dipti khera (36 Ergebnisse)

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Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover. Zustand: As New. Zustand des Schutzumschlags: As New. Still shrinkwrapped; NOTE: additional postage may be necessary for international shipping; 8vo 8" - 9" tall; 232 pages.

Illustrated with photographs in colour and black and white. 27 cm. 196 pages VG/VG. Very good book in very good dust jacket with light shelf wear.

Zustand: New. pp. 224.

Hardcover volume, measuring approximately 8.5" x 11", is new, still in shrinkwrap.

Zustand: New. pp. 224.

Soft cover. Zustand: New. Readings on Painting, a double issue and the last in the archival series, commemorating Marg having completed its 75th year in publication, lays out the integral role that the magazine played?and continues to play?in the shaping of South Asia's national and regional imaginaries. It maps this long and trail-blazing journey?from early preoccupations with the political, religious and cultural origins of style to more recent studies of paintings as registers of emotion, wonder, knowledge and the art market. Although painting has often been perceived as the sole purview of manuscripts and elite male spheres, the volume expands its remit to include murals, textiles, scrolls and standalone works on paper, many produced for broad consumption and many created by women. Guest edited by Dipti Khera and Yael Rice, this volume provides an overview of the key debates and methods that have shaped the study of Indian painting over the last 75 years.

Zustand: New. pp. 224.

Zustand: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Hardcover. Zustand: new. Hardcover. A look at the painting traditions of northwestern India in the eighteenth century, and what they reveal about the political and artistic changes of the eraIn the long eighteenth century, artists from Udaipur, a city of lakes in northwestern India, specialized in depicting the vivid sensory ambience of its historic palaces, reservoirs, temples, bazaars, and durbars. As Mughal imperial authority weakened by the late 1600s and the British colonial economy became paramount by the 1830s, new patrons and mobile professionals reshaped urban cultures and artistic genres across early modern India. The Place of Many Moods explores how Udaipur's artworks-monumental court paintings, royal portraits, Jain letter scrolls, devotional manuscripts, cartographic artifacts, and architectural drawings-represent the period's major aesthetic, intellectual, and political shifts. Dipti Khera shows that these immersive objects powerfully convey the bhava-the feel, emotion, and mood-of specific places, revealing visions of pleasure, plenitude, and praise. These memorialized moods confront the ways colonial histories have recounted Oriental decadence, shaping how a culture and time are perceived.Illuminating the close relationship between painting and poetry, and the ties among art, architecture, literature, politics, ecology, trade, and religion, Khera examines how Udaipur's painters aesthetically enticed audiences of courtly connoisseurs, itinerant monks, and mercantile collectives to forge bonds of belonging to real locales in the present and to long for idealized futures. Their pioneering pictures sought to stir such emotions as love, awe, abundance, and wonder, emphasizing the senses, spaces, and sociability essential to the efficacy of objects and expressions of territoriality.The Place of Many Moods uncovers an influential creative legacy of evocative beauty that raises broader questions about how emotions and artifacts operate in constituting history and subjectivity, politics and place. A look at the painting traditions of northwestern India in the eighteenth century, and what they reveal about the political and artistic changes of the eraIn the long eighteenth century, artists from Udaipur, a city of lakes in northwestern India, specialized in depicting the vivid sensory ambience of its historic palaces, reservoirs, temples, Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

Hardback. Zustand: New. A look at the painting traditions of northwestern India in the eighteenth century, and what they reveal about the political and artistic changes of the eraIn the long eighteenth century, artists from Udaipur, a city of lakes in northwestern India, specialized in depicting the vivid sensory ambience of its historic palaces, reservoirs, temples, bazaars, and durbars. As Mughal imperial authority weakened by the late 1600s and the British colonial economy became paramount by the 1830s, new patrons and mobile professionals reshaped urban cultures and artistic genres across early modern India. The Place of Many Moods explores how Udaipur's artworks-monumental court paintings, royal portraits, Jain letter scrolls, devotional manuscripts, cartographic artifacts, and architectural drawings-represent the period's major aesthetic, intellectual, and political shifts. Dipti Khera shows that these immersive objects powerfully convey the bhava-the feel, emotion, and mood-of specific places, revealing visions of pleasure, plenitude, and praise. These memorialized moods confront the ways colonial histories have recounted Oriental decadence, shaping how a culture and time are perceived.Illuminating the close relationship between painting and poetry, and the ties among art, architecture, literature, politics, ecology, trade, and religion, Khera examines how Udaipur's painters aesthetically enticed audiences of courtly connoisseurs, itinerant monks, and mercantile collectives to forge bonds of belonging to real locales in the present and to long for idealized futures. Their pioneering pictures sought to stir such emotions as love, awe, abundance, and wonder, emphasizing the senses, spaces, and sociability essential to the efficacy of objects and expressions of territoriality.The Place of Many Moods uncovers an influential creative legacy of evocative beauty that raises broader questions about how emotions and artifacts operate in constituting history and subjectivity, politics and place.

Hardcover. Zustand: VG+/VG+. Hardcover with orange cloth wrap and color glossy printed dustjacket. 399 pages : illustrations (chiefly color), color maps This item is still in the original unopened plastic wrap. Around 1700, artists in Udaipur began creating large, immersive paintings to convey the mood of the city's palaces, lakes, and mountains. A Splendid Land explores how painters depicted places, mapped terrains, celebrated water resources, and triggered memories to foster political and personal attachments to land. With dazzling works made over a period of two hundred years that extends from Mughal to colonial India, and by drawing upon previously untranslated sources and engaging with the history of the senses, this publication opens early modern art history to new interpretative possibilities, while revealing the visual logic and beauty of Udaipur paintings. Foreword by the City Palace Museum / Shriji Arvind Singh Mewar -- Foreword by the National Museum of Asian Art / Chase F. Robinson -- Essays. -- A splendid land / Debra Diamond and Dipti Khera -- Mannered Moods: sound and sense in Mewar painting and poetry / Richard David Williams -- Cultural landscapes and the creation of mood / Debra Diamond and Dipti Khera -- Conserving the City Palace Museum Complex at Udaipur / Shikha Jain -- Catalogue entries: From ideal to encountered worlds. -- In the beginning. Udaipur painting in the seventeenth century / Catherine Glynn -- Unscrolling the history of Mewar Kings / Cynthia Talbot -- The architecture of ambience in the eighteenth century / Dipti Khera -- Catalogue entries: Moods of place. -- Lake Pichola and the Aravalli mountains / Dipti Khera -- Lake palaces and pleasure / Dipti Khera -- Inside the City Palace / Dipti Khera -- Celebrations in the Manek Chowk -- Debra Diamond -- Moods of the Kacheri Mahal / Shailka Mishra -- Beyond the palace gates / Dipti Khera -- "The mood of Nahar Magra" / Debra Diamond -- Immersive Terrains: Tikhliya Magra and Ubeshwari / Debra Diamond -- Catalogue entries: Social networks. -- The moods of diplomacy / Dipti Khera -- "The pleasures of Sirdar Singh" / Dipti Khera -- Social terrains: Devali and Sobhagpur / Debra Diamond -- Mapping royal weddings / Debra Diamond -- Catalogue entries: Moods of devotion. -- Heaven on earth / Debra Diamond -- "The mood of Shri Eklingji" / Dipti Khera -- Krishna in Kankroli / Shailka Mishra -- Navratri celebrations outside the city / Shailka Mishra and Emma N. Stein -- Blind poet, divine sight / John Stratton Hawley -- The mood of desire / Molly Emma Aitken -- Cosmos and the lake city / Caroline Widmer -- Catalogue entries: Time and mood. -- Monsoon moods / Dipti Khera -- Monsoon imaginaries / Debra Diamond -- Monsoon terrains / Debra Diamond -- Springtime celebrations / Debra Diamond and Dipti Khera -- The duration of ambience / Debra Diamond -- Traveling light: photographs from Udaipur / Robin Owen Joyce -- Back matter. -- Behind the frame: conservation at the City Palace Museum / Anuja Mukherjee, Bhasha Shah, P.M. Vasundhara, Saloni Ghuwalewala, and S. Girikumar.

Zustand: New. Brand New. Soft Cover International Edition. Different ISBN and Cover Image. Priced lower than the standard editions which is usually intended to make them more affordable for students abroad. The core content of the book is generally the same as the standard edition. The country selling restrictions may be printed on the book but is no problem for the self-use. This Item maybe shipped from US or any other country as we have multiple locations worldwide.

Zustand: New. pp. 232.

Zustand: New. pp. 232.

Zustand: New. 2020. Hardcover. . . . . .

Hardcover. Zustand: new. Hardcover. How and why did painters centre sensory experience, enchanting emotions, and cultural landscapes in South Asia? A Splendid Land is the first exhibition to address this question through dazzling paintings made over a period of two hundred years, spanning from Mughal to colonial India, that have never been published or exhibited in the United States. Around 1700, artists in Udaipur began creating large, immersive paintings to convey the mood (bhava) of the city's palaces, lakes, and mountains. A Splendid Land explores how painters depicted places, mapped terrains, and triggered memories to foster political and personal attachments to land. By examining social networks, ecological relations, and pleasurable pursuits, and by drawing upon previously untranslated sources and engaging with the history of the senses, A Splendid Land opens early modern art history to new interpretative possibilities. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Zustand: new.

Hardback. Zustand: New. A look at the painting traditions of northwestern India in the eighteenth century, and what they reveal about the political and artistic changes of the eraIn the long eighteenth century, artists from Udaipur, a city of lakes in northwestern India, specialized in depicting the vivid sensory ambience of its historic palaces, reservoirs, temples, bazaars, and durbars. As Mughal imperial authority weakened by the late 1600s and the British colonial economy became paramount by the 1830s, new patrons and mobile professionals reshaped urban cultures and artistic genres across early modern India. The Place of Many Moods explores how Udaipur's artworks-monumental court paintings, royal portraits, Jain letter scrolls, devotional manuscripts, cartographic artifacts, and architectural drawings-represent the period's major aesthetic, intellectual, and political shifts. Dipti Khera shows that these immersive objects powerfully convey the bhava-the feel, emotion, and mood-of specific places, revealing visions of pleasure, plenitude, and praise. These memorialized moods confront the ways colonial histories have recounted Oriental decadence, shaping how a culture and time are perceived.Illuminating the close relationship between painting and poetry, and the ties among art, architecture, literature, politics, ecology, trade, and religion, Khera examines how Udaipur's painters aesthetically enticed audiences of courtly connoisseurs, itinerant monks, and mercantile collectives to forge bonds of belonging to real locales in the present and to long for idealized futures. Their pioneering pictures sought to stir such emotions as love, awe, abundance, and wonder, emphasizing the senses, spaces, and sociability essential to the efficacy of objects and expressions of territoriality.The Place of Many Moods uncovers an influential creative legacy of evocative beauty that raises broader questions about how emotions and artifacts operate in constituting history and subjectivity, politics and place.

Zustand: New. pp. 232.

Zustand: New. 2020. Hardcover. . . . . . Books ship from the US and Ireland.

Hardback. Zustand: New. New copy - Usually dispatched within 4 working days.

Hardcover. Zustand: Brand New. 218 pages. 10.58x8.25x1.00 inches. In Stock.

Hardcover. Zustand: new. Hardcover. A look at the painting traditions of northwestern India in the eighteenth century, and what they reveal about the political and artistic changes of the eraIn the long eighteenth century, artists from Udaipur, a city of lakes in northwestern India, specialized in depicting the vivid sensory ambience of its historic palaces, reservoirs, temples, bazaars, and durbars. As Mughal imperial authority weakened by the late 1600s and the British colonial economy became paramount by the 1830s, new patrons and mobile professionals reshaped urban cultures and artistic genres across early modern India. The Place of Many Moods explores how Udaipur's artworks-monumental court paintings, royal portraits, Jain letter scrolls, devotional manuscripts, cartographic artifacts, and architectural drawings-represent the period's major aesthetic, intellectual, and political shifts. Dipti Khera shows that these immersive objects powerfully convey the bhava-the feel, emotion, and mood-of specific places, revealing visions of pleasure, plenitude, and praise. These memorialized moods confront the ways colonial histories have recounted Oriental decadence, shaping how a culture and time are perceived.Illuminating the close relationship between painting and poetry, and the ties among art, architecture, literature, politics, ecology, trade, and religion, Khera examines how Udaipur's painters aesthetically enticed audiences of courtly connoisseurs, itinerant monks, and mercantile collectives to forge bonds of belonging to real locales in the present and to long for idealized futures. Their pioneering pictures sought to stir such emotions as love, awe, abundance, and wonder, emphasizing the senses, spaces, and sociability essential to the efficacy of objects and expressions of territoriality.The Place of Many Moods uncovers an influential creative legacy of evocative beauty that raises broader questions about how emotions and artifacts operate in constituting history and subjectivity, politics and place. A look at the painting traditions of northwestern India in the eighteenth century, and what they reveal about the political and artistic changes of the eraIn the long eighteenth century, artists from Udaipur, a city of lakes in northwestern India, specialized in depicting the vivid sensory ambience of its historic palaces, reservoirs, temples, Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardcover. Zustand: new. Hardcover. How and why did painters centre sensory experience, enchanting emotions, and cultural landscapes in South Asia? A Splendid Land is the first exhibition to address this question through dazzling paintings made over a period of two hundred years, spanning from Mughal to colonial India, that have never been published or exhibited in the United States. Around 1700, artists in Udaipur began creating large, immersive paintings to convey the mood (bhava) of the city's palaces, lakes, and mountains. A Splendid Land explores how painters depicted places, mapped terrains, and triggered memories to foster political and personal attachments to land. By examining social networks, ecological relations, and pleasurable pursuits, and by drawing upon previously untranslated sources and engaging with the history of the senses, A Splendid Land opens early modern art history to new interpretative possibilities. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardcover. Zustand: new. Hardcover. A look at the painting traditions of northwestern India in the eighteenth century, and what they reveal about the political and artistic changes of the eraIn the long eighteenth century, artists from Udaipur, a city of lakes in northwestern India, specialized in depicting the vivid sensory ambience of its historic palaces, reservoirs, temples, bazaars, and durbars. As Mughal imperial authority weakened by the late 1600s and the British colonial economy became paramount by the 1830s, new patrons and mobile professionals reshaped urban cultures and artistic genres across early modern India. The Place of Many Moods explores how Udaipur's artworks-monumental court paintings, royal portraits, Jain letter scrolls, devotional manuscripts, cartographic artifacts, and architectural drawings-represent the period's major aesthetic, intellectual, and political shifts. Dipti Khera shows that these immersive objects powerfully convey the bhava-the feel, emotion, and mood-of specific places, revealing visions of pleasure, plenitude, and praise. These memorialized moods confront the ways colonial histories have recounted Oriental decadence, shaping how a culture and time are perceived.Illuminating the close relationship between painting and poetry, and the ties among art, architecture, literature, politics, ecology, trade, and religion, Khera examines how Udaipur's painters aesthetically enticed audiences of courtly connoisseurs, itinerant monks, and mercantile collectives to forge bonds of belonging to real locales in the present and to long for idealized futures. Their pioneering pictures sought to stir such emotions as love, awe, abundance, and wonder, emphasizing the senses, spaces, and sociability essential to the efficacy of objects and expressions of territoriality.The Place of Many Moods uncovers an influential creative legacy of evocative beauty that raises broader questions about how emotions and artifacts operate in constituting history and subjectivity, politics and place. A look at the painting traditions of northwestern India in the eighteenth century, and what they reveal about the political and artistic changes of the eraIn the long eighteenth century, artists from Udaipur, a city of lakes in northwestern India, specialized in depicting the vivid sensory ambience of its historic palaces, reservoirs, temples, Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.