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Weitere BilderVerlag: Editiones Spectrum, Brussels 1950
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Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Very Good. First edition. Quarto. 664pp. Introduction given in six languages, short-title entries written in the language in which they were published. Just about fine in a very good or better dustwrapper with some age-toning and a bit of soiling. A bibliography of writings…on the history of philosophy published between 1934-1945. Volume II (not included) deals with works of philosophy written during the same period.
Verlag: Croydon : The Croydon Advertiser Ltd, 36 High Street, 1956. 1956
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Hardcover. Zustand: Very Good. 196 pp. ; illustrated ; green cloth with gold lettering and embossed designs ; no dustjacket ; "Produced by the Publications Committee of the National Rose Society of Great Britain" ; numerous articles on various subjects pertaining to the rose and its culture ; Contents: Patrons, Officers And Coun…cil -- Arrangements For 1956 -- The President's Page, By Oliver Mee -- Roses At Buckingham Palace And Harewood House -- Roses At Eayfordeury, By Gordon Rowley -- Roses And Rosarians, By Sam Mcgredy -- How Roses Live And Grow, By G. J. Von Abrams -- Multiflora Shock Absorber, By N. P. Harvey -- Two Pennsylvania Rose Gardens, By Catherine E. Meikle -- Miscellany, By A. Norman -- The Parc Dr La Grange Rose Garden At Geneva, By Brie Bois -- Lady Mary Fitzwilliam, By James Alexander Gamble -- Paris-Geneva-Baden-London, By Louise Bechtel -- "Old Garden Roses", By Sacheverell Sitwell And James Russell, Reviewed By W. H. Sumpster -- =Strains Produced In Rose Hybridizing, By E. B. Le Grice -- Roses To Be, By Mr. And Mrs. Walter D. Brownnell -- "Poulsen On The Rose", By Svend Poulsen, Reviewed By W. J. W. Sanday -- Research On Black Spot Disease, By Freeman A. Weiss -- From The Annals Of Penicuik -- "My Masterpiece", By Math. Tantau -- Are We Getting Too Many New Roses1 By N. P. Harvey -- Observations On The Shafter Stock (Dr. Huey), By André Leroy -- A Rose By Any Other Name, By G. D. Rowley -- How I Grow My Roses, By R. F. B. Naylor, C.B., D.S.O., B. R. C. Tizard, B. W. W. Sampson, A. A. Norton, Nigel Raban, Sam Carson -- Rose Notes From Queensland, By Fred Armbrust -- Roses In Regent's Park, By Leonard Hollis -- "The Old Shrub Roses", By C. S. Thomas, Reviewed By A. J. Huxley -- Keeping Cut Flowers Fresh -- Warm Or Cold? By Fred J. Nesbit -- The Summer Rose Show, By A. C. L. Hellyer -- Orthocide And Karathane, By F. Fairbrother -- The Decorative Classes At The Summer Show, By Arbel M. Aldous -- The Bristol Group Of Tile National Rose Society, By A. B. Griffith -- The Prov1ncial Rose Show, Leeds, By J. C. Watson -- The Autumn Show, By Roy Hay -- The Trial Ground In 1955, By H. Edland -- The Rose Analysis, By H. Edland -- Dean Hole Medallists, Accounts And Reports Of Council -- Monochrome Plates -- 'Peace'-- H.R.H. The Princess Royal, C.I., G.C.Y.O., G.E.E., E.E.C., T.D. -- Forms Of The Japanese Rosa Multiflora, Bayfordbury -- Hybrid Musks And Wichueaianas, Bayfordbury -- Rosa Jundzillii, Bayfordbury -- Rose Stock Trials, Bayfordbury -- Moss And French Roses In The Old Rose Garden, Bayfordbury -- Bourbon Roses, Bayfordbury -- View Of The Hershey Rose Garden -- Early Hybrid Tea Roses, Bayfordbury -- The Hershey Rose Garden -- Frau Karl Druschki" Hedge At Breeze Hill -- Central Terrace At Parc La Grange, Geneva -- View From The Upper Terrace At Parc La Grange, Geneva -- Colour Plates -- Sir Winston Churchill -- King Midas -- Red Wonder -- Beaute -- Message -- La Jolla -- Belle Blonde -- Sweet Repose -- Soraya -- Poulsen's Supreme And Salmon Perfection -- Yellowhammer -- Firecracker -- Cleopatra -- Lilac Time -- Sandringham -- People ; foxing, else VG. Book.
Verlag: Universitaire Stichting van België: zonder plaats, 1962 1962
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Zustand: Good. Driekwart linnen met goudopdruk op de rug, 813pp. Noten, register. 18x23x5,5cm. Wat verkleuring omslag, vlek op rug, lichte verkleuring bladzijden, in goede staat. [Te dik voor brievenbus].
Verlag: Spectrum 1950-1954, Ultrajecti ad Rhenum (Utrecht) / Bruxellis 1950
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Anbieter: Antiquariaat Berger & De Vries, Groningen, , NiederlandeAntiquariaat Berger & De Vries
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Cloth bindings. LXXVI, 664, XXXII, 798 pp. -(Covers showing minor traces of use, endpapers faded, otherwise good).
Verlag: Buchheim, 1970
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Hardcover. Zustand: Gut. Alterbedingte Gebrauchsspuren !---. nein.
KAII HIGASHIYAMA: 1947-1976. - Preface: Kenji Adachi; Introduction by Chisaburoh Yamada. --- INSCRIBED TO HORST BRIE BY THE ARTIST. . .
HIGASHIYAMA, Kaii [Shinkichi] (1908-1999; Painter) / Kenji Adachi (Preface); Chisaburoh Yamada (Introduction) / Horst Brie (1923-2014; German Democratic Republic Diplomate / First GDR [DDR] Embassador in Japan from 1974 to 1983; Proveniance): [Kai Higajiyama]
Verlag: Tokyo, The National Museum of Modern Art, 1977. 1977
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Anbieter: C O - L I B R I , Bremen - Berlin ; Deutschland / Germany ., Berlin, DeutschlandC O - L I B R I , Bremen - Berlin ; Deutschland / Germany .
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6 unnmbered pages of Text, 59 tipped-in wholepage - partly colour - platesof Paintings; (3) p. - Publisher's gilt-titled thick cloth binding with colour-illustr. dustjacket in the titled original publisher's cardboard-box; Folio (ca. 33 x 25 x 4 cm; ca. 2 kg.). *** FIRST EDITION, LARGESIZE CLOTHBOUND ORIGINAL; BOLDLY INSCRIBED,…SIGNED AND DATED in the following year BY THE ARTIST WITH BLACK INK-BRUSH in katakana- and kanji-characters to the Embassador of the German Democratic Republic ('GDR' [DDR, then East-Germany]) Horst Brie on the front flyleaf. --- BEST CONDITION; OTHER INSCRIBED HIGASHIYAMA-BOOKS FROM THE SAME SOURCE (Horst Brie) IN STOCK. . . --- HIS CLOSE RELATION TO GERMANY STARTED EARLY IN HIGASHIYAMA'S LIFE when he began his studies in Western-Art history at Berlin University in 1933 after studying Nihonga-painting at the Tokyo School of Fine Arts (now: 'Tokyo National University of Fine Arts and Music') from 1921 to 1931, graduating with commendation then entering the School's research department, where he spent two years training under Somei Yuki. He joined an art competition during the 1936 Summer Olympics in Berlin. Travelling a lot throughout his life he frequently visited central and northern Europe in general and Germany in particular. ''On January 12, 1985, Higashiyama together with Andy Warhol and Joseph Beuys participated in the 'Global-Art-Fusion' project . . ., in which a fax was sent with drawings of all three artist within 32 minutes around the worldfrom Düsseldorf (Germany) via New York (USA) to Tokyo (Japan), received at Vienna's Palais-Liechtenstein Museum of Modern Art. It was meant as a statement for peace during the Cold War in the 1980s. In 1953, he was selected to paint 27 fusama-e murals for the 'Shofuso Japanese House and Gardens' . . . in Nagoya for an exhibition at the Museum of Modern Art in New York. . . The Shofuso was moved to Philadelphia in 1958 where the murals were on view until they were destroyed by vandals in 1974. In 1960, he painted a large mural entitled 'Sun, Moon, and The Four Seasons', for the state dining room the To-gu- Palace of the Crown Prince. A second imperial commission followed, resulting in the 1968 mural, 'Tide at Daybreak' (>Asaake no Ushio<), which is part of the Nami-no-ma hall of Tokyo Imperial Palace. . .'' (see Wikipedia). His good relations with Germany were not only focussed on the Eastern part of the then divided country: In 1984 he became member of the Federal Republic of Germany's 'Pour le Mérite für Wissenschaften und Künste'; in ''1992 [he was] awarded the UNESCO Picasso Gold Medal. [In] 1990 [the] 'Higashiyama Kaii Gallery' was opened in Nagano Prefectural Shinano Art Museum; in 1994 [the] 'Higashiyama Kaii Art Gallery' was opened in 'Ichikawa City Life Learning Center'; [in] 2005 [the] 'Sakaide Kagawa Prefectural Higashiyama Kaii Setouchi Art Museum' was opened.''(see Wikipedia). . .
THE COMPLETE WORKS OF KAII HIGASHIYAMA, Volume 1. - INSCRIBED BY THE ARTIST. . . [Vol. One; I]
HIGASHIYAMA, Kaii [Shinkichi] (1908-1999; Painter) / Kenji Adachi (Preface); Chisaburoh Yamada (Introduction) / Horst Brie (1923-2014; German Democratic Republic Diplomate / First GDR [DDR] Embassador in Japan from 1974 to 1983; Proveniance): [Kai Higajiyama]
Verlag: Japan, copyright Kaii Higashiyama, Showa 74 (1979). 1979
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Anbieter: C O - L I B R I , Bremen - Berlin ; Deutschland / Germany ., Berlin, DeutschlandC O - L I B R I , Bremen - Berlin ; Deutschland / Germany .
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143 (1) pages on thick medium-glossy paper, whole- and doublepage colour-illustrated throughout, 1 foldout-triple-page plate. - Publisher's silver-titled blue cloth binding with colour-illustr. dustjacket, in the colour-illustrated original publisher's slipcase; Folio (ca. 34 x 27,5 x 3 cm; ca. 2 kg.). *** FIRST EDITION, LARGESI…ZE CLOTHBOUND ORIGINAL; BOLDLY INSCRIBED, SIGNED AND DATED in the following year BY THE ARTIST WITH BLACK INK-BRUSH in katakana- and kanji-characters to the Embassador of the German Democratic Republic ('GDR' [DDR, then East-Germany]) Horst Brie on the front flyleaf. --- BEST CONDITION; VOLUME 2 OF THE SERIES AND OTHER INSCRIBED HIGASHIYAMA-BOOKS FROM THE SAME SOURCE (Horst Brie) IN STOCK. . . --- HIS CLOSE RELATION TO GERMANY STARTED EARLY IN HIGASHIYAMA'S LIFE when he began his studies in Western-Art history at Berlin University in 1933 after studying Nihonga-painting at the Tokyo School of Fine Arts (now: 'Tokyo National University of Fine Arts and Music') from 1921 to 1931, graduating with commendation then entering the School's research department, where he spent two years training under Somei Yuki. He joined an art competition during the 1936 Summer Olympics in Berlin. Travelling a lot throughout his life he frequently visited central and northern Europe in general and Germany in particular. ''On January 12, 1985, Higashiyama together with Andy Warhol and Joseph Beuys participated in the 'Global-Art-Fusion' project . . ., in which a fax was sent with drawings of all three artist within 32 minutes around the worldfrom Düsseldorf (Germany) via New York (USA) to Tokyo (Japan), received at Vienna's Palais-Liechtenstein Museum of Modern Art. It was meant as a statement for peace during the Cold War in the 1980s. In 1953, he was selected to paint 27 fusama-e murals for the 'Shofuso Japanese House and Gardens' . . . in Nagoya for an exhibition at the Museum of Modern Art in New York. . . The Shofuso was moved to Philadelphia in 1958 where the murals were on view until they were destroyed by vandals in 1974. In 1960, he painted a large mural entitled 'Sun, Moon, and The Four Seasons', for the state dining room the To-gu- Palace of the Crown Prince. A second imperial commission followed, resulting in the 1968 mural, 'Tide at Daybreak' (>Asaake no Ushio<), which is part of the Nami-no-ma hall of Tokyo Imperial Palace. . .'' (see Wikipedia). His good relations with Germany were not only focussed on the Eastern part of the then divided country: In 1984 he became member of the Federal Republic of Germany's 'Pour le Mérite für Wissenschaften und Künste'; in ''1992 [he was] awarded the UNESCO Picasso Gold Medal. [In] 1990 [the] 'Higashiyama Kaii Gallery' was opened in Nagano Prefectural Shinano Art Museum; in 1994 [the] 'Higashiyama Kaii Art Gallery' was opened in 'Ichikawa City Life Learning Center'; [in] 2005 [the] 'Sakaide Kagawa Prefectural Higashiyama Kaii Setouchi Art Museum' was opened.''(see Wikipedia). . .
THE COMPLETE WORKS OF KAII HIGASHIYAMA, Volume 2. - INSCRIBED BY THE ARTIST. . . [Vol. Two; II]
HIGASHIYAMA, Kaii [Shinkichi] (1908-1999; Painter) / Kenji Adachi (Preface); Chisaburoh Yamada (Introduction) / Horst Brie (1923-2014; German Democratic Republic Diplomate / First GDR [DDR] Embassador in Japan from 1974 to 1983; Proveniance): [Kai Higajiyama]
Verlag: Japan, copyright Kaii Higashiyama, Showa 75 (1980). 1980
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143 (1) pages on thick medium-glossy paper, whole- and doublepage colour-illustrated throughout, 1 foldout-triple-page plate. - Publisher's silver-titled blue cloth binding with colour-illustr. dustjacket, in the colour-illustrated original publisher's slipcase; Folio (ca. 34 x 27,5 x 3 cm; ca. 2 kg.). *** FIRST EDITION, LARGESI…ZE CLOTHBOUND ORIGINAL; BOLDLY INSCRIBED, SIGNED AND DATED in the same year BY THE ARTIST WITH BLACK INK-BRUSH in katakana- and kanji-characters to the Embassador of the German Democratic Republic ('GDR' [DDR, then East-Germany]) Horst Brie on the front flyleaf. --- BEST CONDITION; VOLUME 2 OF THE SERIES AND OTHER INSCRIBED HIGASHIYAMA-BOOKS FROM THE SAME SOURCE (Horst Brie) IN STOCK. . . --- HIS CLOSE RELATION TO GERMANY STARTED EARLY IN HIGASHIYAMA'S LIFE when he began his studies in Western-Art history at Berlin University in 1933 after studying Nihonga-painting at the Tokyo School of Fine Arts (now: 'Tokyo National University of Fine Arts and Music') from 1921 to 1931, graduating with commendation then entering the School's research department, where he spent two years training under Somei Yuki. He joined an art competition during the 1936 Summer Olympics in Berlin. Travelling a lot throughout his life he frequently visited central and northern Europe in general and Germany in particular. ''On January 12, 1985, Higashiyama together with Andy Warhol and Joseph Beuys participated in the 'Global-Art-Fusion' project . . ., in which a fax was sent with drawings of all three artist within 32 minutes around the worldfrom Düsseldorf (Germany) via New York (USA) to Tokyo (Japan), received at Vienna's Palais-Liechtenstein Museum of Modern Art. It was meant as a statement for peace during the Cold War in the 1980s. In 1953, he was selected to paint 27 fusama-e murals for the 'Shofuso Japanese House and Gardens' . . . in Nagoya for an exhibition at the Museum of Modern Art in New York. . . The Shofuso was moved to Philadelphia in 1958 where the murals were on view until they were destroyed by vandals in 1974. In 1960, he painted a large mural entitled 'Sun, Moon, and The Four Seasons', for the state dining room the To-gu- Palace of the Crown Prince. A second imperial commission followed, resulting in the 1968 mural, 'Tide at Daybreak' (>Asaake no Ushio<), which is part of the Nami-no-ma hall of Tokyo Imperial Palace. . .'' (see Wikipedia). His good relations with Germany were not only focussed on the Eastern part of the then divided country: In 1984 he became member of the Federal Republic of Germany's 'Pour le Mérite für Wissenschaften und Künste'; in ''1992 [he was] awarded the UNESCO Picasso Gold Medal. [In] 1990 [the] 'Higashiyama Kaii Gallery' was opened in Nagano Prefectural Shinano Art Museum; in 1994 [the] 'Higashiyama Kaii Art Gallery' was opened in 'Ichikawa City Life Learning Center'; [in] 2005 [the] 'Sakaide Kagawa Prefectural Higashiyama Kaii Setouchi Art Museum' was opened.''(see Wikipedia). . .
Weitere Bilder- Hardcover
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Hardback. Zustand: New. 1. Valls, Ingrid (illustrator).
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Paperback. Zustand: New. 1. Valls, Ingrid (illustrator).
Sprache: Deutsch
Verlag: Brussel, Editiones Spectrum 1950 (1950 + 1954 (Band 2)). 1950
- Hardcover
Anbieter: ACADEMIA Antiquariat an der Universität, Freiburg, , DeutschlandACADEMIA Antiquariat an der Universität
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18 x 25 cm Leinen. Zustand: Gut. 664 + 798 Seiten 2 schwarze Leinenbände im Goß-Oktavformat mit Goldtitelprägung; gut erhaltene, schöne Exemplare Sprache: Deutsch Gewicht in Gramm: 1.
- Hardcover
Anbieter: Untje.com, Roeselare, , BelgienUntje.com
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Hardcover. Zustand: Good. Latin.
Verlag: Utrecht u Antwerpen Editiones Spectrum -54 1950
Anbieter: Zentralantiquariat Leipzig GmbH, Leipzig, DeutschlandZentralantiquariat Leipzig GmbH
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LXXV, 664; XXXII, 798 S. OLwd. m. Rsch. u. Rsign. sowie Kleberest. St. verso Tit. 1: Bibliographia Histroiae Philosophiae; 2: Bibliographia philosophiae. Sprache: Englisch,Sprache: Französisch.
Verlag: Bruxelles Editiones Spectrum -54 1950
Anbieter: Zentralantiquariat Leipzig GmbH, Leipzig, DeutschlandZentralantiquariat Leipzig GmbH
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LXXV, 664; XXXII, 798 S. OLwd. M. Rsign. u. mehr. St. Bd. 1 auch einzeln. Sprache: Deutsch 0 gr.
"Prefazione". Lo Stato moderno (Attilio Brunialti). Lo Stato federale (Freeman). La storia dello Stato federale (Brie). Lo Stato giuridico (Bahr). Dottrina generale dello Stato (Ahrens). Saggio sui limiti dell'azione dello Stato (Humboldt). Lo Stato e i suoi limiti (Laboulaye). Lo Stato moderno e i suoi uffici (Leroy-Beaulieu). Lo Stato secondo il diritto (Gneist). Della cosiddetta teoria organica dello Stato (Krieken)
Brunialti A. - Freeman E.A. - Brie S. - Bahr O. - Ahrens E. - Humboldt G.D.- Laboulaye E. - Leroy-Beaulieu P. - Gneist R. - Krieken A.
Verlag: Utet 1891-1892, Torino 1891
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Piccola mancanza alla parte superiore del piatto anteriore CXLVIII + 1476 + (4) p. in-8.
