Nancy kuo (35 Ergebnisse)
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Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
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Verlag: Academy, 1965
- Softcover
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In den WarenkorbTrade Paperback. Zustand: Very good condition. 74pp. Book is as described - NO defects or marks of any kind. A very nice copy. Color Illustrations (illustrator).
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paperback. Zustand: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.
Verlag: Taplinger Pub. Co, New York, 1965
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In den WarenkorbHardcover. Zustand: Good. Zustand des Schutzumschlags: Good / with Protective Cover. Some light rubbing and edgewear, DJ has some rubbing, staining and tearing. Text has yellowed slightly, but remains tight in binding. Size: 8vo - over 7¾" - 9¾" tall.
Verlag: London: Alec Tiranti, 1964
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In den WarenkorbSoft cover. Zustand: Very Good. No Jacket. 1st Edition. Small octavo in stiff paper wraps; color & B&W illustrations. Condition: spine sunned; lower corner slightly bumped; else VG. Pages: 20 (text & map); 74 plates.
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Sensing the Future : Experiments in Art and Technology (E.a.t.)
Perloff , Nancy (EDT); Kuo, Michelle (EDT); Perron, Wendy (CON); Piekut, Benjamin (CON); Olsson, Jesper (CON)
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Paperback. Zustand: new. Paperback. In the 1960s and '70s, collaborations between artists and engineers led to groundbreaking innovations in multisensory performance art that continue to resonate today. In 1966, Billy Kluever and Fred Waldhauer, engineers at Bell Telephone Laboratories in New Jersey, teamed up with artists Rober…t Rauschenberg and Robert Whitman to form a nonprofit organization, Experiments in Art and Technology (E.A.T.). E.A.T.'s debut event, 9 Evenings: Theatre & Engineering, integrated art, theater, and groundbreaking technology in a series of performances at the 69th Regiment Armory in Manhattan. Its second major event, the 1970 Pepsi Pavilion in Osaka, Japan, presented a complex, multisensory environment for the first world exposition held in Asia. At these events, and in the hundreds of collaborations E.A.T. facilitated in between, its membersincluding John Cage, Lucinda Childs, Deborah Hay, Steve Paxton, Yvonne Rainer, and David Tudorimagined innovative ways for art and science to intersect and enrich society. Sensing the Future tells the story of how this unique organization brought artists and engineers together to pioneer technology-based artworks and performances. Through the examination of films, photographs, diagrams, and ephemera from the archives of the Getty Research Institute, this volume provides a new perspective on multimedia art in the 1960s and '70s and highlights the ways E.A.T. pushed the role of the artist beyond the traditional art world. This volume is published to accompany an exhibition on view at the Getty Research Institute at the Getty Center from September 10, 2024, to February 23, 2025. The organization Experiments in Art and Technology (E.A.T), brought artists and engineers together to pioneer technology-based artworks and performances. This volume provides a new perspective on multimedia art in the 1960s and 1970s and highlights the ways E.A.T. pushed the role of the artist beyond the traditional art world. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Zustand: New. In 1966, Billy Kluver and Fred Waldhauer, engineers at Bell Telephone Laboratories in New Jersey, teamed up with artists Robert Rauschenberg and Robert Whitman to form a nonprofit organization, Experiments in Art and Technology (E.A.T.). E.A.T.'s debut event, 9 Evenings: Theatre and Engineering, integrat…ed art, theater, and groundbreaking technology in a series of performances at the 69th Regiment Armory in Manhattan. Its second major event, the 1970 Pepsi Pavilion in Osaka, Japan, presented a complex, multisensory environment for the first world exposition held in Asia. At these events, and in the hundreds of collaborations E.A.T. facilitated in between, its members-including John Cage, Lucinda Childs, Deborah Hay, Steve Paxton, Yvonne Rainer, and David Tudor-imagined innovative ways for art and science to intersect and enrich society. Sensing the Future tells the story of how this unique organization brought artists and engineers together to pioneer technology-based artworks and performances. Through the examination of films, photographs, diagrams, and ephemera from the archives of the Getty Research Institute, this volume provides a new perspective on multimedia art in the 1960s and 70s and highlights the ways E.A.T. pushed the role of the artist beyond the traditional art world.EXHIBITIONJ. Paul Getty Museum, Getty CenterSeptember 10, 2024-February 23, 2025Clear-eyed and clear-eared insights by scholars at the very top of their topics, and beautifully designed and illustrated with archival treasures from the Getty Research Institute, Sensing the Future is an indispensable document on Experiments in Art and Technology, and on key events of the period in art, music, dance, performance, and everything in-between. - Douglas Kahn, author of Earth Sound Earth Signal: Energies and Earth Magnitude in the ArtsThis book presents multifaceted scholarly investigations of an organization that was committed to collaborations among artists, engineers, and scientists, but it was also an organization that continued to reinvent itself as it seized new opportunities to change society and the future. - Julie MartinSensing the Future: Experiments in Art and Technology explores alargely ignored conceptual and material transformation of the arts in the1960s. Framed by nine performances at the New York Armory in October 1966 andthe Pepsi Pavilion at Osaka's Expo '70, it focuses on the imaginativecollaborations of engineers, especially Bell Labs's visionary Billy Klüver,with artists, composers, and dancers-among them Tinguely and Rauschenberg, Cageand Tudor, Hay and Rainer. Through the examination of works that grew out oftechnological innovations and engaged the senses, editors Nancy Perloff andMichelle Kuo conclude that these experiences suggested the "future of modernsociety" as "contingent, shifting, and open-ended." - Jann Pasler,Distinguished Professor, University of California, San Diego.
- Softcover
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Sensing the Future : Experiments in Art and Technology (E.a.t.)
Perloff , Nancy (EDT); Kuo, Michelle (EDT); Perron, Wendy (CON); Piekut, Benjamin (CON); Olsson, Jesper (CON)
- Softcover
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Verlag: Taplinger, New York,, 1965
- Hardcover
- Erstausgabe
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In den WarenkorbHardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. 1st Edition. 8vo hardcover volume in red boards with very good dust jacket with a couple minor chips. Book in near fine condition with no faults. 20 pages text and 74 illustrations. A review copy with slip.
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Paperback. Zustand: New. In 1966, Billy Kluver and Fred Waldhauer, engineers at Bell Telephone Laboratories in New Jersey, teamed up with artists Robert Rauschenberg and Robert Whitman to form a nonprofit organization, Experiments in Art and Technology (E.A.T.). E.A.T.'s debut event, 9 Evenings: Theatre and Engineering, integrat…ed art, theater, and groundbreaking technology in a series of performances at the 69th Regiment Armory in Manhattan. Its second major event, the 1970 Pepsi Pavilion in Osaka, Japan, presented a complex, multisensory environment for the first world exposition held in Asia. At these events, and in the hundreds of collaborations E.A.T. facilitated in between, its members-including John Cage, Lucinda Childs, Deborah Hay, Steve Paxton, Yvonne Rainer, and David Tudor-imagined innovative ways for art and science to intersect and enrich society. Sensing the Future tells the story of how this unique organization brought artists and engineers together to pioneer technology-based artworks and performances. Through the examination of films, photographs, diagrams, and ephemera from the archives of the Getty Research Institute, this volume provides a new perspective on multimedia art in the 1960s and 70s and highlights the ways E.A.T. pushed the role of the artist beyond the traditional art world.EXHIBITIONJ. Paul Getty Museum, Getty CenterSeptember 10, 2024-February 23, 2025Clear-eyed and clear-eared insights by scholars at the very top of their topics, and beautifully designed and illustrated with archival treasures from the Getty Research Institute, Sensing the Future is an indispensable document on Experiments in Art and Technology, and on key events of the period in art, music, dance, performance, and everything in-between. - Douglas Kahn, author of Earth Sound Earth Signal: Energies and Earth Magnitude in the ArtsThis book presents multifaceted scholarly investigations of an organization that was committed to collaborations among artists, engineers, and scientists, but it was also an organization that continued to reinvent itself as it seized new opportunities to change society and the future. - Julie MartinSensing the Future: Experiments in Art and Technology explores alargely ignored conceptual and material transformation of the arts in the1960s. Framed by nine performances at the New York Armory in October 1966 andthe Pepsi Pavilion at Osaka's Expo '70, it focuses on the imaginativecollaborations of engineers, especially Bell Labs's visionary Billy Klüver,with artists, composers, and dancers-among them Tinguely and Rauschenberg, Cageand Tudor, Hay and Rainer. Through the examination of works that grew out oftechnological innovations and engaged the senses, editors Nancy Perloff andMichelle Kuo conclude that these experiences suggested the "future of modernsociety" as "contingent, shifting, and open-ended." - Jann Pasler,Distinguished Professor, University of California, San Diego.
- Softcover
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Paperback. Zustand: Brand New. 128 pages. 10.00x8.00x10.00 inches. In Stock.
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Verlag: Ai Mei Gallery, (London, 1984
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Softcover. Zustand: Very Good. First edition. Introduction by G.S. Whittet. Illustrated. Pictorial wrappers. Covers lightly creased with light rubbing to the extremities, very good. Inscribed by Whittet (as "Jock") to poet Niles Bond.
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Sensing the Future : Experiments in Art and Technology (E.a.t.)
Perloff , Nancy (EDT); Kuo, Michelle (EDT); Perron, Wendy (CON); Piekut, Benjamin (CON); Olsson, Jesper (CON)
- Softcover
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Sensing the Future : Experiments in Art and Technology (E.a.t.)
Perloff , Nancy (EDT); Kuo, Michelle (EDT); Perron, Wendy (CON); Piekut, Benjamin (CON); Olsson, Jesper (CON)
- Softcover
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Paperback. Zustand: new. Paperback. In the 1960s and '70s, collaborations between artists and engineers led to groundbreaking innovations in multisensory performance art that continue to resonate today. In 1966, Billy Kluever and Fred Waldhauer, engineers at Bell Telephone Laboratories in New Jersey, teamed up with artists Rober…t Rauschenberg and Robert Whitman to form a nonprofit organization, Experiments in Art and Technology (E.A.T.). E.A.T.'s debut event, 9 Evenings: Theatre & Engineering, integrated art, theater, and groundbreaking technology in a series of performances at the 69th Regiment Armory in Manhattan. Its second major event, the 1970 Pepsi Pavilion in Osaka, Japan, presented a complex, multisensory environment for the first world exposition held in Asia. At these events, and in the hundreds of collaborations E.A.T. facilitated in between, its membersincluding John Cage, Lucinda Childs, Deborah Hay, Steve Paxton, Yvonne Rainer, and David Tudorimagined innovative ways for art and science to intersect and enrich society. Sensing the Future tells the story of how this unique organization brought artists and engineers together to pioneer technology-based artworks and performances. Through the examination of films, photographs, diagrams, and ephemera from the archives of the Getty Research Institute, this volume provides a new perspective on multimedia art in the 1960s and '70s and highlights the ways E.A.T. pushed the role of the artist beyond the traditional art world. This volume is published to accompany an exhibition on view at the Getty Research Institute at the Getty Center from September 10, 2024, to February 23, 2025. The organization Experiments in Art and Technology (E.A.T), brought artists and engineers together to pioneer technology-based artworks and performances. This volume provides a new perspective on multimedia art in the 1960s and 1970s and highlights the ways E.A.T. pushed the role of the artist beyond the traditional art world. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Sprache: Englisch
Verlag: Alec Tiranti, 1964
- Hardcover
- Erstausgabe
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In den WarenkorbHardcover. Zustand: Very Good. Zustand des Schutzumschlags: Fair. 1st Edition. Red and black covers and spine, the latter lettered in gilt. Faded jacket has a 1 cm tear on top leading corner and a 1 cm chip at head of spine. Internally a touch of foxing on front free end paper. Clean contents. photographs by Guy Davis (illustrat…or).
- Softcover
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Sensing the Future: Experiments in Art and Technology (E.A.T.). Sep. 10, 2024 - Feb. 23, 2025
Perloff, Nancy, Kuo, Michelle (Eds.); The Getty Research Institute
Verlag: Los Angeles: The Getty Research Institute, 2024
- Softcover
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In den WarenkorbZustand: Good. 4to. Soft cover, Metallic Silver Covers [ca. 125 pp.] B&W and Color Plates, Very Good.
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Paperback. Zustand: New. In 1966, Billy Kluver and Fred Waldhauer, engineers at Bell Telephone Laboratories in New Jersey, teamed up with artists Robert Rauschenberg and Robert Whitman to form a nonprofit organization, Experiments in Art and Technology (E.A.T.). E.A.T.'s debut event, 9 Evenings: Theatre and Engineering, integrat…ed art, theater, and groundbreaking technology in a series of performances at the 69th Regiment Armory in Manhattan. Its second major event, the 1970 Pepsi Pavilion in Osaka, Japan, presented a complex, multisensory environment for the first world exposition held in Asia. At these events, and in the hundreds of collaborations E.A.T. facilitated in between, its members-including John Cage, Lucinda Childs, Deborah Hay, Steve Paxton, Yvonne Rainer, and David Tudor-imagined innovative ways for art and science to intersect and enrich society. Sensing the Future tells the story of how this unique organization brought artists and engineers together to pioneer technology-based artworks and performances. Through the examination of films, photographs, diagrams, and ephemera from the archives of the Getty Research Institute, this volume provides a new perspective on multimedia art in the 1960s and 70s and highlights the ways E.A.T. pushed the role of the artist beyond the traditional art world.EXHIBITIONJ. Paul Getty Museum, Getty CenterSeptember 10, 2024-February 23, 2025Clear-eyed and clear-eared insights by scholars at the very top of their topics, and beautifully designed and illustrated with archival treasures from the Getty Research Institute, Sensing the Future is an indispensable document on Experiments in Art and Technology, and on key events of the period in art, music, dance, performance, and everything in-between. - Douglas Kahn, author of Earth Sound Earth Signal: Energies and Earth Magnitude in the ArtsThis book presents multifaceted scholarly investigations of an organization that was committed to collaborations among artists, engineers, and scientists, but it was also an organization that continued to reinvent itself as it seized new opportunities to change society and the future. - Julie MartinSensing the Future: Experiments in Art and Technology explores alargely ignored conceptual and material transformation of the arts in the1960s. Framed by nine performances at the New York Armory in October 1966 andthe Pepsi Pavilion at Osaka's Expo '70, it focuses on the imaginativecollaborations of engineers, especially Bell Labs's visionary Billy Klüver,with artists, composers, and dancers-among them Tinguely and Rauschenberg, Cageand Tudor, Hay and Rainer. Through the examination of works that grew out oftechnological innovations and engaged the senses, editors Nancy Perloff andMichelle Kuo conclude that these experiences suggested the "future of modernsociety" as "contingent, shifting, and open-ended." - Jann Pasler,Distinguished Professor, University of California, San Diego.
