Christopher plummer (415 Ergebnisse)

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Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Paperback. Zustand: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Zustand: very_good. This book is in excellent condition. There may be minimal writing on the inside cover or cover page. Cover image on the book may vary from photo. Ships out quickly in a secure plastic mailer.

Paperback. Zustand: Fair. A rollicking, rich portrait of a life. And what a life By one of our greatest actors. Plummer tells how this young bilingual wastrel, incurably romantic, spoiled rotten, tore himself away from the ski slopes to break into the big bad world of theatre, not from the streets up but from an Edwardian living room down, and writes of his early acting days as an eighteen-year-old playing the lead in Shakespeare's Cymbeline. We see his glorious New York of the fifties, where life began at midnight, with the likes of Arthur Miller, Carson McCullers, Tennessee Williams, and Paddy Chayefsky, and how Plummer's own Broadway world developed and swept him along through the last Golden Age the American Theatre would ever remember . . . how the sublime Ruth Chatterton (she might have been created by F. Scott Fitzgerald and Sinclair Lewis) introduced him to the right people in New York . . . how Miss Eva Le Gallienne gave Plummer his Broadway debut at twenty-five in The Starcross Story (It opened and closed in one night One solitary night But what a night ). He writes about his film career: The Sound of Music (affectionately dubbed S&M) . . . Inside Daisy Clover, which brought him together with the beautiful Natalie Wood . . . John Huston's The Man Who Would Be King (Plummer was Rudyard Kipling). He tells the story of accepting Sir Laurence Olivier's invitation to join the National Theatre Company, playing in Amphytron directed by Olivier himself (a great actor but lousy director), and writes about falling deeply in love with and eventually marrying a young actress and dancer, Elaine Taylor--to this day, his one true strength. Seamlessly written, with stories that make us laugh out loud and that make real the fascinating, complex, exuberant adventure that is the actor's (at least this actor's) life.…

Paperback. Zustand: Good. A rollicking, rich portrait of a life. And what a life By one of our greatest actors. Plummer tells how this young bilingual wastrel, incurably romantic, spoiled rotten, tore himself away from the ski slopes to break into the big bad world of theatre, not from the streets up but from an Edwardian living room down, and writes of his early acting days as an eighteen-year-old playing the lead in Shakespeare's Cymbeline. We see his glorious New York of the fifties, where life began at midnight, with the likes of Arthur Miller, Carson McCullers, Tennessee Williams, and Paddy Chayefsky, and how Plummer's own Broadway world developed and swept him along through the last Golden Age the American Theatre would ever remember . . . how the sublime Ruth Chatterton (she might have been created by F. Scott Fitzgerald and Sinclair Lewis) introduced him to the right people in New York . . . how Miss Eva Le Gallienne gave Plummer his Broadway debut at twenty-five in The Starcross Story (It opened and closed in one night One solitary night But what a night ). He writes about his film career: The Sound of Music (affectionately dubbed S&M) . . . Inside Daisy Clover, which brought him together with the beautiful Natalie Wood . . . John Huston's The Man Who Would Be King (Plummer was Rudyard Kipling). He tells the story of accepting Sir Laurence Olivier's invitation to join the National Theatre Company, playing in Amphytron directed by Olivier himself (a great actor but lousy director), and writes about falling deeply in love with and eventually marrying a young actress and dancer, Elaine Taylor--to this day, his one true strength. Seamlessly written, with stories that make us laugh out loud and that make real the fascinating, complex, exuberant adventure that is the actor's (at least this actor's) life.…

Zustand: good. Fast & Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Hardback. Zustand: Fair. A rollicking, rich portrait of a life. And what a life By one of our greatest actors. Plummer tells how this young bilingual wastrel, incurably romantic, spoiled rotten, tore himself away from the ski slopes to break into the big bad world of theatre, not from the streets up but from an Edwardian living room down, and writes of his early acting days as an eighteen-year-old playing the lead in Shakespeare's Cymbeline. We see his glorious New York of the fifties, where life began at midnight, with the likes of Arthur Miller, Carson McCullers, Tennessee Williams, and Paddy Chayefsky, and how Plummer's own Broadway world developed and swept him along through the last Golden Age the American Theatre would ever remember . . . how the sublime Ruth Chatterton (she might have been created by F. Scott Fitzgerald and Sinclair Lewis) introduced him to the right people in New York . . . how Miss Eva Le Gallienne gave Plummer his Broadway debut at twenty-five in The Starcross Story (It opened and closed in one night One solitary night But what a night ). He writes about his film career: The Sound of Music (affectionately dubbed S&M) . . . Inside Daisy Clover, which brought him together with the beautiful Natalie Wood . . . John Huston's The Man Who Would Be King (Plummer was Rudyard Kipling). He tells the story of accepting Sir Laurence Olivier's invitation to join the National Theatre Company, playing in Amphytron directed by Olivier himself (a great actor but lousy director), and writes about falling deeply in love with and eventually marrying a young actress and dancer, Elaine Taylor--to this day, his one true strength. Seamlessly written, with stories that make us laugh out loud and that make real the fascinating, complex, exuberant adventure that is the actor's (at least this actor's) life.…

Hardback. Zustand: Good. A rollicking, rich portrait of a life. And what a life By one of our greatest actors. Plummer tells how this young bilingual wastrel, incurably romantic, spoiled rotten, tore himself away from the ski slopes to break into the big bad world of theatre, not from the streets up but from an Edwardian living room down, and writes of his early acting days as an eighteen-year-old playing the lead in Shakespeare's Cymbeline. We see his glorious New York of the fifties, where life began at midnight, with the likes of Arthur Miller, Carson McCullers, Tennessee Williams, and Paddy Chayefsky, and how Plummer's own Broadway world developed and swept him along through the last Golden Age the American Theatre would ever remember . . . how the sublime Ruth Chatterton (she might have been created by F. Scott Fitzgerald and Sinclair Lewis) introduced him to the right people in New York . . . how Miss Eva Le Gallienne gave Plummer his Broadway debut at twenty-five in The Starcross Story (It opened and closed in one night One solitary night But what a night ). He writes about his film career: The Sound of Music (affectionately dubbed S&M) . . . Inside Daisy Clover, which brought him together with the beautiful Natalie Wood . . . John Huston's The Man Who Would Be King (Plummer was Rudyard Kipling). He tells the story of accepting Sir Laurence Olivier's invitation to join the National Theatre Company, playing in Amphytron directed by Olivier himself (a great actor but lousy director), and writes about falling deeply in love with and eventually marrying a young actress and dancer, Elaine Taylor--to this day, his one true strength. Seamlessly written, with stories that make us laugh out loud and that make real the fascinating, complex, exuberant adventure that is the actor's (at least this actor's) life.…

Zustand: very_good. Pages are clean with no markings. May show minor signs of wear or cosmetic defects marks, cuts, bends, or scuffs on the cover, spine, pages, or dust jacket. May have remainder marks on edges.

Paperback. Zustand: Good. Canada's most celebrated and acclaimed actor lets loose in a magnificent memoir that will delight and enchant readers across the country. A rollicking, rich self-portrait written by one of today's greatest living actors. The story of a young wastrel, incurably romantic, spoiled rotten - his privileged Montreal background, rich in Victorian gentility, included steam yachts, rare orchid farms, music lessons in Paris and Berlin - who tore himself away from the ski slopes to break into the big, bad world of theater not from the streets up but from an Edwardian living room down. Plummer writes of his early acting days - on radio and stage with William Shatner and other fellow Canadians; of the early days of the Stratford Festival in southern Ontario; of his Broadway debut at twenty-four in The Starcross Story, starring Eva Le Gallienne (It opened and closed in one night, but what a night ); of joining Peter Hall's Royal Shakespeare Company (its other members included Judi Dench, Vanessa Redgrave and Peter O'Toole); of his first picture, Stage Struck, directed by Sidney Lumet; and of The Sound of Music, which he affectionately dubbed S&M. He writes about his legendary colleagues: Dame Judith Anderson (the Tasmanian devil from Down Under); Sir Tyrone Guthrie; Sir Laurence Olivier; Elia Kazan (this chameleon of chameleons might change into you, wear your skin, steal your soul); and that reprobate Jason Robards, among many others. A revelation of the wild and exuberant ride that is the actor's - at least this actor's - life. From the Hardcover edition. …

Paperback. Zustand: Very Good. Canada's most celebrated and acclaimed actor lets loose in a magnificent memoir that will delight and enchant readers across the country. A rollicking, rich self-portrait written by one of today's greatest living actors. The story of a young wastrel, incurably romantic, spoiled rotten - his privileged Montreal background, rich in Victorian gentility, included steam yachts, rare orchid farms, music lessons in Paris and Berlin - who tore himself away from the ski slopes to break into the big, bad world of theater not from the streets up but from an Edwardian living room down. Plummer writes of his early acting days - on radio and stage with William Shatner and other fellow Canadians; of the early days of the Stratford Festival in southern Ontario; of his Broadway debut at twenty-four in The Starcross Story, starring Eva Le Gallienne (It opened and closed in one night, but what a night ); of joining Peter Hall's Royal Shakespeare Company (its other members included Judi Dench, Vanessa Redgrave and Peter O'Toole); of his first picture, Stage Struck, directed by Sidney Lumet; and of The Sound of Music, which he affectionately dubbed S&M. He writes about his legendary colleagues: Dame Judith Anderson (the Tasmanian devil from Down Under); Sir Tyrone Guthrie; Sir Laurence Olivier; Elia Kazan (this chameleon of chameleons might change into you, wear your skin, steal your soul); and that reprobate Jason Robards, among many others. A revelation of the wild and exuberant ride that is the actor's - at least this actor's - life. From the Hardcover edition.…

Paperback. Zustand: Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Zustand: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Paperback. Zustand: Fair. Illustrated. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Zustand: Good. A sound copy with only light wear. Overall a solid copy at a great price.

Hardcover. Zustand: Very Good. First Edition. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Zustand: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.