Anna klingmann (22 Ergebnisse)

hardcover. Zustand: Very Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: very_good. Used - Very Good: Item may have minor cosmetic defects.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: acceptable. The item is very worn but is perfectly usable. Signs of wear can include aesthetic issues such as scratches, dents, worn and creased covers, folded page corners and minor liquid stains. All pages and the cover are intact, but the dust cover may be missing. Pages may include moderate to heavy amount of notes and highlighting, but the text is not obscured or unreadable. Page edges may have foxing age related spots and browning . May NOT include discs, access code or other supplemental materials.…

hardcover. Zustand: Good. Includes dust jacket. Dust jacket shows minor shelf wear and light scuffing. Pages are very lightly marked with annotation. Binding intact, firm and square. Good reading copy.

Hardback. Zustand: Very Good. Architecture as imprint, as brand, as the new media of transformation--of places, communities, corporations, and people.In the twenty-first century, we must learn to look at cities not as skylines but as brandscapes and at buildings not as objects but as advertisements and destinations. In the experience economy, experience itself has become the product: we're no longer consuming objects but sensations, even lifestyles. In the new environment of brandscapes, buildings are not about where we work and live but who we imagine ourselves to be. In Brandscapes, Anna Klingmann looks critically at the controversial practice of branding by examining its benefits, and considering the damage it may do.Klingmann argues that architecture can use the concepts and methods of branding--not as a quick-and-easy selling tool for architects but as a strategic tool for economic and cultural transformation. Branding in architecture means the expression of identity, whether of an enterprise or a city; New York, Bilbao, and Shanghai have used architecture to enhance their images, generate economic growth, and elevate their positions in the global village. Klingmann looks at different kinds of brandscaping today, from Disneyland, Las Vegas, and Times Square--prototypes and case studies in branding--to Prada's superstar-architect-designed shopping epicenters and the banalities of Niketown.But beyond outlining the status quo, Klingmann also alerts us to the dangers of brandscapes. By favoring the creation of signature buildings over more comprehensive urban interventions and by severing their identity from the complexity of the social fabric, Klingmann argues, today's brandscapes have, in many cases, resulted in a culture of the copy. As experiences become more and more commodified, and the global landscape progressively more homogenized, it falls to architects to infuse an ever more aseptic landscape with meaningful transformations.How can architects use branding as a means to differentiate places from the inside out--and not, as current development practices seem to dictate, from the outside in?When architecture brings together ecology, economics, and social well-being to help people and places regain self-sufficiency, writes Klingmann, it can be a catalyst for cultural and economic transformation.…

Hardback. Zustand: Very Good. Architecture as imprint, as brand, as the new media of transformation--of places, communities, corporations, and people.In the twenty-first century, we must learn to look at cities not as skylines but as brandscapes and at buildings not as objects but as advertisements and destinations. In the experience economy, experience itself has become the product: we're no longer consuming objects but sensations, even lifestyles. In the new environment of brandscapes, buildings are not about where we work and live but who we imagine ourselves to be. In Brandscapes, Anna Klingmann looks critically at the controversial practice of branding by examining its benefits, and considering the damage it may do.Klingmann argues that architecture can use the concepts and methods of branding--not as a quick-and-easy selling tool for architects but as a strategic tool for economic and cultural transformation. Branding in architecture means the expression of identity, whether of an enterprise or a city; New York, Bilbao, and Shanghai have used architecture to enhance their images, generate economic growth, and elevate their positions in the global village. Klingmann looks at different kinds of brandscaping today, from Disneyland, Las Vegas, and Times Square--prototypes and case studies in branding--to Prada's superstar-architect-designed shopping epicenters and the banalities of Niketown.But beyond outlining the status quo, Klingmann also alerts us to the dangers of brandscapes. By favoring the creation of signature buildings over more comprehensive urban interventions and by severing their identity from the complexity of the social fabric, Klingmann argues, today's brandscapes have, in many cases, resulted in a culture of the copy. As experiences become more and more commodified, and the global landscape progressively more homogenized, it falls to architects to infuse an ever more aseptic landscape with meaningful transformations.How can architects use branding as a means to differentiate places from the inside out--and not, as current development practices seem to dictate, from the outside in?When architecture brings together ecology, economics, and social well-being to help people and places regain self-sufficiency, writes Klingmann, it can be a catalyst for cultural and economic transformation.…

Hb. Zustand: G+. Zustand des Schutzumschlags: VG-. 364pp. Bottom spine bumped; light soiling on covers; pencilling in text. Dj extremities lightly rubbed & bumped. Illus.; endnotes; index.

Cloth. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition. First printing.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Softcover. Zustand: Very good. Good shape. Binding is tight. Sharpie marking on top edge of text block, but pages are clean and unmarked.

Hardcover. Zustand: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Zustand: Very Good.

Hardback. Zustand: Good. Architecture as imprint, as brand, as the new media of transformation--of places, communities, corporations, and people.In the twenty-first century, we must learn to look at cities not as skylines but as brandscapes and at buildings not as objects but as advertisements and destinations. In the experience economy, experience itself has become the product: we're no longer consuming objects but sensations, even lifestyles. In the new environment of brandscapes, buildings are not about where we work and live but who we imagine ourselves to be. In Brandscapes, Anna Klingmann looks critically at the controversial practice of branding by examining its benefits, and considering the damage it may do.Klingmann argues that architecture can use the concepts and methods of branding--not as a quick-and-easy selling tool for architects but as a strategic tool for economic and cultural transformation. Branding in architecture means the expression of identity, whether of an enterprise or a city; New York, Bilbao, and Shanghai have used architecture to enhance their images, generate economic growth, and elevate their positions in the global village. Klingmann looks at different kinds of brandscaping today, from Disneyland, Las Vegas, and Times Square--prototypes and case studies in branding--to Prada's superstar-architect-designed shopping epicenters and the banalities of Niketown.But beyond outlining the status quo, Klingmann also alerts us to the dangers of brandscapes. By favoring the creation of signature buildings over more comprehensive urban interventions and by severing their identity from the complexity of the social fabric, Klingmann argues, today's brandscapes have, in many cases, resulted in a culture of the copy. As experiences become more and more commodified, and the global landscape progressively more homogenized, it falls to architects to infuse an ever more aseptic landscape with meaningful transformations.How can architects use branding as a means to differentiate places from the inside out--and not, as current development practices seem to dictate, from the outside in?When architecture brings together ecology, economics, and social well-being to help people and places regain self-sufficiency, writes Klingmann, it can be a catalyst for cultural and economic transformation.…

Hardback. Zustand: Good. Architecture as imprint, as brand, as the new media of transformation--of places, communities, corporations, and people.In the twenty-first century, we must learn to look at cities not as skylines but as brandscapes and at buildings not as objects but as advertisements and destinations. In the experience economy, experience itself has become the product: we're no longer consuming objects but sensations, even lifestyles. In the new environment of brandscapes, buildings are not about where we work and live but who we imagine ourselves to be. In Brandscapes, Anna Klingmann looks critically at the controversial practice of branding by examining its benefits, and considering the damage it may do.Klingmann argues that architecture can use the concepts and methods of branding--not as a quick-and-easy selling tool for architects but as a strategic tool for economic and cultural transformation. Branding in architecture means the expression of identity, whether of an enterprise or a city; New York, Bilbao, and Shanghai have used architecture to enhance their images, generate economic growth, and elevate their positions in the global village. Klingmann looks at different kinds of brandscaping today, from Disneyland, Las Vegas, and Times Square--prototypes and case studies in branding--to Prada's superstar-architect-designed shopping epicenters and the banalities of Niketown.But beyond outlining the status quo, Klingmann also alerts us to the dangers of brandscapes. By favoring the creation of signature buildings over more comprehensive urban interventions and by severing their identity from the complexity of the social fabric, Klingmann argues, today's brandscapes have, in many cases, resulted in a culture of the copy. As experiences become more and more commodified, and the global landscape progressively more homogenized, it falls to architects to infuse an ever more aseptic landscape with meaningful transformations.How can architects use branding as a means to differentiate places from the inside out--and not, as current development practices seem to dictate, from the outside in?When architecture brings together ecology, economics, and social well-being to help people and places regain self-sufficiency, writes Klingmann, it can be a catalyst for cultural and economic transformation.…

Hardcover. Zustand: New.

Taschenbuch. Zustand: Sehr gut. Gebraucht - Sehr gut sg - ungelesenes mängelexemplar, gestempelt, mit leichten lagerspuren - Der Katalog World of Malls widmet sich einem Bautyp, der vor knapp 60 Jahren in den Vereinigten Staaten erfunden wurde und sich schnell weltweit verbreitete. Durch die zunehmende Ausrichtung des Städtebaus auf den Autoverkehr wurde die Mall zu einem Ersatzraum für verlorene Urbanität. Doch wohin geht die Entwicklung der Shopping Mall heute Auf der einen Seite gibt es weiterhin spektakuläre Neueröffnungen in Amerika, Asien, den Vereinigten Arabischen Emiraten und Europa. Zugleich stehen aber auch viele Malls leer, und einige werden umgebaut und umgenutzt. Kaum ein anderer Bautyp wird so kontrovers diskutiert: Bringt die Shopping Mall nun den Tod der Stadt oder fördert sie eher deren Wiederbelebung Stadtplaner, Ökonomen und Architekturhistoriker wie Anette Baldauf, Robert Bruegmann, Dietrich Erben, Richard Longstreth, Alain Thierstein, June Williamson und Sophie Wolfrum untersuchen in ihren Aufsätzen die Transformationsprozesse der Shopping Mall vom 20. zum 21. Jahrhundert. Ausstellung: Architekturmuseum der TU München in der Pinakothek der Moderne, 13.7.- 22.10.2016.…

Hardcover. Zustand: Sehr gut. 1. Auflage. Z : Clothbound, 384 Seiten/pages with 125 color & 120 bw. illustrations - Mit A Space Called Public zeigen Elmgreen & Dragset ein Kunstprojekt im öffentlichen Raum in München und präsentieren Arbeiten von internationalen Künstlern, die aufgefordert wurden, sich der Bedeutung des öffentlichen Raums mit neuen Ansätzen zu widmen. Flankierend, um das Gesamtprojekt aus ganz verschiedenen, auch theoretischen Perspektiven zu beleuchten, erscheint dieser umfangreiche Katalog, konzipiert als Dokumentation der Ausstellung und Standortbestimmung zur aktuellen Diskussion über Kunst und Öffentlichkeit. - The meaning, use and dynamic of public space has been wholly transformed by the ubiquity of the Internet. Here, Berlin and London based artists Michael Elmgreen and Ingar Dragset present a new art project in a public space in Munich that explores this topic. …

paperback. Zustand: New. Pub Date: 2014-08-01 Pages: 312 Language: Chinese Publisher: Electronic Industry Press in the 21st century. we must be seen as the product of the brand building of the city. not just the intercity contours; will be regarded as advertising and construction destination. rather than mere substance. In the experience economy. experience itself has become the product: we consume is no longer the real thing. but our perception. and even lifestyle. In the new environment. brand building. buildings n.…