Dimendberg edward (253 Ergebnisse)

Zustand: acceptable. This copy has clearly been enjoyedâ"expect noticeable shelf wear and some minor creases to the cover. Binding is strong, and all pages are legible. May contain previous library markings or stamps.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Zustand: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Zustand: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

paperback. Zustand: Good. First Edition. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

hardcover. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: New. 273pp. Photos. Size: 8vo - over 7¾" - 9¾".

paperback. Zustand: Near Fine. Condition Notes: Excellent, unmarked copy with little wear and tight binding. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Soft cover. Zustand: Very Good. 1st Edition. Some underlining.

paperback. Zustand: Good. Good Condition. May have shelf wear. Email Notification. Satisfaction Guaranteed.

Zustand: good. This book is in good condition. The cover has minor creases or bends. The binding is tight and pages are intact. Some pages may have writing or highlighting.

Soft cover. Zustand: Fine. 1st Edition. 2013 4th paperback printing in fine condition.

Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

paperback. Zustand: Near Fine. DETAILS: PAPERBACK, attractive copy, near fine. DIMENDBERG, EDWARD. Film noir and the spaces of modernity. Cambridge, Mass: Harvard University Press, 2004, x, 327pp., . Exploring classic examples of film noir such as 'The Asphalt Jungle', 'Double Indemnity' and 'Kiss Me Deadly', alongside many lesser-known works, Dimendberg masterfully interweaves film history and urban history while perceptively analyzing works by Raymond Chandler, Edward Hopper and Siegfried Kracauer. - CONTENTS: Naked cities -- Centripetal space -- Walking cures -- Centrifugal space -- Simultaneity, the media environment, and the end of film noir. 9780674013469 ISBN 0674013468 19.00.…

Trade Paperback. Zustand: Used - Very Good. The notion of utopia exists in every culture, capturing shared dreams and common goals. This book--prepared to accompany the exhibition 'Expressionist Utopias 'mounted at the Los Angeles County Museum in 1993--explores how the optimistic themes of utopia and fantasy sustained faith among artists and architects in the power of art to shape a better world during the tumultuous World War I era in Germany. The exhibition's curator, Timothy O. Benson along with David Frisby, Reinhold Heller, Anton Kaes, Wolf Prix, and Iain Boyd White present the diverse manifestations of the utopia metaphor in its progression throughout Expressionism from Arcadian to manmade utopias. This work includes a new essay and an interview by Edward Dimenberg with Wolf Prix on the spectacular installation created for the exhibition by the Viennese architectural firm Coop Himmelblau. Conveys the dreams and disappointments of German artists, architects, and intellectuals from World War I through the social and economic chaos of the Weimar Republic. Very nice clean, tight copy free of any marks.…

paperback. Zustand: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.

Paperback. Zustand: Very Good+. Text clean and tight; NOTE: additional postage may be necessary for international shipping; Weimar And Now: German Cultural Criticism; 8vo 8" - 9" tall; 323 pages.

paperback. Zustand: Very Good. Very Good. Used with some reading wear but is still in great reading condition. No markings in text.

Paperback. Zustand: Very Good. Hayden White borrows the title for The Practical Past from philosopher Michael Oakeshott, who used the term to describe the accessible material and literary-artistic artifacts that individuals and institutions draw on for guidance in quotidian affairs. The Practical Past, then, forms both a summa of White's work to be drawn upon and a new direction in his thinking about the writing of history.White's monumental Metahistory: The Historical Imagination in Nineteenth-Century Europe (1973) challenged many of the commonplaces of professional historical writing and wider assumptions about the ontology of history itself. It formed the basis of his argument that we can never recover ""what actually happened""in the past and cannot really access even material culture in context. Forty years on, White sees ""professional history"" as falling prey to narrow specialization, and he calls upon historians to take seriously the practical past of explicitly ""artistic"" works, such as novels and dramas, and literary theorists likewise to engage historians.…

Soft cover. Zustand: New. New Softcover book. Ships NEXT DAY (m-f) We provides tracking, guarantee and we give you the same customer service we would expect when "we" place an order. We strive to be your go to book supplier.

Soft Cover. Zustand: Very Good. 263pp. Trade paperback, VG, index, works cited, chapter notes, THE POWERS OF THE FALSE : Reading, Writing, Thinking Beyond Truth and Fiction.

Paperback. Zustand: Very Good. Book in Very Good condition.

Trade Paperback. Zustand: Very Good. 272pp. Trade paperback, VG, index, works cited, chapter notes, "The Object of the Atlantic is a wide-ranging study of the transition from a concern with sovereignty to a concern with things in Iberian Atlantic literature and art produced between 1868 and 1968. Rachel Price uncovers the surprising ways that concrete aesthetics from Cuba, Brazil, and Spain drew not only on global forms of constructivism but also on a history of empire, slavery, and media technologies from the Atlantic world". …

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Very Good. Hayden White borrows the title for The Practical Past from philosopher Michael Oakeshott, who used the term to describe the accessible material and literary-artistic artifacts that individuals and institutions draw on for guidance in quotidian affairs. The Practical Past, then, forms both a summa of White's work to be drawn upon and a new direction in his thinking about the writing of history.White's monumental Metahistory: The Historical Imagination in Nineteenth-Century Europe (1973) challenged many of the commonplaces of professional historical writing and wider assumptions about the ontology of history itself. It formed the basis of his argument that we can never recover ""what actually happened""in the past and cannot really access even material culture in context. Forty years on, White sees ""professional history"" as falling prey to narrow specialization, and he calls upon historians to take seriously the practical past of explicitly ""artistic"" works, such as novels and dramas, and literary theorists likewise to engage historians.…

Paperback. 33p., 9x12 inches; wraps, still in publisher's shrinkwrap, as New.

Paperback. Zustand: New. STILL IN SHRINK WRAP.