Christine m e guth (112 Ergebnisse)

Soft cover. Zustand: Very Good. No Jacket. s2 10"x10"; 180 pages; Catalog from the exhibition held at The Art Institute of Chicago from June 28 to September 7, 1986. The binding and pages are clean, tight and square. There is no underlining, highlighting or margin notes. A used copy with normal reading wear. If you order multiple titles, I will combine them in order to reduce postage costs. If you have any questions, contact me before ordering for details. Contains the following: "Foreword" by James N. Wood; "Acknowledgments" by Yutaka Mino; "Introduction: Todai-ji in Japanese History and Art" by John M. Rosenfield; "The Architecture of Todai-ji" by William H. Coaldrake; "Sculpture at Todai-ji" by Samuel C. Morse; "Painting at Todai-ji" by Christine M. E. Guth.…

Hardcover. Zustand: As New. Zustand des Schutzumschlags: As New. Accompanies an exhibition at New York's Japan Society, March 24 - July 11, 1999. Many prominent collectors lent their art. A large, comprehensive book with numerous black and white photos, over 70 color plates with commentaries. Japanese art and its interaction with Korean and Chinese art. Book is fresh and clean without flaws or signs of use.195 pages, 10 1/2"x 12". Extra fee for international shipping. …

Hardback. Zustand: Fine.

180 pages. Large paperback: H 25.25cm x L 25.25cm. Glossy paper covers rubbed; minor scuffing/wear at covers' fore-edge corners and at spine ends; Art Institute bookstore price-sticker still affixed to rear cover. Interior pages are clean. Binding is firm. Laid-in are two copies of the Art Institute exhibit brochure. Published as the accompanying catalog for an exhibition held at the Art Institute of Chicago from June 28 to September 7, 1986. "Foreword" by James N. Wood; "Acknowledgments" by Yutaka Mino; "Introduction: Todai-ji in Japanese history and art" by John M. Rosenfield; "The Architecture of Todai-ji" by William H. Coaldrake; "Sculpture at Todai-ji" by Samuel C. Morse; "Painting at Todai-ji" by Christine M. E. Guth; Bibliography; Index. ISBN 0253203902.…

Paperback. Zustand: Good. Hokusai?s ?Great Wave,? as it is commonly known today, is arguably one of Japan?s most successful exports, its commanding cresting profile instantly recognizable no matter how different its representations in media and style. In this richly illustrated and highly original study, Christine Guth examines the iconic wave from its first publication in 1831 through the remarkable range of its articulations, arguing that it has been a site where the tensions, contradictions, and, especially, the productive creativities of the local and the global have been negotiated and expressed. She follows the wave?s trajectory across geographies, linking its movements with larger political, economic, technological, and sociocultural developments. Adopting a case study approach, Guth explores issues that map the social life of the iconic wave across time and place, from the initial reception of the woodblock print in Japan, to the image?s adaptations as part of ?international nationalism,? its place in American perceptions of Japan, itscommercial adoption for lifestyle branding, and fi nally to its identifi cation as a tsunami, bringing not culture but disaster in its wake.Wide ranging in scope yet grounded in close readings of disparate iterations of the wave, multidisciplinary and theoretically informed in its approach, Hokusai?s Great Wave will change both how we look at this global icon and the way we study the circulation of Japanese prints. This accessible and engagingly written work moves beyond the standard hagiographical approach to recognize, as categories of analysis, historical and geographic contingency as well as visual and technical brilliance. It is a book that will interest students of Japan and its culture and more generally those seeking fresh perspectives on the dynamics of cultural globalization.…

Zustand: New.

Zustand: New.

Paperback. Zustand: Good. Hokusai?s ?Great Wave,? as it is commonly known today, is arguably one of Japan?s most successful exports, its commanding cresting profile instantly recognizable no matter how different its representations in media and style. In this richly illustrated and highly original study, Christine Guth examines the iconic wave from its first publication in 1831 through the remarkable range of its articulations, arguing that it has been a site where the tensions, contradictions, and, especially, the productive creativities of the local and the global have been negotiated and expressed. She follows the wave?s trajectory across geographies, linking its movements with larger political, economic, technological, and sociocultural developments. Adopting a case study approach, Guth explores issues that map the social life of the iconic wave across time and place, from the initial reception of the woodblock print in Japan, to the image?s adaptations as part of ?international nationalism,? its place in American perceptions of Japan, itscommercial adoption for lifestyle branding, and fi nally to its identifi cation as a tsunami, bringing not culture but disaster in its wake.Wide ranging in scope yet grounded in close readings of disparate iterations of the wave, multidisciplinary and theoretically informed in its approach, Hokusai?s Great Wave will change both how we look at this global icon and the way we study the circulation of Japanese prints. This accessible and engagingly written work moves beyond the standard hagiographical approach to recognize, as categories of analysis, historical and geographic contingency as well as visual and technical brilliance. It is a book that will interest students of Japan and its culture and more generally those seeking fresh perspectives on the dynamics of cultural globalization.…

Zustand: As New. Unread book in perfect condition.

Paperback. Zustand: New. Hokusai's "Great Wave," as it is commonly known today, is arguably one of Japan's most successful exports, its commanding cresting profile instantly recognizable no matter how different its representations in media and style. In this richly illustrated and highly original study, Christine Guth examines the iconic wave from its first publication in 1831 through the remarkable range of its articulations, arguing that it has been a site where the tensions, contradictions, and, especially, the productive creativities of the local and the global have been negotiated and expressed. She follows the wave's trajectory across geographies, linking its movements with larger political, economic, technological, and sociocultural developments. Adopting a case study approach, Guth explores issues that map the social life of the iconic wave across time and place, from the initial reception of the woodblock print in Japan, to the image's adaptations as part of "international nationalism," its place in American perceptions of Japan, itscommercial adoption for lifestyle branding, and fi nally to its identifi cation as a tsunami, bringing not culture but disaster in its wake.Wide ranging in scope yet grounded in close readings of disparate iterations of the wave, multidisciplinary and theoretically informed in its approach, Hokusai's Great Wave will change both how we look at this global icon and the way we study the circulation of Japanese prints. This accessible and engagingly written work moves beyond the standard hagiographical approach to recognize, as categories of analysis, historical and geographic contingency as well as visual and technical brilliance. It is a book that will interest students of Japan and its culture and more generally those seeking fresh perspectives on the dynamics of cultural globalization.…

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Zustand: Good. Pictorial front cover. Numerous B/W photos scattered through the book. Numerous pages have some underlining, highlighting and notes in the margin. Bar code sticker on spine. Light creasing to corner tips. Photos of book on request.

Zustand: new.

Paperback. Zustand: new. Paperback. Hokusais Great Wave, as it is commonly known today, is arguably one of Japans most successful exports, its commanding cresting profile instantly recognizable no matter how different its representations in media and style. In this richly illustrated and highly original study, Christine Guth examines the iconic wave from its first publication in 1831 through the remarkable range of its articulations, arguing that it has been a site where the tensions, contradictions, and, especially, the productive creativities of the local and the global have been negotiated and expressed. She follows the waves trajectory across geographies, linking its movements with larger political, economic, technological, and sociocultural developments. Adopting a case study approach, Guth explores issues that map the social life of the iconic wave across time and place, from the initial reception of the woodblock print in Japan, to the images adaptations as part of international nationalism, its place in American perceptions of Japan, itscommercial adoption for lifestyle branding, and fi nally to its identifi cation as a tsunami, bringing not culture but disaster in its wake.Wide ranging in scope yet grounded in close readings of disparate iterations of the wave, multidisciplinary and theoretically informed in its approach, Hokusais Great Wave will change both how we look at this global icon and the way we study the circulation of Japanese prints. This accessible and engagingly written work moves beyond the standard hagiographical approach to recognize, as categories of analysis, historical and geographic contingency as well as visual and technical brilliance. It is a book that will interest students of Japan and its culture and more generally those seeking fresh perspectives on the dynamics of cultural globalization. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Zustand: good. Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Zustand: New. Num Pages: 272 pages. BIC Classification: ACBP; AFH; AGB. Category: (G) General (US: Trade). Dimension: 211 x 179 x 19. Weight in Grams: 620. . 2015. Paperback. . . . .

Paperback. Zustand: Very Good. Charles Longfellow, son of Henry Wadsworth Longfellow, arrived in Yokohama in 1871. Interweaving Longfellow's experiences with broader issues of tourism and cultural authenticity, this book discusses the ideology of tourism and the place of Japan within nineteenth-century round-the-world travel.…

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: New. Num Pages: 272 pages. BIC Classification: ACBP; AFH; AGB. Category: (G) General (US: Trade). Dimension: 211 x 179 x 19. Weight in Grams: 620. . 2015. Paperback. . . . . Books ship from the US and Ireland.

paperback. Zustand: Very Good. Honolulu Academy of Arts, 2004. Trade paperback in VG condition; a nice clean copy.

Zustand: New.

Zustand: New.

Zustand: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Hardcover. Zustand: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Laminated Card Covers. Zustand: Very Good. Zustand des Schutzumschlags: No Dust Jacket as Published. First Edition. xv, 256pp, illustrated with colour images, bottom margin of the last few pages is a little crinkled, otherwise clean and crisp, laminated card covers. Size: 8.25 x 7 Inches. Art.

Paperback / softback. Zustand: New. New copy - Usually dispatched within 4 working days.

Paperback. Zustand: Very Good. Japanese and English language text. Profusely illustrated.

Soft cover. Zustand: Very Good. No markings.

Zustand: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. 4to. - over 9 3/4 in. - 12 in. Bound in blue cloth with gilt titles stamped lengthwise down the spine. xxi + 234pp., including notes, bibliography, and index. Illustrated throughout with b/w and color photographs and reproductions. A lovely copy in Near Fine condition with just a touch of wear, in a Near Fine dust jacket with minor shelfwear. // 'Charles Longfellow, son of Henry Wadsworth Longfellow, arrived in Yokohama in 1871, intending a brief visit, and stayed for two years. He returned to Boston laden with photographs, curios, and art objects, as well as the elaborate tattoos he had 'collected' on his body. His journals, correspondence, and art collection dramatically demonstrate America's early impressions of Japanese culture, and his personal odyssey illustrates the impact on both countries of globetrotting tourism.' ~ Publisher.…