Guzzetti francesco (57 Ergebnisse)
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Sprache: Englisch
Verlag: Palazzo Delle Esposizioni Roma and Quodlibet, 2020
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Softcover, 304 pages, in English and Italian; very good condition, except light 1-inch crease to upper right corner of most pages; no internal marks. Foreign shipping may be extra.
Verlag: Amedeo Porro Fine Arts Trinity Fine Art, 2018
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In den WarenkorbZustand: Fine. *Price HAS BEEN REDUCED by 10% until Monday, Aug. 24 (SALE item)* Text in English & Italian, 91 pp., Hardcover, small gouge to top edge of rear cover, else fine. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsi…ble for any additional duties, taxes, or fees required by recipient's country.
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Hardcover. Zustand: new. Hardcover. An original insight into Italian art of the 19th and 20th centuryThe book offers an survey of Italian art of the 19th and 20th century, based on the artworks which be- came part of the collection of Fondazione Guido e Ettore e Fornaris in Turin over the first forty years of its activity, since… 1982. Collecting the Future is divided into thematic chapters which span different epochs, to shed light on how artists addressed and articulated subjects such as the relationship with nature or the idea of monument throughout the generations, ranging from Pellizza da Volpedo to Alberto Burri, from Giorgio Morandi to Pino Pascali. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Verlag: CRG Gallery, 2016
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In den WarenkorbSoftcover staple bound, 30 pages, very good condition, no internal marks, clean and crisp.
- Hardcover
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Hardcover. Zustand: new. Hardcover. The work of one of the main protagonists of international contemporary artPublished in collaboration with the artist, the monograph brings together more than one hundred works, shaping a visual narrative of the rich artistic production of Giuseppe Penone (1947) that extends from the 1960s to t…he present day. The red thread is the theme of the imprint, a privileged subject in the artist's research, which can be found throughout the entire span of his production: from the work Alpi Marittime of 1968, the first experimentation of direct contact between body and forest, to the series Impronte di luce (2022-2023). Published on the occasion of the exhibition at the Ferrero Foundation, the monograph delves into the theme of the imprint, ranging from drawing to photography, from modelling to carving in an accurate compendium of the vast selection of genres and techniques tackled by the artist. The motif of the imprint becomes in Giuseppe Penone's vision synonymous with contact between different surfaces and finds its own ideal manifestation in nature, understood as a global ecosystem of which every element is an integral part, from the human being to the leaves, from the trees to the earth. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
- Hardcover
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- Hardcover
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- Softcover
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Brossura. Zustand: new. Venezia, Ca' Pesaro Galleria Internazionale, May 9 - September 22, 2019. English Text. Arezzo, 2019; paperback, pp. 96, col. ill., col. plates, cm 29x27,5. Il volume presenta dieci nuovi lavori ispirati a opere di Medardo Rosso, realizzati da Barry X Ball, uno dei maestri più interessanti della scultura i…nternazionale contemporanea. L'artista "reinventa, e quasi rivive" alcuni tra i capolavori di Medardo Rosso conservati nelle collezioni italiane più prestigiose, utilizzando materiali traslucidi, evocativi, preziosi, che mantengono di quelle opere la stessa carica energica e misteriosa - come la calcite dorata, l'onice iraniano rosa e bianco, o l'onice bianco messicano. Il catalogo, di cui è disponibile sia un'edizione in lingua italiana che una in lingua inglese, è pubblicato in occasione dell'omonima mostra a Ca' Pesaro, Venezia, curata da Elisabetta Barisoni in collaborazione con Studio Barry X Ball, New York, e Fergus McCaffrey Gallery (10 maggio - 22 settembre 2019). Libro.
- Hardcover
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- Hardcover
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- Hardcover
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Cartonato. Zustand: new. Alba, Fondazione Ferrero, 1 ottobre 2024 - 28 febbraio 2025. A cura di Guzzetti F. e Penone R. Milano, 2024; cartonato, pp. 192, 20 ill. b/n, 100 ill. col., cm 24x30. (Cataloghi arte contemporanea). Curata da Francesco Guzzetti, Ruggero Penone, Jonas Storsve e realizzata in collaborazione con l'artista,…la monografia riunisce oltre cento opere, dando forma a un racconto visivo della ricca produzione artistica di Giuseppe Penone (1947) che si estende dagli anni Sessanta sino a oggi. Filo rosso è il tema dell'impronta, soggetto privilegiato nella ricerca dell'artista, che si ritrova in tutto l'arco temporale della sua produzione: dall'opera Alpi Marittime del 1968, prima sperimentazione del contatto diretto tra corpo e bosco, fino alla serie Impronte di luce (2022-2023). Pubblicata in occasione dell'esposizione alla Fondazione Ferrero, la monografia approfondisce questo tema spaziando dalla pittura e dal disegno alla fotografia, dalla modellazione all'intaglio in un compendio accurato della vasta selezione di generi e tecniche affrontati dall'artista. Il motivo dell'impronta diviene nella visione di Giuseppe Penone sinonimo di contatto tra superfici differenti e trova una propria manifestazione ideale nella natura, intesa come ecosistema globale di cui ogni elemento è parte integrante, dall'essere umano alle foglie, dagli alberi alla terra. Giuseppe Penone è il più giovane degli artisti italiani, o residenti in Italia, ricondotti all'"Arte Povera" dal curatore e critico d'arte Germano Celant. Nella sua arte, il processo di attuazione è parte integrante dell'opera e sono le azioni compiute dall'artista in rapporto dialettico con quelle naturali che danno forma alla materia. L'albero, "idea prima e più semplice di vitalità, di cultura, di scultura", è un elemento centrale nel suo lavoro. Focalizzato sul tema dell'impronta, questo originale racconto visivo dedicato alla ricerca artistica di Giuseppe Penone è corredato dei testi di Jean-Christophe Bailly, Olivier Cinqualbre, Francesco Guzzetti, Carlo Ossola, Jonas Storsve e presenta il catalogo delle opere in mostra suddivise in otto sezioni tematiche (La memoria del contatto; Oggettività dell'impronta; Il colore del gesto; Sensibilità della pelle; Gesti su carta; Negativo e positivo; Impronte di luce; Gesti vegetali). Libro.
- Softcover
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Brossura. Zustand: new. English Text. Milano, 2021; paperback, pp. 202, b/w and col. ill., b/w and col. plates, cm 22,5x28,5. Emilio Tadini: The Reality of the Image 1968-1972 is Fondazione Marconi's second chapter of a broader editorial project dedicated to the study, documentation, and mediation of the history and cultural her…itage of this Milanese gallery, and the numerous personalities that have crossed its path. Created with the involvement of prominent figures in the international artistic and curatorial panorama, careful research in archives, and historical reconstruction, the project complements the foundation's other promotional activities by which it seeks to tell this story, with particular attention to a transversal audience both geographically and generationally. In Emilio Tadini: The Reality of the Image 1968-1972 an unpublished manuscript by Tadini, consisting of forty-three pages of hole-punched graph paper-on which the artist wrote notes relating to the execution of his paintings, ideas for future works and titles for new series-, act as a starting point for a larger study of his position in the early post-war cultural debate, through an essay by Francesco Guzzetti (editor of the publication), and a large documentation of paintings, photographic studies, drawing and collages. Libro.
- Hardcover
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- Hardcover
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- Hardcover
- Erstausgabe
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Zustand: New. 2025. 1st Edition. hardcover. . . . . .
Collecting the Future: Visions of Modern Italian Art from the Collection of Fondazione De Fornaris
Guzzetti, Francesco (Editor) / Gribaudo, Paola (Contributor)
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Hardcover. Zustand: Brand New. 304 pages. 9.50x6.50x9.50 inches. In Stock.
- Softcover
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Brossura. Zustand: new. Traduzione di Lee W. Monza, 2022; br., pp. 82, ill., cm 12x24. (Monografie). Fra i maggiori esponenti dell'Arte concettuale, Giulio Paolini ha fatto della sua produzione una riflessione metafisica sul processo della creazione artistica. Paolini, infatti, ritiene che l'opera in qualche modo pre-esista all'…intervento dell'artista, che è semplicemente il primo a poterla contemplare. Egli si interroga sul ruolo dell'artista, sugli strumenti della rappresentazione, sulla relazione tra autore e opera, opera e osservatore, osservatore e artista. Questa pubblicazione è dedicata all'opera site-specific realizzata da Paolini per il Museo d'arte della Fondazione Luigi Rovati ed è parte di una nuova serie di monografie su importanti artisti contemporanei che hanno collaborato con la Fondazione. Intitolata Era finora, l'opera di Paolini si compone dei profili in gesso di due teste, una femminile e l'altra maschile, a evocare rispettivamente il classico e il neoclassico, l'origine del canone occidentale dell'arte e la sua ripresa agli albori dell'età contemporanea. Inquadrati entro una teca, i volti sembrano misurare il perimetro di uno spazio, o marcare un percorso, come pietre miliari. Il loro sguardo dà luogo a un tracciato prospettico scandito da riproduzioni fotografiche sovrimposte: una specie di "galleria di ritratti", un continuum di immagini che scandiscono la storia dell'uomo e dell'arte, muovendosi tra passato e presente, come testimoni di tempi e spazi lontani ma compresenti nel qui e ora della fruizione dell'opera. Libro.
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- Softcover
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Hardcover. Zustand: new. Hardcover. The work of one of the main protagonists of international contemporary artPublished in collaboration with the artist, the monograph brings together more than one hundred works, shaping a visual narrative of the rich artistic production of Giuseppe Penone (1947) that extends from the 1960s to t…he present day. The red thread is the theme of the imprint, a privileged subject in the artist's research, which can be found throughout the entire span of his production: from the work Alpi Marittime of 1968, the first experimentation of direct contact between body and forest, to the series Impronte di luce (2022-2023). Published on the occasion of the exhibition at the Ferrero Foundation, the monograph delves into the theme of the imprint, ranging from drawing to photography, from modelling to carving in an accurate compendium of the vast selection of genres and techniques tackled by the artist. The motif of the imprint becomes in Giuseppe Penone's vision synonymous with contact between different surfaces and finds its own ideal manifestation in nature, understood as a global ecosystem of which every element is an integral part, from the human being to the leaves, from the trees to the earth. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Yes To All: Die Schenkung Paul Maenz Gerd Vries
Beckstette, Sven; Bódi, Kinga; Graser, Jenny; Guzzetti, Francesco; Hafner, Hans-Jürgen; Lailach, Michael; Schoofs, Miriam; Zwirner, Dorothea
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Hardcover. Zustand: new. Hardcover. An original insight into Italian art of the 19th and 20th centuryThe book offers an survey of Italian art of the 19th and 20th century, based on the artworks which be- came part of the collection of Fondazione Guido e Ettore e Fornaris in Turin over the first forty years of its activity, since… 1982. Collecting the Future is divided into thematic chapters which span different epochs, to shed light on how artists addressed and articulated subjects such as the relationship with nature or the idea of monument throughout the generations, ranging from Pellizza da Volpedo to Alberto Burri, from Giorgio Morandi to Pino Pascali. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Hardcover. Zustand: new. Hardcover. An original insight into Italian art of the 19th and 20th centuryThe book offers an survey of Italian art of the 19th and 20th century, based on the artworks which be- came part of the collection of Fondazione Guido e Ettore e Fornaris in Turin over the first forty years of its activity, since… 1982. Collecting the Future is divided into thematic chapters which span different epochs, to shed light on how artists addressed and articulated subjects such as the relationship with nature or the idea of monument throughout the generations, ranging from Pellizza da Volpedo to Alberto Burri, from Giorgio Morandi to Pino Pascali. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
