jacques berthet (45 Ergebnisse)

Zustand: As New. Unread book in perfect condition.

Soft cover. Zustand: Near Fine+. Hans Danuser; Gitty Darugar; Barbara Davatz; Silvie Defraoui; Hugues de Wurstemberger; Rineke Dijkstra; Herbert Distel; Nicolas Faure; Thomas Flechtner; Allen Frame; Robert Frank; Mike R. Frei; Katrin Freisager; Seiichi Furuya; Andre Gelpke; etc. (illustrator). Montreal Books rating system: 1. Fine 2. Near Fine 3. Very Good 4. Good 5. Fair. Size: 8vo. Book.

Zustand: New.

Zustand: NUOVO. Les presses du réel éditions cm.25x30, pp.96, ills colour & bw hardcover. French/English. Reportage photographique au cur d'une Genève barricadée et déserte en prévision du contre-sommet du G8 en 2003. L'ouvrage déploie une mise en scène sur l'abandon de l'espace urbain, d'où fleurissent d'étonnantes constructions de défense. Serge Margel. Publisher Centre De La Fotografie Geneve.

Soft cover. Zustand: Near Fine+. Hans Danuser; Gitty Darugar; Barbara Davatz; Silvie Defraoui; Hugues de Wurstemberger; Rineke Dijkstra; Herbert Distel; Nicolas Faure; Thomas Flechtner; Allen Frame; Robert Frank; Mike R. Frei; Katrin Freisager; Seiichi Furuya; Andre Gelpke; etc. (illustrator). Montreal Books rating system: 1. Fine 2. Near Fine 3. Very Good 4. Good 5. Fair. Size: 8vo. Book.

Paperback. Zustand: New. Back-lit in the morning, the olive tree differs greatly in appearance from in the afternoon or at sunset, each time offering new perspectives as well as new photographic collections. Jacques Berthet has long been interested in the olive tree. The idea of studying them came to him during a photography project which took Berthet all around the Mediterranean: from the Alentejo region in Portugal to the Pleistos Valley at Delphi, passing through Kabylia, Tunisia, to the Middle East, in Israel and the West Bank. In his photography, Berthet opts for black and white to distance himself from botany and move closer towards sculpture or drawing, opting for backlighting to single out the chosen tree against the backdrop of the olive grove which remains bathed in light.The olive tree has remained a significant influence in the everyday life of cultures around the Mediterranean. In ancient poetry and writing, it is the most venerated of trees. The Greeks made it a sacred tree (particularly for its oil, used in lamps), and so have the people of Tunisia and Algeria in more recent times. In Islamic cultures, it is the cosmic tree, the centre and the pillar of the world, symbolising universal man. What sets the olive tree apart from many other species is that no two trees look alike, and its fate is closely linked with that of man.Text in English and French.

Paperback. Zustand: new. Paperback. Back-lit in the morning, the olive tree differs greatly in appearance from in the afternoon or at sunset, each time offering new perspectives as well as new photographic collections. Jacques Berthet has long been interested in the olive tree. The idea of studying them came to him during a photography project which took Berthet all around the Mediterranean: from the Alentejo region in Portugal to the Pleistos Valley at Delphi, passing through Kabylia, Tunisia, to the Middle East, in Israel and the West Bank. In his photography, Berthet opts for black and white to distance himself from botany and move closer towards sculpture or drawing, opting for backlighting to single out the chosen tree against the backdrop of the olive grove which remains bathed in light.The olive tree has remained a significant influence in the everyday life of cultures around the Mediterranean. In ancient poetry and writing, it is the most venerated of trees. The Greeks made it a sacred tree (particularly for its oil, used in lamps), and so have the people of Tunisia and Algeria in more recent times. In Islamic cultures, it is the cosmic tree, the centre and the pillar of the world, symbolising universal man. What sets the olive tree apart from many other species is that no two trees look alike, and its fate is closely linked with that of man.Text in English and French. With his black and white photographs of olive trees, Jacques Berthet distances himself from botany and moves closer towards sculpture or drawing. Text in English and French. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Zustand: New.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover. Zustand: New.

Zustand: As New. Unread book in perfect condition.

Hardcover. Zustand: Brand New. 151 pages. 11.25x11.25x1.00 inches. In Stock.

Zustand: very good. Broché bon état . Contenu propre . 112 pages . 2004. La charte de l'environnement. PHOTOS SUR DEMANDE.

Hazan, 2011, cartonnage éditeur sous jaquette, environ 29x30cm, bon état.

Couverture souple. Zustand: bon. R100073872: 1994. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 127 pages. . . . Classification Dewey : 372.65-Livre scolaire : langues.

Zustand: Used: Good. Livre qui serait en très bel état si un choc de 3 cm n'avait pas enfoncé le bord de la couverture arrière et de la jaquette.

Paperback. Zustand: new. Paperback. Back-lit in the morning, the olive tree differs greatly in appearance from in the afternoon or at sunset, each time offering new perspectives as well as new photographic collections. Jacques Berthet has long been interested in the olive tree. The idea of studying them came to him during a photography project which took Berthet all around the Mediterranean: from the Alentejo region in Portugal to the Pleistos Valley at Delphi, passing through Kabylia, Tunisia, to the Middle East, in Israel and the West Bank. In his photography, Berthet opts for black and white to distance himself from botany and move closer towards sculpture or drawing, opting for backlighting to single out the chosen tree against the backdrop of the olive grove which remains bathed in light.The olive tree has remained a significant influence in the everyday life of cultures around the Mediterranean. In ancient poetry and writing, it is the most venerated of trees. The Greeks made it a sacred tree (particularly for its oil, used in lamps), and so have the people of Tunisia and Algeria in more recent times. In Islamic cultures, it is the cosmic tree, the centre and the pillar of the world, symbolising universal man. What sets the olive tree apart from many other species is that no two trees look alike, and its fate is closely linked with that of man.Text in English and French. With his black and white photographs of olive trees, Jacques Berthet distances himself from botany and moves closer towards sculpture or drawing. Text in English and French. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Buch. Zustand: Neu. Neuware - The Swiss photographer discovers a sculptural side to the olive trees that grow throughout the Mediterranean.

Paperback. Zustand: New. Back-lit in the morning, the olive tree differs greatly in appearance from in the afternoon or at sunset, each time offering new perspectives as well as new photographic collections. Jacques Berthet has long been interested in the olive tree. The idea of studying them came to him during a photography project which took Berthet all around the Mediterranean: from the Alentejo region in Portugal to the Pleistos Valley at Delphi, passing through Kabylia, Tunisia, to the Middle East, in Israel and the West Bank. In his photography, Berthet opts for black and white to distance himself from botany and move closer towards sculpture or drawing, opting for backlighting to single out the chosen tree against the backdrop of the olive grove which remains bathed in light.The olive tree has remained a significant influence in the everyday life of cultures around the Mediterranean. In ancient poetry and writing, it is the most venerated of trees. The Greeks made it a sacred tree (particularly for its oil, used in lamps), and so have the people of Tunisia and Algeria in more recent times. In Islamic cultures, it is the cosmic tree, the centre and the pillar of the world, symbolising universal man. What sets the olive tree apart from many other species is that no two trees look alike, and its fate is closely linked with that of man.Text in English and French.

Couverture rigide. Zustand: Neuf.

Broschiert. Zustand: Sehr gut. 109 S. mit zahlr. Abb. Einband gering berieben. - Text franz., dt. u. engl. - SIMONE KAPPELER -- JACQUES BERTHET -- HANS DANUSER -- BERNARD VOITA -- THOMAS FLECHTNER -- ANNELIES STRBA -- MICAELA GARZONI. - The Booby-Trapped Complacency: Seven Swiss Photographers - Collier Sohorr - Investigations of No Man's Land - Aspects of Contemporary Swiss Photography - Peter Pfrunder - Im Auge des Betrachters - David Streiff/Carin Kuoni - Selbstgenügsamkeit in der Falle: Sieben Schweizer Photographen - Collier Schorr - Erkundungen im Niemandsland - Aspekte zeitgenössischer Schweizer Photographie - Peter Pfrunder - Regards - David Streiff/Carin Kuoni - La complaisance piegee par sept photographes suisses - Collier Schorr - Explorations en terre inconnue - Aspects de Ia photographie suisse contemporaine - Peter Pfrunder. ISBN 3907044053 Sprache: Deutsch Gewicht in Gramm: 1550.

Ensayo. Historia. Música. Arte. India.Barcelona. Editorial: Casa Asia. 2004. Primera edición. 494 pags. 22x16 cms. Rústica con solapas. Profusamente ilustrado con fotografías en b/n en láminas fuera del texto. En perfecto estado. Traducción de Olga Miró y Manuel Serrat. GASTOS DE ENVÍO: 1 EURO PARA EL ENVÍO ORDINARIO (SIN NÚMERO DE SEGUIMIENTO). 2,50 EUROS PARA EL ENVÍO CERTIFICADO CON RECOGIDA EN OFICINA DE CORREOS. 3,50 EUROS PARA EL ENVÍO CERTIFICADO CON ENTREGA EN DOMICILIO.

Grandes Largeurs, 1984, 150 p., broché, une pliure sur le premier plat, bon état pour le reste et intérieur bien propre.

Zustand: Assez bon. Attention: Ancien support de bibliothèque, plastifié, étiquettes. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Exemplaire légèrement défraîchi. [4161].

Exemplaire légèrement défraîchi. [4160].

Couverture rigide. Zustand: Assez bon. Édition illustrée. Relié en demi basane rouge, dos à 4 nerfs, titre et tomaison [3] en doré, reliure frottée aux coiffes et aux nerfs, deux mors fendus, plats cartonnés (coins émoussés), in-4, 24x17 cm, textes de Clémence Robert, Hippolyte Etiennez, Alexandre Dumas (La Pêche aux Filets - Don Martinn de Freytas), Henri Martin, Ferdinand Villeneuve, Elie Berthet, Paul Foucher, Jacques Arago, Emmanuel Gonzalès, Félix Salvaire, Olympe Chodzko, Henry Berthoud, Auguste Arnould, Alphonse Royer, Etienne Enault, gravures sur bois dans le texte, quelques planches hors texte de C. Nanteuil, G. Staal, Janet-Lange, etc., tome troisième seul, rousseurs, état correct. 576 pages. Contrairement à ce qui est annoncé dans le titre de ce troisième tome, il n'y a pas de textes de Balzac, George Sand, Frédéric Soulié, Jules Janin, Eugène Sue, etc. C'est un titre général pour la collection. Idem, sur la page de titre : Illustrations de Philippoteaux, Tony Johannot, C. Nanteuil (il y a un hors-texte), G. Staal (il y a un hors-texte), Beaugé, Coppin, Janet-Lange (il y a un hors-texte), etc., etc.

"Silvana collection , 2021. 1 volume relié(s) format In-4 comme neuf Édition en Anglais.

2011, album cartonné avec sa jaquette, non paginé avec des photographies en noir et blanc - très bon état.

Couverture souple. Zustand: Bon. Petit in-4 broché, couverture photographique, titre en bleu. Petite déchirure en queue, Nombreuses photographies en noir et en couleurs pour illustrer les textes sur le quartier genevois.