Neri janice (34 Ergebnisse)
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hardcover. Zustand: Very Good. Clean Unmarked Copy with Strong Binding that has been carefully read & shows Minimal Signs of Use ~ Page edges are clean with sharp corners ~ Cover is excellent having been protected by jacket ~ Jacket has good color with light rubbing wear.
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Zustand: New. pp. 280 82 Illus.
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Paperback. Zustand: New. Once considered marginal members of the animal world (at best) or vile and offensive creatures (at worst), insects saw a remarkable uptick in their status during the early Renaissance. This quickened interest was primarily manifested in visual images-in illuminated manuscripts, still life paintings, the…decorative arts, embroidery, textile design, and cabinets of curiosity. In The Insect and the Image, Janice Neri explores the ways in which such imagery defined the insect as a proper subject of study for Europeans of the early modern period.It was not until the sixteenth century that insects began to appear as the sole focus of paintings and drawings-as isolated objects, or specimens, against a blank background. The artists and other image makers Neri discusses deployed this "specimen logic" and so associated themselves with a mode of picturing in which the ability to create a highly detailed image was a sign of artistic talent and a keenly observant eye. The Insect and the Image shows how specimen logic both reflected and advanced a particular understanding of the natural world-an understanding that, in turn, supported the commodification of nature that was central to global trade and commerce during the early modern era. Revealing how sixteenth- and seventeenth-century artists and image makers shaped ideas of the natural world, Neri's work enhances our knowledge of the convergence of art, science, and commerce today.
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Zustand: New. 2011. Paperback. Num Pages: 280 pages, 82 b&w illustrations. BIC Classification: 1D; 3JB; 3JD; ACND; PDX. Category: (G) General (US: Trade). Dimension: 178 x 251 x 15. Weight in Grams: 552. . . . . .
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Paperback. Zustand: New. Once considered marginal members of the animal world (at best) or vile and offensive creatures (at worst), insects saw a remarkable uptick in their status during the early Renaissance. This quickened interest was primarily manifested in visual images-in illuminated manuscripts, still life paintings, the…decorative arts, embroidery, textile design, and cabinets of curiosity. In The Insect and the Image, Janice Neri explores the ways in which such imagery defined the insect as a proper subject of study for Europeans of the early modern period.It was not until the sixteenth century that insects began to appear as the sole focus of paintings and drawings-as isolated objects, or specimens, against a blank background. The artists and other image makers Neri discusses deployed this "specimen logic" and so associated themselves with a mode of picturing in which the ability to create a highly detailed image was a sign of artistic talent and a keenly observant eye. The Insect and the Image shows how specimen logic both reflected and advanced a particular understanding of the natural world-an understanding that, in turn, supported the commodification of nature that was central to global trade and commerce during the early modern era. Revealing how sixteenth- and seventeenth-century artists and image makers shaped ideas of the natural world, Neri's work enhances our knowledge of the convergence of art, science, and commerce today.
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Zustand: New. 2011. Paperback. Num Pages: 280 pages, 82 b&w illustrations. BIC Classification: 1D; 3JB; 3JD; ACND; PDX. Category: (G) General (US: Trade). Dimension: 178 x 251 x 15. Weight in Grams: 552. . . . . . Books ship from the US and Ireland.
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Zustand: New. pp. 280 Index.
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Paperback. Zustand: Brand New. 280 pages. 9.80x6.90x0.60 inches. In Stock.
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Hardback. Zustand: New. An archive of never-before-published illustrations of insects and plants painted by a pioneering naturalist.During his lifetime (1751-ca. 1840), English-born naturalist and artist John Abbot rendered more than 4,000 natural history illustrations and profoundly influenced North American entomology, as he d…ocumented many species in the New World long before they were scientifically described. For sixty-five years, Abbot worked in Georgia to advance knowledge of the flora and fauna of the American South by sending superbly mounted specimens and exquisitely detailed illustrations of insects, birds, butterflies, and moths, on commission, to collectors and scientists all over the world.Between 1816 and 1818, Abbot completed 104 drawings of insects on their native plants for English naturalist and patron William Swainson (1789-1855). Both Abbot and Swainson were artists, naturalists, and collectors during a time when natural history and the sciences flourished. Separated by nearly forty years in age, Abbot and Swainson were members of the same international communities and correspondence networks upon which the study of nature was based during this period.The relationship between these two men-who never met in person-is explored in John Abbot and William Swainson: Art, Science, and Commerce in Nineteenth-Century Natural History Illustration. This volume also showcases, for the first time, the complete set of original, full-color illustrations discovered in 1977 in the Alexander Turnbull Library in Wellington, New Zealand. Originally intended as a companion to an earlier survey of insects from Georgia, the newly rediscovered Turnbull manuscript presents beetles, grasshoppers, butterflies, moths, and a wasp. Most of the insects are pictured with the flowering plants upon which Abbot thought them to feed. Abbot's journal annotations about the habits and biology of each species are also included, as are nomenclature updates for the insect taxa.Today, the Turnbull drawings illuminate the complex array of personal and professional concerns that informed the field of natural history in the eighteenth and nineteenth centuries. These illustrations are also treasured artifacts from times past, their far-flung travels revealing a world being reshaped by the forces of global commerce and information exchange even then. The shared project of John Abbot and William Swainson is now brought to completion, signaling the beginning of a new phase of its significance for modern readers and scholars.
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Paperback. Zustand: New. Once considered marginal members of the animal world (at best) or vile and offensive creatures (at worst), insects saw a remarkable uptick in their status during the early Renaissance. This quickened interest was primarily manifested in visual images-in illuminated manuscripts, still life paintings, the…decorative arts, embroidery, textile design, and cabinets of curiosity. In The Insect and the Image, Janice Neri explores the ways in which such imagery defined the insect as a proper subject of study for Europeans of the early modern period.It was not until the sixteenth century that insects began to appear as the sole focus of paintings and drawings-as isolated objects, or specimens, against a blank background. The artists and other image makers Neri discusses deployed this "specimen logic" and so associated themselves with a mode of picturing in which the ability to create a highly detailed image was a sign of artistic talent and a keenly observant eye. The Insect and the Image shows how specimen logic both reflected and advanced a particular understanding of the natural world-an understanding that, in turn, supported the commodification of nature that was central to global trade and commerce during the early modern era. Revealing how sixteenth- and seventeenth-century artists and image makers shaped ideas of the natural world, Neri's work enhances our knowledge of the convergence of art, science, and commerce today.
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Hardcover. Zustand: Brand New. 239 pages. 11.25x9.00x1.25 inches. In Stock.
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Taschenbuch. Zustand: Neu. The Insect and the Image | Visualizing Nature in Early Modern Europe, 1500-1700 | Janice Neri | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2011 | University of Minnesota Press | EAN 9780816667659 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLA…NDE, gpsr[at]mare-nostrum[dot]co[dot]uk | Anbieter: preigu.
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Paperback. Zustand: New. Once considered marginal members of the animal world (at best) or vile and offensive creatures (at worst), insects saw a remarkable uptick in their status during the early Renaissance. This quickened interest was primarily manifested in visual images-in illuminated manuscripts, still life paintings, the…decorative arts, embroidery, textile design, and cabinets of curiosity. In The Insect and the Image, Janice Neri explores the ways in which such imagery defined the insect as a proper subject of study for Europeans of the early modern period.It was not until the sixteenth century that insects began to appear as the sole focus of paintings and drawings-as isolated objects, or specimens, against a blank background. The artists and other image makers Neri discusses deployed this "specimen logic" and so associated themselves with a mode of picturing in which the ability to create a highly detailed image was a sign of artistic talent and a keenly observant eye. The Insect and the Image shows how specimen logic both reflected and advanced a particular understanding of the natural world-an understanding that, in turn, supported the commodification of nature that was central to global trade and commerce during the early modern era. Revealing how sixteenth- and seventeenth-century artists and image makers shaped ideas of the natural world, Neri's work enhances our knowledge of the convergence of art, science, and commerce today.
Weitere Bilder- Hardcover
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Hardcover. Zustand: Very Good. 2008 Yale University Press large format hardcover edition. Light reading wear else very good condition. Preface by Elizabeth Cropper; Introduction by Therese O'Malley and Amy R. W. Meyers; Artisanal Knowledge and the Representation of Nature in Sixteenth-Century Germany by Pamela H. Smith; Botany a…nd Humanism in the Renaissance: Background, Interaction, Contradictions by Alain Touwaide; The Uses of Botanical Treatises in the Netherlands, c. 1600 by Claudia Swan; Between Observation and Image: Representations of Insects in Robert Hooke's Micrographia by Janice Neri; The Eyes of the New Pliny: The Use of Images in Gonzalo Fernandez de Oviedo's Historia general y natural de las Indias by Jesus Carrillo Castillo; Mexican Nature in Diego Valades' Rhetorica christiana (1579) by Lina Bolzoni; From Florence to Philadelphia: Naturalistic Illustration in Tuscany, c. 1760-c. 1840 by Alessandro Tosi; "La femminil pazienza": Women Painters and Natural History in the Seventeenth and Early Eighteenth Centuries by Lucia Tongiorgi Tomasi; A Garden Book Made for Emperor Rudolf II in 1593: Hans Puechfeldner's Nutzliches Khunstbuech der Gartnereij by Erik A. de Jong; "Cosmic Delight": Bartolomeo Bimbi and the Representation of Nature at the Court of Cosimo III de' Medici by Hans W. Hubert; The Congenial Climate of Coffeehouse Horticulture: The Historia plantarum rariorum and the Catalogus plantarum by Mark Laird; and Appendix: The Club at the Temple Coffee House by Margaret Riley.
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Hardback. Zustand: New. An archive of never-before-published illustrations of insects and plants painted by a pioneering naturalist.During his lifetime (1751-ca. 1840), English-born naturalist and artist John Abbot rendered more than 4,000 natural history illustrations and profoundly influenced North American entomology, as he d…ocumented many species in the New World long before they were scientifically described. For sixty-five years, Abbot worked in Georgia to advance knowledge of the flora and fauna of the American South by sending superbly mounted specimens and exquisitely detailed illustrations of insects, birds, butterflies, and moths, on commission, to collectors and scientists all over the world.Between 1816 and 1818, Abbot completed 104 drawings of insects on their native plants for English naturalist and patron William Swainson (1789-1855). Both Abbot and Swainson were artists, naturalists, and collectors during a time when natural history and the sciences flourished. Separated by nearly forty years in age, Abbot and Swainson were members of the same international communities and correspondence networks upon which the study of nature was based during this period.The relationship between these two men-who never met in person-is explored in John Abbot and William Swainson: Art, Science, and Commerce in Nineteenth-Century Natural History Illustration. This volume also showcases, for the first time, the complete set of original, full-color illustrations discovered in 1977 in the Alexander Turnbull Library in Wellington, New Zealand. Originally intended as a companion to an earlier survey of insects from Georgia, the newly rediscovered Turnbull manuscript presents beetles, grasshoppers, butterflies, moths, and a wasp. Most of the insects are pictured with the flowering plants upon which Abbot thought them to feed. Abbot's journal annotations about the habits and biology of each species are also included, as are nomenclature updates for the insect taxa.Today, the Turnbull drawings illuminate the complex array of personal and professional concerns that informed the field of natural history in the eighteenth and nineteenth centuries. These illustrations are also treasured artifacts from times past, their far-flung travels revealing a world being reshaped by the forces of global commerce and information exchange even then. The shared project of John Abbot and William Swainson is now brought to completion, signaling the beginning of a new phase of its significance for modern readers and scholars.
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Paperback. Zustand: New. *** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy, brand new, pristine, never opened -- 264 pp. ; 86 illus. -- with a bonus offer--; Once considered marginal members of the animal world (at best) or vile and offensive crea…tures (at worst), insects saw a remarkable uptick in their status during the early Renaissance. This quickened interest was primarily manifested in visual imagesâ"in illuminated manuscripts, still life paintings, the decorative arts, embroidery, textile design, and cabinets of curiosity. In The Insect and the Image, Janice Neri explores the ways in which such imagery defined the insect as a proper subject of study for Europeans of the early modern period.It was not until the sixteenth century that insects began to appear as the sole focus of paintings and drawingsâ"as isolated objects, or specimens, against a blank background. The artists and other image makers Neri discusses deployed this ?specimen logic? and so associated themselves with a mode of picturing in which the ability to create a highly detailed image was a sign of artistic talent and a keenly observant eye. The Insect and the Image shows how specimen logic both reflected and advanced a particular understanding of the natural worldâ"an understanding that, in turn, supported the commodification of nature that was central to global trade and commerce during the early modern era.Revealing how sixteenth- and seventeenth-century artists and image makers shaped ideas of the natural world, Neri?s work enhances our knowledge of the convergence of art, science, and commerce today.
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Hardcover. Zustand: New. *** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy, brand new, pristine, never opened -- 264 pp. ; 86 illus. -- with a bonus offer--; Once considered marginal members of the animal world (at best) or vile and offensive crea…tures (at worst), insects saw a remarkable uptick in their status during the early Renaissance. This quickened interest was primarily manifested in visual imagesâ"in illuminated manuscripts, still life paintings, the decorative arts, embroidery, textile design, and cabinets of curiosity. In The Insect and the Image, Janice Neri explores the ways in which such imagery defined the insect as a proper subject of study for Europeans of the early modern period.It was not until the sixteenth century that insects began to appear as the sole focus of paintings and drawingsâ"as isolated objects, or specimens, against a blank background. The artists and other image makers Neri discusses deployed this ?specimen logic? and so associated themselves with a mode of picturing in which the ability to create a highly detailed image was a sign of artistic talent and a keenly observant eye. The Insect and the Image shows how specimen logic both reflected and advanced a particular understanding of the natural worldâ"an understanding that, in turn, supported the commodification of nature that was central to global trade and commerce during the early modern era.Revealing how sixteenth- and seventeenth-century artists and image makers shaped ideas of the natural world, Neri?s work enhances our knowledge of the convergence of art, science, and commerce today.
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Paperback. Zustand: Brand New. 280 pages. 9.80x6.90x0.60 inches. In Stock. This item is printed on demand.
