Mark stiles (122 Ergebnisse)

Paperback. Zustand: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

hardcover. Zustand: Good.

paperback. Zustand: Acceptable.

hardcover. Zustand: Acceptable. This is a used book. It may contain highlighting/underlining and/or the book may show heavier signs of wear . It may also be ex-library or without dustjacket. This is a used book. It may contain highlighting/underlining and/or the book may show heavier signs of wear . It may also be ex-library or without dustjacket. …

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardback. Zustand: Good. The volume presented here seeks to shift the concept of media from its traditional domain to the political field. Media are not merely to be understood as an intellectual or aesthetic game (communicative, linguistic, written, technical, profit-rational, instrumental, hermeneutic, or mathematical-informational), but rather as a political state of emergency. This media theory therefore addresses the question of why humanity, instead of entering a truly human state, is sinking into a new kind of barbarism (Adorno/Horkheimer). According to our thesis, this is a medial question--one that arises from the original inverse setting (kata-strophen) of media--and it subsequently determines their historical, societal, social, and political development. The main thesis of this book is that we are no longer dealing with media as a theoretical, technical-aesthetic, or informational game. Rather, we are dealing with a political state of emergency, where the issue is truth or falsehood within the polis and its prevailing laws. These are two fundamentally different domains--intellectual and aesthetic play on the one hand, and political emergency on the other--that must not be confused, because the latter is existential and concerns life or death. Today, media themselves have become cultural, technical, economic, and political weapons, concealing both their essence and non-essence. As a result, the once metaphorical character of technicist media theory--war as the essence of media (Kittler)--has been lost, and media have been transferred into the political, geopolitical, financial, and informational-economic realm. Kittler's media-theoretical thesis (media as military equipment media as repurposed war devices, misunderstood in their function as long as their primary military purpose is ignored) is, according to our thesis in this book, not to be understood as technical, but as political (state-related) and socio-economic (pre-state). Media theory thus becomes Stasiology (theory of civil war) and Polemology (theory of war). This antagonistic-polemical principle sharpens the focus on all media in the public sphere, such that the agonistic principle of struggle (C. Mouffe) is merely a preliminary stage and still remains within the realm of play. Therefore, our concluding thesis is that we do not need a technical, hermeneutic, aesthetic, phenomenological, anthropological, or ontological a priori to explain the essence or non-essence of media. What we need is a Stasiology and a Polemology capable of unlocking the entire antagonistic-polemical field of media in the public sphere. Only this sharpening of media in the public sphere allows us to move beyond the antagonistic-polemical principle itself. Stiles, Andy (illustrator). …

Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

hardcover. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Zustand: Good. Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Hardback. Zustand: Good. The volume presented here seeks to shift the concept of media from its traditional domain to the political field. Media are not merely to be understood as an intellectual or aesthetic game (communicative, linguistic, written, technical, profit-rational, instrumental, hermeneutic, or mathematical-informational), but rather as a political state of emergency. This media theory therefore addresses the question of why humanity, instead of entering a truly human state, is sinking into a new kind of barbarism (Adorno/Horkheimer). According to our thesis, this is a medial question--one that arises from the original inverse setting (kata-strophen) of media--and it subsequently determines their historical, societal, social, and political development. The main thesis of this book is that we are no longer dealing with media as a theoretical, technical-aesthetic, or informational game. Rather, we are dealing with a political state of emergency, where the issue is truth or falsehood within the polis and its prevailing laws. These are two fundamentally different domains--intellectual and aesthetic play on the one hand, and political emergency on the other--that must not be confused, because the latter is existential and concerns life or death. Today, media themselves have become cultural, technical, economic, and political weapons, concealing both their essence and non-essence. As a result, the once metaphorical character of technicist media theory--war as the essence of media (Kittler)--has been lost, and media have been transferred into the political, geopolitical, financial, and informational-economic realm. Kittler's media-theoretical thesis (media as military equipment media as repurposed war devices, misunderstood in their function as long as their primary military purpose is ignored) is, according to our thesis in this book, not to be understood as technical, but as political (state-related) and socio-economic (pre-state). Media theory thus becomes Stasiology (theory of civil war) and Polemology (theory of war). This antagonistic-polemical principle sharpens the focus on all media in the public sphere, such that the agonistic principle of struggle (C. Mouffe) is merely a preliminary stage and still remains within the realm of play. Therefore, our concluding thesis is that we do not need a technical, hermeneutic, aesthetic, phenomenological, anthropological, or ontological a priori to explain the essence or non-essence of media. What we need is a Stasiology and a Polemology capable of unlocking the entire antagonistic-polemical field of media in the public sphere. Only this sharpening of media in the public sphere allows us to move beyond the antagonistic-polemical principle itself. Stiles, Andy (illustrator). …

hardcover. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Zustand: As New. Ships quickly. Like new. Minimal shelf wear. Orphans Treasure Box sells books to raise money for orphans and vulnerable kids.

Zustand: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail. Stiles, Andy (illustrator).…

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Stiles, Andy (illustrator).

hardcover. Zustand: Fine. Fast Shipping - Safe and Secure Bubble Mailer. Stiles, Andy (illustrator).

Zustand: New.

Paperback or Softback. Zustand: New. Mentoring Youth in Action: Seven Lessons to Increase the Significance of Christianity in Our Youth. Book.

Zustand: As New. Unread book in perfect condition.

Hardcover. Zustand: Used Good. Zustand des Schutzumschlags: Missing. Light wear to cover, slightly bumped corners, pages clean and unmarked. Firefly sells new and used books through our store front. We try to add a detailed description to as many titles as possible. If you have questions regarding this title, please contact us. Photos available on request.…

Soft cover. Zustand: Fine. 1st Edition. ISSN # 0440-2316. From the collection of Robert Hershon.

Zustand: New.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Soft cover. Zustand: Fine. First Thus. Comic Book. Standard format and size. First Printing Thus. VERY FINE. All corners pointed. Binding tight, with a few stresses. Without tears, creases , chips or bumps. Not marked in any way and very clean, glossy and bright. All comics carefully wrapped and sent boxed.…

Soft cover. Zustand: Near Fine. 1st Edition. Miles Davis photograph by Nancy Miller Elliot on the cover. ISSN # 0440-2316. From the collection of Robert Hershon.