Siglio press (213 Ergebnisse)

Paperback. Zustand: Very Good. In the murky waters of the Mediterranean lie the ruins of Alexandria?s fabled lighthouse, a wonder of the ancient world destroyed by earthquakes in the Middle Ages. While mapped by archeologists, most of these 2,000 stone remnants will never be retrieved and reconstructed: the Pharos Lighthouse can only be inferred. But above the surface, the lighthouse is ubiquitous in the modern city, its image wholly imagined, with little resemblance to the stones at the bottom of the sea. In a richly braided, intimately told narrative of text and image, New York?born artist and writer Ellie Ga (born 1976) takes the reader with her on dive boats and into the water, behind the walls of hidden museums, through city streets pasted with political graffiti, into the offices of archeologists and the homes of Alexandrians?just as Egypt is on the cusp of its first post-revolution election. Ga?s investigations into the lighthouse chart the charged spaces between the historical and mythological, between the translated and untranslatable, between the unearthing of memory, the circumscription of the past and the potential of the present. Ga?s subject is ostensibly the Pharos Lighthouse, but her own gorgeously constructed palimpsests reveal a multitude of possible truths: Square Octagon Circle becomes a prism through which to see the nature of the unknown.…

Hardback. Zustand: Very Good. "Grief emphatic, grief redeeming, grief protacted, grief abraded all intertwine in this funny, prickly memoir.? ?David Denby, The New Yorker With fearlessness and grace,Bough Down reports from deep inside the maelstrom of grief. In this profoundly beautiful and intensely moving lament, artist and writer Karen Green conjures the inscrutable space of love and loss, clarity and contradiction, sense and madness. She summons memory and the machination of the interior mind with the emotional acuity of music as she charts her passage through the devastation of her husband?s suicide. In crystalline fragments of text, Green?s voice is paradoxically confessional and non-confessional: moments in her journey are devastating but also luminous, exacting in sensation but also ambiguous and layered in meaning. Her world is haunted by the unnameable, and yet she renders that world with poetic precision in her struggle to make sense of not only of death but of living. In counterpoint, tiny visual collages punctuate the text, each made of salvaged language and scraps of the material world?pages torn from books, bits of paper refuse, drawings and photographs, old postage stamps and the albums which classify them. Each collage--and the creative act of making it--evinces the reassembling of life. A breathtaking lyric elegy, Bough Down uses music and silence, color and its absence, authority of experience and the doubt that trembles at its center to fulfill a humane artistic vision. This is a lapidary, keenly observed work, awash with the honesty of an open heart.…

Hardback. Zustand: Good. "Grief emphatic, grief redeeming, grief protacted, grief abraded all intertwine in this funny, prickly memoir.? ?David Denby, The New Yorker With fearlessness and grace,Bough Down reports from deep inside the maelstrom of grief. In this profoundly beautiful and intensely moving lament, artist and writer Karen Green conjures the inscrutable space of love and loss, clarity and contradiction, sense and madness. She summons memory and the machination of the interior mind with the emotional acuity of music as she charts her passage through the devastation of her husband?s suicide. In crystalline fragments of text, Green?s voice is paradoxically confessional and non-confessional: moments in her journey are devastating but also luminous, exacting in sensation but also ambiguous and layered in meaning. Her world is haunted by the unnameable, and yet she renders that world with poetic precision in her struggle to make sense of not only of death but of living. In counterpoint, tiny visual collages punctuate the text, each made of salvaged language and scraps of the material world?pages torn from books, bits of paper refuse, drawings and photographs, old postage stamps and the albums which classify them. Each collage--and the creative act of making it--evinces the reassembling of life. A breathtaking lyric elegy, Bough Down uses music and silence, color and its absence, authority of experience and the doubt that trembles at its center to fulfill a humane artistic vision. This is a lapidary, keenly observed work, awash with the honesty of an open heart.…

Hardback. Zustand: Very Good. "Grief emphatic, grief redeeming, grief protacted, grief abraded all intertwine in this funny, prickly memoir.? ?David Denby, The New Yorker With fearlessness and grace,Bough Down reports from deep inside the maelstrom of grief. In this profoundly beautiful and intensely moving lament, artist and writer Karen Green conjures the inscrutable space of love and loss, clarity and contradiction, sense and madness. She summons memory and the machination of the interior mind with the emotional acuity of music as she charts her passage through the devastation of her husband?s suicide. In crystalline fragments of text, Green?s voice is paradoxically confessional and non-confessional: moments in her journey are devastating but also luminous, exacting in sensation but also ambiguous and layered in meaning. Her world is haunted by the unnameable, and yet she renders that world with poetic precision in her struggle to make sense of not only of death but of living. In counterpoint, tiny visual collages punctuate the text, each made of salvaged language and scraps of the material world?pages torn from books, bits of paper refuse, drawings and photographs, old postage stamps and the albums which classify them. Each collage--and the creative act of making it--evinces the reassembling of life. A breathtaking lyric elegy, Bough Down uses music and silence, color and its absence, authority of experience and the doubt that trembles at its center to fulfill a humane artistic vision. This is a lapidary, keenly observed work, awash with the honesty of an open heart.…

Hardback. Zustand: Good. "Grief emphatic, grief redeeming, grief protacted, grief abraded all intertwine in this funny, prickly memoir.? ?David Denby, The New Yorker With fearlessness and grace,Bough Down reports from deep inside the maelstrom of grief. In this profoundly beautiful and intensely moving lament, artist and writer Karen Green conjures the inscrutable space of love and loss, clarity and contradiction, sense and madness. She summons memory and the machination of the interior mind with the emotional acuity of music as she charts her passage through the devastation of her husband?s suicide. In crystalline fragments of text, Green?s voice is paradoxically confessional and non-confessional: moments in her journey are devastating but also luminous, exacting in sensation but also ambiguous and layered in meaning. Her world is haunted by the unnameable, and yet she renders that world with poetic precision in her struggle to make sense of not only of death but of living. In counterpoint, tiny visual collages punctuate the text, each made of salvaged language and scraps of the material world?pages torn from books, bits of paper refuse, drawings and photographs, old postage stamps and the albums which classify them. Each collage--and the creative act of making it--evinces the reassembling of life. A breathtaking lyric elegy, Bough Down uses music and silence, color and its absence, authority of experience and the doubt that trembles at its center to fulfill a humane artistic vision. This is a lapidary, keenly observed work, awash with the honesty of an open heart.…

Paperback. Zustand: Good. Now available in an expanded paperback edition, Diary registers Cage's assessment of the times in which he lived as well as his often uncanny portents about the world we live in now. With a great sense of play as well as purpose, Cage traverses vast territory, from the domestic minutiae of everyday life to ideas about how to feed the world. He used chance operations to determine not only the word count and the application of various typefaces but also the number of letters per line, the patterns of indentation, and in the case of Part Three, originally published by Something Else Press color. The unusual visual variances on the page become almost musical as language takes on a physical and aural presence.While Cage used chance operations to expand the possibilities of creating and shaping his work beyond the limitations of individual taste, Diary nonetheless accumulates into a complex reflection of Cage's sensibilities as a thinker and citizen of the world, illuminating his social and political awareness, as well as his idealism and sense of humor: it becomes an oblique but indelible portrait of one the most influential figures of the 20th-century American avant-garde.Collecting all eight parts into a single volume, co-editors Joe Biel and Richard Kraft also used chance operations to render the entire text in various combinations of the red and blue (used by Dick Higgins and Alison Knowles for Part Three) as well as to apply a single set of 18 fonts to the entire work. In the editors' note, Kraft and Biel elucidate the procedure of chance operations and demonstrate its application, giving readers a rare opportunity to see how the text is transformed.This expanded paperback edition reproduces the 2015 hardback edition, with a new essay by mycologist and Cage aficionado David Rose and, most important, with a significant addendum that includes many facsimile pages of Cage's handwritten notebook of a ninth part in progress, bringing the reader into compelling proximity to Cage's process and the raw material from which Diary was made.…

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: no dust jacket present. First Edition. This hardcover edition of "Photostats" by Felix Gonzalez-Torres is in excellent condition. The red cover with gold lettering is well-preserved, showing minimal signs of wear. The binding is intact, and the pages are clean and crisp. There is no dust jacket, and the book does not contain any signatures or inscriptions. Overall, this copy is a pristine example of Siglio Press's high-quality production.…

Paperback. Zustand: Good. Now available in an expanded paperback edition, Diary registers Cage's assessment of the times in which he lived as well as his often uncanny portents about the world we live in now. With a great sense of play as well as purpose, Cage traverses vast territory, from the domestic minutiae of everyday life to ideas about how to feed the world. He used chance operations to determine not only the word count and the application of various typefaces but also the number of letters per line, the patterns of indentation, and in the case of Part Three, originally published by Something Else Press color. The unusual visual variances on the page become almost musical as language takes on a physical and aural presence.While Cage used chance operations to expand the possibilities of creating and shaping his work beyond the limitations of individual taste, Diary nonetheless accumulates into a complex reflection of Cage's sensibilities as a thinker and citizen of the world, illuminating his social and political awareness, as well as his idealism and sense of humor: it becomes an oblique but indelible portrait of one the most influential figures of the 20th-century American avant-garde.Collecting all eight parts into a single volume, co-editors Joe Biel and Richard Kraft also used chance operations to render the entire text in various combinations of the red and blue (used by Dick Higgins and Alison Knowles for Part Three) as well as to apply a single set of 18 fonts to the entire work. In the editors' note, Kraft and Biel elucidate the procedure of chance operations and demonstrate its application, giving readers a rare opportunity to see how the text is transformed.This expanded paperback edition reproduces the 2015 hardback edition, with a new essay by mycologist and Cage aficionado David Rose and, most important, with a significant addendum that includes many facsimile pages of Cage's handwritten notebook of a ninth part in progress, bringing the reader into compelling proximity to Cage's process and the raw material from which Diary was made.…

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardback. Zustand: Very Good. From 1963 to 1978 Joe Brainard (author of I REMEMBER) created more than 100 works of art that appropriated the classic comic strip character Nancy and sent her into an astonishing variety of spaces, all electrified by the incongruity of her presence. Whether inserted into hypothetical situations, dispatched on erotic adventures, or seemingly rendered by the hands of artists as varied as Leonardo da Vinci, R. Crumb, Larry Rivers, and Willem de Kooning, Brainard's Nancy revels in as well as transcends her two-dimensionality. Together these works accumulate into a sophisticated, complex work of great wit, equal parts surprise and subtlety.The Nancy Book is the first published collection of Brainard's Nancy texts, drawings, collages and paintings (with nearly eighty full page reproductions), including collaborations with luminary New York School poets such as Frank O?Hara and Ted Berrigan, an essay by Ann Lauterbach that illuminates, with critical and poetic acumen, the complexity of Brainard's transformation of Nancy.OEvery page of this book will make you smile or laugh'not with recognition but with startled joy. Joe Brainard took an unchanging icon of the American norm and inserted her into countless fashionable or scandalous contexts, subtly metamorphosing something that seemed eternal into absurdly contemporary forms. He is as funny as only a philosopher can be.O Edmund White.OJoe Brainard's pursuit of the once ubiquitous fuzzy-haired pest Nancy chronicled one of the great love-hate relationships in American popular culture. It's wonderful to have it all between the covers of a book.O John Ashbery.…

Hardback. Zustand: Very Good. From 1963 to 1978 Joe Brainard (author of I REMEMBER) created more than 100 works of art that appropriated the classic comic strip character Nancy and sent her into an astonishing variety of spaces, all electrified by the incongruity of her presence. Whether inserted into hypothetical situations, dispatched on erotic adventures, or seemingly rendered by the hands of artists as varied as Leonardo da Vinci, R. Crumb, Larry Rivers, and Willem de Kooning, Brainard's Nancy revels in as well as transcends her two-dimensionality. Together these works accumulate into a sophisticated, complex work of great wit, equal parts surprise and subtlety.The Nancy Book is the first published collection of Brainard's Nancy texts, drawings, collages and paintings (with nearly eighty full page reproductions), including collaborations with luminary New York School poets such as Frank O?Hara and Ted Berrigan, an essay by Ann Lauterbach that illuminates, with critical and poetic acumen, the complexity of Brainard's transformation of Nancy.OEvery page of this book will make you smile or laugh'not with recognition but with startled joy. Joe Brainard took an unchanging icon of the American norm and inserted her into countless fashionable or scandalous contexts, subtly metamorphosing something that seemed eternal into absurdly contemporary forms. He is as funny as only a philosopher can be.O Edmund White.OJoe Brainard's pursuit of the once ubiquitous fuzzy-haired pest Nancy chronicled one of the great love-hate relationships in American popular culture. It's wonderful to have it all between the covers of a book.O John Ashbery.…

Hardback. Zustand: Very Good. A biography by Nicole Rudick told in Saint Phalle's own words, assembled from rare and unseen materials Known best for her exuberant, often large-scale sculptural works that celebrate the abundance and complexity of female desire, imagination and creativity, Niki de Saint Phalle viewed making art as a ritual, a performance?a process connecting life to art. This unconventional, illuminated biography, told in the first person in Saint Phalle's voice and her own hand, dilates large and small moments in Saint Phalle's life which she sometimes reveals with great candor, at other times carefully unwinding her secrets. Nicole Rudick, in a kind of collaboration with the artist, has assembled a gorgeous and detailed mosaic of Saint Phalle's visual and textual works from a trove of paintings, drawings, sketches and writings, many previously unpublished or long unavailable, that trace her mistakes and successes, her passions and her radical sense of joy. Saint Phalle's invocation?her "bringing to life"?writes Rudick, "is an apt summation of the overlap of Saint Phalle?s life and art: both a bringing into existence and a bringing to bear. These are visions from the frontiers of consciousness." Born in France, Niki de Saint Phalle (1930?2002) was raised in New York and began making art at age 23, pursuing a revelatory vision informed both by the monumental works of Antonin Gaudí and the Facteur Cheval, and by aspects of her own life. In addition to her Tirs (?shooting paintings?) and Nanas and her celebrated large-scale projects?including the Stravinsky Fountain at the Centre Pompidou, Golem in Jerusalem and the Tarot Garden in Tuscany?Saint Phalle produced writing and works on paper that delve into her own biography: childhood and her break with her family, marriage to Harry Mathews, motherhood, a long collaborative relationship with Jean Tinguely, numerous health crises and her late, productive years in Southern California. Saint Phalle has most recently been the subject of retrospectives at the Guggenheim Museum Bilbao, in 2015, and at MoMA P.S.1, in 2021. Nicole Rudick is a critic and an editor. Her writing on art, literature and comics has been published in the New York Review of Books, the New York Times, the New Yorker, Artforum and elsewhere. She was managing editor of the Paris Review for nearly a decade. She is the editor, most recently, of a new edition of Gary Panter?s legendary comic Jimbo: Adventures in Paradise (New York Review Comics, 2021).…

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. First edition. This hardcover book is in excellent condition, with a sturdy binding and clean pages. There is no dust jacket visible, and the cover shows minimal wear. The spine is intact with clear lettering. There are no inscriptions or signs of library use, making it a pristine copy for collectors. unknown (no dust jacket visible).…

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Very Good. First Edition. First edition.

Hardback. Zustand: Very Good. A biography by Nicole Rudick told in Saint Phalle's own words, assembled from rare and unseen materials Known best for her exuberant, often large-scale sculptural works that celebrate the abundance and complexity of female desire, imagination and creativity, Niki de Saint Phalle viewed making art as a ritual, a performance?a process connecting life to art. This unconventional, illuminated biography, told in the first person in Saint Phalle's voice and her own hand, dilates large and small moments in Saint Phalle's life which she sometimes reveals with great candor, at other times carefully unwinding her secrets. Nicole Rudick, in a kind of collaboration with the artist, has assembled a gorgeous and detailed mosaic of Saint Phalle's visual and textual works from a trove of paintings, drawings, sketches and writings, many previously unpublished or long unavailable, that trace her mistakes and successes, her passions and her radical sense of joy. Saint Phalle's invocation?her "bringing to life"?writes Rudick, "is an apt summation of the overlap of Saint Phalle?s life and art: both a bringing into existence and a bringing to bear. These are visions from the frontiers of consciousness." Born in France, Niki de Saint Phalle (1930?2002) was raised in New York and began making art at age 23, pursuing a revelatory vision informed both by the monumental works of Antonin Gaudí and the Facteur Cheval, and by aspects of her own life. In addition to her Tirs (?shooting paintings?) and Nanas and her celebrated large-scale projects?including the Stravinsky Fountain at the Centre Pompidou, Golem in Jerusalem and the Tarot Garden in Tuscany?Saint Phalle produced writing and works on paper that delve into her own biography: childhood and her break with her family, marriage to Harry Mathews, motherhood, a long collaborative relationship with Jean Tinguely, numerous health crises and her late, productive years in Southern California. Saint Phalle has most recently been the subject of retrospectives at the Guggenheim Museum Bilbao, in 2015, and at MoMA P.S.1, in 2021. Nicole Rudick is a critic and an editor. Her writing on art, literature and comics has been published in the New York Review of Books, the New York Times, the New Yorker, Artforum and elsewhere. She was managing editor of the Paris Review for nearly a decade. She is the editor, most recently, of a new edition of Gary Panter?s legendary comic Jimbo: Adventures in Paradise (New York Review Comics, 2021).…

Hardback. Zustand: New. Seeing and imagining music in a pandemic: a dialogue of found scenes and inspired sounds between two protagonists of experimental musicKnown for his ability to locate music and sound in the most unexpected contexts, artist Christian Marclay (born 1955) began photographing the emptied London streets when the world shut down in the spring of 2020. He found the quiet-the absence of all the city sounds-both haunting and peaceful. On his daily walks, he began to imagine that there might be music in the landscape. He snapped a photo of an iron gate adorned with decorative white balls as it reminded him of a musical score. He sent it to his friend, the composer Steve Beresford (born 1950), and asked: "How would this sound on the piano?" Beresford responded a few hours later with a recording. Over the course of the spring, he took more photographs which inspired more music.This book collects the dialogue between Marclay and Beresford, which could only take place virtually during lockdown. In his introduction, Marclay writes, "I realized that all my pictures were of enclosures: gates, fences, windows, closed stores. A view of the world behind barriers." The correspondence between image, sound and its notation breaks through those barriers, expanding space in magical ways. Call and Response is a testament to how the world at large can be not only reflected in image but translated into sound.…

Hardback. Zustand: New. Seeing and imagining music in a pandemic: a dialogue of found scenes and inspired sounds between two protagonists of experimental musicKnown for his ability to locate music and sound in the most unexpected contexts, artist Christian Marclay (born 1955) began photographing the emptied London streets when the world shut down in the spring of 2020. He found the quiet-the absence of all the city sounds-both haunting and peaceful. On his daily walks, he began to imagine that there might be music in the landscape. He snapped a photo of an iron gate adorned with decorative white balls as it reminded him of a musical score. He sent it to his friend, the composer Steve Beresford (born 1950), and asked: "How would this sound on the piano?" Beresford responded a few hours later with a recording. Over the course of the spring, he took more photographs which inspired more music.This book collects the dialogue between Marclay and Beresford, which could only take place virtually during lockdown. In his introduction, Marclay writes, "I realized that all my pictures were of enclosures: gates, fences, windows, closed stores. A view of the world behind barriers." The correspondence between image, sound and its notation breaks through those barriers, expanding space in magical ways. Call and Response is a testament to how the world at large can be not only reflected in image but translated into sound.…

Hardback or Cased Book. Zustand: New. Sophie Calle: Suite Venitienne. Book.

Paperback. Zustand: New. Now available in an expanded paperback edition, Diary registers Cage's assessment of the times in which he lived as well as his often uncanny portents about the world we live in now. With a great sense of play as well as purpose, Cage traverses vast territory, from the domestic minutiae of everyday life to ideas about how to feed the world. He used chance operations to determine not only the word count and the application of various typefaces but also the number of letters per line, the patterns of indentation, and in the case of Part Three, originally published by Something Else Press color. The unusual visual variances on the page become almost musical as language takes on a physical and aural presence.While Cage used chance operations to expand the possibilities of creating and shaping his work beyond the limitations of individual taste, Diary nonetheless accumulates into a complex reflection of Cage's sensibilities as a thinker and citizen of the world, illuminating his social and political awareness, as well as his idealism and sense of humor: it becomes an oblique but indelible portrait of one the most influential figures of the 20th-century American avant-garde.Collecting all eight parts into a single volume, co-editors Joe Biel and Richard Kraft also used chance operations to render the entire text in various combinations of the red and blue (used by Dick Higgins and Alison Knowles for Part Three) as well as to apply a single set of 18 fonts to the entire work. In the editors' note, Kraft and Biel elucidate the procedure of chance operations and demonstrate its application, giving readers a rare opportunity to see how the text is transformed.This expanded paperback edition reproduces the 2015 hardback edition, with a new essay by mycologist and Cage aficionado David Rose and, most important, with a significant addendum that includes many facsimile pages of Cage's handwritten notebook of a ninth part in progress, bringing the reader into compelling proximity to Cage's process and the raw material from which Diary was made.…

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: new. Paperback. A revelatory anthology of poems, experimental prose and previously unpublished work by Madeline Gins, the transdisciplinary writer-artist-thinker famed for her "Reversible Destiny" architecture Poet, philosopher, speculative architect and transdisciplinary artist, Madeline Gins is well known for her collaborations with her husband, the artist Arakawa, on the experimental architectural project Reversible Destiny, in which they sought to arrest mortality by transforming the built environment. Yet, her own writings--in the form of poetry, essays, experimental prose and philosophical inquiries--represent her most visionary and transformative work. Like Gertrude Stein before her, Gins transfigures grammar and liberates words. Like her contemporaries in conceptual art, her writing is attuned to the energized, collaborative space between reader and page. The Saddest Thing Is That I Have Had to Use Words: A Madeline Gins Reader is a revelatory anthology, edited and with an introduction by the writer and critic Lucy Ives. It brings never-before-published poems and essays together with a complete facsimile reproduction of Gins' 1969 masterpiece, WORD RAIN (or A Discursive Introduction to the Intimate Philosophical Investigations of G, R, E, T, A, G, A, R, B, O, It Says) , along with substantial excerpts from her two later books What the President Will Say and Do (1984) and Helen Keller or Arakawa (1994). Long out of print or unpublished, Gins' poems and prose form a powerful corpus of experimental literature, one which is sure to upend existing narratives of American poetics at the close of the 20th century. Born in the Bronx and long a resident of New York City, Madeline Gins (1941-2014) participated in experimental artistic and literary movements of the 1960s and '70s before developing a collaborative practice as a philosopher and architect. Alongside her own writing, Gins collaborated with her husband, the artist Arakawa, on a theory of "procedural architecture," an endeavor to create buildings and environments that would prevent human death. A revelatory anthology of poems, experimental prose and previously unpublished work by Madeline Gins, the transdisciplinary writer-artist-thinker famed for her Reversible Destiny architecture Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Paperback or Softback. Zustand: New. Claude Cahun: Cancelled Confessions (or Disavowals). Moore, Marcel (illustrator). Book.

Hardcover. Zustand: new. Hardcover. Seeing and imagining music in a pandemic: a dialogue of found scenes and inspired sounds between two protagonists of experimental musicKnown for his ability to locate music and sound in the most unexpected contexts, artist Christian Marclay (born 1955) began photographing the emptied London streets when the world shut down in the spring of 2020. He found the quietthe absence of all the city soundsboth haunting and peaceful. On his daily walks, he began to imagine that there might be music in the landscape. He snapped a photo of an iron gate adorned with decorative white balls as it reminded him of a musical score. He sent it to his friend, the composer Steve Beresford (born 1950), and asked: How would this sound on the piano? Beresford responded a few hours later with a recording. Over the course of the spring, he took more photographs which inspired more music.This book collects the dialogue between Marclay and Beresford, which could only take place virtually during lockdown. In his introduction, Marclay writes, "I realized that all my pictures were of enclosures: gates, fences, windows, closed stores. A view of the world behind barriers." The correspondence between image, sound and its notation breaks through those barriers, expanding space in magical ways. Call and Response is a testament to how the world at large can be not only reflected in image but translated into sound. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Soft cover. Zustand: Fine. Limited Edition. 2012. Limited Edition. An as new copy that's limited (201/250) and signed by both authors. Pages not numbered. (F).

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Softcover. First Edition; First Printing. Fine. Illustrated booklet laid in to back pocket.

Hardcover. Zustand: new. Hardcover. The Stampographer traverses the fantastic, anarchic imagination of Parisian artist Vincent Sardon (born 1970), whose dark, combative sense of humor is infused with Dadaist subversion and Pataphysical play.Using rubber stamps he designs and manufactures himself, Sardon commandeers a medium often associated with petty and idiotic displays of bureaucratic power, then uses those stamps not to assert authority, but to refuse it. He scours the Parisian landscape as well as the world at large, skewering the power-hungry and the pretentious, reveling in the vulgar and profane.In The Stampographer, there are insults in multiple languages, sadomasochistic Christmas ornaments, and a miniature Kamasutra with an auto-erotic Jesus. Sardon also wields the stamp as satirical device, deconstructing Warhol portraits into primary colors, turning ink blots into Pollock paint drips, and clarifying just what Yves Klein did with women's bodies. Yet Sardons razor-sharp wit is tinged with the irony of his exquisite sense of beauty. The stamps are rarely staticthey have an animating magic, whether boxers are punching faces out of place or dragonflies seemingly hover over the page.Sardons work is provocative in its subject matter as well as in its process and dissemination: he not only stands defiantly outside the art worlds modes of commerce but his artworks (the rubber stamps themselves) are actually the means with which anyone can make a work of their own. The Stampographer introduces English-speaking readers to one of the most unusual and original voices in contemporary French culture. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Paperback. Zustand: New. Moore, Marcel (illustrator).