Beuys (Mehr als 4.400 Ergebnisse)

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Paperback. Zustand: New. 'If we want to achieve a different society where the principle of money operates equitably, if we want to abolish the power money has developed over people historically, and position money in relationship to freedom, equality and fraternity .then we must elaborate a concept of culture and a concept of ar…t where every person must be an artist.' - Joseph Beuys. The world of finance exerts a huge influence over our lives, being responsible for economic turmoil and seemingly interminable peaks and crashes. Whereas money was once a simple means of exchange, today it is a commodity in itself and as 'capital' exerts power over individuals, degrading work to tradable labour. Can we find a new way of understanding money today, so that we can begin to overcome its destructive aspects? In November 1984, a remarkable discussion took place at the Meeting House in Ulm, Germany. It featured the radical artist Joseph Beuys, two professors (of Financial Sciences and Political Economics) and a banker. Beuys would appear to be out of place among these heavyweight academics, professionals and authors.But rather than being intimidated by his fellow panellists, Beuys - also a social and political activist - demonstrates his groundbreaking thinking on the subject, and his ability to bring fresh perspectives. Here for the first time is a transcript of this debate, together with analysis by Ulrich Rosch, which will be of equal interest to artists, economists and spiritual seekers.

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Paperback. Zustand: New. 'If we want to achieve a different society where the principle of money operates equitably, if we want to abolish the power money has developed over people historically, and position money in relationship to freedom, equality and fraternity .then we must elaborate a concept of culture and a concept of ar…t where every person must be an artist.' - Joseph Beuys. The world of finance exerts a huge influence over our lives, being responsible for economic turmoil and seemingly interminable peaks and crashes. Whereas money was once a simple means of exchange, today it is a commodity in itself and as 'capital' exerts power over individuals, degrading work to tradable labour. Can we find a new way of understanding money today, so that we can begin to overcome its destructive aspects? In November 1984, a remarkable discussion took place at the Meeting House in Ulm, Germany. It featured the radical artist Joseph Beuys, two professors (of Financial Sciences and Political Economics) and a banker. Beuys would appear to be out of place among these heavyweight academics, professionals and authors.But rather than being intimidated by his fellow panellists, Beuys - also a social and political activist - demonstrates his groundbreaking thinking on the subject, and his ability to bring fresh perspectives. Here for the first time is a transcript of this debate, together with analysis by Ulrich Rosch, which will be of equal interest to artists, economists and spiritual seekers.
Weitere BilderOn the Edge: Contemporary Art from the Werner and Elaine Dannheisser Collection
Storr, Robert; Lowry, Glenn; Coe, Sue; Herold, Georg; Mucha, Reinhard; Stuart, Michelle; Andre, Carl; Artschwager, Richard; Barney, Matthew; Barney, Matthew; Beuys, Joseph; Clemente, Francesco; Cragg, Tony; Forg, Gunther; Gober, Robert; Gonzalez-Torres, Felix; Graham, Dan; Gursky, Andreas; Kawara, On; Kiefer, Anselm; Koons, Jeff; Long, Richard; Marden, Brice; Polke, Sigmar; Ryman, Robert; Serra, Richard; Weiner, Lawrence; Fritsch, Katharina; Gilbert & George; Struth, Thomas [Photographer]; Wool, Christopher [Photographer]; Becher, Hilla [Photographer]; Becher, Bernd [Photographer]; Varnedoe, Kirk [Contributor];
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Softcover, 232 pages in English, very good condition, small piece of linen tape around bottom of spine; light rubbing and edgewear to covers; gift inscription to 2nd page; no other internal marks. Foreign shipping may be extra.

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Softcover staple-bound exhibition catalog, 32 pages, in English and German; very good condition, except 3-inch long abrasion to rear cover; no internal marks.

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Paperback. Zustand: new. Paperback. 'If we want to achieve a different society where the principle of money operates equitably, if we want to abolish the power money has developed over people historically, and position money in relationship to freedom, equality and fraternity .then we must elaborate a concept of culture and a co…ncept of art where every person must be an artist.' - Joseph Beuys. The world of finance exerts a huge influence over our lives, being responsible for economic turmoil and seemingly interminable peaks and crashes. Whereas money was once a simple means of exchange, today it is a commodity in itself and as 'capital' exerts power over individuals, degrading work to tradable labour. Can we find a new way of understanding money today, so that we can begin to overcome its destructive aspects? In November 1984, a remarkable discussion took place at the Meeting House in Ulm, Germany. It featured the radical artist Joseph Beuys, two professors (of Financial Sciences and Political Economics) and a banker. Beuys would appear to be out of place among these heavyweight academics, professionals and authors.But rather than being intimidated by his fellow panellists, Beuys - also a social and political activist - demonstrates his groundbreaking thinking on the subject, and his ability to bring fresh perspectives. Here for the first time is a transcript of this debate, together with analysis by Ulrich Rosch, which will be of equal interest to artists, economists and spiritual seekers. In November 1984, a remarkable discussion took place at the Meeting House in Ulm, Germany. It featured the radical artist Joseph Beuys, two professors (of Financial Sciences and Political Economics) and a banker. This title presents a transcript of this debate. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Paperback. Zustand: Very Good. 108 page paperback with German text and 41 color plates plus frontis photo portrait (Willy Maywald. Schirmer's Visuelle Bibliothek 7. Unmarked, tight and clean.

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Paperback. First Edition Thus (1993); First Printing, so stated. Fine in Wraps: flawless; the binding is square and secure; the text is clean. Free of creases to the panels. Free of creases to the backstrip. Free of creased or dog-eared pages in the text. Free of underlining, hi-lighting, notations, or marginalia. Free of any ow…nership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome like-new copy, structurally sound and tightly bound, showing no imperfections. Bright and Clean. Corners sharp. Virtually 'As New'. NOT a Remainder, Book-Club, or Ex-Library. 8vo. (8.25 x 5.5 x 0.85 inches). xi, 274 pages. Illustrated with duotone photographs. Compiled by Carin Kuoni Introductory. Essays by Kim Levin and Caroline Tisdall. Language: English. Weight: 13 ounces. Trade Paperback. First Edition Thus (1993); First Printing, so stated.

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Joseph Beuys: The Reader
Beuys, Joseph; Mesch, Claudia, and Michely, Viola (Edited and Translated by), with Danto, Arthur C.(Foreword by)
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Paperback. Zustand: Fine. 1st. xviii, 334 pages, illustrations; 24 cm. Additional translation by Nickolas Decarlo, Kayvan Rouhani and Heidi Zimmerman. Tight, clean copy. *** "Joseph Beuys is one of the most legendary figures of 20th century art and his work and ideas continue to impact on artists today. This reader brings togeth…er the crucial texts on Beuys to look at the most contentious reception ever accorded a postwar artist." - Publisher. *** CONTENTS: List of Illustrations; Acknowledgements; Foreword: Style and Salvation in the Art of Beuys; Editors' Introduction; I; BEUYS AND HIS 'CHALLENGERS'; 1. Breaking the Silence: Joseph Beuys on his 'Challenger', Marcel Duchamp (1995); 2. Beuys, Haacke, Broodthaers (1988); 3: Beuys and Broodthaers: Dialectics of Modernity between 'Analytic Geometry and the Belief in an Unbelieving God' (2001); 4. Letters as Works of Art: Beuys and James Lee Byars (2000, excerpt); II: CRITICS' PERSPECTIVES: 5. Beuys: The Twilight of the Idol (1980); 6. Discontinuous Notes on and after a Meeting of Critics, by One of the Artists Present (1981, excerpt); 7. Joseph Beuys, or the Last of the Proletarians (1988); III: BEUYS AND THE LIMITS OF ICONOGRAPHY: 8. Beuys and Romanticism (1986, excerpt); 9. No to. Joseph Beuys (1997); IV: BEUYS, ART AND POLITICS; 10. 'Questions? You have Questions?' Joseph Beuys' Artistic Self-Presentation in Fat Transformation Piece/Four Blackboards, 1972 (1996); 11. Every Man an Artist: Talks at Documenta V by Joseph Beuys (1972, excerpt); 12. Institutionalizing Social Sculpture: Beuys' Office for Direct Democracy through Referendum Installation, 1972 (1997, excerpt);13. U berblick Series on the Parliamentary Election (1983, excerpt); V. BEUYS AND POSTMODERNISM; 14. Performance: Joseph Beuys (1985, excerpt); 15. In the Shadow of Joseph Beuys: Remarks on the Subject of Art and Philosophy Today (1987); 16. Letter to Jean-Franc ois Chevrier (1997, excerpt); 17. The Aesthetics of Post-History: A German Perspective (1995, excerpts); VI: ISSUES OF RECEPTION: 18. The Reception of Joseph Beuys in the USA, and Some of its Cultural/Political and Artistic Assumptions (1998, excerpt); 19. Joseph Beuys and the GDR: The Individual as Political (1992); 20. Joseph Beuys and Surrealism (1997) Roundtable; Appendix: Key Dates and Exhibitions; Index. Size: 8vo.