Literary Materialisations and Interferential Reading: Making Matter Matter on Page, Stage and Screen (Routledge Studies in Contemporary Literature) - Softcover
Inhaltsangabe
This book traces literature’s long history of repurposing representational language use for performative, “material” effects. It brings this tradition into dialogue with the recent material turn in literary and cultural theory, which seeks to supplant or at least rethink the foundational influence of the linguistic turn in the field. Drawing on a variety of cutting‑edge new‑materialist theories, this book programmatically outlines the contours of a methodology of Interferential Reading that is then brought to bear on examples ranging from Shakespeare, Donne, Keats and Tennyson to Northern Irish poets Colette Bryce and Sinéad Morrissey and Scottish poet Kathleen Jamie; from British thing essays to J. G. Ballard, John Berger, Nicola Barker, Richard Powers, Colum McCann, Tim Crouch, Hanya Yanagihara and Korean writer Han Kang, winner of the 2024 Nobel Prize for literature, and from the history of theatrical bodies to the intermedial as well as affective textures in very recent experimental theatre, live theatre broadcasting and media art.
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Über die Autorin bzw. den Autor
Ingrid Hotz-Davies is a Professor of English Literature and Gender Studies at the University of Tübingen.
Martin Middeke holds the Chair of English Literature at the University of Augsburg and is Visiting Professor at the University of Johannesburg, South Africa.
Christoph Reinfandt holds the Chair of English Literature at the University of Tübingen.
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Paperback. Zustand: new. Paperback. This book traces literatures long history of repurposing representational language use for performative, material effects. It brings this tradition into dialogue with the recent material turn in literary and cultural theory, which seeks to supplant or at least rethink the foundational influence of the linguistic turn in the field. Drawing on a variety of cuttingedge newmaterialist theories, this book programmatically outlines the contours of a methodology of Interferential Reading that is then brought to bear on examples ranging from Shakespeare, Donne, Keats and Tennyson to Northern Irish poets Colette Bryce and Sinead Morrissey and Scottish poet Kathleen Jamie; from British thing essays to J. G. Ballard, John Berger, Nicola Barker, Richard Powers, Colum McCann, Tim Crouch, Hanya Yanagihara and Korean writer Han Kang, winner of the 2024 Nobel Prize for literature, and from the history of theatrical bodies to the intermedial as well as affective textures in very recent experimental theatre, live theatre broadcasting and media art. It traces literatures long history of repurposing representational language use for performative, material effects. It brings this tradition into dialogue with the recent material turn in literary and cultural theory and proposes a methodology of Interferential Reading with examples ranging from Shakespeare to contemporary media art This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9781032294612
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Paperback. Zustand: new. Paperback. This book traces literatures long history of repurposing representational language use for performative, material effects. It brings this tradition into dialogue with the recent material turn in literary and cultural theory, which seeks to supplant or at least rethink the foundational influence of the linguistic turn in the field. Drawing on a variety of cuttingedge newmaterialist theories, this book programmatically outlines the contours of a methodology of Interferential Reading that is then brought to bear on examples ranging from Shakespeare, Donne, Keats and Tennyson to Northern Irish poets Colette Bryce and Sinead Morrissey and Scottish poet Kathleen Jamie; from British thing essays to J. G. Ballard, John Berger, Nicola Barker, Richard Powers, Colum McCann, Tim Crouch, Hanya Yanagihara and Korean writer Han Kang, winner of the 2024 Nobel Prize for literature, and from the history of theatrical bodies to the intermedial as well as affective textures in very recent experimental theatre, live theatre broadcasting and media art. It traces literatures long history of repurposing representational language use for performative, material effects. It brings this tradition into dialogue with the recent material turn in literary and cultural theory and proposes a methodology of Interferential Reading with examples ranging from Shakespeare to contemporary media art This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Bestandsnummer des Verkäufers 9781032294612
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