Mcfarlane brian geoff mayer (23 Ergebnisse)

Soft cover. Zustand: Very Good. 1st Edition. very nice paperback; clean text; no remainder marks; light shelf wear; A2S5.

Hardcover. Zustand: Very Good+. Zustand des Schutzumschlags: Very Good+. Light wear to cloth at top of spine. One-inch tear to jacket with tape repair.

Soft cover. Zustand: As New. 1st Edition. xiii+259pp., Pictorial colour illustrated front panel with light shelf-wear, preface, intro., b/w plts. & text ills., full page b/w photographs, afterword, bibliog., index. New Australian Cinema will increase the scope of discussion about the revival of Australian cinema and help us to make cultural sense of the films themselves. Size: Quarto. Book.…

Soft cover. Zustand: As New. No Jacket. pbk 259pp b/w illus excellent almost as new this is an original printing and is in stock for immediate dispatch.

Hardcover. Zustand: Very Good. No Jacket. pp.xiv+259. 23cm. Black and white photo illus in the text. Selected bibliography. Index. Soft covers. A very good clean copy ISBN. 0-521-38768-X. Vf61.

Zustand: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Book, Hardcover. Zustand: Used. The Oxford Companion to Australian Film. These are USED books. Please only purchase if you are happy with that. Images & Editions We use stock images and database descriptions based on the ISBN. The image shown may NOT be the actual book cover you will receive. Covers, editions, printings, and publishers may differ. If you need a specific cover, edition, or printing, please contact us before purchasing. What "Used" Means Because these books are pre-owned: Colouring books may be coloured in Textbooks may have answers filled in, highlighting, notes, or underlining Workbooks may have writing inside Access codes, download codes, CDs, DVDs, or online content are usually missing or already used Books that originally came with toys, inserts, maps, cards, or bonus items will usually NOT include them Pages may be folded, marked, or show normal signs of use If you are buying a book for anything other than reading (e.g. colouring, study use, collecting, gifts, specific covers, bonus items, or digital access), used books may not be suitable. Condition All books are listed as Used - Good Books are clean and readable but not new Some books may have: Writing, highlighting, or markings Folded pages or minor wear A small warehouse or inventory sticker on the spine Original retailer stickers (we do not remove them) Our Process We purchase books by the pallet and scan thousands at a time. For this reason, we cannot photograph or individually inspect every book. Acknowledgement By purchasing, you acknowledge that: You understand the book is used You accept the condition and limitations described above Stock images and descriptions may not exactly match the item received Thank you for supporting Oak Books and helping give books a second life. …

hard cover with dust jacket. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Illustrated with black and white photographs. 26 cm. XXI, 583 pages VG/VG. Very good book in very good dust jacket with shelf wear, signed on flyleaf by Charles Bud Tingwell and Santo Cilauro.

Hardcover. Zustand: Good. some shelfwear but still NICE! - may have remainder mark or previous owner's name Standard-sized.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. pp.xxii+583. 24.5cm. Double column. Black and white photographic illustrations. Appendixes. Australian Film Institute Award Winners; History of the Awards. Bibliography. Subject Index. Hard cover in dust jacket. A very good clean copy ISBN. 0-19-553797-1. Weighs c.1.7kg.…

4to, xxii + 583pp. Original boards in pictorial dustwrapper, lightly marked and rubbed. Presented in encyclopedic format; b/w photogrpahic illustrations throguhout. Name inscription of Leigh Astbury on ffe. A near-fine copy.

8vo. 262pp. B/w illustrations. Original wrappers, a finecopy. . Cambridge Studies in the History of Mass Communications.

Imperial octavo hardcover (VG+) in d/w (VG+); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book may reduce your overall postage costs.…

Zustand: New. In English.

Hardcover. Fine in dj. 259pp. ISBN 0521383633.

Zustand: New. pp. 276.

Zustand: Very Good. First Edition. VG : in very good condition without dust jacket. 230mm x 160mm (9" x 6"). 259pp. Illustrated laminated card cover.

Hardcover/Hardback. Zustand: Fine. Zustand des Schutzumschlags: Fine. First Edition. Abigail to, 550pp. later, Rod Zuanic; everyone else in between - movies, themes, individuals, studios; illustrated, appendixes. Fine in dustwrapper. book.

Hardback, 20x25cm, 583pp. Very good condition (light wear; signed by the authors at title page) in very good dustwrapper (light edge wear and creases). ISBN: 0195537971.

4to (25.2x19cm), hardback, xxii + 583pp. Good condition in good dustwrapper (general light wear, bumped, creased front flap and edges, upper left rear corner a little chipped, scuff marks). Light shelf wear, faint crease mark to freef ront endpaper and following few pages. B&w photographs. Pictures available on request.…

Zustand: New. Print on Demand pp. 276 2:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on Creme w/Gloss Lam.

Zustand: New. PRINT ON DEMAND pp. 276.

Zustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This book traces the indebtedness of Australian cinema to the classical narrative style of Hollywood film-making, comparing the problems faced by the Australian cinema of the seventies and eighties with those encountered by British filmmakers of the forties.…