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First Edition. First edition. Softcover. 197 pages. Exhibition catalog for a show that ran September 13, 2023 through January 28, 2024. A catalog on the work of Georgian artist Niko Pirosmani. Text in English. Features contributions by Daniel Baumann, Demna Shengelala, Mariam Dvali, Kirill Zdanevich, Grigol Robakidze, Nana Kiplani, Andro Wekua, Nino Tarishvilik, Irine Jorjadze and a conversation between Ana Shanshiashvili and Daniel Baumann. Includes numerous illustrations and a checklist. A clean near fine copy in wrappers.

Wrappers. Zustand: Fine Condition. 200 pages 57 illustrations in color. Edited by Daniel Baumann for the Fondation Beyeler. Illustrated wraps. Published on the occasion of the exhibition from Fondation Beyeler, Riehen/Basel September 17, 2023-January 28, 2024. List of Works. Book.

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Paperback. Zustand: New. A Legendary Artist Revisited Unknown to many, Niko Pirosmani is revered as a legend in his native Georgia. Conveying a sense of poignant empathy, his portraits, animal paintings, landscapes and scenes from everyday life painted around 1900 in a flourishing Tbilisi draw on medieval iconography and testify to a deeply felt sense of belonging. At the same time, the avant-garde recognised a novel and radically new form of painting in his work. Like Henri Rousseau or Marc Chagall, Pirosmani is one of the exceptional yet difficult to categorize proponents of early modern art. This catalogue demonstrates Pirosmani's qualities in numerous illustrations, showing how his rapid brushstrokes on black oilcloth give the sparsely applied colors a glow as if coming from a dark depth. Pirosmani was a master of concentration-and a storyteller. As expertly explained in the catalogue by a selection of Georgian art historians, he was a unique artist, a contradictory figure and an important part of the art scene in Tbilisi, then considered the "Paris of the East.".

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Paperback. Zustand: new. Paperback. A Legendary Artist Revisited Unknown to many, Niko Pirosmani is revered as a legend in his native Georgia. Conveying a sense of poignant empathy, his portraits, animal paintings, landscapes and scenes from everyday life painted around 1900 in a flourishing Tbilisi draw on medieval iconography and testify to a deeply felt sense of belonging. At the same time, the avant-garde recognised a novel and radically new form of painting in his work. Like Henri Rousseau or Marc Chagall, Pirosmani is one of the exceptional yet difficult to categorize proponents of early modern art. This catalogue demonstrates Pirosmani's qualities in numerous illustrations, showing how his rapid brushstrokes on black oilcloth give the sparsely applied colors a glow as if coming from a dark depth. Pirosmani was a master of concentration-and a storyteller. As expertly explained in the catalogue by a selection of Georgian art historians, he was a unique artist, a contradictory figure and an important part of the art scene in Tbilisi, then considered the "Paris of the East." Georgian painter Pirosmani (1862-1918) the forgotten hero of the avant-garde--on display again: a large retrospective at the Albertina in Vienna examines his paintings in the context of art history.tory. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Grey wraps with black illustration and white lettering; 197 pp.; richly illustrated, primarily in color. Created on the occasion of an exhibition held at Fondation Beyeler, Riehen/Basel, September 17th, 2023 to January 28th, 2024. VG (Light edgewear to wraps and textblock.).

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Taschenbuch. Zustand: Neu. Neuware -Unknown to many, Niko Pirosmani is revered as a legend in his native Georgia. Conveying a sense of poignant empathy, his portraits, animal paintings, landscapes and scenes from everyday life painted around 1900 in a flourishing Tbilisi draw on medieval iconography and testify to a deeply felt sense of belonging. At the same time, the avant-garde recognised a novel and radically new form of painting in his work. Like Henri Rousseau or Marc Chagall, Pirosmani is one of the exceptional yet difficult to categorize proponents of early modern art. This catalogue demonstrates Pirosmani's qualities in numerous illustrations, showing how his rapid brushstrokes on black oilcloth give the sparsely applied colors a glow as if coming from a dark depth. Pirosmani was a master of concentration and a storyteller. As expertly explained in the catalogue by a selection of Georgian art historians, he was a unique artist, a contradictory figure and an important part of the art scene in Tbilisi, then considered the 'Paris of the East.' Born into a peasant family, NIKO PIROSMANI (1862 - 1918) arrived in Tbilisi in 1870. Painting portraits and tavern signs for room and board, he came to the attention of the Georgian and Russian avant-garde in 1912, who presented him a year later as the 'Rousseau of the East' in the Moscow exhibition Mischén alongside works of Natalia Goncharova, Mikhail Larionov, Kazimir Malevich and Marc Chagall. An exhibition in Paris was planned, yet never to happen due to the First World War. Pirosmani died impoverished in 1918. Today he is Georgia's most celebrated artist. 200 pp. Englisch.

Taschenbuch. Zustand: Neu. Neuware -Unknown to many, Niko Pirosmani is revered as a legend in his native Georgia. Conveying a sense of poignant empathy, his portraits, animal paintings, landscapes and scenes from everyday life painted around 1900 in a flourishing Tbilisi draw on medieval iconography and testify to a deeply felt sense of belonging. At the same time, the avant-garde recognised a novel and radically new form of painting in his work. Like Henri Rousseau or Marc Chagall, Pirosmani is one of the exceptional yet difficult to categorize proponents of early modern art. This catalogue demonstrates Pirosmani's qualities in numerous illustrations, showing how his rapid brushstrokes on black oilcloth give the sparsely applied colors a glow as if coming from a dark depth. Pirosmani was a master of concentration and a storyteller. As expertly explained in the catalogue by a selection of Georgian art historians, he was a unique artist, a contradictory figure and an important part of the art scene in Tbilisi, then considered the 'Paris of the East.' Born into a peasant family, NIKO PIROSMANI (1862 - 1918) arrived in Tbilisi in 1870. Painting portraits and tavern signs for room and board, he came to the attention of the Georgian and Russian avant-garde in 1912, who presented him a year later as the 'Rousseau of the East' in the Moscow exhibition Mischén alongside works of Natalia Goncharova, Mikhail Larionov, Kazimir Malevich and Marc Chagall. An exhibition in Paris was planned, yet never to happen due to the First World War. Pirosmani died impoverished in 1918. Today he is Georgia's most celebrated artist. 200 pp. Englisch.

Paperback. Zustand: Brand New. 240 pages. 11.75x8.75x0.67 inches. In Stock.

brossura paperback. Zustand: Ottimo (Fine). 2023. Copertina editoriale in brossur apieghevole. 197 p.; Ill.; 27 cmFRN.6. Book.

Zustand: New. Most important artist of Georgia Excellent reference work New research by Georgian art historians Most important artist of Georgia Excellent reference work New research by Georgian art historiansUnknown to many, Niko Pirosmani is revered a.

Paperback. Zustand: new. Paperback. A Legendary Artist Revisited Unknown to many, Niko Pirosmani is revered as a legend in his native Georgia. Conveying a sense of poignant empathy, his portraits, animal paintings, landscapes and scenes from everyday life painted around 1900 in a flourishing Tbilisi draw on medieval iconography and testify to a deeply felt sense of belonging. At the same time, the avant-garde recognised a novel and radically new form of painting in his work. Like Henri Rousseau or Marc Chagall, Pirosmani is one of the exceptional yet difficult to categorize proponents of early modern art. This catalogue demonstrates Pirosmani's qualities in numerous illustrations, showing how his rapid brushstrokes on black oilcloth give the sparsely applied colors a glow as if coming from a dark depth. Pirosmani was a master of concentration-and a storyteller. As expertly explained in the catalogue by a selection of Georgian art historians, he was a unique artist, a contradictory figure and an important part of the art scene in Tbilisi, then considered the "Paris of the East." Georgian painter Pirosmani (1862-1918) the forgotten hero of the avant-garde--on display again: a large retrospective at the Albertina in Vienna examines his paintings in the context of art history.tory. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Taschenbuch. Zustand: Neu. Niko Pirosmani | Sam Keller und Daniel Baumann für die Fondation Beyeler | Taschenbuch | Großformatiges Paperback. Klappenbroschur | 200 S. | Englisch | 2023 | Hatje Cantz Verlag | EAN 9783775755146 | Verantwortliche Person für die EU: HATJE CANTZ VERLAG GmbH, Mommsenstr. 27, 10629 Berlin, contact[at]hatjecantz[dot]de | Anbieter: preigu.

Taschenbuch. Zustand: Neu. Neuware - Unknown to many, Niko Pirosmani is revered as a legend in his native Georgia. Conveying a sense of poignant empathy, his portraits, animal paintings, landscapes and scenes from everyday life painted around 1900 in a flourishing Tbilisi draw on medieval iconography and testify to a deeply felt sense of belonging. At the same time, the avant-garde recognised a novel and radically new form of painting in his work. Like Henri Rousseau or Marc Chagall, Pirosmani is one of the exceptional yet difficult to categorize proponents of early modern art. This catalogue demonstrates Pirosmani's qualities in numerous illustrations, showing how his rapid brushstrokes on black oilcloth give the sparsely applied colors a glow as if coming from a dark depth. Pirosmani was a master of concentration and a storyteller. As expertly explained in the catalogue by a selection of Georgian art historians, he was a unique artist, a contradictory figure and an important part of the art scene in Tbilisi, then considered the 'Paris of the East.' Born into a peasant family, NIKO PIROSMANI (1862 - 1918) arrived in Tbilisi in 1870. Painting portraits and tavern signs for room and board, he came to the attention of the Georgian and Russian avant-garde in 1912, who presented him a year later as the 'Rousseau of the East' in the Moscow exhibition Mischén alongside works of Natalia Goncharova, Mikhail Larionov, Kazimir Malevich and Marc Chagall. An exhibition in Paris was planned, yet never to happen due to the First World War. Pirosmani died impoverished in 1918. Today he is Georgia's most celebrated artist.

Zustand: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | Unknown to many, Niko Pirosmani is revered as a legend in his native Georgia. Conveying a sense of poignant empathy, his portraits, animal paintings, landscapes and scenes from everyday life painted around 1900 in a flourishing Tbilisi draw on medieval iconography and testify to a deeply felt sense of belonging. At the same time, the avant-garde recognised a novel and radically new form of painting in his work. Like Henri Rousseau or Marc Chagall, Pirosmani is one of the exceptional yet difficult to categorize proponents of early modern art. This catalogue demonstrates Pirosmani's qualities in numerous illustrations, showing how his rapid brushstrokes on black oilcloth give the sparsely applied colors a glow as if coming from a dark depth. Pirosmani was a master of concentration¿and a storyteller. As expertly explained in the catalogue by a selection of Georgian art historians, he was a unique artist, a contradictory figure and an important part of the art scene in Tbilisi, then considered the "Paris of the East." Born into a peasant family, NIKO PIROSMANI (1862 - 1918) arrived in Tbilisi in 1870. Painting portraits and tavern signs for room and board, he came to the attention of the Georgian and Russian avant-garde in 1912, who presented him a year later as the "Rousseau of the East" in the Moscow exhibition Mischén alongside works of Natalia Goncharova, Mikhail Larionov, Kazimir Malevich and Marc Chagall. An exhibition in Paris was planned, yet never to happen due to the First World War. Pirosmani died impoverished in 1918. Today he is Georgia's most celebrated artist.

Zustand: Gut. Zustand: Gut | Sprache: Deutsch | Produktart: Bücher | Keine Beschreibung verfügbar.

Zustand: New. pp. lxxv + 954.

Zustand: New. pp. lxxv + 954.

Zustand: gut. Variantenwörterbuch des Deutschen: Die Standardsprache in Österreich, der Schweiz und Deutschland sowie in Liechtenstein, Luxemburg, Ostbelgien und Südtirol In deutscher Sprache. pages.

Paperback. Zustand: new. Paperback. A Legendary Artist Revisited Unknown to many, Niko Pirosmani is revered as a legend in his native Georgia. Conveying a sense of poignant empathy, his portraits, animal paintings, landscapes and scenes from everyday life painted around 1900 in a flourishing Tbilisi draw on medieval iconography and testify to a deeply felt sense of belonging. At the same time, the avant-garde recognised a novel and radically new form of painting in his work. Like Henri Rousseau or Marc Chagall, Pirosmani is one of the exceptional yet difficult to categorize proponents of early modern art. This catalogue demonstrates Pirosmani's qualities in numerous illustrations, showing how his rapid brushstrokes on black oilcloth give the sparsely applied colors a glow as if coming from a dark depth. Pirosmani was a master of concentration-and a storyteller. As expertly explained in the catalogue by a selection of Georgian art historians, he was a unique artist, a contradictory figure and an important part of the art scene in Tbilisi, then considered the "Paris of the East." Georgian painter Pirosmani (1862-1918) the forgotten hero of the avant-garde--on display again: a large retrospective at the Albertina in Vienna examines his paintings in the context of art history.tory. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.