David zwirner (Mehr als 4.400 Ergebnisse)

Paperback. Zustand: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Zustand: like_new. Fast & Free Shipping â" Excellent condition book with clean cover and pages. Barely handled, with minimal wear. An outstanding copy, close to enjoy.

Zustand: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing. Blake, Rose (illustrator).…

Zustand: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

paperback. Zustand: Good. . Satisfaction 100% guaranteed.

Paperback. Zustand: Very Good. Never before translated into English, the text's original publication in Mercure de France in 1919, shortly after the artist's death, has been treated as an important account of the master sculptor at work. We know that Alice was writing under a pseudonym, but who the real person behind this account was remains a mystery - to this day nothing is known about her. Yet, the descriptions seem too accurate to be ignored, the anecdotes too spot - on to discount; even the dialogue captures the artist's tone and mannerisms. What is found in these pages is at times a woman's flirtatious recollection of a bizarre "artistic type" and at others a moving attempt to connect with a great, often tragic man. The descriptions are l impid, unburdened; the dialogue is lively and intimate, not unlike reading the very best kind of gossip, with world - historical significance. Here in these dusty studios, Degas is alive, running hands over clay, complaining about his eyes, denigrating the o ther artists around him, and whispering salaciously to his model. And during his mood swings, we see reflected the model's innocence and confusion, her pain at being misunderstood and finally rejected. It is an intimate portrait of a moment in a great arti st's life, a sort of Bildungsroman in which his model (whoever she may be) does not emerge unscatheded.…

Paperback. Zustand: Good. Never before translated into English, the text's original publication in Mercure de France in 1919, shortly after the artist's death, has been treated as an important account of the master sculptor at work. We know that Alice was writing under a pseudonym, but who the real person behind this account was remains a mystery - to this day nothing is known about her. Yet, the descriptions seem too accurate to be ignored, the anecdotes too spot - on to discount; even the dialogue captures the artist's tone and mannerisms. What is found in these pages is at times a woman's flirtatious recollection of a bizarre "artistic type" and at others a moving attempt to connect with a great, often tragic man. The descriptions are l impid, unburdened; the dialogue is lively and intimate, not unlike reading the very best kind of gossip, with world - historical significance. Here in these dusty studios, Degas is alive, running hands over clay, complaining about his eyes, denigrating the o ther artists around him, and whispering salaciously to his model. And during his mood swings, we see reflected the model's innocence and confusion, her pain at being misunderstood and finally rejected. It is an intimate portrait of a moment in a great arti st's life, a sort of Bildungsroman in which his model (whoever she may be) does not emerge unscatheded.…

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Blake, Rose (illustrator). …

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Blake, Rose (illustrator).

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Blake, Rose (illustrator). …

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Blake, Rose (illustrator). …

Paperback. Zustand: Fair. A selection from the memoir of Elisabeth Louise Vigée Le Brun, the renowned eighteenth-century French portraitist and one of the most important women painters in art historyIn her memoir, Elisabeth Louise Vigée Le Brun offers a candid and thoroughly enjoyable account of her life and art. She relates her encounters among the royalty and aristocracy she painted??including, most famously, her patron Marie Antoinette??and the effusive reception they extended to her across Europe. Forced to flee during the French Revolution, Vigée Le Brun traveled through Italy, Russia, Germany, and England, returning twelve years later to France under Napoleon I. These pages demonstrate her unflagging creativity during unstable times and her remarkable savvy. Her observations provide unique insight into the art world of eighteenth- and nineteenth-century Europe, a time when women were rarely allowed success. In her introduction to this volume, the scholar Anne Higonnet conveys Vigée Le Brun?s unique position at a turning point in the art world, as well as the larger world beyond, and navigates in particular how one retroactively reconstructs a relationship to a world-changing revolution.…

paperback. Zustand: Very Good.

Hardcover. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Blake, Rose (illustrator).

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Blake, Rose (illustrator).

Hardcover. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Blake, Rose (illustrator).

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Blake, Rose (illustrator).

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Blake, Rose (illustrator).

Paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Paperback. Zustand: Good. An intimate testament to the power of friendship between two creative forces?available again in English after more than a century. ?I exaggerate, I sometimes make changes to the subject, but I still don?t invent the whole of painting; on the contrary, I find it ready-made, but to be untangled, in the real world.? ? Vincent van Gogh The painter and poet Émile Bernard?s firsthand account of the beloved Dutch painter Vincent van Gogh?s life offers a close perspective into the difficulties the artist faced. First published in French in 1911, and presented here in English for the first time, Bernard details van Gogh?s approach to painting, his tools, his style, his love of the medium. Moreover, he chronicles his attempts to have van Gogh?s work recognized after his death, a sign of a true friend. Shedding light on the artistic community they were part of, Bernard also discusses notable figures such as Claude Monet, Paul Gauguin, and Émile Zola, in his storied account of his friend?s life and work. Letters written by van Gogh to a young Bernard, some of which are included in this volume, further the import of the friendship between the two men. Van Gogh?s words of advice to Bernard as well as ruminations on his own practice, inspirations, and creative struggles are revealed in these pages. Brought together and introduced by preeminent van Gogh scholar Martin Bailey, these texts present a sensitive and discerning portrait of van Gogh that goes beyond his reputation as a troubled genius. …

Zustand: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Paperback. Zustand: Good. Never before translated into English, Rainer Maria Rilke's fascinating Letters to a Young Painter , written toward the end of his life between 1920 and 1926, is a surprising companion to his infamous Letters to a Young Poet, earlier correspondence from 1902 to 1908. While the latter has become a global phenomenon, with millions of copies sold in many different languages, the present volume has been largely overlooked. In these eight intimate letters written to a teenage Balthus-who would go on to become one of the leading artists of his generation-Rilke describes the challenges he faced, while opening the door for the young painter to take himself and his work seriously. Rilke's constant warmth, his ability to sense in advance his correspondent's difficulties and propose solutions to them, and his sensitivity as a person and an artist come across in these charming and honest letters. Writing during his aged years, this volume paints a picture of the venerable poet as he faced his mortality, through the perspective of hindsight, and continued to embrace his openness towards other creative individuals. With a new introduction by Rachel Corbett, author of You Must Change Your Life: The Story of Rainer Maria Rilke and Auguste Rodin, this book is a must-have for Rilke's admirers, young and old, and all aspiring artists.…

Paperback. Zustand: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Paperback. Zustand: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Paperback. Zustand: Very Good. Never before translated into English, the text's original publication in Mercure de France in 1919, shortly after the artist's death, has been treated as an important account of the master sculptor at work. We know that Alice was writing under a pseudonym, but who the real person behind this account was remains a mystery - to this day nothing is known about her. Yet, the descriptions seem too accurate to be ignored, the anecdotes too spot - on to discount; even the dialogue captures the artist's tone and mannerisms. What is found in these pages is at times a woman's flirtatious recollection of a bizarre "artistic type" and at others a moving attempt to connect with a great, often tragic man. The descriptions are l impid, unburdened; the dialogue is lively and intimate, not unlike reading the very best kind of gossip, with world - historical significance. Here in these dusty studios, Degas is alive, running hands over clay, complaining about his eyes, denigrating the o ther artists around him, and whispering salaciously to his model. And during his mood swings, we see reflected the model's innocence and confusion, her pain at being misunderstood and finally rejected. It is an intimate portrait of a moment in a great arti st's life, a sort of Bildungsroman in which his model (whoever she may be) does not emerge unscatheded.…