bowman max (16 Ergebnisse)

Zustand: Good. Item in good condition and has highlighting/writing on text. Used texts may not contain supplemental items such as CDs, info-trac etc.

Zustand: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Acceptable. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

hardcover. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. 112p., 8x11 inches, introduction, elements and modes, star signs, forecasts, illustrated with photos, very good first UK dition in spiral-bound pictorial boards.

Hardcover. 112p., 8x11 inches, introduction, elements and modes, star signs, forecasts, illustrated with photos, very good first edition in spiral-bound pictorial boards.

Zustand: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Zustand: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Soft cover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. 1st Edition. Large quarto in stiff paper covers with DJ. Color and B&W illustrations. Near fine in near fine DJ. 256 pages.

Paperbound. Zustand des Schutzumschlags: No. Demy folio, [30cm/12inches], paperbound with green pictorial covers, pp. 255, indexed . Fully illustrated with colour plates, b-w halftones &tc. Please feel free to inquire as to particulars and/or additional photographs. . The Arts and Crafts Movement is a celebration of the promised gift of forty-five decorative arts objects from Max Palevsky and Jodie Evans's personal collection, selected as the most important to add to LACMA's holdings. The exhibition will highlight about eighteen representative examples of the American and European Arts and Crafts movement, including furniture, glass, ceramics, and metalwork by designers and architects such as Frank Lloyd Wright, Greene and Greene, Henry Van de Velde, and Charles Rennie Mackintosh. In exceptionally good condition.

with a checklist of publications, very good condition, spine faded a little, internally fine, n.pag., bown cloth folio, many photographs, an important reference work, ex libris Richard Leacroft.

Encuadernación de tapa blanda. Zustand: Casi nuevo. 1990. Gran formato y peso. Catálogo de la Palevsky / Evans Collection. Mobiliario y objetos. 255 pp. Excelentes reproducciones en color. Idioma: Inglés. LIB 6A.

Zustand: New. Satisfaction Guaranteed or your money back.

Cd Box. Zustand: Very Good. 2 cd s set in box. This 2 CD-set presents two aspects of Purcell's music: religious music and instrumental music. Let's start by the first CD. It includes magnificent anthems for the Church for soloists, choir, and orchestra. The first track to open the CD, "Rejoice in the Lord alway", is probably one of Purcell's most famous anthem. The beautiful introduction (sometimes known as the Bell Anthem) prepares the entry of the two countertenors who expose the melody, intoned by the choir later. As with Purcell's style, the music is always refined. The soloists are all top-notch here, and the choir (King's College of Cambridge) is, as always, magnificent. It is really nice to hear the soprano part sung by boys, as I think it gives another dimension to Purcell's music. After the first three anthems, the famous Chacony in G Minor is inserted, I guess to give rest to the listener. The CD tries also to present anthems for different forces: some are just for 2 soloists and organ, while others require the use of the full choir with soloists and the orchestra. However, the orchestra does not include trumpets, timpani, or oboes here, so the forces stay somewhat minimalist. The second CD focuses on Purcell's instrumental music, this time played by the Bruggen-Consort, under the direction of its founder Franz Bruggen. It focuses on the miscellaneous music Purcell wrote for instruments. Most of it is only available as manuscripts and was never published during the composer's lifetime. Only the pavans for viols and continuo might be already familiar to some. The music is also very varied, including pieces for viols, harpsichord solo, and string quartet (2 violins, viola, continuo). I would say this recording is a must have, just for the second CD as it includes pieces of Purcell's music rarely recorded. The performance of all musicians is outstanding, and the anthems sung by the King's College on CD1 is just amazing. As usual with Leonhardt and Bruggen, the performances are historically informed and use period instruments. The booklet is also really nice as it gives more information about Purcell's music, and lists all the instruments used with a short description.

Draft script for the fifth episode of the sixth season of the 1984-1996 CBS television series, which aired on October 29, 1989. Created by Peter S. Fischer, Richard Levinson, and William Link, the popular and long running Emmy Award winning CBS television series starred Angela Lansbury as Jessica Fletcher, a mystery writer and amateur detective, who becomes involved in solving murders in her fictional home town of Cabot Cove, Maine, and across the US. The series ran for 12 seasons, totaling 264 episodes, from September 30, 1984 to May 19, 1996. In this episode, Jessica tells the story of an ex-football player who investigates the murder of an old teammate with the help of his teammate's dog, Jack. Front wrapper integral with title page, dated April 4, 1989, with credits for screenwriters Peter Fischer and Chuck Bowman. 62 leaves, with last page of text numbered 58. Xerographic duplication on pink leaves, rectos only, with blue revision pages throughout, dated 5/31/89. Pages Near Fine, bound with two gold brads.