gauvin bailey (200 Ergebnisse)

Zustand: Very Good. A bright, square, and overall a nice copy.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Zustand: Near Fine. No Jacket. Reprint. B/W Illustrations, 16 Page Introduction.

Broschiert. Zustand: Gut. 200 Seiten Das Buch befindet sich in einem gut erhaltenen Zustand. In ENGLISCHER und DEUTSCHER Sprache. Sprache: Englisch Gewicht in Gramm: 405.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: good. Book is considered to be in good or better condition. The actual cover image may not match the stock photo. Hard cover books may show signs of wear on the spine, cover or dust jacket. Paperback book may show signs of wear on spine or cover as well as having a slight bend, curve or creasing to it. Book should have minimal to no writing inside and no highlighting. Pages should be free of tears or creasing. Stickers should not be present on cover or elsewhere, and any CD or DVD expected with the book is included. Book is not a former library copy.

Paperback. Zustand: Used-Very Good. Pap. Minor shelf wear. Else a bright, clean copy.

viii, 264 pages. Paperback: H 27.75cm x L 21.75cm. Paper covers rubbed with minor bumping/scuffing at edges. Past owner's personal blind-stamp at title page's lower right; interior leaves are otherwise clean. Binding is firm. Published in conjunction with an exhibition held at the Worcester Art Museum from April 3 to September 25, 2005. With Director's Foreword, President's Letter, b/w and color illustrations, and Index. Primary text sections: "Response to the plague in early modern Italy: what the primary sources, printed and painted, reveal" by Franco Mormando; "Plague art in early modern Rome: divine directives and temporal remedies" by Sheila C. Barker; "San Carlo Borromeo and plague imagery in Milan and Rome" by Pamela M. Jones; "Art and plague at Naples" by James Clifton; "Anthony van Dyck, the cult of Saint Rosalie, and the 1624 plague in Palermo" by Gauvin Alexander Bailey; "Combating the plague: devotional paintings, architectural programs, and votive processions in early modern Venice" by Andrew Hopkins; "Saint Roch vs. plague, famine, and fear" by Thomas Worcester; "Catalogue of the exhibition" by Gauvin Alexander Bailey and Pamela M. Jones. ISBN 0936042052.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: As New. 1st Edition. Looks Brand New EXCEPT FOR THE FRONT END PAGE CUT/REMOVED AND FOR TWO EX-LIBRARY MARKING STAMPS ON THE TITLE PAGE AND THE BACK END PAGE, NO LIBRARY STICKERS ON THE DUST JACKET, pages clean and crisp, covers clean, no highlighting or underlining. 100% Satisfaction guaranteed or your money back. Thank you for your interest. We ship the same day or the next business day. L16.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Edge wear to DJ.

Soft cover. Zustand: New. 1st Edition. Stiff color illus. wraps. Brand new, unopened in original publisher's shrinkwrap. Size: 4to - over 9¾" - 12" tall. Book.

Zustand: good. Used - Good: A book that has been read but is in good condition. Very minimal damage to the cover including scuff marks, but no holes or tears. The dust jacket for hard covers may not be included. Binding has minimal wear. The majority of pages are undamaged with minimal creasing or tearing, minimal pencil underlining of text, no highlighting of text, no writing in margins. No missing pages.

Soft cover. Zustand: Good. No Jacket. Written by renowned art historian Gauvin Alexander Bailey, this volume (published as part of the Freer Gallery's Occasional Papers series, Vol. 2) reconstructs the visual dialogue that occurred when Jesuit missionaries arrived at the courts of Emperors Akbar and Jahangir. Bailey argues that the Mughal interest in Renaissance art was not merely passive curiosity, but an active political and aesthetic appropriation. The text explores how Mughal artists adapted European techniques--such as perspective, modeling, and Christian iconography (particularly of the Virgin Mary and Christ)--to serve their own imperial propaganda and Indo-Persian aesthetic traditions. Richly documented and scholarly, this work is an essential reference for students of Mughal painting, Jesuit history, and early modern cross-cultural exchange. Condition is good with clean, unmarked pages, and uncreased spine. Slight discoloration on back cover from original price sticker (see second image).

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. 53p., b&w reproductions throughout, nicely done, softbound in 11x6.5 inch lime-green wraps, a clean sound unmarked copy. India was at this time "the wealthiest Muslim nation on earth" and artists could be hired by the gross. Massive Jesuit building projects "required legions of artists.When European travelers entered the palaces and tombs of the Mughal emperors of India between 1580 and 1630, they were astonished to find the walls covered with Italian Renaissance-style murals depicting Christ.".

Soft cover. Zustand: Very Good. Very Good condition Softcover quarto, Volume 2 with numerous b/w illustrations, Notes and Bibliography, 53 pages. Freer Gallery of Art Arthur M. Sackler Gallery. The exception to the condition is general shelf wear to wrappers. Protected and sealed in an archival bag.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine Dust Jacket. First Edition. 4to. 368 pp. We specialize in fine books in collectible condition. Orders are professionally packaged and shipped promptly. P12.

hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition. O'Malley, John W.; Bailey, Gauvin Alexander; Harris, Steven J.; Kennedy, T. Frank [Editors] : The Jesuits: Cultures, Sciences, and the Arts, 1540-1773. Toronto : University of Toronto Press, 1999. First edition/First impression. Size is octavo (8vo), 9.25"/23.3 cm h. Bound in publisher's black cloth, gilt lettering to spine. Glossy color pictorial dj. Plain peach endpapers. [I-v], vi-xx pp prelim material,[1-3], 4-772 numbered pp; b&w illus throughout. Contributors, intro, abbrev; 32 chaps in six parts, plus Reflections: What Have We Learned?; index. Notes to end of each entry. Condition notes: a very good, unmarked first edition: light wear and toning to dustjacket, with a touch of curling to edges; slight sun-fading to head of boards, slight outward bow to front board; very light soiling to edges; a 3mm light stain to front endpaper hinge. Else clean. We personally inspect every book we offer.

Paperback. Zustand: Brand New. bilingual edition. 200 pages. German language. 8.25x5.00x0.75 inches. In Stock.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Text clean and tight; NOTE: additional postage may be necessary for international shipping; 8vo 8" - 9" tall; 872 pages.

Paperback. Zustand: New. Über der kleinen haitianischen Stadt Milot thront noch heute eines der mysteriösesten Gebäude in der westlichen Hemisphäre: König Henry Christophes opulenter klassizistischer Palast im Regenwald. Weniger als ein Jahrzehnt nach der haitianischen Unabhängigkeit ( 8 4) von Amerikas erstem schwarzafrikanischen König begonnen, wurde dieses massive Monument errichtet, um Haitis Macht und Selbstbewusstsein in einer feindseligen Welt aus übergriffigen Monarchien zur Schau zu stellen. Trotz seines Status als UNESCO-Welterbe und Touristenattraktion war das außergewöhnliche Gebäude nie zuvor Gegenstand einer konzentrierten wissenschaftlichen Studie. Auf Grundlage unveröffentlichter Archivquellen und einer exakten fotografischen Dokumentation wird in diesem Band erstmals Genaueres über die Entstehungsgeschichte und die Erbauer dieser außergewöhnlichen Architektur veröffentlicht. Das Buch entstand im Rahmen der Panofsky-Professur am Zentralinstitut für Kunstgeschichte München, die Gauvin Alexander Bailey im Jahr 2 7 innehatte.

paperback. Zustand: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: As New.

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 2. The Andean Hybrid Baroque is the first comprehensive study of the architecture and architectural sculpture of Southern Peru in the late colonial period (1660s-1820s), an enduring and polemical subject in Latin American art history. In the southern Andes during the last century and a half of colonial rule, when the Spanish crown was losing its grip on the Americas and Amerindian groups began organizing into activist and increasingly violent political movements, a style of architectural sculpture emerged that remains one of the most vigorous and creative outcomes of the meeting of two cultures. The Andean Hybrid Baroque (also known as "Mestizo Style"), was a flourishing school of carving distinguished by its virtuoso combination of European late Renaissance and Baroque forms with Andean sacred and profane symbolism, some of it originating in the pre-Hispanic era. The Andean Hybrid Baroque found its genesis and most comprehensive iconographical expression in the architecture of Catholic churches, chapels, cloisters, and conventual buildings. Drawing on hundreds of primary documents and on ethno-historical and anthropological literature that has rarely been applied to an art-historical subject, Gauvin Alexander Bailey provides the most substantial study of colonial Peruvian architecture in decades. The product of five years of photographic surveys in Peru, Bolivia, and Argentina, as well as research in governmental and ecclesiastical archives in Latin America and Europe, Bailey's richly illustrated study examines the construction history and decoration of forty-four churches. It offers a fundamentally new understanding of the chronology, regional variations, and diffusion of the Andean Hybrid Baroque style, as well as a fresh interpretation of its relationship to indigenous Andean culture. "Gauvin Alexander Bailey's The Andean Hybrid Baroque is a magnificent and ambitious study that not only covers an important geographic area of the southern Andes but also encompasses, in an informative and ordered style, a complex and dense constellation of pre-Hispanic and European cultural references in constant change." --Ramon Mujica Pinilla, Universidad de San Marcos, Lima, Peru "Gauvin Alexander Bailey's new book will surely become a textbook and standard resource for Andean art and architecture. With exciting insights into the colonial period in the southern Andes for the avid reader, and with original archival research for the inquisitive scholar, The Andean Hybrid Baroque challenges many of the facile suppositions about the indigenous and European cultural encounter and religious worldview. The author examines church facades in Peru and Bolivia, dating and scrutinizing the detailed carving work of native artists and combining that visual information with the testimony of colonial historians, inquisition records, and the images on textiles and queros (drinking cups). The result is an original and nuanced contribution to Andean scholarship." --Jaime Lara, University of Notre Dame .

Zustand: New.

Zustand: Very Good. Hardcover with dustjacket. Pages clean, no notes or highlights. Minor creasing to top and bottom of spine. Very light chipping to a couple of the fore edge corners. Ligth scuffing to back cover. Binding sound. Overall, minor shelf wear. Used - Very Good.