Lotery (50 Ergebnisse)

Zustand: Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover. Zustand: Very Good. First Edition. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardback. Zustand: Very Good.

Hardback. Zustand: Good.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Zustand: Near Fine. Near Fine paperback. Overall an attractive copy. No markings to the text. Illustrated. 160 pp.

Cloth. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine Dust Jacket. 365 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. Remainder mark bottom fore-edge. (one small dot).

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: New.

Hardcover. Zustand: new. Hardcover. How a group of artists and theorists turned to exhibition design as the only medium capable of synthesizing high and low in postwar culture.In 1950s London, a cadre of young artists, theorists, and popular culture aficionados known as the Independent Group (IG) came together for a series of pressing meetings. Their humble goal: to reimagine the structure of postwar culture by situating art in the midst of military-industrial technologies and pop pleasures. In this book, Kevin Lotery argues that the IG turned to the cross-disciplinary form of exhibition design as the only medium capable of getting the measure of these forces, the only technique that could integrate high and low, aesthetic and scientific, and redesign them in turn.At the heart of this story are the IG's most unruly members, including artists Richard Hamilton, Nigel Henderson, and Eduardo Paolozzi; architects Alison and Peter Smithson; and critics Lawrence Alloway and Reyner Banham. To these upstarts, art was no more privileged an activity than the streamlining of a helicopter blade or the screening of the latest cinema spectacle. In place of the old cultural hierarchies, they saw a continuum that Alloway termed "the long front of culture." Only exhibition making could redirect this "long front" toward something genuinely, startlingly new.Lotery shows that the IG's exhibitions sought out temporary interfaces with technological invention and scientific research in a search for the form of the new itself. The IG exhibitions he examines drew on biological morphogenesis, anthropology and photography, human-machine prosthetics, American pop, abstraction, and theories of play. The IG is often described as the precursor to the pop art of the 1960s. Lotery shows that it was much more, as entangled with the histories of science, technology, and design as with the dialectics of modern art and mass culture How a group of artists and theorists turned to exhibition design as the only medium capable of synthesizing high and low in postwar culture. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Trade Paperback Original. Zustand: Very Good. Text is in German and English. 251 p., well illustrated [otob: 17].

Hardback. Zustand: New.

Paperback. Zustand: New.

Zustand: Very Good. Picture Shown is For Illustration Purposes Only, Please See Below For Further DetailsCONDITION ? VERY GOOD ? HARDBACK - light wear and scuff marks to jacket, pages in nice condition, shipped from the UK.

Zustand: New.

Hardcover. Zustand: New.

Zustand: As New. Unread book in perfect condition.

Paperback. Zustand: New.

Zustand: New. Picture Shown is For Illustration Purposes Only, Please See Below For Further DetailsCONDITION ? NEW.

Zustand: New.

Zustand: New.

Zustand: New. 2020. Hardcover. . . . . .

Zustand: New.

Zustand: New. 2020. Hardcover. . . . . . Books ship from the US and Ireland.

Zustand: As New. Unread book in perfect condition.

Softcover. Zustand: Sehr gut. 1. Auflage. Z : 17 x 23 cm, 292 pages, 78 color & 30 b/w illustrations - Taking as a starting point Hamilton's Reaper series inspired by the work of Swiss historian and critic of architecture Sigfried Giedion this publication brings together seven essays by renowned international scholars, all of whom question the relationships between visual arts, technology, science, and architecture.…

Hardcover. Zustand: new. New Copy. Customer Service Guaranteed.