Robert marco (820 Ergebnisse)

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Paperback. Zustand: Very Good. 3. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

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Zustand: Very Good. 0th Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

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Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

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Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

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Paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardback. Zustand: Very Good. Over the course of more than twenty-five years, Primo Levi gave more than two hundred newspaper, journal, radio and television interviews speaking with such varied authors as Philip Roth and Germaine Greer. Marco Belpoliti and Robert Gordon have selected and translated thirty-six of the most important of these interviews for The Voice of Memory. We recognize the voice familiar to us from Levi's masterpieces, from The Periodic Table to The Drowned and the Saved. But we also see a fuller, more varied and more complex picture of the writer famously shrouded in his past. There is Levi the Holocaust witness; Levi the writer; Levi the intellectual; Levi the political polemicist; and Levi the atheist and Jew, holding onto his Jewish culture while rejecting the symbols of a faith he could not share. Levi emerges in a rich, contradictory and essentially human light. He was a classic figure out of place. As he put it, 'I am an amphibian, a centaur. I live with this paranoiac split'. Levi's status as perhaps the most important of the survivor-writers of the Holocaust is enhanced still further by his many voices speaking in this remarkable book. This volume will be of considerable interest to all readers of Primo Levi's work, as well as to students and scholars of contemporary literature.…

hardcover. Zustand: Very Good. First Edition. Used - Very Good.

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Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Zustand: Very Good. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Edition: third ] Publisher: Pantheon Pub Date: 7/12/1974 Binding: Paperback Pages: 512 third edition.

Paperback. Zustand: Very Good. xii, 499 pages, illustrations; 21 cm. First published 1945. Tight, clean copy. Light shelfwear. *** "Excerpts from the writings of painters and sculptors over a period of seven centuries present a highly personal and authentic history of art." - Publisher. *** CONTENTS: THE FOURTEENTH CENTURY. Cennino Cennini, ca. 1372-? THE FIFTEENTH CENTURY. Lorenzo Ghiberti, 1378-1455; Leon Battista Alberti, 1404-1472; Antonio Averlino, called Filarete, 1400-1465; Piero della Francesca, 1416(?)-1492; Leonardo da Vinci, 1452-1519. THE EARLY SIXTEENTH CENTURY. Italy: Jacopo Carucci da Pontormo, 1494-1556; Benvenuto Cellini, 1500-1571; Giorgio Vasari, 1511-1576; Bartolommeo Ammannati, 1511-1592 Jacopo Robusti, called Tintoretto, 1518-1594; Paolo Caliari, called Veronese, 1528-1588; Giovan Battista Armenini, 1530-1588; Giovanni Paolo Lomazzo, 1538-1600; Federico Zuccari, 1542-1609; Flanders: lambert Lombard, 1505-1566; England: Nicholas Hilliard, 1547-1619. THE SEVENTEENTH CENTURY. Italy: Annibale Carracci, 1560-1609; Guido Reni, 1575-1642; Francesco Albani, 1578-1660; Carlo Ridolfi, 1594-1568; Andrea Sacchi, 1599-1661; Pietro Berrettini da Cortona, 1596-1669; Gian Lorenzo Bernini, 1598-1680; Spain: Vicente Carducho, 1568-1638; Francisco Pacheco, 1564-1654; Flanders: Peter Paul Rubens, 1577-1640; France: Nicolas Poussin, 1594-1665; Charles Lebrun, 1619-1690; Antoine Coypel, 1661-1722. THE EIGHTEENTH CENTURY. Italy: Sebastiano Conco, 180-1764; Spain: Antonio Palomino, 1653-1723; France: Antoine Watteau, 1684-1721; Jean-Baptiste Sim on Chardin, 1699-1779; Maurice-Quentin de La Tour, 1704-1788; Etienne Falconet, 1716-1791; Pierre-Paul Prud'hon, 1758-1823; England: William Hogarth, 1697-1764; Sir Joshua Reynolds, 1723-1792; Thomas Gainsborough, 1727-1788; Sir Thomas Lawrence, 1769-1830. NEO-CLASSICISM AND ROMANTICISM. Italy: Antonio Canova, 1757-1821; Giuseppe Bossi, 1777-1815; Spain: Francisco Goya, 1746-1828; France: Jacques-Louis David, 1748-1825; Anne-Louis Girodet-Trioson, 1767-1824; Jean-Auguste-Dominique Ingres, 1780-1867; Pierre Jean David d'Angers, 1788-1856; Th odore G ricault, 1791-1824; Eug ne Delacroix, 1796-1863; Jean-Baptiste Camille Corot, 1796-1875; Hippolyte Flandrin, 1809-1864; Thomas Couture, 1815-1879; Germany: Anton Raphael Mengs, 1728-1799; Philipp Otto Runge, 1776-1810; Franz Pforr, 1788-1812; Friedrich Overbeck, 1789-1869; England: James Barry, 1741-1806; Henry Fuseli, 1741-1825; William Blake, 1757-1827; John Constable, 1776-1837; America: Washington Allston, 1779-1843; Samuel F. B. Morse, 1791-1872; Thomas Cole, 1804-1848; Horatio Greenough, 1805-1852. REALISM AND IMPRESSIONISM. France: William Bouguereau, 1825-1905; Th odore Rousseau, 1812-1867; Jean-Fran ois Millet, 1814-1875; Gustave Courbet, 1819-1877; Eug ne Fromentin, 1820-1876; Eug ne Boudin, 1824-1898; Edouard Manet, 1832-1883; Edgar Degas, 1834-1917; Alfred Sisley, 1839-1899; Claude Money, 1840-1926; Camille Pissarro, 1830-1903; Auguste Renoir, 1841-1919; Auguste Rodin, 1840-1917; Italy: Adriano Cecioni, 1836-1886; Medardo Rosso, 1858-1928; Giovanni Segantini, 1858-1899; Germany: Adolf Menzel, 1815-1905; Max Liebermann, 1847-1943; England: Dante Gabriedl Rosetti, 1828-1882; Holman Hunt, 1827-1910; Frederic Leighton, 1830-1896; America: George Caleb Bingham, 1811-1879; George Inness, 1825-1894; James A. McNeill Whistler, 1834-1903; Winslow Homer, 1836-1910; Thomas Eakins, 1844-1916; Albert Pinkham Ryder, 1847-1915. POST-IMPRESSIONISM AND SYMBOLISM. France: Odilon Redon, 1840-1916; Paul C zanne, 1839-1906; Paul Gauguin, 1848-1903; Georges Seurat, 1859-1891; Paul Signac, 1863-1935; Maurice Denis, 1870-1943; Holland: Vincent van Gogh, 1853-1890; Belgium: James Ensor, 1860; Germany: Hans von Mar es, 1837-1887; Adolf von Hildebrand, 1847-1921; Switzerland: Ferdinand Hodler, 1853-1918; England: Walter Richard Sickert, 1860-1942; America: Robert Henri, 1865-1929; John Sloan, 1871. THE TWENTIETH CENTURY. The School of Paris: Henri Rousseau, 1844-1910; Antoine Bourdelle, 1. …