schaefer magnus (42 Ergebnisse)

Zustand: good.

Zustand: very_good. Very good condition. Light wear. May not include CD DVD, access code or any other supplemental materials.

Hardcover. Zustand: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

hardcover. Zustand: Very Good. Paperback--excellent condition.

Hardcover. Zustand: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. A large, thick brown cloth-boards hardback with a dust jacket now protected in a new archival-quality, removable plastic cover. Plenty of black-&-white and color art. This nice copy has an "opened-only-a-few-times" look & feel with no crushes to the boards' corners. This book is clean and unmarked with no edgewear to either the boards or dust jacket. Stored in sealed plastic protection and mailed (bubble-wrapped) in a sturdy cardboard box. We ship (tracking included) promptly from Roswell, Ga. Due to weight and price; international orders are subject to a postal surcharge. Serving satisfied book customers since 1999. 355-stated pages.

Hardcover. Zustand: Like New. Zustand des Schutzumschlags: Like New. First Edition. First Edition, First Printing. Published by MoMA, 2018. Folio. Brown cloth boards.Book is like new; clean with no writing or names. Spine straight, binding tight and pages crisp. Very light bumps to top corners. Dust jacket is like new with very light shelf wear. 355 pages. ISBN: 9781633450318. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York. We Buy Books! Individual titles, libraries, collections. Message us if you have books to sell!

Hardcover. Zustand: fine. Quarto. (11" x 9") Fine copy in original shrinkwrap.

Hardcover with dustjacket, 356 pages, as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. In shrinkwrap. With a magician's sleight of hand, Nauman's art makes disappearance visible At 76 years old, Bruce Nauman is widely acknowledged as a central figure in contemporary art whose stringent questioning of values such as good and bad remains urgent today. Throughout his 50-year career, he has explored how mutable experiences of time, space, sound, movement and language provide an insecure foundation for our understanding of our place in the world. This richly illustrated catalog offers a comprehensive view of Nauman's work in all mediums, spanning drawings across the decades; early fiberglass sculptures; sound environments; architecturally scaled, participatory constructions; rhythmically blinking neons; and the most recent 3D video that harks back to one of his earliest performances. A wide range of authors--curators, artists and historians of art, architecture and film--focus on topics that have been largely neglected, such as the architectural models that posit real or imaginary sites as models for ethical inquiry and mechanisms of control. An introductory essay explores Nauman's many acts of disappearance, withdrawal and deflection as central formal and intellectual concerns. The 18 other contributions discuss individual objects or themes that persist throughout the artist's career, including the first extensive essay on Nauman as a photographer and the first detailed treatment on the role of color in his work. A narrative exhibition history traces his reception, and features a number of rare or previously unpublished images. Bruce Nauman was born in Indiana in 1941 and raised near Milwaukee, Wisconsin. He studied math, music and physics at the University of Wisconsin-Madison before switching his major to visual art, and received an MA in sculpture from the University of California, Davis, in 1966. In 1979 he moved to New Mexico, where he continues to reside. Nauman's work has been the subject of two previous retrospectives, in 1972 and 1994. In 2009 he represented the United States at the Venice Biennale, where he won the Golden Lion. .

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Minor shelf wear; small bump at bottom of tail board. Else a bright, clean copy. With a magician's sleight of hand, Nauman's art makes disappearance visible At 76 years old, Bruce Nauman is widely acknowledged as a central figure in contemporary art whose stringent questioning of values such as good and bad remains urgent today. Throughout his 50-year career, he has explored how mutable experiences of time, space, sound, movement and language provide an insecure foundation for our understanding of our place in the world. This richly illustrated catalog offers a comprehensive view of Nauman's work in all mediums, spanning drawings across the decades; early fiberglass sculptures; sound environments; architecturally scaled, participatory constructions; rhythmically blinking neons; and the most recent 3D video that harks back to one of his earliest performances. A wide range of authors--curators, artists and historians of art, architecture and film--focus on topics that have been largely neglected, such as the architectural models that posit real or imaginary sites as models for ethical inquiry and mechanisms of control. An introductory essay explores Nauman's many acts of disappearance, withdrawal and deflection as central formal and intellectual concerns. The 18 other contributions discuss individual objects or themes that persist throughout the artist's career, including the first extensive essay on Nauman as a photographer and the first detailed treatment on the role of color in his work. A narrative exhibition history traces his reception, and features a number of rare or previously unpublished images. Bruce Nauman was born in Indiana in 1941 and raised near Milwaukee, Wisconsin. He studied math, music and physics at the University of Wisconsin-Madison before switching his major to visual art, and received an MA in sculpture from the University of California, Davis, in 1966. In 1979 he moved to New Mexico, where he continues to reside. Nauman's work has been the subject of two previous retrospectives, in 1972 and 1994. In 2009 he represented the United States at the Venice Biennale, where he won the Golden Lion. .

hardcover. Zustand: Used-Very Good. Cloth, dj. Some shelf wear. Corners of spine, rear board creased, with attendant crease in jacket. Else fine. A nice, clean copy with pristine images.

hardcover. Zustand: fine. Zustand des Schutzumschlags: fine. Nauman, Bruce (illustrator). With chapters by many authors. Extensively illustrated. 356 pages, thick 4to, brown cloth, d.w. New York: The Museum of Modern Art, (2018). A fine copy in a fine dust wrapper. Published in conjunction with the exhibition, Bruce Nauman: Disappearing Acts.

Hardcover. Zustand: Very good. Zustand des Schutzumschlags: Very good. Great condition. Jacket has light wear, but is bright. Binding is tight, and inside is clean and unmarked.

Audiobook. Zustand: New.

Hardcover. Zustand: new. New Copy. Customer Service Guaranteed.

Hardcover. Zustand: As New. Zustand des Schutzumschlags: As New. Laurenz Foundation, Schaulager Basel. The Museum of Modern Art, New York. 356pp. Bright, clean & tight copy, unread, in AS NEW condition. "Bruce Nauman is widely acknowledged as a central figure in contemporary art, and the stringent questioning of values--both aesthetic and moral--that has long sustained his project remains urgent today. For more than fifty years, Nauman has explored how mutable experiences of time, space, sound, movement, and language provide an insecure foundation for our understanding of our place in the world. This richly illustrated catalogue, which includes rare and previously unpublished images, offers a comprehensive view of the artist's work in all media--including drawings; early fiberglass sculptures; sound environments; architecturally scaled, participatory constructions; rhythmically blinking neons; and a recent 3-D video that harks back to one of Nauman's earliest performances. A wide range of authors--artists, curators, and historians of art, architecture, and film--focus on topics that have been largely neglected, such as the architectural structures that posit real or imaginary spaces as models for ethical inquiry and mechanisms of control. Curator Kathy Halbreich's introductory essay explores Nauman's many acts of disappearance, withdrawal, and deflection as revelatory of his central formal and intellectual concerns. Eighteen further contributions tease out the various themes that run through this protean and elusive artist's work." [jacket copy] "A master class in producing art, and in curating an exhibition, that confounds the impulse to make coherent statements about it. The more you try to explain its force, the more elusive its power becomes."--Ken Okiishi, Artforum. "Nauman has done much to change the way we define what art is, and what is art."--Holland Cotter, The New York Times. "[Nauman's work] forms a discontinuous parade of creative brainstorms and engulfing installations, resulting in an ethical adventure as much as an aesthetic one."--Peter Schjeldahl, The New Yorker. "By refusing to prettify the nature of human existence, and by interrogating the way people act when alone, with each other, and in uncomfortable scenarios, Nauman might inadvertently provide hope for those seeking a way to understand our current situation."--Dore Bowen, Art in America. Pristine & massive hardcover w/brilliant corners & crisp edges, a square & tight binding, wrapped in a bright-as-new jacket. This oversized book will likely require additional postage & insurance to get to you safely; please inquire with your specific interest & destination.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine.

weicher Einband. . Broschur lila, 80 Seiten, 4°. * Text: englisch, neuwertig, (noch eingeschweißt), (A-K112). 320 gr.

Zustand: Sehr gut. 6 CDs ; 12 cm, in Behältnis 13 x 15 x 3 cm Sprache: Deutsch Gewicht in Gramm: 1001.

audioCD. Zustand: Sehr gut. Seiten; 6 CD + Booklet - 14631B 8Q-3IW3-6485 Sprache: Deutsch Gewicht in Gramm: 500.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

CDs. Zustand: Neu. 6 verlagsfrische, originalverpackte CDs in faltbarem Digi-Pack B05-03-06I Sprache: Deutsch Gewicht in Gramm: 158.

Hardcover. Zustand: Brand New. 355 pages. 11.00x9.25x1.25 inches. In Stock.

Paperback. Zustand: New.

hardcover. Zustand: Like New. First Edition. Publisher: Museum of Modern Art, New York, 2014. FINE Hardcover in faux snakeskin patterned pictorial boards boards, as issued. First Edition. First Printing. As new. Pristine.

Hardcover. Zustand: Very Good. Gently read hardcover, with glossy pages, very good pictorial binding. Ready to ship.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Cloth. Zustand: Near Fine. 320 pages with 520 illustrations in color. Minor rubbing and wear to the cover and edge. Edited by Kathy Halbreich, Mark Godfrey, Lanka Tattersall, and Magnus Schaefer. Published on the occasion of the exhibition from The Museum of Modern Art, New York, New York April 19-August 3 , 2014. Bibliography by Erhard Klein. Interview with Benjamin H. D. Buchloh. Book.

Hardcover. Zustand: new. New Copy. Customer Service Guaranteed.