Rasch william w (26 Ergebnisse)

Sprache: Englisch
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Paperback. Zustand: New. This book is an introduction to the nature of modernity as envisioned by Germany's leading social theorist of the late twentieth century, Niklas Luhmann. For Luhmann, modernity is neither an Enlightenment project nor a ludic rejection of that project, but rather the pre-condition of all our deliberations, the structure within which our semantics makes sense, even as we think we celebrate (or mourn) its passing. Rather than viewing modernity as a disease for which we seek a cure, Luhmann poses it as a question to which we continually devise incomplete and partial answers. When we grow impatient with the contingency and indeterminacy that is thus forced upon us and seek solace in community, religion (orthodox or civic), consensus, and a universal vision of the good life, we grow impatient with modernity itself. The book injects concepts derived from Luhmann's influential systems theory (complexity, contingency, and enforced selectivity; system differentiation, self-referential closure, and autopoiesis) into debates about modernity and postmodernity, constructivist and foundationalist epistemologies, the relationship between politics and ethics, and the possibilities of interdisciplinary work that spans the great divide between science and the humanities. Delighting in Luhmann's provocatively cool and dispassionate bursting of cherished balloons, the book stages challenging engagements with such thinkers as Jürgen Habermas, Jacques Derrida, Jean-François Lyotard, Drucilla Cornell, Judith Butler, Michel Serres, N. Katherine Hayles, and such political theorists as Chantal Mouffe and Carl Schmitt. The irrepressibility of paradox emerges as a stubborn feature of all of these confrontations. The book closes with two interviews: one a discussion with Luhmann and Hayles on epistemology, the other with Luhmann on the functional differentiation of modern society.…

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Hardcover. First edition. Octavo, 224 pages. In Very Good minus condition. Spine is yellow with black print. Boards in glossy illustrated paper. Text block has bookplate on front pastedown. Illustrated: b&w photographs. NOTE: Shelved in Netdesk Column K (ND-K). 1417388. FP New Rockville Stock.

Sprache: Englisch
Verlag: Stanford University Press, 2000
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Sprache: Englisch
Verlag: Stanford University Press, 2000
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Sprache: Englisch
Verlag: Stanford University Press, 2000
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Sprache: Englisch
Verlag: Stanford University Press, 2000
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Zustand: New. This work is an introduction to modernity as envisioned by Germany's leading social theorist of the late 20th century, Niklas Luhmann. For Luhmann, modernity is neither an Enlightenment project nor a ludic rejection of that project, but rather the pre-condition of all our deliberations. Series: Cultural Memory in the Present Series. Num Pages: 264 pages. BIC Classification: JFC; JHBA. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 5817 x 3887 x 17. Weight in Grams: 369. . 2000. 1st Edition. paperback. . . . .…

Sprache: Englisch
Verlag: Stanford University Press, 2000
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Zustand: New. In English.

Sprache: Englisch
Verlag: Stanford University Press, 2000
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Zustand: New. This work is an introduction to modernity as envisioned by Germany's leading social theorist of the late 20th century, Niklas Luhmann. For Luhmann, modernity is neither an Enlightenment project nor a ludic rejection of that project, but rather the pre-condition of all our deliberations. Series: Cultural Memory in the Present Series. Num Pages: 264 pages. BIC Classification: JFC; JHBA. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 5817 x 3887 x 17. Weight in Grams: 369. . 2000. 1st Edition. paperback. . . . . Books ship from the US and Ireland.…

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Sprache: Englisch
Verlag: Stanford University Press, 2000
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Zustand: New. This volume offers a cultural, aesthetic, and critical reappraisal of German 'rubble films' produced in the immediate aftermath of the Second World War and constructs their meaning in a historical context. Editor(s): Wilms, Wilfried; Rasch, William. Series: Studies in European Culture and History. Num Pages: 230 pages, 4 black & white illustrations, biography. BIC Classification: APFA; HBJD; HBLW3. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 218 x 149 x 17. Weight in Grams: 356. . 2008. 2008th Edition. hardcover. . . . .…

Sprache: Englisch
Verlag: Stanford University Press, US, 2000
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Paperback. Zustand: New. This book is an introduction to the nature of modernity as envisioned by Germany's leading social theorist of the late twentieth century, Niklas Luhmann. For Luhmann, modernity is neither an Enlightenment project nor a ludic rejection of that project, but rather the pre-condition of all our deliberations, the structure within which our semantics makes sense, even as we think we celebrate (or mourn) its passing. Rather than viewing modernity as a disease for which we seek a cure, Luhmann poses it as a question to which we continually devise incomplete and partial answers. When we grow impatient with the contingency and indeterminacy that is thus forced upon us and seek solace in community, religion (orthodox or civic), consensus, and a universal vision of the good life, we grow impatient with modernity itself. The book injects concepts derived from Luhmann's influential systems theory (complexity, contingency, and enforced selectivity; system differentiation, self-referential closure, and autopoiesis) into debates about modernity and postmodernity, constructivist and foundationalist epistemologies, the relationship between politics and ethics, and the possibilities of interdisciplinary work that spans the great divide between science and the humanities. Delighting in Luhmann's provocatively cool and dispassionate bursting of cherished balloons, the book stages challenging engagements with such thinkers as Jürgen Habermas, Jacques Derrida, Jean-François Lyotard, Drucilla Cornell, Judith Butler, Michel Serres, N. Katherine Hayles, and such political theorists as Chantal Mouffe and Carl Schmitt. The irrepressibility of paradox emerges as a stubborn feature of all of these confrontations. The book closes with two interviews: one a discussion with Luhmann and Hayles on epistemology, the other with Luhmann on the functional differentiation of modern society.…

Sprache: Englisch
Verlag: STANFORD UNIV PR, 2000
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Zustand: New. This book is an introduction to the nature of modernity as envisioned by Germany s leading social theorist of the late 20th century, Niklas Luhmann. For Luhmann, modernity is neither an Enlightenment project nor a ludic rejection of that project, but rather.

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Zustand: New. This volume offers a cultural, aesthetic, and critical reappraisal of German 'rubble films' produced in the immediate aftermath of the Second World War and constructs their meaning in a historical context. Editor(s): Wilms, Wilfried; Rasch, William. Series: Studies in European Culture and History. Num Pages: 230 pages, 4 black & white illustrations, biography. BIC Classification: APFA; HBJD; HBLW3. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 218 x 149 x 17. Weight in Grams: 356. . 2008. 2008th Edition. hardcover. . . . . Books ship from the US and Ireland.…

Sprache: Englisch
Verlag: Stanford University Press, 2000
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Taschenbuch. Zustand: Neu. Niklas Luhmann's Modernity | The Paradoxes of Differentiation | William W Rasch | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2000 | Stanford University Press | EAN 9780804739924 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-nostrum[dot]co[dot]uk | Anbieter: preigu.…

Sprache: Englisch
Verlag: STANFORD UNIV PR, 2000
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Gebunden. Zustand: New. This book is an introduction to the nature of modernity as envisioned by Germany s leading social theorist of the late 20th century, Niklas Luhmann. For Luhmann, modernity is neither an Enlightenment project nor a ludic rejection of that project, but rather.

Sprache: Englisch
Verlag: Stanford University Press, US, 2000
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Hardback. Zustand: New. This book is an introduction to the nature of modernity as envisioned by Germany's leading social theorist of the late twentieth century, Niklas Luhmann. For Luhmann, modernity is neither an Enlightenment project nor a ludic rejection of that project, but rather the pre-condition of all our deliberations, the structure within which our semantics makes sense, even as we think we celebrate (or mourn) its passing. Rather than viewing modernity as a disease for which we seek a cure, Luhmann poses it as a question to which we continually devise incomplete and partial answers. When we grow impatient with the contingency and indeterminacy that is thus forced upon us and seek solace in community, religion (orthodox or civic), consensus, and a universal vision of the good life, we grow impatient with modernity itself. The book injects concepts derived from Luhmann's influential systems theory (complexity, contingency, and enforced selectivity; system differentiation, self-referential closure, and autopoiesis) into debates about modernity and postmodernity, constructivist and foundationalist epistemologies, the relationship between politics and ethics, and the possibilities of interdisciplinary work that spans the great divide between science and the humanities. Delighting in Luhmann's provocatively cool and dispassionate bursting of cherished balloons, the book stages challenging engagements with such thinkers as Jürgen Habermas, Jacques Derrida, Jean-François Lyotard, Drucilla Cornell, Judith Butler, Michel Serres, N. Katherine Hayles, and such political theorists as Chantal Mouffe and Carl Schmitt. The irrepressibility of paradox emerges as a stubborn feature of all of these confrontations. The book closes with two interviews: one a discussion with Luhmann and Hayles on epistemology, the other with Luhmann on the functional differentiation of modern society.…

Sprache: Englisch
Verlag: Stanford University Press, US, 2000
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Hardback. Zustand: New. This book is an introduction to the nature of modernity as envisioned by Germany's leading social theorist of the late twentieth century, Niklas Luhmann. For Luhmann, modernity is neither an Enlightenment project nor a ludic rejection of that project, but rather the pre-condition of all our deliberations, the structure within which our semantics makes sense, even as we think we celebrate (or mourn) its passing. Rather than viewing modernity as a disease for which we seek a cure, Luhmann poses it as a question to which we continually devise incomplete and partial answers. When we grow impatient with the contingency and indeterminacy that is thus forced upon us and seek solace in community, religion (orthodox or civic), consensus, and a universal vision of the good life, we grow impatient with modernity itself. The book injects concepts derived from Luhmann's influential systems theory (complexity, contingency, and enforced selectivity; system differentiation, self-referential closure, and autopoiesis) into debates about modernity and postmodernity, constructivist and foundationalist epistemologies, the relationship between politics and ethics, and the possibilities of interdisciplinary work that spans the great divide between science and the humanities. Delighting in Luhmann's provocatively cool and dispassionate bursting of cherished balloons, the book stages challenging engagements with such thinkers as Jürgen Habermas, Jacques Derrida, Jean-François Lyotard, Drucilla Cornell, Judith Butler, Michel Serres, N. Katherine Hayles, and such political theorists as Chantal Mouffe and Carl Schmitt. The irrepressibility of paradox emerges as a stubborn feature of all of these confrontations. The book closes with two interviews: one a discussion with Luhmann and Hayles on epistemology, the other with Luhmann on the functional differentiation of modern society.…

Sprache: Englisch
Verlag: Stanford University Press Dez 2000, 2000
- Hardcover
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Buch. Zustand: Neu. Neuware - This book is an introduction to the nature of modernity as envisioned by Germany's leading social theorist of the late twentieth century, Niklas Luhmann. For Luhmann, modernity is neither an Enlightenment project nor a ludic rejection of that project, but rather the pre-condition of all our deliberations, the structure within which our semantics makes sense, even as we think we celebrate (or mourn) its passing. Rather than viewing modernity as a disease for which we seek a cure, Luhmann poses it as a question to which we continually devise incomplete and partial answers. When we grow impatient with the contingency and indeterminacy that is thus forced upon us and seek solace in community, religion (orthodox or civic), consensus, and a universal vision of the good life, we grow impatient with modernity itself. The book injects concepts derived from Luhmann's influential systems theory (complexity, contingency, and enforced selectivity; system differentiation, self-referential closure, and autopoiesis) into debates about modernity and postmodernity, constructivist and foundationalist epistemologies, the relationship between politics and ethics, and the possibilities of interdisciplinary work that spans the great divide between science and the humanities. Delighting in Luhmann's provocatively cool and dispassionate bursting of cherished balloons, the book stages challenging engagements with such thinkers as Jürgen Habermas, Jacques Derrida, Jean-François Lyotard, Drucilla Cornell, Judith Butler, Michel Serres, N. Katherine Hayles, and such political theorists as Chantal Mouffe and Carl Schmitt. The irrepressibility of paradox emerges as a stubborn feature of all of these confrontations. The book closes with two interviews: one a discussion with Luhmann and Hayles on epistemology, the other with Luhmann on the functional differentiation of modern society.…

Sprache: Englisch
Verlag: Stanford University Press, 2000
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Sprache: Englisch
Verlag: Stanford University Press Dez 2000, 2000
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Taschenbuch. Zustand: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book is an introduction to the nature of modernity as envisioned by Germany's leading social theorist of the late twentieth century, Niklas Luhmann. For Luhmann, modernity is neither an Enlightenment project nor a ludic rejection of that project, but rather the pre-condition of all our deliberations, the structure within which our semantics makes sense, even as we think we celebrate (or mourn) its passing. Rather than viewing modernity as a disease for which we seek a cure, Luhmann poses it as a question to which we continually devise incomplete and partial answers. When we grow impatient with the contingency and indeterminacy that is thus forced upon us and seek solace in community, religion (orthodox or civic), consensus, and a universal vision of the good life, we grow impatient with modernity itself. The book injects concepts derived from Luhmann's influential systems theory (complexity, contingency, and enforced selectivity; system differentiation, self-referential closure, and autopoiesis) into debates about modernity and postmodernity, constructivist and foundationalist epistemologies, the relationship between politics and ethics, and the possibilities of interdisciplinary work that spans the great divide between science and the humanities. Delighting in Luhmann's provocatively cool and dispassionate bursting of cherished balloons, the book stages challenging engagements with such thinkers as Jürgen Habermas, Jacques Derrida, Jean-François Lyotard, Drucilla Cornell, Judith Butler, Michel Serres, N. Katherine Hayles, and such political theorists as Chantal Mouffe and Carl Schmitt. The irrepressibility of paradox emerges as a stubborn feature of all of these confrontations. The book closes with two interviews: one a discussion with Luhmann and Hayles on epistemology, the other with Luhmann on the functional differentiation of modern society. 264 pp. Englisch.…

Sprache: Englisch
Verlag: Stanford University Press, 2000
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Taschenbuch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This book is an introduction to the nature of modernity as envisioned by Germany's leading social theorist of the late twentieth century, Niklas Luhmann. For Luhmann, modernity is neither an Enlightenment project nor a ludic rejection of that project, but rather the pre-condition of all our deliberations, the structure within which our semantics makes sense, even as we think we celebrate (or mourn) its passing. Rather than viewing modernity as a disease for which we seek a cure, Luhmann poses it as a question to which we continually devise incomplete and partial answers. When we grow impatient with the contingency and indeterminacy that is thus forced upon us and seek solace in community, religion (orthodox or civic), consensus, and a universal vision of the good life, we grow impatient with modernity itself. The book injects concepts derived from Luhmann's influential systems theory (complexity, contingency, and enforced selectivity; system differentiation, self-referential closure, and autopoiesis) into debates about modernity and postmodernity, constructivist and foundationalist epistemologies, the relationship between politics and ethics, and the possibilities of interdisciplinary work that spans the great divide between science and the humanities. Delighting in Luhmann's provocatively cool and dispassionate bursting of cherished balloons, the book stages challenging engagements with such thinkers as Jürgen Habermas, Jacques Derrida, Jean-François Lyotard, Drucilla Cornell, Judith Butler, Michel Serres, N. Katherine Hayles, and such political theorists as Chantal Mouffe and Carl Schmitt. The irrepressibility of paradox emerges as a stubborn feature of all of these confrontations. The book closes with two interviews: one a discussion with Luhmann and Hayles on epistemology, the other with Luhmann on the functional differentiation of modern society.…

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