Marez curtis (117 Ergebnisse)

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Paperback. Zustand: Fair. As Marez shows, despite the state's best efforts to use the media to obscure the hypocrisies and failures of its drug policies-be they lurid descriptions of Chinese opium dens in the English popular press or Nancy Reagan's "Just Say No" campaign-marginalized groups have consistently opposed the expansio…n of state power that drug traffic.

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Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

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Paperback. Zustand: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

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Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Sprache: Englisch
Verlag: Amer Quarterly, 2001
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- Magazin//Zeitschrift
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In den WarenkorbPamphlet. Zustand: Very Good. Vol 53, No 2, pp. 267-307, Extracted from orig vol, trimmed & stapled, thus is like a pamphlet, VG.

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Paperback. Zustand: Good. minor wear and creasing.
Verlag: The Johns Hopkins University Press, 2007
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In den WarenkorbSoft cover. Zustand: Near Fine. March 2007 issue in excellent, unmarked, near-pristine condition (slight handling). [14oz]. Book.

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Sprache: Englisch
Verlag: University of Minnesota Press, Minneapolis Minn, 2016
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Paperback. Zustand: Good. covers have minor wear, corners heavily bumped, binding tight, ink writing, xii + 210 pages including notes and index, historical role of media in depictions of farm workers, bw illustrations Size: 5.5 x 8.5.

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Verlag: The Johns Hopkins University Press, 2009
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In den WarenkorbSoft cover. Zustand: Near Fine. March 2009 issue in excellent, unmarked condition (slight handling). 220 pages. [12oz]. Book.

- Softcover
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Paperback. Zustand: Very Good. The hidden cost of TV production for communities of color Producing Precarity is a long-overdue examination of the television industry's practice of "offshoring" production to impoverished sites within the US. The author, Curtis Marez, focuses on state efforts to attract film and TV producers to po…or places with tax incentives, discounted public lands, and subsidized infrastructures. He argues that these efforts result in the redistribution of wealth from poor people of color, Indigenous people, and other taxpayers to Los Angeles-based media makers, while also diverting money that could be used for education and health care to the wealthy. The popular series produced in these places, such as Breaking Bad, The Watchmen, Lovecraft Country, The Walking Dead, and Vida, are praised by critics and awards organizations and highlighted by streaming services for challenging genre, casting, and narrative conventions. However, many of these shows rely on racialized and gendered low-wage labor for production, and diversity, equity, and inclusion representations can sometimes perpetuate repression, such as depicting police as diversity champions. Producing Precarity examines how contemporary streaming shows from these areas promote racial inequality in ideology and content, as well as materially through their local production methods, and perceptually through streaming distribution modes that discourage viewers from understanding how TV is made. Marez also provides examples of local resistance, including movements against a police training center and a film studio in Atlanta, as well as anti-gentrification movements in Latinx neighborhoods of LA.

- Softcover
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Paperback. Zustand: As New. Text clean and tight; American Crossroads; 8vo 8" - 9" tall; 264 pages.
Verlag: The Johns Hopkins University Press, 2010
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- Magazin//Zeitschrift
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In den WarenkorbSoft cover. Zustand: Fine. Near mint condition! A crisp, tight, and bright copy -- no markings or defects. All magazines are sealed in plastic, packed securely with protective cardboard backing, and shipped promptly.
Verlag: The American Studies Association, 2009
- Softcover
- Magazin//Zeitschrift
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In den WarenkorbSoft cover. Zustand: Fine. Near mint condition. (B-6.).

- Softcover
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- Softcover
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- Softcover
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Paperback. Zustand: New. From the silent era to the present, film productions have shaped the way the public views campus life. Collaborations between universities and Hollywood entities have disseminated influential ideas of race, gender, class, and sexual difference. Even more directly, Hollywood has drawn writers, actors, and… other talent from ranks of professors and students while also promoting the industry in classrooms, curricula, and film studies programs. In addition to founding film schools, university administrators have offered campuses as filming locations. In University Babylon, Curtis Marez argues that cinema has been central to the uneven incorporation and exclusion of different kinds of students, professors, and knowledge. Working together, Marez argues, film and educational institutions have produced a powerful ideology that links respectability to academic merit in order to marginalize and manage people of color. Combining concepts and methods from critical university studies, ethnic studies, native studies, and film studies, University Babylon analyzes the symbolic and institutional collaborations between Hollywood filmmakers and university administrators over the representation of students and, by extension, college life more broadly.

- Softcover
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Paperback. Zustand: new. Paperback. The hidden cost of TV production for communities of color Producing Precarity is a long-overdue examination of the television industry's practice of "offshoring" production to impoverished sites within the US. The author, Curtis Marez, focuses on state efforts to attract film and TV producers…to poor places with tax incentives, discounted public lands, and subsidized infrastructures. He argues that these efforts result in the redistribution of wealth from poor people of color, Indigenous people, and other taxpayers to Los Angeles-based media makers, while also diverting money that could be used for education and health care to the wealthy. The popular series produced in these places, such as Breaking Bad, The Watchmen, Lovecraft Country, The Walking Dead, and Vida, are praised by critics and awards organizations and highlighted by streaming services for challenging genre, casting, and narrative conventions. However, many of these shows rely on racialized and gendered low-wage labor for production, and diversity, equity, and inclusion representations can sometimes perpetuate repression, such as depicting police as diversity champions. Producing Precarity examines how contemporary streaming shows from these areas promote racial inequality in ideology and content, as well as materially through their local production methods, and perceptually through streaming distribution modes that discourage viewers from understanding how TV is made. Marez also provides examples of local resistance, including movements against a police training center and a film studio in Atlanta, as well as anti-gentrification movements in Latinx neighborhoods of LA. "This book uses the concept of racial capitalism to make visible the hidden social costs of TV production for local Black, Latinx, and Indigenous communities"-- Provided by publisher. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

- Softcover
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Paperback. Zustand: New. The hidden cost of TV production for communities of color Producing Precarity is a long-overdue examination of the television industry's practice of "offshoring" production to impoverished sites within the US. The author, Curtis Marez, focuses on state efforts to attract film and TV producers to poor pla…ces with tax incentives, discounted public lands, and subsidized infrastructures. He argues that these efforts result in the redistribution of wealth from poor people of color, Indigenous people, and other taxpayers to Los Angeles-based media makers, while also diverting money that could be used for education and health care to the wealthy. The popular series produced in these places, such as Breaking Bad, The Watchmen, Lovecraft Country, The Walking Dead, and Vida, are praised by critics and awards organizations and highlighted by streaming services for challenging genre, casting, and narrative conventions. However, many of these shows rely on racialized and gendered low-wage labor for production, and diversity, equity, and inclusion representations can sometimes perpetuate repression, such as depicting police as diversity champions. Producing Precarity examines how contemporary streaming shows from these areas promote racial inequality in ideology and content, as well as materially through their local production methods, and perceptually through streaming distribution modes that discourage viewers from understanding how TV is made. Marez also provides examples of local resistance, including movements against a police training center and a film studio in Atlanta, as well as anti-gentrification movements in Latinx neighborhoods of LA.