: Very Good. Very Good (Protective cover). 1st Edition. This book is in excellent condition with little to no visibe wear. This is a first edition copy. Size: 8vo tall, 4to Wide. Doll, Don (photgraher) (illustrator). 1st Edition.

Zustand: Very Good.

Hardcover. Zustand: Fair. 81p. Ex-library hardcover book in original binding. Faint label residue on spine. Dustjacket clippings inside front cover, stamp on title page, and sticker in back. Otherwise a clean, tight book in very good condition. Illustrated with black and white photographs by Don Dall. Measures approx. 10.8" long x 8.75" tall.…

hardcover. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. Blue boards in mylar protected, illustrated dust jacket. Inscribed by author on title page. Illustrations, afterword and index. 223 pages. FINE in FINE dust jacket. Inscribed by Author(s).

Softcover. Zustand: Very Good. 1959. A black & white lithograph, from a painting by George Catlin. Clean and well-presented across the entire image surface, and neatly trimmed at edges to prevent wear. Why on Amazon do most sellers not describe their actual book? Buy with confidence and support a genuine Independent Bricks & Mortar Real Bookshop. We are Maynard & Bradley CAMBO & PBFA(now lapsed) members here in Leicester City Centre. Size: 210 x 300 mm. 1 pages. Item Type: Book. in Very Good condition, by which we mean it bears only minor signs of wear/handling. Quantity Available: 1. Shipped Weight: 1-2 kilos. Category: History; United States; 1950s; Inventory No: 30889. This book is extra heavy, and may involve extra shipping charges to some countries.…

Zustand: New. Satisfaction Guaranteed or your money back.

Hardcover. Zustand: new. New Copy. Customer Service Guaranteed.

Zustand: Very Good. Very Good condition. Acceptable dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Zustand: New. Satisfaction Guaranteed or your money back.

Hardcover. Zustand: New. In shrink wrap. Looks like an interesting title.

hardcover. Zustand: As New.

Hardcover. Zustand: new. New Copy. Customer Service Guaranteed.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Fair. 1st Edition. Caxton Printers, Caldwell, Idaho. 1944. 232 pages. First edition, first printing with the requisite 1944 date on the title page, and no later printings noted on the copyright page. Book is tight. Binding and hinges are strong and sound. Red cloth illustrated and stamped in black. Illustrated endpapers. Small paper scuff on FFEP. The blank page facing the last page of the Index, in the rear of the book has a USO Club stamp, from Alder Street, Walla Walla, Washington. Interestingly, when this book was published in 1944, during WWII, Walla Walla had two segregated USO's, one for black soldiers, and one for white soldiers. The Alder street USO catered to the white soldiers and their families, before ultimately catching fire. As for the rare original DJ, $5.00 price is still intact on flap. The rare DJ, sadly, has a large swath of its front absent. The cheap paper used at the time, thanks to war rations, explains why the majority of these DJ's have crumbled away and are so rare. Fortunately, however, the face of Burbank's now classic portrait of Geronimo still graces the front of the DJ. As for the author, Elbridge Ayer Burbank (April 10, 1858 - March 21, 1949) was a classically trained American artist who sketched and painted more than 1200 portraits of Native Americans from over 125 tribes. Among them are the Navajo, Cheyenne, Sioux, Apache, Hopi, and Osage. Additionally, Burbank is believed to be the only person to paint legendary Apache war chief, Geronimo, from an in-person sitting. From an ethnographic standpoint, this book offers a rare glimpse into the lives of Native Americans as observed by a non-Native artist during a pivotal era in American history. A remarkable chronicle of a disappearing culture, its people and their customs. Text is filled with portraits and sketches of American Indian Chiefs. VG+/Fair.…

Zustand: Fine. Zustand des Schutzumschlags: Fine. First Edition. First edition. INSCRIBED by Vine Deloria, Jr. Fine in fine dust jacket.

Zustand: Very good. Hand-colored lithograph by Lehman & Duval after Charles Bird King (445 x 338 mm). Full-length standing portrait of male Sioux chief holding a rifle, wearing brightly colored blankets, feathered headdress, necklace of grizzly bear claws, and red leggings decorated with bird feathers. Very mild uniform age-toning (professionally washed, verso of upper left corner with Japanese tissue repair). Original lithograph - NOT a reproduction! Wa-Na-Ta (ca. 1795-1848) was an influential Sioux (Yanktona, on the Minnesota River) leader who fought against the Americans in the War of 1812, even leading a charge on Fort Sandusky, whence his nickname. For his exceptional heroism he was received at the English court and promoted to Captain. After the war, however, he sided with the U.S. In 1825, he signed the Treaties of Fort Pierre and Prairie du Chien, which established peace and territorial boundaries between the Sioux, Chippewas, Sac and Foxes, and Ioways. He was murdered by his people, who were upset with his leadership. Major Stephen H. Long met Wa-Na-Ta in 1835 and commented: "We had never seen a nobler face, or a more impressive character." When leaders of various tribes came to visit President Monroe in 1821, McKenney, Superintendent of Indian Affairs and a defender of Native American interests, commissioned artist Charles Bird King to paint portraits of the delegates in their choice of dress. Most of King's original paintings subsequently burned in a fire at the Smithsonian. The lithographs in McKenney and Hall's publication are the only extant record of the likenesses of many of the prominent Native American leaders of the nineteenth century. See: Howes M129. Bennett, American Nineteenth-Century Color Plate Books, p. 79. Field 992. Lipperheide Mc4.…

Portrait of Waa-Pa-Shaw ? Sioux Chief, Hand-Colored Lithograph c.1838 This hand-colored lithograph presents Waa-Pa-Shaw, a Sioux chief, and is part of the acclaimed History of the Indian Tribes of North America, first published in the 1830s. The portrait is based on an original painting by Charles Bird King, a noted American artist commissioned to capture the likenesses of Native American leaders who visited Washington, D.C., during the early 19th century. Waa-Pa-Shaw is portrayed with striking elegance, wearing a European-style blue coat, a golden vest, and a black necktie. His attire reflects the diplomatic exchanges common during treaty negotiations, where Indigenous leaders were often gifted formal clothing. This blending of traditional identity and external influence is captured in King's sympathetic and highly detailed portrait style. Unlike many of King's original works that were destroyed in a fire at the Smithsonian, these lithographs remain the primary visual legacy of an important generation of Native leaders. Waa-Pa-Shaw's composed demeanor and thoughtful expression suggest wisdom and leadership in a period of profound change for Native nations across the Great Plains. The Sioux people, to whom Waa-Pa-Shaw belonged, have long held a central place in Native American history. Composed of several divisions?Lakota, Dakota, and Nakota?they were known for their strength, intricate spiritual systems, and deep connection to the land. This lithograph is both a historical document and a fine piece of 19th-century printmaking, offering collectors, historians, and institutions a rare and respectful portrayal of a key figure in Indigenous diplomacy. Condition report: Good condition overall for its age. Minor age-toning and light handling wear in the margins. Repaired at three places. Vibrant original hand-coloring preserved. Framing tips: Consider framing with a dark mahogany or black wood frame to highlight the richness of the coat. A soft beige or ivory mat adds warmth and balance, allowing the figure to stand out elegantly.…

Sioux Chief Portrait ? Esh-Ta-Hum-Leah, Native American Lithograph c.1838 This compelling hand-colored lithograph portrays Esh-Ta-Hum-Leah, a Sioux chief, and originates from the renowned series History of the Indian Tribes of North America, published after the original paintings by Charles Bird King circa 1838. These works aimed to preserve the likenesses of Native American leaders at a time of intense cultural and political upheaval, especially during treaty negotiations in Washington, D.C. Esh-Ta-Hum-Leah is rendered with a solemn and introspective expression, dressed in traditional attire that includes a fur robe and braided hair. The three feathers adorning his headdress?each rendered with care, including one marked with a distinctive black band?may denote leadership, status, or past achievements. His face is painted in deep reddish tones, capturing the ceremonial or symbolic significance often seen in Sioux portraiture. Charles Bird King's original oil paintings were tragically lost in a fire at the Smithsonian Institution, making these lithographic reproductions an essential visual record. The image was printed and hand-colored in the mid-19th century by the firm of J.T. Bowen in Philadelphia, one of the era's premier lithographers. This portrait not only represents the dignity and strength of Sioux leadership but also serves as a lasting testament to the cultural resilience of Native American peoples during a time of rapid transformation in North America. Condition report: Good condition overall for its age. Light age-toning throughout and some minor surface spotting in the margins. Colors remain vivid and well-preserved. Tears in the margins are repaired. Framing tips: This print pairs beautifully with a dark walnut or black frame to contrast the warm tones of the portrait. Use a soft ivory or tan mat to enhance the coloring and give the portrait a museum-quality presentation.…