schmidt victor michael (13 Ergebnisse)

Softcover. Backstrip and part of front cover sun-faded; backstrip bumped at front edge; otherwise very good condition. "With compliments of the author" on half-title page. . 237p. Illus. Doctoral thesis.

Zustand: Fair. Volume 4. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:9042913088.

hardcover. Zustand: New.

Soft cover. Zustand: Fine. Fine copy. [HK13P2 / B1].

Hardcover. Zustand: new. Hardcover. This volume deals with similarities and correspondences between Late Antiquity (c. 300-600 AD) and the Renaissance (roughly after c. 1350). In both periods, the presence of two competing forces, the ancient classical and the Christian traditions, led to a constant dynamic of thought and creativity. The ten essays in this volume present new views on these issues in the fields of political philosophy, theology, law, literature, art, and architecture. This volume deals with similarities and correspondences between Late Antiquity (c. 300-600 AD) and the Renaissance (roughly after c. 1350). In both periods, the presence of two competing forces, the ancient classical and the Christian traditions, led to a constant dynamic of thought and creativity. The ten essays in this volume present new views on these issues in the fields of political philosophy, theology, law, literature, art, and architecture. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Zustand: As New in shrinkwrap. Brown cloth boards with gilt spine lettering. Glossy brown and color-illustrated dust jacket with cream lettering. 527 pp. Mainly BW illustrations with 24 color plates. Papers from symposiums held in Florence on 5-6 June and in Washington on 16 October 1998. Contents as follows: The typology, meaning, and use of some panel paintings from the Duecento and Trecento / Marco Ciatti -- Visio divina? Donor figures and representations of imagistic devotion: the copy of the "Virgin of Bagnolo" in the Museo dell'Opera del Duomo, Florence / Lars R. Jones -- Medium and imagination: aesthetic aspects of Trecento panel painting / Klaus Krüger -- The lunette-shaped panel and some characteristics of panel painting / Victor M. Schmidt -- How liturgical is a medieval altarpiece? / Kees Van der Ploeg -- Icon to altarpiece in the Frankish East: images of the Virgin and Child enthroned / Jaroslav Folda -- The function of the Rucellai Madonna in the Church of Santa Maria Novella / Luciano Bellosi -- Giotto in America (and elsewhere) / Julian Gardner -- Observations on some polyptychs and altaroli by Ambrogio Lorenzetti / Michel Laclotte -- Altarpiece types and regional adaptations in the work of Taddeo di Bartolo / Gail E. Solberg -- Thirteenth- and fourteenth-century Perugian double-sided altarpieces: form and function / Dillian Gordon -- Duccio's Maestà: the function of the scenes from the life of Christ on the reverse of the altarpiece: a new hypothesis / Peter Seiler -- Guido da Siena's Misteri di Gesù Cristo / Barbara John -- Beyond the limitations of visual typology: reconsidering the function and audience of three Vita panels of women saints c. 1300 / Joanna Cannon -- Seven scenes of the life of Saint Stephen by Martino di Bartolomeo in Frankfurt: a proposal for their provenance, function, and relationship to Simone Martini's Beato Agostino Novello Monument / Rudolf Hiller Von Gaertringen -- Francis of Assisi in prayer before the crucifix in the accounts of the first biographers / Elvio Lunghi -- Marks of devotion: case study of a crucufix by Lorenzo di Bicci / Elisabeth Mognetti -- Opening the doors to devotion: Trecento triptychs and suggestions concerning images and domestic practice in Florence / David G. Wilkins -- Portable polyptychs with narrative scences: fourteenth-century de luxe objects between Italian panel painting and French Arts somptuaires / Victor M. Schmidt -- The production and trade of late Gothic pictures of the Madonna in Tuscany / Gaudenz Freuler -- Cassoni istoriati with "Torello and Saladin": observations on the origins of a new genre of Trecento art in Florence / Jerzy Mizio ek -- Everything in a name? or the classification of Sienese Duecento painting / Hayden B.J. Maginnis -- Florentine mosaics and panel paintings: problems of chronology / Miklós Boskovits.

Soft cover. Zustand: Fine. Fine copy. [HK14P1].

Zustand: New. 2003. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Zustand: new. Hardcover. This volume deals with similarities and correspondences between Late Antiquity (c. 300-600 AD) and the Renaissance (roughly after c. 1350). In both periods, the presence of two competing forces, the ancient classical and the Christian traditions, led to a constant dynamic of thought and creativity. The ten essays in this volume present new views on these issues in the fields of political philosophy, theology, law, literature, art, and architecture. This volume deals with similarities and correspondences between Late Antiquity (c. 300-600 AD) and the Renaissance (roughly after c. 1350). In both periods, the presence of two competing forces, the ancient classical and the Christian traditions, led to a constant dynamic of thought and creativity. The ten essays in this volume present new views on these issues in the fields of political philosophy, theology, law, literature, art, and architecture. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Zustand: New. 2003. Hardcover. . . . . .

Hardcover. Zustand: New.

Zustand: gut. Rechnung mit MwSt - Versand aus Deutschland pages.

Zustand: Fine. 1st Edition. All square duodecimos with printed wrappers (either white or brown) + pasted in 8-page leporellos with 5 black and white illustrations (except for Annegret Koch's booklet that prints three colour images) + short biography and statement by the photographer. Sander, August. Fotografien, 1945-1955. 40 Beispiele der Nachkriegsarbeit. Exhibition from 18.1.1980 - 18.2.1980. First catalogue published in a series of 12 exhibitions under the title: Portraits aus Nachkriegsdeutschland 1945 - 1980. (Chargesheimer, Hilmar Pable, Rene Burri, Gabriele u. Helmut Nothelfer, Leonard Freed, Timm Rautert, Andre Gepke, Stefan Moses and Andreas Horlitz) Feininger, T. Lux. Fotografien, 1927-1950. Exhibition from 15.3.1981 - 20.4.1981. Deutschmann, Thomas. Genossenschafstwohnungen. (Aspekte der Grosstadt: zeitgenössische deutsche Fotografie) Exhibition from 22.04.1981-22.05.1981. Eisenhardt, Hanns-Christoph - Brauchitsch, Victor von. Zeichen in der Stadt. (Aspekte der Grosstadt : zeitgenössische deutsche Fotografie. Exhibition from 22.5.1981 - 22.6.1981. Bauer, Wilfried. Stadtbäume. (Aspekte der Grosstadt: zeitgenössische deutsche Fotografie) Exhibition from 22.6. - 17.7.1981. Schmidt, Michael. Stadtlandschaften. (Exhibition from 17.8. - 11.9.1981.) Koch, Annegret. City-Bilder. Fotografien von Annegret Koch. (Aspekte der Großstadt: zeitgenössische deutsche Fotografie). Exhibition from 11.9.1981 - 8.10.1981. - First editions. Four of these seven booklets published on the occasion of the exhibition: (Aspekte der Grosstadt : zeitgenössische deutsche Fotografie) 1981 - 1982 (Thomas Deutschmann: Genossenschaftswohnungen Victor von Brauchitsch - Hanns-Christoph Eisenhardt: Zeichen in der Stadt - Wilfried Bauer: Stadtbäume - Michael Schmidt: Stadtlandschaften - Annegret Koch: City-Bilder - Wilhelm Schümann: Meine Strasse Dieter Kramer: Noch ist Kreuzberg nicht verloren).