arnaldi enea (42 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: New. Print on Demand. An architectural and historical examination of Palladio's famous Basilica in Vicenza, Italy, this book explores the innovative design and intricate details that make this Renaissance masterpiece a testament to Palladio's architectural genius. The author traces the history of the Basilica from its humble beginnings as an ancient Roman temple to its transformation into a stunning example of Palladio's signature style. Through detailed analysis of the building's structure, proportions, and ornamentation, the reader gains a comprehensive understanding of Palladio's architectural philosophy and the enduring legacy of his work. This book is not just a technical treatise on architecture, but also a meditation on the enduring power of beauty and the transformative role that architecture can play in society. Through Palladio's Basilica, the author explores the ways in which buildings can inspire, awe, and connect us to our past and present. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

Zustand: New. In.

Paperback. Zustand: New. Print on Demand. This book explores an innovative idea for a theatre design, drawing inspiration from Roman architecture but adapting it to suit contemporary theatrical productions. The author, an accomplished architect, delves into the principles of theatre design as set out by the renowned Roman architect Vitruvius, examining the form and function of Roman theatres. He then considers how these principles can be adapted to meet the changing needs of present-day performances, while retaining the aesthetic appeal and functionality of the original Roman designs. The book offers a comprehensive overview of theatre design, from the ideal location and orientation of a theatre to the optimal dimensions and proportions of the stage, seating, and other key elements. It also explores the use of stage machinery, lighting, and other technical aspects that contribute to a successful theatrical experience. Through detailed descriptions, diagrams, and historical references, the author provides a valuable resource for architects, theatre designers, and anyone interested in the art and science of theatre design. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

Zustand: New.

Taschenbuch. Zustand: Neu. Neuware - Il Conte Enea Arnaldi presenta in questo libro l'idea di un teatro che riprenda i principi dei teatri antichi, ma adattati all'uso moderno. Inoltre, il libro analizza in dettaglio la struttura dei teatri e le loro funzioni, con un focus particolare sulle scene esterne.

PAP. Zustand: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Buch. Zustand: Neu. Neuware - Il Conte Enea Arnaldi presenta in questo libro l'idea di un teatro che riprenda i principi dei teatri antichi, ma adattati all'uso moderno. Inoltre, il libro analizza in dettaglio la struttura dei teatri e le loro funzioni, con un focus particolare sulle scene esterne.

Zustand: Good. 4to (240 x 180 mm). [1], VIII, CXXXIV [of CXXXV, 1] pp. and VIII folding plates depicting architectures designed by Andrea Palladio. Collation: *4 A-R4. Lacking the final leaf R4 with part of the index. Engraved portrait of Andrea Palladio from a drawing of Marco Capra, a painter from Vicenza. Modern cardboards. Woodcut historiated initials and head- and tail-pieces. Restoration to the title page not affecting the printer's device of Giovambattista Vendramini Mosca, some marginal paper loss on a few leaves not affecting the text, small marginal tears on three plates, otherwise a good, uncut copy. Second corrected edition. The treatise was first issued by Giovanni Battista Vendramini Mosca in 1767. Published in Vicenza by the Vendramini Mosca press, Delle basiliche antiche e specialmente di quella di Vicenza is a seminal eighteenth-century architectural treatise dedicated to the historical evolution of the civic basilica and the legacy of Andrea di Pietro della Gondola, mostly known ad Andrea Palladio. Widely regarded as the most influential architect in Western history, Andrea Palladio (1508?1580) revolutionized Renaissance design by seamlessly adapting classical Roman symmetry, proportion, and Vitruvian rules to early modern civic and domestic structures. His innovative villas across the Veneto mainland and his monumental Venetian churches transformed the regional landscape, while his seminal 1570 treatise, I quattro libri dell'architettura, codified his structural principles and exported the enduring aesthetic movement known as Palladianism globally. Written in the context of the Late Enlightenment Neo-Palladian revival, the work "Delle basiliche antiche e specialmente di quella di Vicenza", offers a scholarly defense and aesthetic analysis of Palladio's masterwork, the "Basilica Palladiana" in Vicenza. Arnaldi meticulously contrasts ancient Roman basilicas, traditionally functioning as courts of justice and marketplaces, with early modern ecclesiastical and civil structures. The volume is highly prized for its exceptional illustrative apparatus, which features an engraved portrait frontispiece of Andrea Palladio followed by eight large, complex folding plates illustrating architectural plans, elevations, and structural solutions, including Arnaldi's own idealized architectural design for a modern judicial court (Curia).  The author, Count Enea Arnaldi (1716?1794), was a prominent Vicentine aristocrat, intellectual, and academic architect who served as a leading figure in the Accademia Olimpica. A fierce champion of strict Vitruvian and Palladian orthodoxy, Arnaldi dedicated much of his career to preserving the Renaissance architectural identity of Vicenza against contemporary Baroque and Rococo influences. Italian Union Catalogue, IT\ICCU\VBAE\001356; Cicognara, 876: "Operetta dottissima". Lozzi, 6392. Book.

Zustand: Buono (Good). 0. In-4° (mm 235x165), pagine VIII, CXXXV. Bel ritratto di A. Palladio in antiporta e 8 belle tavole incise di Chiese di Vicenza e di altri luoghi più volte ripiegate. Legatura in mezza pelle coeva con punte e piatti in cartone marmorizzato. Bell'esemplare. Cicognara, 876: "Operetta dottissima". Lozzi, 6392. Book.

Zustand: molto buono. in-4, pp. (4), XXXII-82-(2), 58; leg. 800esca m.pelle, titolo su tassello e fregi in oro al dorso. Con 6 tavole f.t. incise in rame, più volte ripiegate e, nel testo, testatine, vignette, finalini, capilettera in silografia. Dedica a F.O. Magnocavallo, Conte di Avarengo e Signore di Monromeo. Prima edizione dell'opera maggiore dell'Arnaldi (Vicenza 1716-1794); ideata nel 1749 quando si accese la polemica intorno al teatro Filarmonico di Verona, distrutto da un incendio. Nella prima parte l'a. suggerisce un teatro ideale di tipo secentesco; la sala è a pianta semicircolare contornata da 5 ordini di palchi; nella polemica per la copertura della sala olimpica l'Arnaldi difese il progetto palladiano di una copertura a cassettoni. Esempl. internamente freschissimo ed a pieni margini. Abile ricostruzione alla parte inferiore del dorso. Berlin Kat. 2790. Wolfheim II, 909. Cicognara 749-50, segnala un'edizione del 1733, impossibile essendo l'autore nato nel 1716. Non in Fowler. Choix d'Olschki 10126. Book.

Zustand: New. Print on Demand pp. 158.

PAP. Zustand: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

LeatherBound. Zustand: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1762 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 136 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 136 Arnaldi, Enea, conte, 1716-1794.

LeatherBound. Zustand: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1767 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 168 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 168 Language: Italian.

LeatherBound. Zustand: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1769 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 174 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 174 Language: Italian.

In 4? (mm 226 x 170). Pp.VIII, CXXXV, 4 tavv. rip.f.t. (su 8) pi? volte raffiguranti prospetti e piante sulla Basilica palladiana di Vicenza. Frontespizio con piccolo fregio sotto il titolo e timbro blu di possesso "G. Puppa" in alto a destra. Dedica iniziale ai nobili Signori deputati della citt? di Vicenza e prefazione. Capilettera silografici alle pp. III, VII, VIII, della dedica e della prefazione.Capilettera silografici alla p. I, IX, LX, CX del testo. Fregi e finalini sono posti all'inizio e al termine delle varie parti in cui Ë suddiviso il testo.Legatura in pergamena con titolo manoscritto al dorso. Prima edizione, opera importante per la storia civile ed artistica di Vicenza. Volume in buono stato di conservazione con ampi margini.Mancante del ritratto di Palladio. La prima delle quattro tavole presenta uno strappo. Cicognara 876. Ä 380. Delle Basiliche antiche e specialmente di quella di Vicenza, Discorso del Conte Enea Arnaldi accademico olimpico con l'aggiunta della descrizione d'una Curia. Vicenza, per Giovambattista Vendramini Mosca, 1767.In 4? (226 x 170). Pp.VIII, CXXXV, 4 tavv. rip.f.t. (su 8) pi? volte raffiguranti prospetti e piante sulla Basilica palladiana di Vicenza. Frontespizio con piccolo fregio sotto il titolo e timbro blu di possesso "G. Puppa" in alto a destra. Dedica iniziale ai nobili Signori deputati della citt? di Vicenza e prefazione. Capilettera silografici alle pp. III, VII, VIII, della dedica e della prefazione.Capilettera silografici alla p. I, IX, LX, CX del testo. Fregi e finalini sono posti all'inizio e al termine delle varie parti in cui Ë suddiviso il testo.Legatura in pergamena con titolo manoscritto al dorso. Prima edizione, opera importante per la storia civile ed artistica di Vicenza. Volume in buono stato di conservazione con ampi margini.Mancante del ritratto di Palladio. La prima delle quattro tavole presenta uno strappo. Cicognara 876. Ä 380.

Legatura coeva in pergamena rigida con titolo impresso al ds. (piccola mancanza alla cuffia superiore). Tagli rossi. Lievi ossidazioni marginali ma, nel complesso, esemplare in ottimo stato di conservazione. Rara prima edizione. Provenienza: Collezione Moretti, Roma (due timbretti ex libris al frontespizio). Per la seconda edizione del 1769, cfr. Fowler (n. 30) e Cicognara (n. 876). 4to (cm. 24), VIII-CXXXV pp. Ritratto di Andrea Palladio in antiporta e 8 tavv. più volte ripiegate f.t. Iniziali, testatine e finalini xilografici.

16. Vicenza, apresso Antonio Veronese, 1762, in-4°, 23,5 x 17,5 cm, (4)nn pp + (xxxii) pp + 82 pp + (2)nn pp (1 blank) + 58 pp + 6 folding plates ( complete). Bound in contemporary half roan, smooth spine with title label, boards covered with marbled paper. On both covers a small label indicating that this was a prize-book ''Disegno Classe Seconda Premio 1° - 1817 ''. Sine damaged with loss of leather, both joints broken but binding is still technically sound. Interior with some minor dust traces but generally still a good.fine copy. Rare and interesting study on the architecture of theatres. Published in Vincenza, where the famous Teatro Olimpico of Palladio can still be admired. This is the main work of Arnaldi (1716 - 1794) who was a citizen of Vicenza. Not in Fowler, nor Millard. Cicognara 749-50.

2 parti in un vol. in-16, pp. XXIV, 144, (2), 3; 136, (2), 7, leg. alla bodoniana in cartone rigido azzurro e tass. al d., tagli color. Segnalibro conservato. Antip. magistralmente inc. in rame da Dall'Acqua e 10 tavv. ripp. in rame raffiguranti spaccati e prospetti di palazzi. Rara guida della città scritta dall'A. assieme a Baldarini. Noto autore di scritti di architettura teatrale, l'Arnaldi (Vicenza 1716-1794) difese a lungo la tradizione palladiana a Vicenza. Rumor I, 45.4. Melzi I, 286. Ottimo stato di conservazione. [015].