Marclay (200 Ergebnisse)
1St Valencia Biennial: Communication Between The Arts, The
Greenaway, Peter; Kusturica, Emir; Takatani, Shiro; Araki, Nobuyoshi; Bonito Oliva, Achille; Chapman, Jake; Chapman, Dinos; Clegg & Guttmann; Brown, Cecily; Fabre, Jan; Rath, Alan; Serrano, Andres; Wilson, Jane; Wilson, Louise; Bartolini, Massimo; Bock, John; Byrne, David; Closky, Claude; Gursky, Andreas; Hatoum, Mona; Kapoor, Anish; Kelley, Mike; Marclay, Christian; Neshat, Shirin; Ono, Yoko; Wilson, Robert Takatani, Shiro
- Hardcover
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Zustand: Acceptable. General wear, a good reading copy. shelf wear. bumped edges. worn spine Hardcover.
- Hardcover
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Hardcover. Zustand: Good. Jumbo-sized. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD.
Parkett No. 70 Christian Marclay, Wilhelm Sasnal, Gillian Wearing, Plus Franz West
Marclay, Christian; Sasnal, Wilhelm; Wearing, Gillian; West, Franz
- Softcover
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Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
- Hardcover
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Zustand: New.
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Audio CD. Zustand: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.
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Audio CD. Zustand: Good. Audio CD. Case is bumped/creased/worn. GOOD Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.
- Softcover
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Paperback. Zustand: Good. 3 volumes published in a magazine format.
- Hardcover
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Hardback. Zustand: New. Seeing and imagining music in a pandemic: a dialogue of found scenes and inspired sounds between two protagonists of experimental musicKnown for his ability to locate music and sound in the most unexpected contexts, artist Christian Marclay (born 1955) began photographing the emptied London streets when t…he world shut down in the spring of 2020. He found the quiet-the absence of all the city sounds-both haunting and peaceful. On his daily walks, he began to imagine that there might be music in the landscape. He snapped a photo of an iron gate adorned with decorative white balls as it reminded him of a musical score. He sent it to his friend, the composer Steve Beresford (born 1950), and asked: "How would this sound on the piano?" Beresford responded a few hours later with a recording. Over the course of the spring, he took more photographs which inspired more music.This book collects the dialogue between Marclay and Beresford, which could only take place virtually during lockdown. In his introduction, Marclay writes, "I realized that all my pictures were of enclosures: gates, fences, windows, closed stores. A view of the world behind barriers." The correspondence between image, sound and its notation breaks through those barriers, expanding space in magical ways. Call and Response is a testament to how the world at large can be not only reflected in image but translated into sound.
- Hardcover
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Zustand: As New. Unread book in perfect condition.
- Hardcover
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Zustand: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.
Parkett No. 70 Christian Marclay, Wilhelm Sasnal, Gillian Wearing, Plus Franz West (The Parkett Series)
Marclay, Christian; Sasnal, Wilhelm; Wearing, Gillian; West, Franz; Columbus, Nikki [Editor]
- Softcover
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paperback. Zustand: As New. First Paperback Edition. Publisher: Parkett, Zurich, 2004. FINE softcover in illustrated/pictorial wraps, as issued. Text in English and German. First Softcover Edition, First Printing.
- Hardcover
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Hardback. Zustand: New. Seeing and imagining music in a pandemic: a dialogue of found scenes and inspired sounds between two protagonists of experimental musicKnown for his ability to locate music and sound in the most unexpected contexts, artist Christian Marclay (born 1955) began photographing the emptied London streets when t…he world shut down in the spring of 2020. He found the quiet-the absence of all the city sounds-both haunting and peaceful. On his daily walks, he began to imagine that there might be music in the landscape. He snapped a photo of an iron gate adorned with decorative white balls as it reminded him of a musical score. He sent it to his friend, the composer Steve Beresford (born 1950), and asked: "How would this sound on the piano?" Beresford responded a few hours later with a recording. Over the course of the spring, he took more photographs which inspired more music.This book collects the dialogue between Marclay and Beresford, which could only take place virtually during lockdown. In his introduction, Marclay writes, "I realized that all my pictures were of enclosures: gates, fences, windows, closed stores. A view of the world behind barriers." The correspondence between image, sound and its notation breaks through those barriers, expanding space in magical ways. Call and Response is a testament to how the world at large can be not only reflected in image but translated into sound.
- Softcover
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Paperback. Zustand: New.
- Hardcover
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EUR 26,59
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Hardcover. Zustand: new. Hardcover. Seeing and imagining music in a pandemic: a dialogue of found scenes and inspired sounds between two protagonists of experimental musicKnown for his ability to locate music and sound in the most unexpected contexts, artist Christian Marclay (born 1955) began photographing the emptied London st…reets when the world shut down in the spring of 2020. He found the quietthe absence of all the city soundsboth haunting and peaceful. On his daily walks, he began to imagine that there might be music in the landscape. He snapped a photo of an iron gate adorned with decorative white balls as it reminded him of a musical score. He sent it to his friend, the composer Steve Beresford (born 1950), and asked: How would this sound on the piano? Beresford responded a few hours later with a recording. Over the course of the spring, he took more photographs which inspired more music.This book collects the dialogue between Marclay and Beresford, which could only take place virtually during lockdown. In his introduction, Marclay writes, "I realized that all my pictures were of enclosures: gates, fences, windows, closed stores. A view of the world behind barriers." The correspondence between image, sound and its notation breaks through those barriers, expanding space in magical ways. Call and Response is a testament to how the world at large can be not only reflected in image but translated into sound. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
- Softcover
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Three softcover books in printed paper slipcase; new condition; still sealed in shrinkwrap; clean and crisp. Foreign shipping may be extra.
- Softcover
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Paperback. Zustand: new. Paperback. For 20 years, Parkett presented unparalleled explorations and discussions of important international contemporary artists by esteemed writers and critics. These investigations continue in issue No. 70, which features collaborations by Swiss-American visual artist and composer Christian Marclay…, Polish painter Wilhelm Sasnal and British video artist and photographer Gillian Wearing. Each of these artists has carved out a unique manner of working with the mediums of sculpture, painting and photography, respectively. As well, each artist extends the use of film and video to reflect political, social or popular culture. Authors include Ingrid Schaffner, Philip Sherburne, and Philippe Vergne on Marclay; Meghan Dailey, Gregor Jansen and Adam Szymczyk on Sasnal; and Gordon Burn and Dan Cameron on Gillian Wearing, with a conversation between Cay Sophie Rabinowitz and Wearing. Also in this issue: Greg Hilty on Rebecca Warren, Dominic van den Boogerd on Aernout Mik, Catherine Wood on Mark Leckey, Carolee Thea on Joan Jonas, and an insert by Nic Hess. To celebrate Parkett's 20th Anniversary, this year's three issues (No. 70, 71, 72) will feature special contributions by both artists and writers on the current state of materiality in contemporary art. Scholarly writers look back to how earlier generations of artists employed materials and how this differs from so many contemporary artists' material engagements today. Collaborating artists of the past two decades contribute anecdotes, drawings and photographs commemorating their experiences with Parkett. Best of all is the inclusion of an additional fourth collaborating artist who will participate in a discussion about his or her relationship to materiality and will create a new Parkett edition: with Franz West in issue No. 70, Pipilotti Rist No. 71 and Alex Katz in issue No. 72. For Parkett No. 71, the featured collaborating artists will be Swiss installation and video artist Olaf Breuning; British conceptualist Keith Tyson; and American painter Richard Phillips. For 20 years, "Parkett presented unparalleled explorations and discussions of important international contemporary artists by esteemed writers and critics. These investigations continue in issue #70, which features collaborations by Swiss-American visual artist and composer Christian Marclay, Polish painter Wilhelm Sasnal, and British video artist and photographer Gillian Wearing. Each of these artists has carved out a unique manner of working with the mediums of sculpture, painting, and photography, respectively. As well, each artist extends the use of film and video to reflect political, social, or popular culture. Authors include Ingrid Schaffner, Philip Sherburne, and Philippe Vergne on Marclay; Meghan Dailey, Gregor Jansen, and Adam Szymczyk on Sasnal; and Gordon Burn and Dan Cameron on Gillian Wearing, with a conversation between Cay Sophie Rabinowitz and Wearing. Also in this issue: Greg Hilty on Rebecca Warren, Dominic van den Boogerd on Aernout Mik, Catherine Wood on Mark Leckey, Carolee Thea on Joan Jonas, and an insert by Nic Hess. To celebrate "Parkett's 20th Anniversary, this year's three issues (#70,71, 72) will feature special contributions by both artists and writers on the current state of materiality in contemporary art. Scholarly writers look back to how earlier generations of artists employed materials and how this differs from so many contemporary artists' material engagements today. Collaborating artists of the past two decades contribute anecdotes, drawings, and photographs commemorating their experiences with "Parkett. Best of all is the inclusion of an additional fourth collaborating artist who will participate in a discussion about his or her relationship tomateriality and will create a new "Parkett edition: with Franz West in i Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
- Hardcover
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Hardback. Zustand: New. Marclay fuses art and technology to draw on the sounds and images of life on SnapchatIn Sound Stories, American artist and composer Christian Marclay (born 1955) fuses art and technology, using Snapchat videos as raw material. Featuring texts by Max Maxwell, this book documents the collaboration between t…he artist and Snapchat in an innovative project mixing the sounds and images of everyday life found on the multimedia messaging app, aggregating unattributed stories. Using algorithms created by a team of engineers at Snap Inc., Marclay experiments with millions of publicly posted Snapchat videos to create five immersive audiovisual installations, two of which are interactive. The Organ, a five-octave keyboard and its bench, allows the spectators to trigger video segments and their matched sounds onto the wall. Rooted in a sampling aesthetic fundamental to Marclay's work, these installations respond to the storytelling available on Snapchat and visitors' sounds and movements in the gallery space.
- Hardcover
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Hardcover. Zustand: new. Hardcover. Marclay fuses art and technology to draw on the sounds and images of life on SnapchatIn Sound Stories, American artist and composer Christian Marclay (born 1955) fuses art and technology, using Snapchat videos as raw material. Featuring texts by Max Maxwell, this book documents the collaborati…on between the artist and Snapchat in an innovative project mixing the sounds and images of everyday life found on the multimedia messaging app, aggregating unattributed stories. Using algorithms created by a team of engineers at Snap Inc., Marclay experiments with millions of publicly posted Snapchat videos to create five immersive audiovisual installations, two of which are interactive. The Organ, a five-octave keyboard and its bench, allows the spectators to trigger video segments and their matched sounds onto the wall. Rooted in a sampling aesthetic fundamental to Marclays work, these installations respond to the storytelling available on Snapchat and visitors sounds and movements in the gallery space. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
- Softcover
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Zustand: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.
- Hardcover
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Hardback. Zustand: New. Marclay fuses art and technology to draw on the sounds and images of life on SnapchatIn Sound Stories, American artist and composer Christian Marclay (born 1955) fuses art and technology, using Snapchat videos as raw material. Featuring texts by Max Maxwell, this book documents the collaboration between t…he artist and Snapchat in an innovative project mixing the sounds and images of everyday life found on the multimedia messaging app, aggregating unattributed stories. Using algorithms created by a team of engineers at Snap Inc., Marclay experiments with millions of publicly posted Snapchat videos to create five immersive audiovisual installations, two of which are interactive. The Organ, a five-octave keyboard and its bench, allows the spectators to trigger video segments and their matched sounds onto the wall. Rooted in a sampling aesthetic fundamental to Marclay's work, these installations respond to the storytelling available on Snapchat and visitors' sounds and movements in the gallery space.
- Softcover
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Paperback. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
- Softcover
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Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
- Softcover
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Soft cover. Zustand: Very good. No jacket. Mild shelf wear. Inside pages are clean, bright, and unmarked.
Verlag: Petit echo de la mode
- Softcover
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In den WarenkorbZustand: Très bon. Nos envois se font avec suivi, pour tout problème n'hésitez pas à nous contacter pour trouver une solution.
- Softcover
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Paperback. Zustand: Brand New. 48 pages. 8.50x8.50x0.12 inches. In Stock. Zambrovitz, Brett (illustrator).
- Softcover
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Paperback. Zustand: Brand New. paperback/cd mu edition. 63 pages. 8.50x6.50x0.25 inches. In Stock.
- Softcover
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Zustand: New.
Aperture 212: Play (Fall, 2013)
Aperture Editors; Christian Marclay; Erwin Wurm; Jacques Tati; Sophie Calle
Verlag: Aperture Foundation, Inc. 2013
- Softcover
Anbieter: Hang Fire Books, Brooklyn, USAHang Fire Books
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In den WarenkorbSoftcover. Zustand: Fine. Glossy photography magazine. Contents include: Christian Marclay; Erwin Wurm; Jacques Tati; Sophie Calle, et al/ Subscriber condition. Fine condition. Light shelf-wear and bumping to corners. Size: 9.5" x 12". 128 pages. Text unmarked. Binding is tight, covers and spine fully intact. Slight shelf-wear a…nd bumping to corners. Quantity Available: 1. Shipped Weight: 3-4 Pounds. Category: Art::Fashion & Photography; Inventory No: 024592.
- Hardcover
Anbieter: Midtown Scholar Bookstore, Harrisburg, USAMidtown Scholar Bookstore
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EUR 30,26
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Hardcover. Zustand: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.
- Softcover
Anbieter: Pistil Books Online, IOBA, Seattle, USAPistil Books Online, IOBA
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EUR 30,30
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Trade Paperback. Zustand: Near Fine. Zustand des Schutzumschlags: Pictorial Boards. Book is in excellent condition with a bump at the upper front corner as the only flaw. Blue 1/4 cloth binding. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any…kind. Heavily illustrated, prints and photos throughout.
