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Paperback. Zustand: Good. How can we account for the power of ritual? This is the guiding question of Black Critics and Kings, which examines how Yoruba forms of ritual and knowledge shape politics, history, and resistance against the state. Focusing on "deep" knowledge in Yoruba cosmology as an interpretive space for configuring difference, Andrew Apter analyzes ritual empowerment as an essentially critical practice, one that revises authoritative discourses of space, time, gender, and sovereignty to promote political?-and even violent?-change.Documenting the development of a Yoruba kingdom from its nineteenth-century genesis to Nigeria's 1983 elections and subsequent military coup, Apter identifies the central role of ritual in reconfiguring power relations both internally and in relation to wider political arenas. What emerges is an ethnography of an interpretive vision that has broadened the horizons of local knowledge to embrace Christianity, colonialism, class formation, and the contemporary Nigerian state. In this capacity, Yoruba òrìsà worship remains a critical site of response to hegemonic interventions.With sustained theoretical argument and empirical rigor, Apter answers critical anthropologists who interrogate the possibility of ethnography. He reveals how an indigenous hermeneutics of power is put into ritual practice?-with multiple voices, self-reflexive awareness, and concrete political results. Black Critics and Kings eloquently illustrates the ethnographic value of listening to the voice of the other, with implications extending beyond anthropology to engage leading debates in black critical theory.…

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Paperback. Zustand: Good. How can we account for the power of ritual? This is the guiding question of Black Critics and Kings, which examines how Yoruba forms of ritual and knowledge shape politics, history, and resistance against the state. Focusing on "deep" knowledge in Yoruba cosmology as an interpretive space for configuring difference, Andrew Apter analyzes ritual empowerment as an essentially critical practice, one that revises authoritative discourses of space, time, gender, and sovereignty to promote political?-and even violent?-change.Documenting the development of a Yoruba kingdom from its nineteenth-century genesis to Nigeria's 1983 elections and subsequent military coup, Apter identifies the central role of ritual in reconfiguring power relations both internally and in relation to wider political arenas. What emerges is an ethnography of an interpretive vision that has broadened the horizons of local knowledge to embrace Christianity, colonialism, class formation, and the contemporary Nigerian state. In this capacity, Yoruba òrìsà worship remains a critical site of response to hegemonic interventions.With sustained theoretical argument and empirical rigor, Apter answers critical anthropologists who interrogate the possibility of ethnography. He reveals how an indigenous hermeneutics of power is put into ritual practice?-with multiple voices, self-reflexive awareness, and concrete political results. Black Critics and Kings eloquently illustrates the ethnographic value of listening to the voice of the other, with implications extending beyond anthropology to engage leading debates in black critical theory.…

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First edition SIGNED. Fine and bright pictorial glossy wraps but for light damp wrinkle to top edge corner. Otherwise with crisp bright text throughout. Profuse and exciting black and white photographs from the field. Inscribed and fully signed by the author on the opening page.

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17+280 pages, bibliography, glossary, map, 18 photographs : academic study of the Yoruba kingdom from its C19th genesis to the 1983 Nigerian elections with an emphasis on Yoruba ritual, cosmology & "orisa" worhip; paperback, a few pages are annotated & underlined (John Lonsdale) isbn 0226023435 west africa yoruba yoruba history african ritual cosmology yoruba nigeria nigerian tribes yoruba kingdom orisa anthropology nigerian.…

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Paperback. Zustand: New. Yoruba culture has been a part of the Americas for centuries, brought over by the first slaves and maintained in various forms ever since. In Oduduwa's Chain, Andrew Apter locates that culture, both spatially and analytically, and offers a Yoruba-focused perspective on rethinking African heritage in Black Atlantic Studies. Focusing on Yoruba history and culture in Nigeria, Apter applies a generative model of cultural revision that allows him to identify formative Yoruba influences without resorting to the idea that culture and tradition are fixed. Apter shows how the association of African gods with Catholic saints can be seen as strategy of empowerment, explores historical locations of Yoruba gender ideologies and their manifestation and change in the Atlantic world, and more. He concludes with a rousing call for a return to Africa in studies of the Black Atlantic, resurrecting a critical notion of culture that allows us to go beyond the mirror of Africa that the West invented.…

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