How can we create musical sounds through computation? How can we represent, organize, and manipulate music compositions through digital means? How can computers perform music with expression and emotion? Can computers listen to music? Understand music? Compose music? These and many related questions are the subject of Computer Music research and practice. The book provides a comprehensive review of these topics. It explains how musical sounds and musical scores can be represented and manipulated digitally. Fundamentals of sampling theory, music theory, acoustics, perception, and programming provide foundations for practical instruction on using the Nyquist programming language to create music. Readers will learn how to construct software musical instruments, create scores, apply audio effects, and perform audio analyses. For more information, please visit: https://compmus.com/icm
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Roger B. Dannenberg is an Emeritus Professor of Computer Science, Art & Music at Carnegie Mellon University, Pittsburgh, USA, where he has taught for over thirty years, and a Fellow of the Association for Computer Machinery, awarded for contributions to the field of computer science through innovative computer music systems. A pioneer in the field, he is known for his work creating interactive automated computer accompaniment systems, leading to several patents. He is also co-creator of Audacity, a popular audio editor, and the designer of Nyquist, the language for sound synthesis and music composition featured in this book. As a trumpet player, he has performed jazz and electro-acoustic music around the world, including many of his own compositions. With Jorge Sastre, he composed the opera La Mare dels Peixos, and its English version The Mother of Fishes.
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
Anbieter: Grand Eagle Retail, Bensenville, IL, USA
Hardcover. Zustand: new. Hardcover. How can we create musical sounds through computation? How can we represent, organize, and manipulate music compositions through digital means? How can computers perform music with expression and emotion? Can computers listen to music? Understand music? Compose music? These and many related questions are the subject of Computer Music research and practice. The book provides a comprehensive review of these topics. It explains how musical sounds and musical scores can be represented and manipulated digitally. Fundamentals of sampling theory, music theory, acoustics, perception, and programming provide foundations for practical instruction on using the Nyquist programming language to create music. Readers will learn how to construct software musical instruments, create scores, apply audio effects, and perform audio analyses.For more information, please visit: Explains how musical sounds and musical scores can be represented and manipulated digitally. Fundamentals of sampling theory, music theory, acoustics, perception, and programming provide foundations and practical instruction for using the Nyquist programming language to create music. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9781041322504
Anbieter: CitiRetail, Stevenage, Vereinigtes Königreich
Hardcover. Zustand: new. Hardcover. How can we create musical sounds through computation? How can we represent, organize, and manipulate music compositions through digital means? How can computers perform music with expression and emotion? Can computers listen to music? Understand music? Compose music? These and many related questions are the subject of Computer Music research and practice. The book provides a comprehensive review of these topics. It explains how musical sounds and musical scores can be represented and manipulated digitally. Fundamentals of sampling theory, music theory, acoustics, perception, and programming provide foundations for practical instruction on using the Nyquist programming language to create music. Readers will learn how to construct software musical instruments, create scores, apply audio effects, and perform audio analyses.For more information, please visit: Explains how musical sounds and musical scores can be represented and manipulated digitally. Fundamentals of sampling theory, music theory, acoustics, perception, and programming provide foundations and practical instruction for using the Nyquist programming language to create music. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Bestandsnummer des Verkäufers 9781041322504
Anzahl: 1 verfügbar
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
HRD. Zustand: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Bestandsnummer des Verkäufers L1-9781041322504
Anzahl: Mehr als 20 verfügbar
Anbieter: PBShop.store US, Wood Dale, IL, USA
HRD. Zustand: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Bestandsnummer des Verkäufers L1-9781041322504
Anzahl: Mehr als 20 verfügbar
Anbieter: California Books, Miami, FL, USA
Zustand: New. Bestandsnummer des Verkäufers I-9781041322504
Anzahl: Mehr als 20 verfügbar
Anbieter: AussieBookSeller, Truganina, VIC, Australien
Hardcover. Zustand: new. Hardcover. How can we create musical sounds through computation? How can we represent, organize, and manipulate music compositions through digital means? How can computers perform music with expression and emotion? Can computers listen to music? Understand music? Compose music? These and many related questions are the subject of Computer Music research and practice. The book provides a comprehensive review of these topics. It explains how musical sounds and musical scores can be represented and manipulated digitally. Fundamentals of sampling theory, music theory, acoustics, perception, and programming provide foundations for practical instruction on using the Nyquist programming language to create music. Readers will learn how to construct software musical instruments, create scores, apply audio effects, and perform audio analyses.For more information, please visit: Explains how musical sounds and musical scores can be represented and manipulated digitally. Fundamentals of sampling theory, music theory, acoustics, perception, and programming provide foundations and practical instruction for using the Nyquist programming language to create music. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Bestandsnummer des Verkäufers 9781041322504
Anzahl: 1 verfügbar
Anbieter: moluna, Greven, Deutschland
Zustand: New. Roger B. Dannenberg is an Emeritus Professor of Computer Science, Art & Music at Carnegie Mellon University, Pittsburgh, USA, where he has taught for over thirty years, and a Fellow of the Association for Computer Machinery, awarded for contri. Bestandsnummer des Verkäufers 3455977959
Anzahl: Mehr als 20 verfügbar
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware. Bestandsnummer des Verkäufers 9781041322504
Anzahl: 2 verfügbar
Anbieter: preigu, Osnabrück, Deutschland
Buch. Zustand: Neu. Introduction to Computer Music | Roger B. Dannenberg | Buch | Einband - fest (Hardcover) | Englisch | 2026 | CRC Press | EAN 9781041322504 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand. Bestandsnummer des Verkäufers 136516730
Anzahl: 5 verfügbar