Constance lewallen (213 Ergebnisse)

Paperback. Zustand: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Good. Light cover wear else VG; 4to 11" - 13" tall.

Zustand: Good. 1st. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Zustand: Good. 1st. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Used - Very Good.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. University of California, Berkeley Art Museum and Pacific Film Archive, Published 1998. Paperback, 56 pp. plus [3] unnumbered pp.; 22 x 22 cm; MATRIX/Berkeley 177; designed by Nina Hubbs Zurier; 65 color and black-and-white photographs of the sculptures and installations; selected exhibitions, bibliography, and photo credits at rear. In Very Good condition. Glossy pictorial paper covers, the L.A. Louver installation of sixtyslippers wrapping front and rear, with mild shelf wear. Small printed label ("ART-ARCH/ Shelton60") at lower corner of rear cover. Binding tight. Light toning to page edges; faint residue of an erased pencil price at head of title page. Pages otherwise clean and unmarked. Catalogue for the touring exhibition of Shelton's sixtyslippers (1997), sixty cast iron cone-shaped forms 18 to 48 inches across hung by cables just above the floor, first shown at L.A. Louver in Venice, then at the Berkeley Art Museum (November 11, 1998 to February 28, 1999), the Madison Art Center, and the Contemporary Arts Museum, Houston. Baas's essay reads the piece against thirty years of Shelton's work, from the dream drawings and welding training in Troy, Ohio, through floatinghouseDEADMAN (1985-86), trunknutsWHITEHEADfloater, the thingsgetwet series shown at LACMA in 1994, bottlemuff, nightymonster, godspipes (the 188 fiberglass parts shown at the Irish Museum of Modern Art), and blackelephanthouse, then in progress at the Henry Moore Studio. Lewallen's interview, "The Sublime and the Sore Leg" (Malibu, August 20, 1998), covers the origin of the slipper form in lowcone (1983), the run-together titles, the stupa, and the ship-in-a-bottle shifts of scale. Shelton (b. 1951), a Pomona and UCLA graduate, later made the LAPD headquarters sculpture sixbeastsandtwomonkeys; his work is held by MoMA, the Smithsonian American Art Museum, LACMA, and the Walker Art Center.…

Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Hardcover without dustjacket as issued, 120 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

paperback. Zustand: Acceptable. May have underlining, highlighting, margin notes, remainder marks, inscriptions, book plates, tears, significant wear, and/or a missing dust jacket, box, or discs. Damaged item.

paperback. Zustand: Fine.

Hard cover. Zustand: Very good. No jacket. Cover and inside pages are clean and unmarked.

Hard cover. Zustand: Like new. No jacket. In original shrink wrap.

Hard cover. Zustand: Very good. No jacket. cover and inside pages are clean and unmarked.

Hardcover without dustjacket as issued, 282 pages; very good condition, light rubbing to covers; no internal marks. Foreign shipping may be extra.

paperback. Zustand: Fine. Still sealed in shrink.

Soft Cover. Zustand: Very good. No jacket. Edges and corners of cover are very lightly rubbed. Bottom of spine is bumped, but binding is tight. Inside is clean, bright, and unmarked.

Softcover. Zustand: Very Good-. Underlining and brief marginal writing on the first page of text. ; Approx. 8 1/2" by 8 1/2". Separate sheet with pricing attached in rear. ; 40 pages.

Brochure. Zustand: Very Good. Unmarked. Guide for February 29-June 17, 2012 exhibition. 5 illustrations. Essay by Constance Lewallen. 8-sided folded brochure. Each side measures 9x4 inches.

Soft cover. Zustand: Near Fine. 1st Edition. Clean, unmarked copy - no tears, creases, crimps or marks - inside or out.

Paperback. Zustand: Very Good. Unmarked. Exhibition catalog. Beautifully illustrated. Essays by Charles Desmarais, Constance M. Lewallen, Ron Meyer, and Rachel M. Teagle. 143p. Measures 9x11.5 inches. Paul Kos (b. 1942) is a conceptual artist and one of the founders of the Bay Area Conceptual Art movement in California.…

Zustand: As New. Unread book in perfect condition.

Zustand: As New. Unread copy in mint condition.

Zustand: New.

Zustand: New. Brand New.

hardcover. Zustand: As New. Used, hardcover like new. Sharp, square, clean, fresh & serviceable copy. No highlighting, or tears.

Hardback. Zustand: New. 500 Capp Street tells the story of David Ireland's house, a rundown Victorian in the Mission District of San Francisco that the artist transformed into an environmental artwork, taking the detritus of his restoration labors as well as objects left behind by previous owners and refashioning them into sculptures. Constance M. Lewallen begins by recounting the history of the house from 1886, when it was built, until Ireland acquired it in 1975. She then details Ireland's renovation and continuing engagement with the site that served simultaneously as his residence, studio, and evolving artwork; the house's influence on his own work and that of artists who followed him; and its relationship to other house museums. An introduction by Jock Reynolds, who was close to the artist for many years, chronicles the social scene that developed around 500 Capp Street in the 1980s. The book also includes a 1983 article on the house by renowned poet John Ashbery. Illustrated with a generous selection of photographs taken over the years by the artist and his many visitors, this is an invaluable and intimate record of Ireland's best-known work.500 Capp Street is essential reading for anyone interested in the artistic and cultural history of the San Francisco Bay Area and the California conceptual art movement.…

Paperback. Zustand: Fine. 1st. 143 pages, illustrations (some colour); 30 cm. Catalogue of a touring exhibition held at the University of California, Berkeley Art Museum and Pacific Film Archive, Berkeley, California and three other institutions between April 2, 2003 and August 22, 2004. Firm binding, clean inside copy. Profusely illustrated. *** "Born in 1942, Paul Kos has been a highly influential artist in the Bay Area for well over three decades. In the late 1960s and early 1970s he was one of the major figures on the early Conceptual art scene, notable especially for his early experimental video works and seemingly simple but technically innovative sculptural installations, which generally featured evocative audio or video components. He was one of the first to incorporate video into interactive installations. The artist's best-known work is arguably the sublime 'Chartres Bleu,' a 1986 video installation that re-creates in full scale a stained-glass window from the Chartres cathedral in France. Each of the 27 vertically stacked video monitors duplicates an individual leaded glass panel. The brightness of the images stimulates the light changes in a normal day, accelerated to 12 minutes. Depending on the light, the narrative scenes are clearly readable or, when brightly illuminated, dissolved into abstractness. Everything Matters, published on the occasion of an exhibition of Kos's work at the Berkeley Art Museum, is the first major volume on his work." - Publisher. *** CONTENTS: Paul Kos: an annotated chronology, by Constance M. Lewallen; Belief, by Charles Desmarais; Ice-as-ice is art-as-art, by Ron Meyers; Public art: "to make happy people sad and sad people happy", by Rachel M. Teagle. Size: 4to. Collectible.…