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ISBN 10: 1718759304 ISBN 13: 9781718759305
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Sprache: Englisch
Verlag: University of Illinois Press, 2020
ISBN 10: 0252043634 ISBN 13: 9780252043635
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Sprache: Englisch
Verlag: CreateSpace Independent Publishing Platform, 2018
ISBN 10: 1718759304 ISBN 13: 9781718759305
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Paperback. Zustand: new. Paperback. The three Quartets for Keyboard, Flute, and Viola (Wq 93-95) date from C.P.E. Bach's last year, and were commissioned by his patron in Berlin, Sara Levy. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Sprache: Englisch
Verlag: University of Illinois Press, 2020
ISBN 10: 0252043634 ISBN 13: 9780252043635
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ISBN 10: 0252043634 ISBN 13: 9780252043635
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Sprache: Englisch
Verlag: CreateSpace Independent Publishing Platform, 2018
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Sprache: Englisch
Verlag: University of Illinois Press, US, 2020
ISBN 10: 0252043634 ISBN 13: 9780252043635
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In den WarenkorbHardback. Zustand: New. Scholars and performers have long noted J.S. Bach's abundant use of parody procedures: that is, the recycling and reworking of pre-existing material from his own compositions or from other sources. Laura Buch edits essays exploring how the composer parodied the work of others and how other composers did the same with him. The contributors delve into the works of Baroque-era composers from Bach himself to C. P. E. Bach, Johann Caspar Ferdinand Fischer, and Ferruccio Busoni. But they also cast a wider net, investigating the ways Bach's music cross-pollinates with contemporary composer-performers John Lewis and the Modern Jazz Quartet, and keyboardist Bernie Worrell and Parliament-Funkadelic. The diverse contexts illuminate a broad range of parody techniques, from structural scaffolding and contrapuntal elaboration to integration with stylistic languages far removed from the Baroque. An insightful look at how composers build on each other's work, Bach Reworked reveals how nuanced understandings of parody procedures can fuel both musical innovation and historically informed performance. Contributors: Stephen A. Crist, Ellen Exner, Moira Leanne Hill, Erinn E. Knyt, and Markus Zepf.
Sprache: Englisch
Verlag: Createspace Independent Publishing Platform, 2018
ISBN 10: 1718759304 ISBN 13: 9781718759305
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Paperback. Zustand: new. Paperback. The three Quartets for Keyboard, Flute, and Viola (Wq 93-95) date from C.P.E. Bach's last year, and were commissioned by his patron in Berlin, Sara Levy. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Sprache: Englisch
Verlag: University of Illinois Press, 2020
ISBN 10: 0252043634 ISBN 13: 9780252043635
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ISBN 10: 0252043634 ISBN 13: 9780252043635
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Hardcover. Zustand: new. Hardcover. Scholars and performers have long noted J.S. Bach's abundant use of parody procedures: that is, the recycling and reworking of pre-existing material from his own compositions or from other sources. Laura Buch edits essays exploring how the composer parodied the work of others and how other composers did the same with him. The contributors delve into the works of Baroque-era composers from Bach himself to C. P. E. Bach, Johann Caspar Ferdinand Fischer, and Ferruccio Busoni. But they also cast a wider net, investigating the ways Bach's music cross-pollinates with contemporary composer-performers John Lewis and the Modern Jazz Quartet, and keyboardist Bernie Worrell and Parliament-Funkadelic. The diverse contexts illuminate a broad range of parody techniques, from structural scaffolding and contrapuntal elaboration to integration with stylistic languages far removed from the Baroque. An insightful look at how composers build on each other's work, Bach Reworked reveals how nuanced understandings of parody procedures can fuel both musical innovation and historically informed performance. Contributors: Stephen A. Crist, Ellen Exner, Moira Leanne Hill, Erinn E. Knyt, and Markus Zepf Scholars and performers have long noted J.S. Bach's abundant use of parody procedures: that is, the recycling and reworking of pre-existing material from his own compositions or from other sources. Laura Buch edits essays exploring how the composer parodied the work of others and how other composers did the same with him. The contributors delve into the works of Baroque-era composers from Bach himself to C. P. E. Bach, Johann Caspar Ferdinand Fischer, and Ferruccio Busoni. But they also cast a wider net, investigating the ways Bach's music cross-pollinates with contemporary composer-performers John Lewis and the Modern Jazz Quartet, and keyboardist Bernie Worrell and Parliament-Funkadelic. The diverse contexts illuminate a broad range of parody techniques, from structural scaffolding and contrapuntal elaboration to integration with stylistic languages far removed from the Baroque. An insightful look at how composers build on each other's work, Bach Reworked reveals how nuanced understandings of parody procedures can fuel both musical innovation and historically informed performance. Contributors: Stephen A. Crist, Ellen Exner, Moira Leanne Hill, Erinn E. Knyt, and Markus Zepf Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Sprache: Englisch
Verlag: MO - University of Illinois Press, 2020
ISBN 10: 0252043634 ISBN 13: 9780252043635
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Verlag: Los Altos, California : The Packard Humanities Institute, 2020
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xv, [5], 207 S. Fol. OLn. Faksim. Sprache: Englisch Gewicht in Gramm: 1200.
Sprache: Englisch
Verlag: University of Illinois Press, 2020
ISBN 10: 0252043634 ISBN 13: 9780252043635
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In den WarenkorbHardback. Zustand: New. Scholars and performers have long noted J.S. Bach's abundant use of parody procedures: that is, the recycling and reworking of pre-existing material from his own compositions or from other sources. Laura Buch edits essays exploring how the composer parodied the work of others and how other composers did the same with him. The contributors delve into the works of Baroque-era composers from Bach himself to C. P. E. Bach, Johann Caspar Ferdinand Fischer, and Ferruccio Busoni. But they also cast a wider net, investigating the ways Bach's music cross-pollinates with contemporary composer-performers John Lewis and the Modern Jazz Quartet, and keyboardist Bernie Worrell and Parliament-Funkadelic. The diverse contexts illuminate a broad range of parody techniques, from structural scaffolding and contrapuntal elaboration to integration with stylistic languages far removed from the Baroque. An insightful look at how composers build on each other's work, Bach Reworked reveals how nuanced understandings of parody procedures can fuel both musical innovation and historically informed performance. Contributors: Stephen A. Crist, Ellen Exner, Moira Leanne Hill, Erinn E. Knyt, and Markus Zepf.
Sprache: Englisch
Verlag: University of Illinois Press, Baltimore, 2020
ISBN 10: 0252043634 ISBN 13: 9780252043635
Anbieter: AussieBookSeller, Truganina, VIC, Australien
Hardcover. Zustand: new. Hardcover. Scholars and performers have long noted J.S. Bach's abundant use of parody procedures: that is, the recycling and reworking of pre-existing material from his own compositions or from other sources. Laura Buch edits essays exploring how the composer parodied the work of others and how other composers did the same with him. The contributors delve into the works of Baroque-era composers from Bach himself to C. P. E. Bach, Johann Caspar Ferdinand Fischer, and Ferruccio Busoni. But they also cast a wider net, investigating the ways Bach's music cross-pollinates with contemporary composer-performers John Lewis and the Modern Jazz Quartet, and keyboardist Bernie Worrell and Parliament-Funkadelic. The diverse contexts illuminate a broad range of parody techniques, from structural scaffolding and contrapuntal elaboration to integration with stylistic languages far removed from the Baroque. An insightful look at how composers build on each other's work, Bach Reworked reveals how nuanced understandings of parody procedures can fuel both musical innovation and historically informed performance. Contributors: Stephen A. Crist, Ellen Exner, Moira Leanne Hill, Erinn E. Knyt, and Markus Zepf Scholars and performers have long noted J.S. Bach's abundant use of parody procedures: that is, the recycling and reworking of pre-existing material from his own compositions or from other sources. Laura Buch edits essays exploring how the composer parodied the work of others and how other composers did the same with him. The contributors delve into the works of Baroque-era composers from Bach himself to C. P. E. Bach, Johann Caspar Ferdinand Fischer, and Ferruccio Busoni. But they also cast a wider net, investigating the ways Bach's music cross-pollinates with contemporary composer-performers John Lewis and the Modern Jazz Quartet, and keyboardist Bernie Worrell and Parliament-Funkadelic. The diverse contexts illuminate a broad range of parody techniques, from structural scaffolding and contrapuntal elaboration to integration with stylistic languages far removed from the Baroque. An insightful look at how composers build on each other's work, Bach Reworked reveals how nuanced understandings of parody procedures can fuel both musical innovation and historically informed performance. Contributors: Stephen A. Crist, Ellen Exner, Moira Leanne Hill, Erinn E. Knyt, and Markus Zepf Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Sprache: Englisch
Verlag: University of Illinois Press, 2020
ISBN 10: 0252043634 ISBN 13: 9780252043635
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In den WarenkorbZustand: As New. Unread book in perfect condition.
Sprache: Deutsch
Verlag: Bod - Books On Demand Feb 2023, 2023
ISBN 10: 3734716306 ISBN 13: 9783734716300
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Taschenbuch. Zustand: Neu. Neuware - Rahel betrachtet ihr Spiegelbild und fühlt dabei nichts als Leere. Wann werden diese Augen endlich wieder strahlen Wo ist das Leuchten hin Das Leuchten, das ausdrückt, dass wir stolz auf uns sind. Dass wir glücklich sind. Auf dem steinigen Weg dorthin lernen wir uns besser kennen und der eigenen Intuition zu vertrauen. Beziehungen und Vorstellungen loszulassen, die nicht dazu bestimmt sind, für immer zu sein. Wir kämpfen uns durch Phasen von Angst und Panik und realisieren, wie stark wir sind. Wie Rahel und andere junge Frauen ihre innere Stimme trotz den Steinen auf ihrem Lebensweg wahrnehmen und ihr folgen, wird in acht Geschichten erzählt. Geschichten, die Mut machen und ein Lichtblick sind auf dem Weg zur Selbstfindung und zum Frieden, nach dem wir alle streben.