Pedro meyer (148 Ergebnisse)

Paperback. Zustand: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardback. Zustand: Good.

Zustand: Good. 1st. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. 1st. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hard Cover. Zustand: Very Good. No Jacket. First Printing. Cover is lightly rubbed. Pgs. are clean & tight. Size: 4to - over 9¾" - 12" tall. Meyer, Pedro; Iturbide, Graciela (illustrator).

paperback. Zustand: Good.

CD-ROM. Zustand: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

hardcover. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Trade Paperback. Zustand: Used - Good.

hardcover. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Zustand: Good.

Paperback. Zustand: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

hardcover. Zustand: Fair. First page was stuck to endpaper from a little humidity causing a small tear. Otherwise good. Shelving code LSA.

Paperback. The Summer 1994 issue of Aperture magazine, No. 136, on "Metamorphoses: Photography in the Electronic Age" with: a portfolio of work by Pedro Meyer and essay by Jonathan Green; a portfolio of computer photomontage images by Eva Sutton, Martina Lopez, Shelly Smith, Anil Melnick, Roshini Kempadoo, Osamu James Nakagawa, and Esther Parada; a portfolio titled "The Virtual Landscape" with images by Kathleen Ruiz, Peter Campus, Barbara Kasten, and Paul Thorel; a Nash editions portfolio with work by Graham Nash, Robert Heinecken, David Byrne, Jonathan Reff, Eileen Cowin, Olivia Parker, and Lynn Butler; photographs by Diane Fenster, MANUAL, Deanne Sokolin, and Annette Weintraub; essays by Ben Davis, Geoffry Batchen, Timothy Druckrey, Michael Sand, and others; articles on digital montage, "The Digital Museum," Nancy Burson, and much more. Edited by Melissa Harris; art directed by Yolanda Cuomo. First edition. Perfect-bound stiff card covers; 80 pages; color and b&w illustrations throughout; 9.5 x 11.5 inches. Condition: Fine, almost as new. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.…

Hardcover. Fine hardcover with a light bump to two tips in a Near Fine dust jacket with a touch of shelf wear and sunning to the spine. Brown cloth-bound hardcover with plate mounted to front and crisp white title to front and spine in the scarce dj. All dust jackets are protected by a clear mylar cover. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. Second printing, 1987. 160 pages; color and b&w photos throughout; 9 x 11 inches. Photographs primarily by Graciela Iturbide and Pedro Meyer who were commissioned to shoot the images for the book, as well as some by Rene Burri, Sebastiao Salgado, David Alan Harvey, and others.…

Hardcover. Zustand: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First Edition. Dust Jacket Condition: Fine. 133 (2) pp, Pedro Meyer: Truths, Fictions, and Reasonable Doubts by Joan Fontcuberta; Truths & Fictions: United States, Mexico with commentary on the Digital Revolution from contributors around the world (Excerpted from Letters to Pedro Meyer); Expanding Memory: Interview with Pedro Meyer by Michael Sand; Digital Studio; chronology/publications/exhibitions; acknowledgments with color and b&w plates throughout. First Edition, 1995. "Meyer's photographs tell a story about severalkinds of border crossings -- from black-and-white to color, from the United States to Mexico, from truth to fiction, from the personal to the universal, and from traditional documentary photography to the revolutionary potentials of computer alteration." from the jacket flap. Price clipped. Inscription on title page, else, Pristine, no wear. Clean, tight and strong binding with no underlining, highlighting or marginalia. Dark blue-grey cloth with gilt lettering to spine. Size: Oblong Quarto. Book.…

Hardcover. First edition, first printing. Fine hardcover with some light pencil underlining on the credits page. Brown cloth-bound hardcover with plate mounted to front and crisp silver title to front and spine; no dj as issued. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. 160 pages; color and b&w photos throughout; 9.25 x 11.25 inches. Photographs primarily by Graciela Iturbide and Pedro Meyer who were commissioned to shoot the images for the book, as well as some by Rene Burri, Sebastiao Salgado, David Alan Harvey, and others.…

Hardcover. First edition. Fine with short non-authorial inscription. Hardback, no dj as issued. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. 96 pages; 55 duo-toned b&w photographic plates; 7.5 x 10.25 inches. In Rodriguez's series of startlingly intimate b&w photographs and Martinez's gripping text, we encounter a re-sexualized and re-spiritualized country in flux, embracing religious dogma while discarding taboos that once shrouded sex in a haze of artifice, euphemism, and history. Rodriguez's beautiful and brutally honest images suggest a culture in which spirit and flesh have always been inextricably intertwined.…

Paperback. Zustand: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

hardcover. Zustand: As New. Used, hardcover like new. Sharp, square, clean, fresh & serviceable copy. No highlighting, marginalia or page tears.

First edition Fine and bright oversize glossy stiff wraps with strong spine and clean text throughout. Profusely illustrated.

Zustand: New.

Hardcover with dustjacket,150 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Zustand: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Paperback. Zustand: Brand New. 105 pages. Spanish language. 9.00x6.00x0.24 inches. In Stock.

hardcover. Zustand: Collectible; Like New. First Edition; First Printing. Tight, clean and crisp. No inscriptions. No remainder mark. Not price clipped. Not ex-library. An excellent First Printing of the First Edition protected in a new Mylar cover.

softcover. Zustand: Collectible; Like New. First Edition; First Printing. Single sheet of heavy card stock folded twice to make a 6 page exhibition catalog with 5 plates. Texts by Van Deren Coke, and Diana C. du Pont. Published on the occasion of the exhibition at the San Francisco Museum of Modern Art, 6 November, 1987 - 31 January, 1988. ; Tight and clean. No inscriptions. Not ex-library. In excellent condition. ; Scarce.…

Paperback. Zustand: New. While global financial capital is abundant, it flows into corporate investments and real estate rather than climate change actions in cities. Political will and public pressure are crucial to redirecting funds. Studies of economic impacts underestimate the costs of climate disasters, especially in cities, so they undermine political commitments while understating potential climate-related returns. The shift of corporate approaches towards incorporating environmental, social, and governance (ESG) impacts offers promise for private-sector climate investments but are recently contested. Institutional barriers remain at all levels, particularly in African cities. Since the Global North controls the world's financial markets, new means of increasing funding for the Global South are needed, especially for adaptation. Innovative financial instruments and targeted use of environmental insurance tools can upgrade underdeveloped markets and align urban climate finance with ESG frameworks. These approaches, however, require climate impact data collection, programs to improve cities' and countries' creditworthiness, and trainings. This title is also available as open access on Cambridge Core.…