Licht alan (133 Ergebnisse)
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paperback. Zustand: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.
- Softcover
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paperback. Zustand: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.
Jewish Polity and American Civil Society: Communal Agencies and Religious Movements in the American Public Square
Mittleman, Alan [Editor]; Sarna, Jonathan D. [Editor]; Licht, Robert [Editor]; Arkush, Allan [Contributor]; Carp, Joel M. [Contributor]; Elazar, Daniel J. [Contributor]; Freeman, Gordon M. [Contributor]; Grossman, Lawrence [Contributor]; Heilman, Samuel C. [Contributor]; Kotzin, Michael C. [Contributor]; Raffel, Martin J. [Contributor]; Sussman, Lance J. [Contributor]; Teutsch, David A. [Contributor]; Windmueller, Steven [Contributor];
- Softcover
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EUR 9,71
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paperback. Zustand: Very Good. Very good copy, only minor sticker residue jm.
- Softcover
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Paperback. Zustand: Very Good. Spine creased. Upper right corner slightly bumped. No writing in text.
- Softcover
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EUR 15,65
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Zustand: New. Brand New.
- Softcover
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Soft cover. Zustand: Fine. No Jacket. Special Edition. Advance Uncorrected Proofs (so possible errors) of a Paperback Original (so not likely), copy pristine, clean & unread. Fascinating "last interview" with Will Oldham's "longtime friend & associate Alan Licht probes his highly individualistic approach to music making & the mu…sic industry, one that cherishes intimacy, community, mystery & spontaneity." Features extensive discography & index.
- Softcover
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Paperback or Softback. Zustand: New. Common Tones: Selected Interviews with Artists and Musicians 1995-2020. Book.
- Softcover
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Zustand: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.
- Softcover
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Soft cover. Zustand: Fine.
- Softcover
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EUR 12,81
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Zustand: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
- Softcover
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- Softcover
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Trade Paperback. Zustand: Used.
- Softcover
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Zustand: As New. Unread book in perfect condition.
- Softcover
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- Softcover
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Zustand: New.
- Softcover
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EUR 23,64
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Paperback. Zustand: new. Paperback. Interviews by Alan Licht with Vito Acconci, ANOHNI, Cory Arcangel, Matthew Barney, Glenn Branca, Rhys Chatham, Tony Conrad, the Dream Syndicates Karl Precoda, Richard Foreman, Henry Flynt, Milford Graves, Adris Hoyos, Ken Jacobs, Jutta Koether, Christian Marclay, Phill Niblock, Alessandra Nova…ga, Tony Oursler, Lou Reed, Kelly Reichardt, The Sea and Cake, Suicide, Michael Snow, Greg Tate, Tom Verlaine, Rudy Wurlitzer, and Yo La Tengos Georgia Hubley and Ira Kaplan. Introduction by Jay Sanders.For the past thirty years, Alan Licht has been a performer, programmer, and chronicler of New Yorks art and music scenes. His dry wit, deep erudition, and unique perspectiveinformed by decades of experience as a touring and recording guitarist in the worlds of experimental music and underground rockhave distinguished him as the go-to writer for profiles of adventurous artists across genres. A precocious scholar and improvisor, by the time he graduated from Vassar College in 1990 Licht had already authored important articles on minimalist composers La Monte Young, Tony Conrad, and Charlemagne Palestine, and recorded with luminaries such as Rashied Ali and Thurston Moore. In 1999 he became a regular contributor to the British experimental music magazine the Wire while continuing to publish in a wide array of periodicals, ranging from the artworld glossies to underground fanzines. Common Tones gathers a selection of never-before-published interviews, many conducted during the writing of Lichts groundbreaking profiles, alongside extended versions of his celebrated conversations with artists, previously untranscribed public and private exchanges, and new dialogues held on the occasion of this collection. Even Lou Reed, a notoriously difficult interviewee, was impressed.Alan Licht is a writer, musician, and curator based in New York City. He is equally known for his guitar work in the underground rock bands Run On and Love Child and in the experimental groups the Blue Humans and Text of Light. He has released eight solo guitar albums and more than a dozen duo and trio records of improvised music. Licht is a contributing music editor at BOMB magazine and his essays and reviews have appeared in Artforum, Parkett, the Wire, the Believer, Sight & Sound, and many other publications. He is the author of An Emotional Memoir of Martha Quinn, an extended personal essay about coming of age as a rock fan and musician; Sound Art: Beyond Music, Between Categories, the first full-length study of sound installations and sound sculpture to appear in English; and Sound Art Revisited, an updated version of the latter, published last year; and he is a co-author of Will Oldham on Bonnie Prince Billy, a collection of interviews with Will Oldham, and Title TK 20102014, a compilation of concert transcriptions, with Cory Arcangel and Howie Chen.Jay Sanders is executive director and chief curator of Artists Space, New York. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
- Softcover
Anbieter: Rarewaves USA, OSWEGO, IL, USARarewaves USA
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EUR 24,27
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Paperback. Zustand: New. Interviews by Alan Licht with Vito Acconci, ANOHNI, Cory Arcangel, Matthew Barney, Glenn Branca, Rhys Chatham, Tony Conrad, the Dream Syndicate's Karl Precoda, Richard Foreman, Henry Flynt, Milford Graves, Adris Hoyos, Ken Jacobs, Jutta Koether, Christian Marclay, Phill Niblock, Alessandra Novaga, Tony O…ursler, Lou Reed, Kelly Reichardt, The Sea and Cake, Suicide, Michael Snow, Greg Tate, Tom Verlaine, Rudy Wurlitzer, and Yo La Tengo's Georgia Hubley and Ira Kaplan. Introduction by Jay Sanders. For the past thirty years, Alan Licht has been a performer, programmer, and chronicler of New York's art and music scenes. His dry wit, deep erudition, and unique perspective-informed by decades of experience as a touring and recording guitarist in the worlds of experimental music and underground rock-have distinguished him as the go-to writer for profiles of adventurous artists across genres. A precocious scholar and improvisor, by the time he graduated from Vassar College in 1990 Licht had already authored important articles on minimalist composers La Monte Young, Tony Conrad, and Charlemagne Palestine, and recorded with luminaries such as Rashied Ali and Thurston Moore. In 1999 he became a regular contributor to the British experimental music magazine the Wire while continuing to publish in a wide array of periodicals, ranging from the artworld glossies to underground fanzines. Common Tones gathers a selection of never-before-published interviews, many conducted during the writing of Licht's groundbreaking profiles, alongside extended versions of his celebrated conversations with artists, previously untranscribed public and private exchanges, and new dialogues held on the occasion of this collection. Even Lou Reed, a notoriously difficult interviewee, was impressed. Alan Licht is a writer, musician, and curator based in New York City. He is equally known for his guitar work in the underground rock bands Run On and Love Child and in the experimental groups the Blue Humans and Text of Light. He has released eight solo guitar albums and more than a dozen duo and trio records of improvised music. Licht is a contributing music editor at BOMB magazine and his essays and reviews have appeared in Artforum, Parkett, the Wire, the Believer, Sight and Sound, and many other publications. He is the author of An Emotional Memoir of Martha Quinn, an extended personal essay about coming of age as a rock fan and musician; Sound Art: Beyond Music, Between Categories, the first full-length study of sound installations and sound sculpture to appear in English; and Sound Art Revisited, an updated version of the latter, published last year; and he is a co-author of Will Oldham on Bonnie 'Prince' Billy, a collection of interviews with Will Oldham, and Title TK 2010-2014, a compilation of concert transcriptions, with Cory Arcangel and Howie Chen. Jay Sanders is executive director and chief curator of Artists Space, New York.
Verlag: Champlain, NY, 2005
- Softcover
Anbieter: Anthology Booksellers, Portland, OR, USAAnthology Booksellers
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In den WarenkorbWraps. Zustand: Good. Folio, 120 pp., color illus. Articles on Damien Hirst, Meret Oppenheim, Caravaggio, Lisa Yuskavage, Norbert Bisky, James Rielly, etc. Head of spine and corners bumped, with first few lower page corners creased.
- Softcover
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Zustand: As New. Unread book in perfect condition.
Weitere BilderSprache: Englisch
Verlag: Blank Forms Editions, 2021
- Softcover
Anbieter: Fenrick Books, Queens, NY, USAFenrick Books
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EUR 21,44
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In den WarenkorbSoftcover/Paperback. Zustand: Very Good. Alan Licht. Common Tones: Selected Interviews with Artists and Musicians 19952020. Blank Forms Editions, 2021. Softcover. 592 pages. 4.75 x 7 inches. Interviews by Alan Licht with Vito Acconci, ANOHNI, Cory Arcangel, Matthew Barney, Glenn Branca, Rhys Chatham, Tony Conrad, the Dream Syndi…cate's Karl Precoda, Richard Foreman, Henry Flynt, Milford Graves, Adris Hoyos, Ken Jacobs, Jutta Koether, Christian Marclay, Phill Niblock, Alessandra Novaga, Tony Oursler, Lou Reed, Kelly Reichardt, The Sea and Cake, Suicide, Michael Snow, Greg Tate, Tom Verlaine, Rudy Wurlitzer, and Yo La Tengo's Georgia Hubley and Ira Kaplan. Introduction by Jay Sanders. For the past thirty years, Alan Licht has been a performer, programmer, and chronicler of New York's art and music scenes. His dry wit, deep erudition, and unique perspectiveinformed by decades of experience as a touring and recording guitarist in the worlds of experimental music and underground rockhave distinguished him as the go-to writer for profiles of adventurous artists across genres. A precocious scholar and improvisor, by the time he graduated from Vassar College in 1990 Licht had already authored important articles on minimalist composers La Monte Young, Tony Conrad, and Charlemagne Palestine, and recorded with luminaries such as Rashied Ali and Thurston Moore. In 1999 he became a regular contributor to the British experimental music magazine the Wire while continuing to publish in a wide array of periodicals, ranging from the artworld glossies to underground fanzines. Common Tones gathers a selection of never-before-published interviews, many conducted during the writing of Licht's groundbreaking profiles, alongside extended versions of his celebrated conversations with artists, previously untranscribed public and private exchanges, and new dialogues held on the occasion of this collection. Even Lou Reed, a notoriously difficult interviewee, was impressed. Alan Licht is a writer, musician, and curator based in New York City. He is equally known for his guitar work in the underground rock bands Run On and Love Child and in the experimental groups the Blue Humans and Text of Light. He has released eight solo guitar albums and more than a dozen duo and trio records of improvised music. Licht is a contributing music editor at BOMBmagazine and his essays and reviews have appeared in Artforum, Parkett, the Wire, the Believer,Sight & Sound, and many other publications. He is the author of An Emotional Memoir of Martha Quinn, an extended personal essay about coming of age as a rock fan and musician; Sound Art: Beyond Music, Between Categories, the first full-length study of sound installations and sound sculpture to appear in English; and Sound Art Revisited, an updated version of the latter, published last year; and he is a co-author of Will Oldham on Bonnie 'Prince' Billy, a collection of interviews with Will Oldham, and Title TK 20102014, a compilation of concert transcriptions, with Cory Arcangel and Howie Chen. Jay Sanders is executive director and chief curator of Artists Space, New York.
- Softcover
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Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
- Softcover
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Soft cover. Zustand: Good. No jacket. Spine is creased. Cover edges are slightly worn. Upper front cover corner is creased. Text block is tanned, but legibility is not impacted. Top edge of first page is stained, but readability is not affected. Inside is unmarked.
- Softcover
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Zustand: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.
- Softcover
Anbieter: PBShop.store US, Wood Dale, IL, USAPBShop.store US
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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
- Softcover
Anbieter: ThriftBooks-Dallas, Dallas, TX, USAThriftBooks-Dallas
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EUR 28,82
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Paperback. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
- Softcover
Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USAThriftBooks-Atlanta
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Paperback. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
- Softcover
Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USAThriftBooks-Atlanta
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Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
