Daniel zamani (311 Ergebnisse)

Hardcover. Zustand: New. Hardcover. Publisher overstock, may contain remainder mark on edge.

Zustand: like_new. This book is in Like New condition. It is unused, but has a remainder mark on the edge of the pages. Otherwise it is a new book.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: New.

hardcover. Zustand: New. Brand New.

Zustand: As New. Unread book in perfect condition.

hardcover. Zustand: New. New item in gift quality condition. 99% of orders arrive in 4-10 days. Discounted shipping on multiple books.

Gebunden. Zustand: Neu. Neu -Als Quell von Licht und Wärme und damit als Ursprung des Lebens war die Sonne seit den frühesten dokumentierten Kulturen unmittelbarer Bezugspunkt religiöser und mythologischer Vorstellungen. Sie spielt als Zeichen oder Personifizierung göttlicher Mächte, als handlungstreibendes Element in mythologischen Erzählungen, als Stimmungsträger in Landschaftsgemälden und als Grundlage für die Intensivierung der Farbe in der Malerei der klassischen Moderne eine zentrale Rolle in der europäischen Kunst. Die Publikation widmet sich der Darstellung der Sonne von der Antike bis in die Gegenwart. Ausgehend von Claude Monets legendärem Gemälde Impression, Sonnenaufgang von 1872, das dem Impressionismus seinen Namen gab, wird die Ikonographie der Sonnendarstellung erstmals umfassend und anhand zahlreicher Beispiele eingehend untersucht. (Text englisch). 288 pp. Englisch.…

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

hardcover. Zustand: Fine.

Hardback. Zustand: New. Burst! Abstract Painting After 1945 looks at the close, but previously unexplored relationship between Abstract Expressionism and Art Informel. Through texts and close to 100 illustrations, the book describes a vital creative exchange across the Atlantic that would entirely redefine painting. Big, expansive, paint-splattered surfaces; spontaneous actions captured on canvas; new ideas of freedom. A story of post-war recovery and Transatlantic dialogue. On both sides of the ocean, society was reacting to the horrors of the Second World War, the Holocaust and the coming of the atom bomb. The book shows how artists searched for new ways to deal with these shattering events. With works by Jean Dubuffet, Natalia Dumitresco, Helen Frankenthaler, Asger Jorn, Lee Krasner, Jackson Pollock, Mark Rothko, Sam Francis, Joan Mitchell, Ernst Wilhelm Nay, Barnett Newman, Georges Mathieu, Hedda Sterne and Clyfford Still, and more.…

Zustand: As New. Unread copy in mint condition.

Zustand: New. Brand New.

hardcover. Zustand: as new. Zustand des Schutzumschlags: as new. 9 x 5/8 x 12" 320 pages. Shipping will be extra for this large and heavy book, please inquire. Staatsgalerie Stuttgart and the Museum Barberini, Potsdam Exhibition. Catalog by Ortrud Westheider with Christiane Lange, Nathalie Lachmann, and Jens-Henning Ullner. with contributions by Flavio Fergonzi, Cecile Girardeau, Carolin Heinemann, Peter Kropmanns, Nathalie Lachmann, Crhistiane Lange, Victoria Noel-Johnson, Beate Sontgen, Jens-Henning Ullnber, Ortrud Westheider. …

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Hardback or Cased Book. Zustand: New. Poetry of Light: Richard Pousette-Dart. Book.

Zustand: New.

Hardcover. Zustand: new. Hardcover. This lavishly illustrated exhibition catalog features 70 career-spanning works by the French avant-garde painter, one of the 20th century's great colorists and a major proponent of Fauvism. After his participation at the Paris Salon d'Automne of 1905, Maurice de Vlaminck (18761958) quickly established himself as a leading figure of the French avant-garde. More than any other member of the Fauves, he keenly identified with the attribute of wildness and early on propagated the image of a modern artist rebel who resolutely turned his back on the rules of academic painting. His central source of inspiration was the oeuvre of Vincent van Gogh, whose works Vlaminck studied at the large solo exhibition which took place at the Bernheim-Jeune Gallery in 1901. Van Gogh's training as an autodidact as well as his burgeoning myth as an artist genius and social outsider strengthened this identification, which would remain key throughout Vlaminck's later career. This catalog provides a wide- ranging overview of the painter's entire oeuvre: from the first compositions he executed at the beginning of the 20th century, through the experiments with Cubism that were inspired by Cezanne and Picasso, to some of his very last landscapes. Throughout, the book recalls Vlaminck's vital contribution to the development of 20th-century painting, notably his role as one of the most important precursors of Expressionism. AUTHORS: Roland Monig is Director of the Von der Heydt-Museum in Wuppertal, Germany. Michael Philipp is chief curator of the Museum Barberini in Potsdam, Germany. Anna Storm is Deputy Director of the Von der Heydt- Museum in Wuppertal. Ortrud Westheider is director of the Museum Barberini in Potsdam. Daniel Zamani is curator at the Museum Barberini in Potsdam. 200 illustrations Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Zustand: New.

Hardcover. Zustand: new. Hardcover. This stunning exhibition catalog celebrates Max Liebermann, the pioneering figure of German Impressionism, whose own painting and artistic leadership transformed the nation's cultural landscape. As a groundbreaking painter and head of the Berlin Secession, Max Liebermann championed modernism and introduced French Impressionism to the German Empire. His influence reached far beyond Berlin, sparking a diverse movement that flourished in cities such as Dresden, Stuttgart, Karlsruhe, and Munich. Focusing on Liebermann's life and legacy, the catalog also examines his achievements as a collector and advocate for the avant-garde. It showcases his celebrated masterpieces alongside works by prominent peers such as Max Slevogt and Lovis Corinth, as well as contributions from more underappreciated figures including Gotthardt Kuehl, Maria Slavona, Lesser Ury, and Fritz von Uhde. With numerous chapter introductions and five longer research essays, the book offers a wide-ranging perspective, including topics such as the artistic exchange between France and Germany; the role of Jewish patrons in fostering Germany's embrace of French art; and the challenges Liebermann faced during the rise of the Nazi regime. Lavishly illustrated and expertly curated, this catalog provides an essential study of Max Liebermann as the central figure of German Impressionism while situating his work within the broader artistic and historical contexts of the late nineteenth and early twentieth centuries. AUTHORS: Ortrud Westheider is director of the Museum Barberini in Potsdam, Germany. Michael Philipp is chief curator of the Museum Barberini in Potsdam, Germany. Nerina Santorius is Curator and Head of Impressionism at the Museum Barberini, Potsdam, Germany. Daniel Zamani is Artistic Director at the Museum Frieder Burda in Baden-Baden, Germany. SELLING POINTS: . PERFECT FOR Lovers of Impressionism and the art & time around 1900. . TOPIC: This publication focuses on the art and lives of German Impressionists, known as well as unknown, and there is still much to discover. . WRITING/STYLE/STRUCTURE: Texts by the relevant experts on the subject and internationally renowned art and cultural historians. Well-founded and captivating. . AUTHOR: INTERNATIONALLY RENOWNED AUTHORS, known for the Barberini catalogs. . PACKAGE: Outstanding reproductions in a generous, classic layout. 200 colour illustrations Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Zustand: As New. Unread book in perfect condition.

Hardback or Cased Book. Zustand: New. Avant-Garde: Max Liebermann and Impressionism in Germany. Book.

Zustand: New.

Hardcover. Zustand: new. Hardcover. Published in conjunction with the 150th anniversary of Monet's 1872 painting, Sunrise, this unique and illuminating exhibition catalog reaches throughout history to explore how artist have incorporated the sun as a reference point and as inspiration in their art. For as long as humans have been making art, they have turned to the sun as the source of light, warmth and life itself. It appears as a symbol of limitless power, as the personification of gods and of Christ, and as a harbinger of change. Artists have also used the sun as a means of exploring light and color and as an entree into discussions about climate. The first of its kind, this catalog investigates visual representations of the sun from antiquity to the present day. It is divided into seven roughly chronological sections that look at both epoch-spanning and period specific examples, including symbolic, allegorical representations, the iconography of mythological subjects, and mimetic qualities such as typology, phenomenology, and emotional effect. It includes more than two hundred stunning reproductions of well- and lesser-known works. Incisive and enlightening texts explore how solar symbolism figured in pre-Christian objects through 17th-century depictions of the "Sun King" Louix XIV; how artists such as Rubens and Monet employed the sun in their narrative paintings; how the Impressionists first investigated the sun's effects on a landscape; how Neo-Impressionist such as Seurat experimented with color based on the Newtonian analysis of the solar spectrum; and how 20th-century artists incorporated a broad array of abstract, surrealistic, and transformative modes of solar representation into a variety of media. AUTHORS: Ortrud Westheider is Director of the Museum Barberini in Potsdam, Germany. Michael Philipp is Chief Curator of the Museum Barberini in Potsdam, Germany. Daniel Zamani is Curator of the Museum Barberini in Potsdam, Germany. 200 colour illustrations Published in conjunction with the 150th anniversary of Monets 1872 painting, Sunrise, this unique and illuminating exhibition catalog reaches throughout history to explore how artist have incorporated the sun as a reference point and as inspiration in their art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

dj. First Edition. First edition and first printing. Hardcover. 280 pages. Features text contributions by Monika Faber, Dominque de Font-Reaulx, Matthias Kruger, Miriam Leimer, Ulrich Pohlmann, Christine Rottmeier-Kess, Esther Ruelfs, Bernd Steigler, and Daniel Zamani. Includes numerous color and black and white illustrations. A tight near fine copy in a near fine dust jacket.…

Zustand: As New. Unread book in perfect condition.

Zustand: As New. Unread book in perfect condition.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st. 280 pages : illustrations (chiefly colour); 31 cm. English Edition. Translated from the German. Contributions by Monika Faber, et al. Firm binding, clean inside copy. OVERSIZE! No priority/international, except by special arrangement. A massive coffee-table book. Richly illustrated with colour plates. *** "In the 19th century, numerous photographers chose the same motifs as Impressionist painters: the forest of Fontainebleau, the cliffs of Etretat or the modern metropolis of Paris. They, too, studied the changing light, seasons and weather conditions. From its inception, photographers pursued artistic ambitions, as evidenced by their experimentation with composition and perspective, by means of various technical procedures. Until the First World War, the relationship between photography and painting was characterized both by competition and mutual influence. The exhibition and catalogue examine these interactions and illuminate the development of the new medium from the 1850s to its establishment as an autonomous art form around 1900" - Publisher. Size: Folio. Collectible. …